simone forti (38 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 152 pages. 8.75x7.00x0.20 inches. In Stock.

Softcover. Zustand: Très bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Zustand: New. 2021. 3rd ed. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. In.

Zustand: NEW.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,200grams, ISBN:1892184214.

Zustand: new.

Zustand: NEW.

Zustand: new.

Paperback. Zustand: Brand New. 01 edition. 94 pages. 9.00x6.25x0.25 inches. In Stock.

Zustand: NEW.

SOFTCOVER. Zustand: Fine. 1st Edition. 4to in stiff card covers, 95pp on various types of paper, colour plates, etc . [CONDITION: FINE, a well preserved clean and tight unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Zustand: New. &Uumlber den AutorSIMONE FORTI shifted from painting in 1955 to study dance with Anna Halprin and went on to study composition with Robert Dunn at the Merce Cunningham Studio leading to her association with Judson Dance Theater in the .

Well-illustrated (illustrator). 292 pp.; 24 x 20 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Critical theory by Sally Banes on post modernist dance in the early 1960's with photographs by Robert Alexander. "'Terpsichore in Sneakers' is the first full-scale discussion of the artists who have made post-modern dance today's pre-eminent choreographic movement. Sally Banes traces post-modernism's origins in the work of Cunningham and Ann Halprin, its explosion in the Judson Dance Theater of the early '60s, and its relationship to other avant-garde movements in the arts during th 1960s and 70s including Happenings, pop and minimal art and related developments in the visual arts, theater and literature." -- taken from jacket cover. Individual chapters are devoted to Simone Forti, Yvonne Rainer, Steve Paxton, Trisha Brown, David Gordon, Deborah Hay, Lucinda Childs, Douglas Dunn, Meredith Monk, Kenneth King and The Grand Union. Includes photographs, chronology and a selected bibliography. Fine. Covers and contents clean and unmarked in unread condition. Due to size and weight additional shipping charges will be required for international orders.

[4] pp.; 21.6 x 13.9 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Program for an evening of performances by Trisha Brown Company performed at The Marymount Manhattan Theatre, New York, in 1979. The evening included performances of "Accumulation (1971) With Talking (1973) Plus Water Motor (1978)," performed by Trisha Brown; "Planes (1968)," performed by Daniel Lepkoff and Terry O'Reilly with films by Jud Yalkut and music by Simone Forti; "Line-Up (1977)," performed by Trisha Brown, Elizabeth Garren, Lisa Kraus, Nina Lundborg, and Mona Sulzman and "Glacial Decoy (1979)," New York Premiere, performed by Trisha Brown, Elizabeth Garren, Lisa Kraus and Nina Lundborg with visual presentation and costumes by Robert Rauschenberg. Includes biographies of the performers. Cover photograph by Babette Magolte. Good / Very Good. Gentle 6 mm. dog-ear to lower right corner of recto and additional light handling wear. Contents clean and unmarked.

Soft cover. Zustand: Very Good. 1st Edition. Softcover, 87p : illustrations ; 23 cm. Very good, minimal marks to delicate white wrappers, clean, crisp, unmarked. The Bear in the Mirror is a collection of stories, prose-poems, drawings, photos, letters, notes, and memories. Simone Forti dives into her family s past, trying to put all the myths and fragments of information into some kind of perspective, from December 1938 till the present moment, from woollen mills in Italy to Los Angeles. Chance encounters with bears play an important part in this narrative in pieces.

Soft cover. Zustand: Very Good. 60 pp., illustrations, index. light cover wear, minor foxing (age spots) inside covers & on 1st & last page, includes original handbill from Frank Moore's March 7, 1992 performance. Pages 4-9 are the Jacques Chwat Memoriam. Pages 10-56 are on the subject "The Body".

First Edition. First Edition. INSCRIBED by Simone Forti on the first page: "4/14/02 / For Joan / Simone." Near Fine in perfect-bound wrappers. Signed.

