Picasso

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GRAPHIC DESIGN PRINTS, Art|Techniques|Printmaking art grafik grafiken Bolliger, Hans (Vorwort): Picasso's Vollard Suite, Thames & Hudson, London 1994 ISBN: 500271003

- 4°. Illustr. OPbd. ca. 200 illustr. S. Neuwertig / good copy !!! Jump to: navigation, search The Vollard Suite is a set of 100 etchings in the neoclassical style by the Spanish artist Pablo Picasso, produced from 1930-37. Named for the art dealer who commissioned them, Ambroise Vollard (1866-1939), the suite is in a number of museums, and individual etchings from the suite are collectible. More than 300 sets were created, but many were broken up and the prints sold separately. In 1930 Picasso was commissioned to produce the etchings by the art dealer and publisher Ambroise Vollard in exchange for paintings by Pierre-Auguste Renoir and Paul Cezanne. [2] Picasso worked extensively on the set in the spring of 1933 and completed the suite in 1937. [2] It took a further two years for the printmaker Roger Lacouriere to finish printing the 230 full sets, but the death of Vollard in 1939 and the Second World War meant that the sets only started coming onto the art market in the 1950s. [2] A 1971 exhibition of the suite in Madrid was attacked by a paramilitary group, the Guerrilleros del Christo Rey (Warriors of Christ the King) who tore the pictures, and poured acid over the prints. The group attacked things associated with Spanish exiles like Picasso who aligned themselves with the Republican cause in the Spanish Civil War. [3] A spinning residential building in Brazil was named Suite Vollard after the suite. [4] A complete set is owned by the National Gallery of Australia, [5] and a complete set was acquired by the British Museum in 2011 after a donation of 1 million from financier Hamish Parker, a director of Mondrian Investment Partners. The donation was in memory of Parker's father, Major Horace Parker. [1] It had been the British Museum's ambition to own the set, and the acquisistion was described by the museums director, Neil MacGregor, as "one of the institution's most important acquisitions of the past 50 years". [1] The series The works are not based on a literary source, and are not titled, although according to the Fundacion Juan March, "Some of the themes have a remote origin in Honore de Balzac's short story Le Chef-d'oeuvre inconnu (The Unknown Masterpiece, 1831), which greatly impressed Picasso. It tells the story of a painter's efforts to capture life itself on canvas through the means of feminine beauty".[6] The works are inscribed by Picasso with the year month and day that he drew the image. [2] Writing in the Daily Telegraph Richard Dormant claims that as Picasso took such a long time to create the suite, "the imagery and the emotional register of the prints constantly shifts to reflect Picasso's erotic and artistic obsessions, marital vicissitudes, and the darkening political situation in Europe...In the years Picasso worked on the series, fascism spread through Europe, and civil war erupted in Spain. These anxieties also found their way into the Vollard Suite, so that by the time you reach the end of the show and the last images of the blind minotaur, you feel that you are in a different emotional universe from the sunlit arcadia you encountered at the show's beginning". [2] The suite begins with prints exploring the theme of the sculptor's studio, Picasso's mistress, Marie-Therese Walter, is portrayed as a model lying in the arms of a bearded sculptor. Picasso had recently been inspired by Marie-Therese to create a series of monumental bronze heads in the neoclassical style. [2] Picasso had also recently been commissioned by the publisher Albert Skira in 1928 to create original intaglio prints for his translation of Ovid's Metamorphoses, which appeared in 1931. [5] Dormant comments that a minotaur appears, joining in scenes of bacchic excess, but the minotaur is transformed from a gentle lover and bon vivant into a rapist and devourer of women, reflecting Picasso's turbulant relationships with Marie-Therese and his wife Olga. [2] In a third transformation, the minotaur becomes pathetic, blind and impotent, he wanders by night, led by a little girl with the features of Marie-Therese. [2] The final three prints from the suite are portraits of Vollard. [7] Picasso learnt new techniques of etching during the suite, from relatively simple line etchings, through dry point and aquatinting and sugar aquatinting, this enabled him to achieve more painterly effects. [2] Most of the prints were completed to Picasso's satisfaction in a single state, but others, especially the erotic compositions, exist in several states, fourteen in one case.(wikipedia)

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Picasso, Pablo: Pablo Picasso : e. Ausstellung zum 100. Geburtstag , Werke aus d. Sammlung Marina Picasso , Katalog , [Haus d. Kunst München, 14. Februar - 20. April 1981 , Josef-Haubrich-Kunsthalle Köln in Zusammenarbeit mit d. Museum Ludwig, 11. August - 11. Oktober 1981 , Städt. Galerie im Städelschen Kunstinst. Frankfurt am Main, 22. Oktober 1981 - 10. Januar 1982]. [Veranst.: Ausstellungsleitung Haus d. Kunst München e.V.]. Hrsg. von Werner Spies. Mit Beitr. von Eduard Beaucamp ... [Kataloggestaltung: Franz Mees] München : Prestel, 1981. ISBN: 3791305239
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421 S. mit zahlr. Abb. 8° , illustr. Ppbd.

