e a joerg heiser (3 Ergebnisse)

1st ed. Curtain Callers by Ann-Sofi Sidén and Jonathan Bepler Entering the role, the stage, the theater house. Setting the scene. The actress smoking nervously before the curtain is liftedor is she acting nervous? Curtain Callers studies the machinations of the theater closely and affords the viewer an unobstructed view into institutional theaters every nook and cranny, weaving together and pursuing different themes. Life behind the curtain, the existing, monotonous, clattering, constantly repeating, nervous, insistent life that drives the meeting between stage and audience. The machine that is institutional theater makes an entrance. In all arenas of the theater, events and processes take place that are like cogs in the huge story-making machinery. A woman in a headscarf and her vacuum cleaner frenetically pick their way through the many rows of seats. Far away in a gilded room bottles are being removed. As if cleaning up after a party. While fingers fasten hair strand by strand into a wig, the corridors, the stage and the antechambers vibrate with expectation. The audience powder their noses in the restrooms and the actors, voice-training for their roles, in their dressing rooms. Curtain Callers portrays the processes before the charged moment when audience and actor meet . The title Curtain Callers came about late in the process and refers to the loaded moment at the end of a performance when the actors are applauded and step out from behind the curtain, the artist explains, adding that the term, like the moment itself, is full of built-in ambiguity about who it is that is the main attractionis it the actor, director, make-up artist, tailor or even the audience? Who is thanking whom? In the book Curtain Callers (Art and Theory, 2012) a new version of the project is created, translating Ann-Sofi Sidéns characteristic narrative technique from film to stills and text. Here the artwork itself makes an appearance in the form of the narrative voice, Curt, in Jörg Heisers text, as an answer to the narrative flow of the film. The book contains a text by Ann-Sofi Sidén and an interview conducted by Magdalena Malm with Ann-Sofi Sidén and Jonathan Bepler. (Sehr gut erhalten - neuwertig / in very good condition - as new) Sprache: Englisch Gewicht in Gramm: 1100 ill. OLeinen / Hardcover (cloth).

Hardcover. 1. Aufl. In the book Curtain Callers a new version of the project is created, translating Ann-Sofi Sidéns characteristic narrative technique from film to stills and text. Here the artwork itself makes an appearance in the form of the narrative voice, Curt, in Jörg Heisers text, as an answer to the narrative flow of the film. The book contains a text by Ann-Sofi Sidén and an interview conducted by Magdalena Malm with Ann-Sofi Sidén and Jonathan Bepler. - // Sprache : Englisch (NEU - Original-eingeschweisstes Ex. - verlagsfrisch! / new - in original wrapping) Sprache: Englisch Gewicht in Gramm: 1100.

1st ed. Curtain Callers by Ann-Sofi Sidén and Jonathan Bepler Entering the role, the stage, the theater house. Setting the scene. The actress smoking nervously before the curtain is liftedor is she acting nervous? Curtain Callers studies the machinations of the theater closely and affords the viewer an unobstructed view into institutional theaters every nook and cranny, weaving together and pursuing different themes. Life behind the curtain, the existing, monotonous, clattering, constantly repeating, nervous, insistent life that drives the meeting between stage and audience. The machine that is institutional theater makes an entrance. In all arenas of the theater, events and processes take place that are like cogs in the huge story-making machinery. A woman in a headscarf and her vacuum cleaner frenetically pick their way through the many rows of seats. Far away in a gilded room bottles are being removed. As if cleaning up after a party. While fingers fasten hair strand by strand into a wig, the corridors, the stage and the antechambers vibrate with expectation. The audience powder their noses in the restrooms and the actors, voice-training for their roles, in their dressing rooms. Curtain Callers portrays the processes before the charged moment when audience and actor meet . The title Curtain Callers came about late in the process and refers to the loaded moment at the end of a performance when the actors are applauded and step out from behind the curtain, the artist explains, adding that the term, like the moment itself, is full of built-in ambiguity about who it is that is the main attractionis it the actor, director, make-up artist, tailor or even the audience? Who is thanking whom? In the book Curtain Callers (Art and Theory, 2012) a new version of the project is created, translating Ann-Sofi Sidéns characteristic narrative technique from film to stills and text. Here the artwork itself makes an appearance in the form of the narrative voice, Curt, in Jörg Heisers text, as an answer to the narrative flow of the film. The book contains a text by Ann-Sofi Sidén and an interview conducted by Magdalena Malm with Ann-Sofi Sidén and Jonathan Bepler. (NEU - Original-eingeschweisstes Ex. - verlagsfrisch! / new - in original wrapping) Sprache: Englisch Gewicht in Gramm: 1100 ill. OLeinen / Hardcover (cloth).