Taschenbuch. Zustand: Neu. Neuware - Tracing a period in her life from the 1969 Woodstock Festival through the following years living on the land, this singular dance artist's direct and poetic writings bring a turbulent transitional era to life. Arriving in New York in the early 60's from California, she brought with her a series of pieces that proved to be a serious influence on the development of postmodern dance in years to come. Her dance-constructions were based on a concern with bodies in action, the movement not being stylized or presented for its visual line but rather as a physical fact. Combining drawings, dance reports (short descriptions of events whose movement made a deep impression on the author's memory), and documentary materials such as scores, descriptions, letters to colleagues, and photographic records of performances, Forti's eye toward creating idioms for exploring natural forms and behaviors is evident throughout.Simone Forti shifted from painting in 1955 to study dance with Anna Halprin and went on to study composition with Robert Dunn at the Merce Cunningham Studio leading to her association with Judson Dance Theater in the '60s. Her work spans from early minimalist dance-constructions, through animal movement studies, news animations, land portraits, and currently, Logomotion, an improvisational form based on the resonance between movement and the spoken word. She performs and teaches worldwide.

paperback. Zustand: Very Good. Zustand des Schutzumschlags: Good+. Illustrated white d/jkt, unclipped; very intact, but worn at edges, with occasional tiny losses; a little grubby. Illustrated white card wrappers; slightly browned. Spine uncreased; minuscule wear to base of spine, binding unaffected. B/w illustrations. "An account of an ongoing personal discourse and its manifestation in dance". ; 8vo (7" x 9"); 143 pages.

Taschenbuch. Zustand: Neu. Handbook in Motion | An Account of an Ongoing Personal Discourse and Its Manifestations in Dance | Simone Forti | Taschenbuch | Kartoniert / Broschiert | Englisch | 2021 | Presses of the Nova Scotia Col Art / Nyu | EAN 9780937645055 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

paperback. Zustand: Sehr gut. 240 Seiten; 9783863357832.2 Gewicht in Gramm: 2.

Zustand: Very Good. Very Good; Hardcover; Light wear to the covers; Unblemished textblock edges; Three gift inscriptions and an ink stamp inside the front cover; The endpapers and text pages are all clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (Quatro, 10.75" - 11.75" tall); 3.9 lbs; Orange covers with photo of a dancer, and title in white lettering; 2015, Hirmer Publishers; 304 pages; "Simone Forti: Thinking with the Body," by Simone Forti, et al.

Hardcover/Pappeinband. Zustand: Gut. 303 S.; überw. Ill.; 29 cm Mittelmäßiger Zustand. Bibliotheksexemplar mit Stempeln und Signatur auf Einband. Einband mit Gebrauchsspuren und leicht fleckig. Kanten und Ecken leicht bestoßen bzw. berieben. Stempel auf Seitenschnitt. Sonst Seiten sauber. Sprache: Deutsch Gewicht in Gramm: 1970.

43 pp.; 27.8 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published as an overview of performances and exhibitions held at The Kitchen in New York in 1974 and 1975. Introduction by Bruce Kurtz. Artists include: Ant Farm, Eleanor Antin, John Baldessari, Kirsten Bates, Connie Beckley, David Behrens, David Behrman, Carmen Beuchat, Scott Billingsley, Trisha Brown, Jim Burton, Jim Byrne, Peter Campus, Cornelius Cardew, Sergio Cervetti, Rhys Chatham, Peggy Cicierska, Andy Mannik, Jim Cobb, David Cort, Alvin Curran, Barbara Dilley, Juan Downey, Jean Depuy, Susan Ensley, Henry Flynt, Nova'Billy, Simone Forti, Jon Gibson, Davidson Gigliotti, Frank Gillette, Tina GIrouard, Dan Graham, Amy Greenfield, Ellen Grossman, Noel Harding, Julia Heyward, Nancy Holt, Gerard Hovagimyan, Nelson Howe, Tannis Hugill, Tom Johnson, Joan Jonas, Beryl Korot, Jill Kroesen, Shigeko Kubota, Robert Kushner, Richard Landry, Darcy Lange, Garrett List, Anna Lockwood, Alvin Lucier, Jackson Mac Low, Ingram Marshall, Michael McClard, Mike Metz, Dick Miller, Phill Niblock, Steve Paxton, Liz Phillips, Virginia Quesada, Eliane Radique, Steve Reich, Jonathan Richman, Ripert Center, Joost Romeu, Jim Rosenberg, Leon Rosenblatt, Martha Rosler, Arthur Russell, Ira Schneider, Robin Schwartz, Allen Sekula, S.E.M. Emsemble Festival, Willoughby Sharp, Tape Inc., Richard Teitelbaum, David Tudor, Peter van Riper, Robin Winters, Walter Wright, and Susan Wolfson. Cover photo by Robin Winters. Very Good / Fine. Light rubbing of covers with light bumping of corners and creasing at spine. Contents clean and unmarked.

