new york university nova scotia college of art and design (37 Ergebnisse)

4°, paperback. 134 pp Very fine copy. Sprache: Englisch Gewicht in Gramm: 0.

4°, Hardcover. Zustand: Sehr gut. Hampton, Hollis (illustrator). 134 Seiten Sehr guter Zustand mit leicht nachgedunkelten Seiten. Sprache: Englisch Gewicht in Gramm: 840.

Softcover. Zustand: Very Good. Hampton, Hollis (illustrator). Small closed tear on wraps and marked.Previous ownership inscription.Excellent binding.[R.K]. Our orders are shipped using tracked courier delivery services.

240 pp.; 28 x 22 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Originally published in 1975, this collection of Donald Judd's writings is a sought-after classic. His uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than 500 artists showing in New York at that time, and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kasimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland, and Claes Oldenburg. His 1965 "Specific Objects" essay, discussions of sculptural thought in the 60s, is included as well as Judd's notorious polemical essay, "Imperialism, Nationalism, Regionalism." Very Good. Light dusting of covers with 2.5 cm. and 6 mm. light soiling to recto and very light bumping of bottom edge of publication. 3 mm. tear to top edge of page 163, contents otherwise clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

First edition. Softcover. 153 pages. A look at this German artist's work with an essay by Jack Burnham and another by Howard S. Becker and John Walton. A near fine copy in wrappers in a very good plus dust jacket that is lightly rubbed and with a few small edge tears and other minor wear.

First edition. Softcover. 338 pages. Simultaneous paperback issue. A look at this important American dancer and filmmaker. Features text and numerous black and white images. A clean near fine copy in photo-illustrated wrappers in a very good plus dust jacket with some tears to the top of the spine and some other light wear.

4°, 134 S., mit vielen s/w Abbildungen. Orig.-Karton mit Orig.-Umschlag. Erste Ausgabe.- Umschlag mit kleinem Randeinriss und minimal berieben, eine Seite mit Bleistiftanstreichungen.- Gutes Exemplar.

134 pp.; 29.2 x 22.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Twelve transcribed dialogues between Carl Andre and Hollis Frampton. Edited and annotated by Benjamin H.D. Buchloh. Appendix photographs by Hollis Frampton of works by Carl Andre 1958 - 1963. Includes index, autobiographies and bibliographies. "Except to delete two sentences of personal reference, I have not altered my share of these dialogues. That is not to say that my opinions have remained unchanged. Quite the opposite is true. In fact most of my opinions have just dropped away over the course of the years. It is a good thing, in principle, to declare your interests and these were the interests of Carl Andre at age 24. Friedel Dzubas once remarked that as he grew older he became more demanding and more tolerant at the same time. I think the same is happening to me." -- Carl Andre, New York, 1979. Very Good. 3 cm. of bumping to bottom left corner of publication, light rubbing of dust jacket edges, light dusting of covers, and light yellowing of pages. Contents clean and unmarked.

134 pp.; 29.2 x 22.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Twelve transcribed dialogues between Carl Andre and Hollis Frampton. Edited and annotated by Benjamin H.D. Buchloh. Appendix photographs by Hollis Frampton of works by Carl Andre 1958 - 1963. Includes index, autobiographies and bibliographies. "Except to delete two sentences of personal reference, I have not altered my share of these dialogues. That is not to say that my opinions have remained unchanged. Quite the opposite is true. In fact most of my opinions have just dropped away over the course of the years. It is a good thing, in principle, to declare your interests and these were the interests of Carl Andre at age 24. Friedel Dzubas once remarked that as he grew older he became more demanding and more tolerant at the same time. I think the same is happening to me." -- Carl Andre, New York, 1979. Very Good. Rubbing and bumping of cover edges including a 1 cm. tear to bottom edge of verso. Light dust soiling of covers. Light yellowing of pages, contents otherwise clean and unmarked.

Softcover. Zustand: Near Fine. 338 pp.; 4to; gray wrappers; photographs and other reproductions. Light wear.

