heiser joerg (86 Ergebnisse)

paperback. Zustand: Good. Remainder mark. Cover/edges have minor shelf wear.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Very Good.

hardcover. Zustand: Sehr gut. 80 Seiten; Ganz schwacher Kratzer auf der Vorderseite, ansonsten ungelesen und neu, :-) Ge292,84 Sprache: Englisch Gewicht in Gramm: 1.

Stiff Wrappers. Zustand: Near Fine. 248 pages color illustrations throughout. Stiff Illustrated wraps. Minor rubbing and wear to the paper covers and edges. Insert: Loredana Sperini.

159 Seiten/Pages. Mit Illustrationen/Ilustrated. 4°, ,kartoniert mit Schutzumschlag / Softcover. Schutzumschlag mit geringen Randblessuren. Sonst einwandfrei. Sprache: Englisch.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Broschiert. Zustand: Gut. 24 cm 207 S. Broschiert. Zustand: Sehr Gut (Innen); Einband Außen hat min. Gebrauchsspuren; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: New. In.

Soft cover. Zustand: Very Good. Excellent used condition soft cover, light edge wear, uncreased spine, unmarked text, Ships from Berlin Bookshop bxn127.

1st ed. Curtain Callers by Ann-Sofi Sidén and Jonathan Bepler Entering the role, the stage, the theater house. Setting the scene. The actress smoking nervously before the curtain is liftedor is she acting nervous? Curtain Callers studies the machinations of the theater closely and affords the viewer an unobstructed view into institutional theaters every nook and cranny, weaving together and pursuing different themes. Life behind the curtain, the existing, monotonous, clattering, constantly repeating, nervous, insistent life that drives the meeting between stage and audience. The machine that is institutional theater makes an entrance. In all arenas of the theater, events and processes take place that are like cogs in the huge story-making machinery. A woman in a headscarf and her vacuum cleaner frenetically pick their way through the many rows of seats. Far away in a gilded room bottles are being removed. As if cleaning up after a party. While fingers fasten hair strand by strand into a wig, the corridors, the stage and the antechambers vibrate with expectation. The audience powder their noses in the restrooms and the actors, voice-training for their roles, in their dressing rooms. Curtain Callers portrays the processes before the charged moment when audience and actor meet . The title Curtain Callers came about late in the process and refers to the loaded moment at the end of a performance when the actors are applauded and step out from behind the curtain, the artist explains, adding that the term, like the moment itself, is full of built-in ambiguity about who it is that is the main attractionis it the actor, director, make-up artist, tailor or even the audience? Who is thanking whom? In the book Curtain Callers (Art and Theory, 2012) a new version of the project is created, translating Ann-Sofi Sidéns characteristic narrative technique from film to stills and text. Here the artwork itself makes an appearance in the form of the narrative voice, Curt, in Jörg Heisers text, as an answer to the narrative flow of the film. The book contains a text by Ann-Sofi Sidén and an interview conducted by Magdalena Malm with Ann-Sofi Sidén and Jonathan Bepler. (Sehr gut erhalten - neuwertig / in very good condition - as new) Sprache: Englisch Gewicht in Gramm: 1100 ill. OLeinen / Hardcover (cloth).

Hardcover. 1. Aufl. In the book Curtain Callers a new version of the project is created, translating Ann-Sofi Sidéns characteristic narrative technique from film to stills and text. Here the artwork itself makes an appearance in the form of the narrative voice, Curt, in Jörg Heisers text, as an answer to the narrative flow of the film. The book contains a text by Ann-Sofi Sidén and an interview conducted by Magdalena Malm with Ann-Sofi Sidén and Jonathan Bepler. - // Sprache : Englisch (NEU - Original-eingeschweisstes Ex. - verlagsfrisch! / new - in original wrapping) Sprache: Englisch Gewicht in Gramm: 1100.

1st ed. Curtain Callers by Ann-Sofi Sidén and Jonathan Bepler Entering the role, the stage, the theater house. Setting the scene. The actress smoking nervously before the curtain is liftedor is she acting nervous? Curtain Callers studies the machinations of the theater closely and affords the viewer an unobstructed view into institutional theaters every nook and cranny, weaving together and pursuing different themes. Life behind the curtain, the existing, monotonous, clattering, constantly repeating, nervous, insistent life that drives the meeting between stage and audience. The machine that is institutional theater makes an entrance. In all arenas of the theater, events and processes take place that are like cogs in the huge story-making machinery. A woman in a headscarf and her vacuum cleaner frenetically pick their way through the many rows of seats. Far away in a gilded room bottles are being removed. As if cleaning up after a party. While fingers fasten hair strand by strand into a wig, the corridors, the stage and the antechambers vibrate with expectation. The audience powder their noses in the restrooms and the actors, voice-training for their roles, in their dressing rooms. Curtain Callers portrays the processes before the charged moment when audience and actor meet . The title Curtain Callers came about late in the process and refers to the loaded moment at the end of a performance when the actors are applauded and step out from behind the curtain, the artist explains, adding that the term, like the moment itself, is full of built-in ambiguity about who it is that is the main attractionis it the actor, director, make-up artist, tailor or even the audience? Who is thanking whom? In the book Curtain Callers (Art and Theory, 2012) a new version of the project is created, translating Ann-Sofi Sidéns characteristic narrative technique from film to stills and text. Here the artwork itself makes an appearance in the form of the narrative voice, Curt, in Jörg Heisers text, as an answer to the narrative flow of the film. The book contains a text by Ann-Sofi Sidén and an interview conducted by Magdalena Malm with Ann-Sofi Sidén and Jonathan Bepler. (NEU - Original-eingeschweisstes Ex. - verlagsfrisch! / new - in original wrapping) Sprache: Englisch Gewicht in Gramm: 1100 ill. OLeinen / Hardcover (cloth).

