nicolas alan (43 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Giacondino, Nicolas (illustrator). Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Brand New. 192 pages. 8.50x5.50x0.50 inches. In Stock.

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. Very good tight condition, illustrations and adverts, few marks, card cover.

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. Very good tight condition, illustrations and adverts, few marks, card cover.

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. Very good tight condition, illustrations and adverts, few marks, card cover.

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. Very good tight condition, illustrations and adverts, few marks, card cover.

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. Very good tight condition, illustrations and adverts, few marks, card cover.

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. Very good tight condition, illustrations and adverts, few marks, card cover.

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. Very good tight condition, illustrations and adverts, few marks, card cover.

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. Very good tight condition, illustrations and adverts, few marks, card cover.

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. Very good tight condition, illustrations and adverts, few marks, card cover.

Zustand: New. In.

Zustand: New. Giacondino, Nicolas (illustrator). In.

Zustand: New. In.

Zustand: New.

Hardcover. Zustand: Very Good. No Jacket. 1st Edition. Large hardback with photographic boards, no dustjacket as issued. 176pp. Colour and b/w photographs and maps throughout. Not library copy, no inscriptions. (1/5).

Vintage studio still photograph from the 1984 film. Based on the 1978 novel by William Wharton, about two childhood friends who face traumatic experiences in Vietnam, both returning as deeply changed men. Nominated for the Palme d'Or. Set in Philadelphia and Vietnam, shot on location in Philadelphia, in San Jose, Hercules, Milpitas, Modesto, and Santa Clara, California, and in Wildwood, New Jersey. 10 x 8 inches. About Fine.

Paperback. Zustand: Brand New. 1st edition. 151 pages. 9.00x7.00x0.50 inches. In Stock.

Zustand: New. Giacondino, Nicolas (illustrator). In.

Paperback. Zustand: Brand New. 352 pages. 9.00x6.00x0.94 inches. In Stock.

Tapa blanda. Zustand: Bueno. 1ª ed. 21x21. 159pp., ilustrado. Tapa blanda. Buen ejemplar. Español.

Zustand: Good. Originele bedrukte hardcover, (paginagrote) illustraties in kleur, 4to.

Zustand: New. Nicolas A. Valcik is Executive Director for Institutional Effectiveness at Central Washington University, USA.Jeffrey Alan Johnson is Interim Director of Institutional Effectiveness and Planning at Utah Val.

Zustand: leido. rustica, ilustrado 160.

Taschenbuch. Zustand: Neu. Neuware.

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 576 | Sprache: Englisch | Produktart: Bücher | After years passing by without any threats to the world, a new threat is arising through a notorious criminal organization. Advanced technology has been stolen, and enhanced to be used against the western region of Central Europe countries. The advanced technology has been developed by respected professional researchers, and is being altered to be used for criminal activity. Only the heroics of the few trusted individuals around the world could handle dealing with the criminal organization. A mysterious man that is willing to recruit them has reached out for their help. With the call being unexpectedly received, they plan to meet with the mysterious man recruiting them to deal with the criminal organization that is becoming a threat. Do they have what it takes to stand against the advanced technologies altered to help the notorious criminal organization gaining control over the western region of the Central Europe countries?

Zustand: Good. Honoré Daumier; J. J. Grandville; Paul Gavarni; Nicolas-Toussaint Charlet; Eugène Forest; Charles-Joseph Traviès De Villers; Hippolyte Bellangé (illustrator). 536 pages. 9-/18 x 12-1/4 inches. Cloth in dust-jacket. Fully illustrated with all color prints reproduced in color. La Caricature was the 19th Century equivalent and the precursor of Charlie Hebdo. The editor Charles Philipon employed the major satirical artists of the mid-19th Century notably Daumier, Grandville, E. Forest, Charlet, Bellangé , Traviès, Raffet and Gavarni. It appeared for five years, between 1830-1835. The main subjects of the caricatures were Louis-Philippe and his entourage of July Monarchy politicians. Louis-Philippe, son of the Duke of Orléans, came to power after the 1830 Revolution as the Citizen King. However, he was not amused by the caricatures and once put Daumier in prison for 6 months, before suppressing the whole publication in 1835. He became more and more authoritarian and was finally forced to abdicate during the 1848 Revolution. The plates are numbered 1-524, but approximately 62 are double sheets so there are actually 462 separate prints. Georges Vicaire catalogued the 251 issues and 524 plates in 1895. However they have never been reproduced in a catalogue, nor has there been an English language discussion or catalogue of the corpus of prints Alan Wofsy Fine Arts of San Francisco will be publishing the first illustrated catalogue of all the lithographs that were published in La Caricature, 1830-1835 in the Spring of 2017. All of the works are described in French and English and are arranged in the order they appeared in the original publication. There is an index by artist and the catalogue by Georges Vicaire from 1895 is also included. Many of the artists contributed anonymously and were not identified by Vicaire but are now identified. Where there were no descriptions of the plates in the original publication (about 60 of the 462), this new edition now provides descriptions in French.There are essays in English are by Gordon Norton Ray and Edwin De Turck Bechtel and in French by Henri Beraldi and Georges VicaireThe general editor and designer is Corine Labridy-Stofle, a PhD candidate at the University of California, Berkeley.Melissa Bender, PhD, a lecturer at the University of California, Davis, and Joanna Oseman, a professional translator, have provided insightful English language descriptions of each of the caricatures. Alan Hyman, the editor of many catalogues raisonnés, is the Lektor.________________________Au XIXe siècle, La Caricature fut l'équivalent et le précurseur de Charlie Hebdo. Charles Philipon, son téméraire éditeur, y a rassemblé les grands plus artistes satiriques du milieu du siècle, notamment Daumier, Grandville, E. Forest, Charlet, Bellangé et Gavarni. Elle fut publiée pendant cinq ans, entre 1830-1835. Les principaux sujets des caricatures furent Louis Philippe et son entourage de politiciens, intronisés lors de la Monarchie de Juillet. Surnommé le Roi citoyen, Louis Philipe, fils du duc d'Orléans, arriva au pouvoir après la révolution de 1830. Malmené par Philipon et ses caricaturistes dès le début de son gouvernement, Louis Philipe n'était pas amusé par les dessins humoristiques qui le représentaient bien souvent sous les traits d'une poire. De rage, il fit même incarcérer Daumier, pendant 6 mois, puis bâillonnât enfin la publication pour de bon en 1835. Le Roi citoyen fut finalement forcé d'abdiquer lors de la révolution de 1848. Les planches sont numérotées de 1 à 524, mais environ 62 d'entre elles sont des planches doubles. Il y a donc 462 estampes distinctes. Georges Vicaire, le célèbre bibliographe, avait catalogué les 251 numéros de la publication et les 524 planches en 1895. Cependant, ils n'ont jamais été reproduits dans un catalogue, et il n'en existe aucune traduction en langue anglaise. Alan Wofsy Fine Arts publiera le premier catalogue illustré de toutes les lithographies qui ont été publiées dans La Caricature entre 1830 et 1835. La rédactrice est Corine Stofle, candidate au doctorat à l'Université de Californie, Berkeley. Toutes les ?uvres sont décrites en français et en anglais et seront disposées dans l'ordre chronologique de leur apparition dans la publication originale. Il y a un index par artiste, ainsi que le catalogue de Georges Vicaire de 1895. Il y a plusieurs essais de spécialistes de l'époque.