Soft Cover. Zustand: Near Fine. First Edition. This is a near fine softcover copy with virtually no wear. Completely clean inside and out. Edited and annotated by Benjamin H.D. Buchloh. Illustrated in black & white. 11" high X 9" wide, 134 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

229 pp.; 27.8 x 21.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed First edition printing of the collected writings of Donald Judd. Judd's uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than 500 artists showing in New York at that time, and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kasimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland, and Claes Oldenburg. His 1965 "Specific Objects" essay, discussions of sculptural thought in the 1960s, is included as well as Judd's notorious polemical essay, "Imperialism, Nationalism, Regionalism." Good. Dusting and discoloration of covers, with concentrated discoloration / sunning of spine. Rubbing of cover edges and corners; 3.5 cm., 3 cm., 3.8 cm., and 3 mm. of soiling to covers. 2 cm. crease to top right corner and light bumping of bottom right corner of recto. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Paperback. Zustand: Very good. Paperback. First Edition. Bookseller ticket on inside of rear wrap, else a fine paperback in a near fine, just slightly darkened jacket. Nicer than usual copy. Writings on music and composition from one of the twentieth century greats of minimalism and a pioneer in the use of tape loops (now ubiquitous via sampling) to explore musical concepts, most notably in this cataloger's experience with the piece "Come Out".

Soft cover. Zustand: Good. 1st Edition. Halifax/New York: NYU Press/ Nova Scotia College of Art and Design, 1975. Octavo. Soft cover. First edition. Pictorial wraps. Spine creased in spots but binding holding strong. A nice copy in close to very good condition.

229 pp.; 27.8 x 21.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed First edition printing of the collected writings of Donald Judd. Judd's uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than 500 artists showing in New York at that time, and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kasimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland, and Claes Oldenburg. His 1965 "Specific Objects" essay, discussions of sculptural thought in the 1960s, is included as well as Judd's notorious polemical essay, "Imperialism, Nationalism, Regionalism." Very Good / Fine. An outstandingly well preserved copy with minimal wear to covers. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Soft cover. Zustand: Fine. 1st Edition. Large octavo, un paginated, 312 photographic plates. Illustrated wrappers. Very fine. - First edition. Keith Lock photography and Vince Sharp Photography and prints.

Hardcover. Zustand: Very Good. First Edition. B&W Photographs; Large 8vo 9" - 10" tall; 1975 Press of the Nova Scotia College of Art & Design & New York University Press; Halifax & New York. 1st edition. Soundly bound in original photo pictorial cloth boards with titles and "Nova Scotia Series" lettered in black to spine. Tipped in half-sheet, acetate title present. Perhaps a little handling soil to the pictorial cloth; cover board lifts slightly at front edge. Facing page b&w photos throughout on unnumbered leaves; clean and sound with no marks of any kind. Snow's pioneering photo book project, widely recognized as a formative work is presented her in complete and solid example. VG or better, as issued without dust wrpper.

Hardcover. Zustand: Fair. Zustand des Schutzumschlags: Fair. First Edition. 338 pages. Chronology. Selected bibliography. Many black and white photos. Printed upon glossy stock. "So here I am, in a sense, trying to 'replace' my performances with a book, greedily pushing language to clarify what already was clear in other terms. But, alas, gone. This has seemed one good reason to compile a book 'out of' the remains of my performances, letting the language fall where it may. Let it be said simply 'She usually makes performances and has also made a book.' There can be no comparison, therefore no need for apology." - Introduction. Unmarked. Binding tight. Silverfish markings to publisher's black cloth. Openings to top and central portion of backstrip. Somewhat above-average external wear. Somewhat above-average wear and minimal library markings to dust jacket which is now preserved in archival-grade Brodart.

First Edition. First Edition. First issue wrappered binding, without the UNIVERSAL EDITION notation on the spine, and without the added note about typographical corrections by Reich at the end of his Introduction. Association copy, inscribed by Steve Reich to Paul Fromm on the verso of the front endpaper: "for Paul Fromm / From Steve Reich." Reich's first and only book. Fromm, who passed away in 1987, was one of the most important enablers of twentieth century classical music, establishing in 1944 the Fromm Musical Foundation, which commissions major works to this day. He was a fan of Reich's work from early on, and in 1985 the Fromm Foundation commissioned Reich's piece, "New York Counterpoint," now considered one of his most important works. Though the inscription is not dated, it was likely made near to the date of publication, predating the commission by nearly a decade. A scarce signature and a great association between one of the twentieth century's greatest composers and one of its greatest patrons. Near Fine in card wrappers, in a Near Fine example of the scarce dust jacket, with only a small chip at the top front panel to note.

89 pp.; 22.5 x 28.7 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Artist's book composed of a collection of writings by Dan Graham on his video works with grouping of drawings and photographs to illustrate his installation works. Edited by Benjamin H.D. Buchloh, with contributions by Michael Asher and Dara Birnbaum. Includes exhibition history and bibliography. Good. Rubbing and wear to dust-jacket including 10.6 cm. dog-ear to bottom right corner of dust-jacket and bumping and creasing of top left corner of dust-jacket verso with light bumping of covers. Yellowing of covers. Contents clean and unmarked.