Original wraps. Zustand: Near Fine. First Edition. A sharp, well-preserved copy of the 1974 1st edition of this "account of an ongoing personal discourse and its manifestations in dance". Crisp and Near Fine in its printed beige wrappers. And in a bright, VG+ to Near Fine dustjacket, with very light spotting along the front fore-edge. One of the titles in the very interesting "Nova Scotia" series, which has also produced theoretical works by Steve Reich, Claes Oldenburg and Yvonne Rainer.

paperback. Zustand: Fine. Libro d'artista a cura di Fabio Sargentini e Simona Tarantino. Le immagini di questo librino, sono fotogrammi tratti da un video della performance di Simone Forti girato durante la mostra "Contemporanea" a Villa Borghese nel febbraio 1974. Stampato in occasione della performance "Logomotion" di Simone Forti, martedì 18 marzo 2008 nello spazio della Galleria L'Attico Esemplare n. 56/100. Cm 6,7x10,5. pp. 60 non numerate. . Ottimo (Fine). . Edizione originale di 200 esemplari numerati (Original edition of 200 numbered copies). . Nata a Firenze da una famiglia di industriali ebrei emigrati negli Stati Uniti per sfuggire alle leggi razziali fasciste, Simone Forti è un'artista del movimento, come ama definirsi. La sua formazione nella danza inizia nel 1955 a San Francisco, dove partecipa agli innovativi laboratori di Anna Halprin e conosce un modo nuovo di ballare e costruire la coreografia, liberata di ogni elemento non essenziale e aperta all'improvvisazione. A New York, quattro anni dopo, avviene l'incontro decisivo con Robert Dunn, che la introduce alla lezione di John Cage sull'indeterminatezza e la libertà espressiva. In città sono gli anni degli happening, di Fluxus e del Judson Dance Theater. I primi risultati della sua ricerca, presentati nel 1960 alla Reuben Gallery, sono già un'anticipazione di quelle che più avanti chiamerà Dance Constructions. Forti sviluppa performance di una semplicità estrema che implicano quasi esclusivamente l'uso di corde, scatole e strutture di legno grezzo. I movimenti degli interpreti richiedono uno sforzo che è spesso privo di scopo o servono a sperimentare le possibilità di azione del corpo nelle situazioni ludiche dell'infanzia. È il caso di See Saw, performata da Robert Morris, all'epoca suo marito, e Yvonne Rainer, in azione alle due estremità di un gioco a dondolo. Figura chiave nella diffusione della danza e della musica d'avanguardia in Italia grazie a un lungo soggiorno romano nel 1968 e all'amicizia con il gallerista Fabio Sargentini, Forti non ha mai smesso di sperimentare, sconfinando spesso nel campo del video, del disegno, della fotografia e della parola scritta. Alcuni dei contributi più significativi arrivano però soprattutto in ambito sonoro, dove testa il potenziale espressivo del segno grafico, trasformando in partiture musicali i profili dei volti, e quelle del caso, illustrando insieme a Charlemagne Palestine la complementarità tra suono e movimento. Quando, negli anni ottanta, l'artista torna a concentrarsi sul movimento e sulla fisicità, lo fa aggiungendo alle sue performance una forte componente parlata. Inizialmente sviluppati in forma spontanea con il nome di Logomotions, questi lavori saranno successivamente conosciuti come News Animations, in riferimento alle questioni di attualità che costituiscono la traccia a partire dalla quale Forti dipana la sua narrazione. Edizione originale di 200 esemplari numerati (Original edition of 200 numbered copies). Book.

