heiser jörg (122 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

paperback. Zustand: Good. Remainder mark. Cover/edges have minor shelf wear.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Zustand: Used-Very Good. Cloth, no dj. Slight shelf wear. Else a bright. clean copy.

Zustand: Fine. *Price HAS BEEN REDUCED by 10% until Monday, June 15 (weekend SALE item)* 220 pp., softcover, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

paperback. Zustand: Very Good.

paperback. Zustand: New.

hardcover. Zustand: Sehr gut. 80 Seiten; Ganz schwacher Kratzer auf der Vorderseite, ansonsten ungelesen und neu, :-) Ge292,84 Sprache: Englisch Gewicht in Gramm: 1.

Hardcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Edition 2009. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2009. Ammareal gives back up to 15% of this item's net price to charity organizations.

Stiff Wrappers. Zustand: Near Fine. 248 pages color illustrations throughout. Stiff Illustrated wraps. Minor rubbing and wear to the paper covers and edges. Insert: Loredana Sperini.

159 Seiten/Pages. Mit Illustrationen/Ilustrated. 4°, ,kartoniert mit Schutzumschlag / Softcover. Schutzumschlag mit geringen Randblessuren. Sonst einwandfrei. Sprache: Englisch.

Hardcover. Zustand: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Zustand: Used-Very Good. Bilingual. Pbk. 4to. Text in German and English. Profusely illus. Some shelf-wear. Else bright, clean copy.

Paperback. Zustand: Used-Very Good. Bilingual. Pbk. 4to. Text in German and English. Profusely illus. Some shelf-wear. Else bright, clean copy.

Paperback. Zustand: Good. Zustand des Schutzumschlags: No Dust Jacket. Paperback periodical in good condition. Covers have one or two minor surface scratches. Upper leading corner of front cover is creased. Binding is sound and contents are clear throughout. AF. Used.

Paperback. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. Paperback. Covers have one or two minor surface scratches. Spine head is slightly nicked. Light wear to leading corners. Minor creasing to upper leading corners of last few pages. Binding is sound and pages are tight and clean throughout. Contents are clear. AF. Used.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:9783863352912.

Broschiert. Zustand: Gut. 24 cm 207 S. Broschiert. Zustand: Sehr Gut (Innen); Einband Außen hat min. Gebrauchsspuren; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

Paperback. Zustand: Very Good. Qto., 72 pages, illustrated. A Very Good clean copy.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: New. In.

Soft cover. Zustand: Very Good. Excellent used condition soft cover, light edge wear, uncreased spine, unmarked text, Ships from Berlin Bookshop bxn127.

1st ed. Curtain Callers by Ann-Sofi Sidén and Jonathan Bepler Entering the role, the stage, the theater house. Setting the scene. The actress smoking nervously before the curtain is liftedor is she acting nervous? Curtain Callers studies the machinations of the theater closely and affords the viewer an unobstructed view into institutional theaters every nook and cranny, weaving together and pursuing different themes. Life behind the curtain, the existing, monotonous, clattering, constantly repeating, nervous, insistent life that drives the meeting between stage and audience. The machine that is institutional theater makes an entrance. In all arenas of the theater, events and processes take place that are like cogs in the huge story-making machinery. A woman in a headscarf and her vacuum cleaner frenetically pick their way through the many rows of seats. Far away in a gilded room bottles are being removed. As if cleaning up after a party. While fingers fasten hair strand by strand into a wig, the corridors, the stage and the antechambers vibrate with expectation. The audience powder their noses in the restrooms and the actors, voice-training for their roles, in their dressing rooms. Curtain Callers portrays the processes before the charged moment when audience and actor meet . The title Curtain Callers came about late in the process and refers to the loaded moment at the end of a performance when the actors are applauded and step out from behind the curtain, the artist explains, adding that the term, like the moment itself, is full of built-in ambiguity about who it is that is the main attractionis it the actor, director, make-up artist, tailor or even the audience? Who is thanking whom? In the book Curtain Callers (Art and Theory, 2012) a new version of the project is created, translating Ann-Sofi Sidéns characteristic narrative technique from film to stills and text. Here the artwork itself makes an appearance in the form of the narrative voice, Curt, in Jörg Heisers text, as an answer to the narrative flow of the film. The book contains a text by Ann-Sofi Sidén and an interview conducted by Magdalena Malm with Ann-Sofi Sidén and Jonathan Bepler. (Sehr gut erhalten - neuwertig / in very good condition - as new) Sprache: Englisch Gewicht in Gramm: 1100 ill. OLeinen / Hardcover (cloth).