4°. Orig.-Karton. 12 S., 50 Bll. (100 S.) mit zahlreichen Abbildungen. Erste Ausgabe (gutes Exemplar, etwas angestaubt). Sprache: Deutsch Gewicht in Gramm: 750.

Original wraps. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good +. A sharp, well-preserved copy of the 1974 1st edition of this "account of an ongoing personal discourse and its manifestations in dance". Crisp and Near Fine in its printed beige wrappers. And in a bright, VG+ to Near Fine dustjacket, with very light spotting along the front fore-edge. One of the titles in the very interesting "Nova Scotia" series, which has also produced theoretical works by Steve Reich, Claes Oldenburg and Yvonne Rainer.

Soft Cover. Zustand: Near Fine. This is a near fine softcover copy with light cover wear. Internally very clean. Now in a protective mylar cover. Introduction by David Askevold. Not illustrated. 11" high X 8" wide. Scarce. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Soft cover. Zustand: Very Good. Dust Jacket Included. 1st Edition. 4to. pp. 153. b/w illus. wrs. dw (light rubbing to edges of dw). First Edition.

First edition. Softcover. 133 pages. Edited and annotated by Benjamin H.D. Buchloh. Feature prefaces by Carl Andre and Hollis Frampton. Includes the texts of 12 conversations between Carl Andre and Hollis Frampton along with black and white photographs by Frampton. A near fine copy in wrappers with some of the usual toning to the pages and some other very minute wear. A very pleasing copy.

Gilt-Stamped Cloth. Zustand: Very Good -. No Jacket. First Edition. 338pp, profusely illustrated in b&w. With a chronology and bibliography. In a protective clear acetate dustwrapper. Published by the Press of the Nova Scotia College of Art and Design, this is the first monograph on the pioneering contemporary New York dancer/choreographer Yvonne Rainer. It contains texts and notes on choreography (often reproduced in facsimile), and photographs documenting her performances between 1961 and 1973. An internally most handsome example of the uncommon 1974 first edition issued in lavender cloth lacking its dust jacket and showing some soiling and spotting along the edges of the textblock. It has been priced accordingly. Dance Monograph.

Printed Wrappers. Zustand: Fine. Second Edition (First Thus). 232pp, profusely illustrated in b&w. Text in English. Published by The Press of Nova Scotia College of Art and Design in collaboration with New York University Press, this is the first of two volumes of the complete writings - gallery reviews, book reviews, articles, letters to the editor, reports, statements, and complaints - dating from the years 1975-1986 by the late, great Minimalist giant Donald Judd. "These uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than five hundred artists showing in New York at that time, and provides a critical account of this significant era in American art". A bright, most handsome example of the uncommon 2005 second edition of this vital document. Artist Monograph.

Wrappers in Illustrated Jacket. Zustand: Near Fine. First Edition. 144pp, profusely illustrated in b&w. Published by the estimable Press of the Nova Scotia College of Art and Design in 1974, this is the first monograph on renowned contemporary New York dancer/choreographer Simone Forti. It contains texts (often reproduced in facsimile), sketches, and photographs documenting her performances between 1959 and 1974. A most handsome example in dust jacket showing just a bit of age-toning to the covers. Dance Monograph.

Printed Wrappers. Zustand: Very Good -. First Paperback Edition. np, profusely illustrated in b&w. Text in German and English. With a chronology and exhibition checklist. In a protective clear acetate dustwrapper. Published by The Press of Nova Scotia College of Art and Design in collaboration with New York University Press, this is the copiously illustrated catalogue documenting a 1976 Kunsthalle Basel exhibition of two hundred and fifty-two working drawings for sculptural projects executed between 1956 and 1976 by the late, great Minimalist giant Donald Judd. A most presentable example of the uncommon paperbound first edition of this vital document showing some slight curling to the front of the textblock at the lower foredge corner along with some mild wear, soiling, and age-toning to its white covers. It has been priced accordingly. Artist Monograph.

89 pp.; 22.5 x 28.7 cm.; sewn bound; black-and-white; edition size unknown; offset-printed Artist's book composed of collection of writings by Dan Graham on his video works with grouping of drawings and photographs to illustrate his installation works. Edited by Benjamin H.D. Buchloh, with contributions by Michael Asher and Dara Birnbaum. Includes bio-bibliographical notes. Fine. First edition hardback, SIGNED by DAN GRAHAM.