Second Edition, a trade softcover original, with all inserts present. The faithful reprint of the seminal Fluxus manifesto, originally published in 1963. INSCRIBED by editor Jackson MacLow on the front wrapper verso: "This copy for David [and] Ellie [and] Blaine / Jackson / 3/11/74." Good to Very Good in perfect bound red-and-black wrappers, with loss at the bottom fore-edges, and moderate fading on the spine and page edges. Fluxus Codex US. Signed.

48 pp.; 21 x 15.3 cm.; staple bound; black-and-white; edition size 800; unsigned and unnumbered; offset-printed Exhibition catalogue for show of artists' books held September 20 - October 14, 1972. Text by Germano Celant. Exhibition checklist organized chronologically by Celant and Linda Morris. Show included books by Dick Higgins, Claes Oldenburg, Dieter Rot [aka Dieter Roth], Ben, Daniel Spoerri, George Brecht, Yoko Ono, Claus Bremer, John Cage, La Monte Young, Jackson MacLow, Nam June Paik, Emmett Williams, Walter de Maria, Malka Safro, Simone Forti, Richard Maxfield, Christian Wolff, Stanley Brouwn, Piero Manzoni, Edward Ruscha, Robert Filliou, Ray Johnson, Allan Kaprow, Alison Knowles, Joseph Kosuth, Eduardo Paolozzi, Gianfranco Baruchello, Mel Bochner, Terry Atkinson, Michael Baldwin, Ay-o, Oyvind Fahlstrom, John Giorno, Jerome Rothenberg, Wolf Vostell, Robert Watts, Philip Corner, Juan Hidalgo, Mel Ramsden, Carl Andre, Robert Barry, Sol LeWitt, Robert Morris, Lawrence Weiner, Ian Burn, Merce Cunningham, Terry Riley, Ben Vautier, Stephen Kaltenbach, Walter Marchetti, N.E. Thing Co. LTD., Giulio Paolini, Bernard Venet, Franz Erhard Walther, Andy Warhol, Vito Acconci, Stig Brogger, José Luis de Castillejo, Roger Cutforth, Hanne Darboven, Jan Dibbets, Dan Graham, James Lee Byars, Maloney, Bruce Nauman, Michelangelo Pisteletto, Emilio Prini, Allen Ruppersberg, Richard Tuttle, Harold Hurrell, Bernd & Hilla Becher, Christo, Dennis Oppenheim, Mark Boyle, Daniel Buren, Donald Burgy, Gerald Ferguson, Dorothy Iannone, Bejamin Patterson, Gilbert & George, Kathe Gregory, Marilyn Landis, Russell F. Lewis, David Crane, Scott R. Kahn, Lawrence Alloway, Gerard Hemsworth, David Lamelas, Mario Merz, Tom Phillips, Peter Roehr, Klaus Staeck, Art & Language, Derek Boshier, Marcel Broodthaers, Alessandro Carlini, James Collins, Giancarlo Croce, Giorgio Fabbris, Giorgio Spiller, Sandro Greco, Hamish Fulton, Bob Law, Richard Long, Philip Pilkington, David Rushton, Kevin Lole, Peter Smith, Giuseppe Penone, John Stezaker, Athena Tacha, Gérard Titus-Carmel, Vincenzo Agnetti, Giovanni Anselmo, John Baldessari, John Blake, Victor Burgin, Ger van Elk, Richard Hamilton, and Bruce McClean Reference : No. 3 and No. 135 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 15, 74. Very Good. Very light wear to covers. Name of previous owner in ink on first inside page, and small ink dash next to the names of Alison Knowles, Hanne Darboven, and Athena Tacha in the checklist. Otherwise Fine.