Hardcover. 1. Aufl. In the book Curtain Callers a new version of the project is created, translating Ann-Sofi Sidéns characteristic narrative technique from film to stills and text. Here the artwork itself makes an appearance in the form of the narrative voice, Curt, in Jörg Heisers text, as an answer to the narrative flow of the film. The book contains a text by Ann-Sofi Sidén and an interview conducted by Magdalena Malm with Ann-Sofi Sidén and Jonathan Bepler. - // Sprache : Englisch (NEU - Original-eingeschweisstes Ex. - verlagsfrisch! / new - in original wrapping) Sprache: Englisch Gewicht in Gramm: 1100.

Paperback. Zustand: Very Good. Paperback. Spine ends are lightly bumped. Pages are clean and contents are clear throughout. Binding is sound. HJW. Used.

1st ed. Curtain Callers by Ann-Sofi Sidén and Jonathan Bepler Entering the role, the stage, the theater house. Setting the scene. The actress smoking nervously before the curtain is liftedor is she acting nervous? Curtain Callers studies the machinations of the theater closely and affords the viewer an unobstructed view into institutional theaters every nook and cranny, weaving together and pursuing different themes. Life behind the curtain, the existing, monotonous, clattering, constantly repeating, nervous, insistent life that drives the meeting between stage and audience. The machine that is institutional theater makes an entrance. In all arenas of the theater, events and processes take place that are like cogs in the huge story-making machinery. A woman in a headscarf and her vacuum cleaner frenetically pick their way through the many rows of seats. Far away in a gilded room bottles are being removed. As if cleaning up after a party. While fingers fasten hair strand by strand into a wig, the corridors, the stage and the antechambers vibrate with expectation. The audience powder their noses in the restrooms and the actors, voice-training for their roles, in their dressing rooms. Curtain Callers portrays the processes before the charged moment when audience and actor meet . The title Curtain Callers came about late in the process and refers to the loaded moment at the end of a performance when the actors are applauded and step out from behind the curtain, the artist explains, adding that the term, like the moment itself, is full of built-in ambiguity about who it is that is the main attractionis it the actor, director, make-up artist, tailor or even the audience? Who is thanking whom? In the book Curtain Callers (Art and Theory, 2012) a new version of the project is created, translating Ann-Sofi Sidéns characteristic narrative technique from film to stills and text. Here the artwork itself makes an appearance in the form of the narrative voice, Curt, in Jörg Heisers text, as an answer to the narrative flow of the film. The book contains a text by Ann-Sofi Sidén and an interview conducted by Magdalena Malm with Ann-Sofi Sidén and Jonathan Bepler. (NEU - Original-eingeschweisstes Ex. - verlagsfrisch! / new - in original wrapping) Sprache: Englisch Gewicht in Gramm: 1100 ill. OLeinen / Hardcover (cloth).

Softcover. Zustand: Fine. Leichte Risse; Gebogener Buchrucken; Farbveranderung durch Alter/Sonne. Kunst boomt. Von allem gibt es mehr: mehr Kunstler, mehr Museen, mehr Markt, mehr Publikum. Nur von einem gibt es weniger: Kriterien. Wie die Kunst verstehen und beurteilen, um die es bei dem ganzen Spektakel doch gehen soll? Jorg Heiser, deutscher Chefredakteur der britischen Kunstzeitschrift frieze und Autor fur die Suddeutsche Zeitung, umreisst am Beispiel zahlreicher Kunstler und Werke die wichtigsten Stromungen der zeitgenossischen Kunst. ,Da haben wir gedacht, zeitgenossische Kunst ware diese Sorte Kultur, die uns eine Story erzahlen konnte uber das bessere Leben oder wenigstens die schonere Wohnungsausstattung, und dann das: nichts als ein schwarzes Loch, nichts als peinliche Pausen, komische Stolpersteine, stumme Zwischenstucke. Pollocks Suff, van Goghs Ohr, Picassos Unterhosen, all das und noch viel mehr kann man uber Kunstler und ihr Leben erzahlen, ohne dabei auch nur zu streifen, was ihre Kunst eigentlich bewirkt.".