[SW: Picasso, Pablo / Ausstellung , Picasso, Marina < Kunstsamml.> / Ausstellung , Kunstausstellung / Wanderausstellung -> Picasso, Pablo / Ausstellung , Private Kunstsammlung / Einz. Sammlungen -> Picasso, Marina < Kunstsamml.> / Ausstellung , Picasso, Pablo / Ausstellungen]

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Weisner, Ulrich (Hrsg.), Picasso, Pablo u. a. Büchersammlung "Pablo Picasso". 5 Titel. 1.) Picassos Klassizismus. Werke 1914 - 1934, herausgegeben von Ulrich Weisner. Kunsthalle Bielefeld, Bildkunst Bonn 1988 2.) Pablo Picasso, 347 graphische Blätter aus dem Jahre 1968. Ausstellungskatalog. Akad. d. Künste, Berlin 3.) Das Genie läßt bitten, Erinnerungen an Picasso, hrsg. von Lothar Lang 4.) Picasso 145 dessins pour la presse et les organisations democratiques, l'Humanite 1973, unpaginiert, 92 Bilder und Dokumente 5.) Grafika Picasso (in russischer Sprache) Bildkunst Bonn und Verlag Philipp Reclam jun. Leipzig

1.) Picassos Klassizismus. Werke 1914 - 1934, herausgegeben von Ulrich Weisner. Kunsthalle Bielefeld, Bildkunst Bonn 1988, 369 Seiten, Einband: illustrierter O. Karton, sehr gut erhalten. 2.) Pablo Picasso, 347 graphische Blätter aus dem Jahre 1968. Ausstellungskatalog. Akad. d. Künste, Berlin, 1. - 29. Juni 1969 u. a.; 133 Seiten, Einband: illustriert O. Karton, gut erhalten. 3.) Das Genie läßt bitten, Erinnerungen an Picasso, hrsg. von Lothar Lang, Verlag Philipp Reclam jun. Leipzig, 1987, mit 11 Fotographien, 198 Seiten, farbig illustrierter Karton-Umschlag, gut erhalten. 4.) Picasso 145 dessins pour la presse et les organisations democratiques, l'Humanite 1973, unpaginiert, 92 Bilder und Dokumente, grüner Leinen-Einband mit etwas lädiertem O. Schutzumschlag, Format 32 x 24 cm, Buch gut erhalten. 5.) Grafika Picasso (in russischer Sprache), 186 Seiten und 126 Grafiken, Leinen-Einband mit O. Schutzumschlag, Druck Moskau, Format 24,5 x 28 cm, gut erhalten, wie oben angegeben

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Picasso, Kunstgeschichte, Themenbuchpakete. 1. Bock, Henning u. a. (Kataolog); 2. Gallego, Julian u. a.; 3. Straumann, Agathe (Red.); 4. Güse, Ernst-Gerhard u. a.; 5. Richardson, John (introduction); 6. Kahnweiler, Daniel-Henry (Vw.); 7. Moeller, Magdalena M. 1. Pablo Picasso. Druckgraphik aus dem Besitz der Kunsthalle Bremen; 2. Picasso. Suite Vollard; 3. Kunstmuseum Basel. Picasso. Aus dem Museum of Modern Art New York und Schweitzer Sammlungen; 4. Picasso. Druckgraphik. Westfälisches Landesmuseum Münster; 5. Hommage to Picasso. Marlborough-Saidenberg; 6. Picasso. Zeichnungen und Druckgraphik 1905 - 1965; 7. Picasso. Druckgraphik, illustrierte Bücher, Zeichnungen, Collagen und Gemälde aus dem Sprengel-Museum Hannover mit einem Vorwort von Joachim Büchner und Beiträgen von Reinhold Hohl und Andreas Franzke. 1. Bremen: Kunsthalle 1967; 2. Madrid (?): Fundacion Juan March (1996); 3. Basel: Kunstmuseum 1976; 4. Münster: Landschaftsverband Westfalen-Lippe 1981; 5. New York: Marlborough 1971; 6. Stgt: Belser (1966); 7. Ffm, Bln: Propyläen (1986). ISBN: 3-549-06668-6
1. Mit Literatur; 2. span./dt.mit einem Photo von Man Ray; 3. Biographie, Bibliographie und einem Beitrag zur Picasso-Literatur von Nikolaus Meier; 4. Verzeichnis, Biographie und Bibliogrphie; 6. Verzeichnis der abgekürzt zitierten Literatur und Katalog von Götz Adriani; 7. Biographische Daten, Literatur und Titelverzeichnis.

1. Opbd., Ou., 110 S., 8°. (Leichte Alktersspuren, gutes Exemplar); 2. Okrt., 128 S., Gr8°. (Gutes Exemplar); 3. Okrt., 184 S., Gr8°. (Leichte Altersspuren, gutes Exemplar); 4. Okrt., 300 S., Gr8°. (Gutes Exemplar); 5. Okrt., 118 S., Gr8°. (leichte Altersspuren, gutes Exemplar); 6. Okrt., ca. 80 S. (nicht paginiert), Gr8°. (Leichte Altersspuren, gutes Exemplar); 7. Opbd., 367 S., 4°. (Minimale Altersspuren, gutes Exemplar). Abgabe der 7 Titel nur zusammen. Als kostenlose Zugabe: Picasso. The Vollard Suite, Fischer Fine Art, London 1973. Okrt., 32 S., 8°. (leichte Altersspuren, gutes Exemplar).,

[SW: Kunst, Kunstgeschichte, 20. Jahrhundert, Picasso, Buchpakete.]

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