Softcover. Zustand: Fine. Leichte Risse; Gebogener Buchrucken; Farbveranderung durch Alter/Sonne. Kunst boomt. Von allem gibt es mehr: mehr Kunstler, mehr Museen, mehr Markt, mehr Publikum. Nur von einem gibt es weniger: Kriterien. Wie die Kunst verstehen und beurteilen, um die es bei dem ganzen Spektakel doch gehen soll? Jorg Heiser, deutscher Chefredakteur der britischen Kunstzeitschrift frieze und Autor fur die Suddeutsche Zeitung, umreisst am Beispiel zahlreicher Kunstler und Werke die wichtigsten Stromungen der zeitgenossischen Kunst. ,Da haben wir gedacht, zeitgenossische Kunst ware diese Sorte Kultur, die uns eine Story erzahlen konnte uber das bessere Leben oder wenigstens die schonere Wohnungsausstattung, und dann das: nichts als ein schwarzes Loch, nichts als peinliche Pausen, komische Stolpersteine, stumme Zwischenstucke. Pollocks Suff, van Goghs Ohr, Picassos Unterhosen, all das und noch viel mehr kann man uber Kunstler und ihr Leben erzahlen, ohne dabei auch nur zu streifen, was ihre Kunst eigentlich bewirkt.".

Zustand: Como nuevo. : Este libro de Jörg Heiser, titulado 'Plötzlich diese Übersicht: Was gute zeitgenössische Kunst ausmacht', ofrece una visión sobre el arte contemporáneo. Publicado por Claassen-Verlag en 2007, el libro cuenta con 368 páginas y está escrito en alemán. Se presenta en formato de bolsillo y aborda temas relacionados con la crítica de arte y las bellas artes en general. EAN: 9783546004022 Tipo: Libros Categoría: Arte y Cultura Título: Plötzlich diese Übersicht Autor: Jörg Heiser Editorial: Claassen-Verlag Idioma: de Páginas: 368 Formato: libro de bolsillo.

Zustand: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: Fine. NEW/UNUSED - dust jacket has light scratches and outer edges have minor scuffs. Book content is in new unread condition.

Paperback. Zustand: Brand New. 135 pages. 10.00x7.50x0.50 inches. In Stock.

Paperback. Zustand: Brand New. 135 pages. 10.00x7.50x0.50 inches. In Stock.

Taschenbuch. Zustand: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -Kunst boomt. Von allem gibt es mehr: mehr Künstler, mehr Museen, mehr Markt, mehr Publikum. Nur von einem gibt es weniger: Kriterien. Wie die Kunst verstehen und beurteilen, um die es bei dem ganzen Spektakel doch gehen soll Jörg Heiser, deutscher Chefredakteur der britischen Kunstzeitschrift frieze und Autor für die Süddeutsche Zeitung, umreißt am Beispiel zahlreicher Künstler und Werke die wichtigsten Strömungen der zeitgenössischen Kunst.'Da haben wir gedacht, zeitgenössische Kunst wäre diese Sorte Kultur, die uns eine Story erzählen könnte über das bessere Leben oder wenigstens die schönere Wohnungsausstattung, und dann das: nichts als ein schwarzes Loch, nichts als peinliche Pausen, komische Stolpersteine, stumme Zwischenstücke. Pollocks Suff, van Goghs Ohr, Picassos Unterhosen, all das und noch viel mehr kann man über Künstler und ihr Leben erzählen, ohne dabei auch nur zu streifen, was ihre Kunst eigentlich bewirkt.' 368 pp. Deutsch.

Zustand: New.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Zustand: Brand New. bilingual edition. 184 pages. 10.50x7.75x0.75 inches. In Stock.

Broschiert, 578 Seiten, Knick im Vorderdeckel, das Buch ist ansonsten in einem sehr guten Zustand. Shipping to abroad insured with tracking number.

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 22 x 29 cm, 176 Seiten/pages with 123 coloured illustrations - Katrin Plavcak pur­posefully examines the history of images originating from comics, cartoons, illustration and, quite broadly, from technical visual media. Clichés, distortions, trivia­lizations, and spectacles, as produced by the media industry and whose logic is also quite ­seductive to art and its institutions, form an aesthetic fundus from which, in her own painterly language and in a highly qualified transformation process, she formulates her artistic point of view.

Hardcover. Zustand: Sehr gut. 1. Auflage. Z/B : 20 x 28 cm, Hardcover, 240 pages, 60 colour & 20 b/w illustrations - First comprehensive monograph on the oeuvre of Dutch artist. By rigorously separating text and image, the book offers multiple interpretations, triggering the reader's own memory and associations. As Jörg Heiser phrases in his text on "myths": "It can be read as an intricate set of experiments exploring three distinct ways of 'navigating' myths, and a possible notion of truth that we inevitably need in order to do so. These three different ways, correspond to the three different types of empirical knowledge as defined by Donald Davidson: knowledge about what's in my mind, in the world, and in other people's minds.".

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 110 pp., 112 ills. - This year, the seven members of a jury consisting of renowned museum directors, curators and critics were asked to suggest up to seven artists each, and from these, six artists were nominated: the Belgian artist Francis Alÿs, Olafur Eliasson from Denmark, the Japanese artist Kazuhiko Hachiya, the Frenchman Pierre Huyghe, the Korean Koo Jeong-a and the Albanian-born artist Anri Sala. The announcement of the winner will take place at the Solomon R. Guggenheim Museum in fall of 2002 and will include a solo exhibition for the respective artists at the museum at the beginning of 2003. The book, predominantly with colour illustrations, takes a close look at the works of the finalists.