forti simone (32 Ergebnisse)

Softcover. Zustand: Très bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Zustand: VG. Glossy white 8vo, 209 pages, VG condition with just some wear to covers. Postscript & Afterword by Dewey & Mac Low respectively.

Paperback. Zustand: Brand New. 152 pages. 8.75x7.00x0.20 inches. In Stock.

Zustand: NEW.

Zustand: New. 2021. 3rd ed. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,200grams, ISBN:1892184214.

Zustand: new.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: new.

Zustand: NEW.

Paperback. Zustand: Brand New. 01 edition. 94 pages. 9.00x6.25x0.25 inches. In Stock.

SOFTCOVER. Zustand: Fine. 1st Edition. 4to in stiff card covers, 95pp on various types of paper, colour plates, etc . [CONDITION: FINE, a well preserved clean and tight unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Zustand: New. &Uumlber den AutorSIMONE FORTI shifted from painting in 1955 to study dance with Anna Halprin and went on to study composition with Robert Dunn at the Merce Cunningham Studio leading to her association with Judson Dance Theater in the .

Well-illustrated (illustrator). 292 pp.; 24 x 20 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Critical theory by Sally Banes on post modernist dance in the early 1960's with photographs by Robert Alexander. "'Terpsichore in Sneakers' is the first full-scale discussion of the artists who have made post-modern dance today's pre-eminent choreographic movement. Sally Banes traces post-modernism's origins in the work of Cunningham and Ann Halprin, its explosion in the Judson Dance Theater of the early '60s, and its relationship to other avant-garde movements in the arts during th 1960s and 70s including Happenings, pop and minimal art and related developments in the visual arts, theater and literature." -- taken from jacket cover. Individual chapters are devoted to Simone Forti, Yvonne Rainer, Steve Paxton, Trisha Brown, David Gordon, Deborah Hay, Lucinda Childs, Douglas Dunn, Meredith Monk, Kenneth King and The Grand Union. Includes photographs, chronology and a selected bibliography. Fine. Covers and contents clean and unmarked in unread condition. Due to size and weight additional shipping charges will be required for international orders.

304 pp.; 23.8 x 22 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Monograph by Achille Bonito-Oliva with editorial coordination by Corinna Ferrari. Artists include Marina Abramovic, Vito Acconci, Vincenzo Agnetti, Laurie Anderson, Carl Andre, Giovanni Anselmo, Eleanor Antin, Art & Language, Michael Asher, David Askevold, Gabor Attalai, Michael Badura, Jo Baer, Marco Bagnoli, John Baldessari, Martin Barré, Robert Barry, Lothar Baumgarten, Didier Bay, Bernd and Hilla Becher, Bill Beckley, Larry Bell, Lynda Benglis, Joseph Beuys, James Bishop, Mel Bochner, Alighiero Boetti, Mari Boeyen, Marinus Boezem, Christian Boltanski, George Brecht, K.P. Brehmer, Marcel Broodthaers, Stanley Brouwn, Trisha Brown, Gunter Brüs, Chris Burden, Daniel Buren, Victor Burgin, James Lee Byars, André Cadere, Pier Paolo Calzolari, Peter Campus, Louis Cane, Enrico Castellani, Mark Camille Chaimowitz, Alan Charlton, Sandro Chia, Christo, Francesco Clemente, Chuck Close, Hanne Darboven, Walter De Maria, Agnes Denes, Jan Dibbets, Richard Estes, Valie Export, Robert Filliou, Dan Flavin, Simone Forti, Terry Fox, Hamish Fulton, General Idea, Gilbert & George, Philip Glass, Dan Graham, Robert Grosvenor, Hans Haacke, Duane Hanson, Michael Heizer, Eva Hesse, Dick Higgins, Nancy Holt, Rebecca Horn, Douglas Huebler, Robert Irwin, Ray Johnson, Joan Jonas, Donald Judd, Allan Kaprow, On Kawara, Ellsworth Kelly, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, David Lamelas, La Monte Young, Marian Zazeela, Barry Le Va, Les Levine, Sol LeWitt, Richard Long, George Maciunas, Robert Mangold, Piero Manzoni, Brice Marden, Agnes Martin, Gordon Matta-Clark, Mario Merz, Annette Messager, Mary Miss, Meredith Monk, Robert Morris, Antonio Muntadas, Bruce Nauman, N.E. Thing Co., Barnett Newman, Dennis Oppenheim, Nam June Paik, Michelangelo Pistoletto, Arnulf Rainer, Yvonne Rainer, Ad Reinhardt, Gerhard Richter, Terry Riley, Dieter Rot [aka Dieter Roth], Alan Ruppersberg, Edward Ruscha, Robert Ryman, Lucas Samaras, Richard Serra, Charles Simonds, Robert Smithson, Keith Sonnier, Nancy Spero, Daniel Spoerri, Frank Stella, Richard Tuttle, Wolf Vostell, Andy Warhol, and Lawrence Weiner. Includes author biography. Texts in English, French, and German. Very Good. Small chip to bottom edge of dust-jacket at spine. Light bumping of cover and page corners. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

[4] pp.; 21.6 x 13.9 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Program for an evening of performances by Trisha Brown Company performed at The Marymount Manhattan Theatre, New York, in 1979. The evening included performances of "Accumulation (1971) With Talking (1973) Plus Water Motor (1978)," performed by Trisha Brown; "Planes (1968)," performed by Daniel Lepkoff and Terry O'Reilly with films by Jud Yalkut and music by Simone Forti; "Line-Up (1977)," performed by Trisha Brown, Elizabeth Garren, Lisa Kraus, Nina Lundborg, and Mona Sulzman and "Glacial Decoy (1979)," New York Premiere, performed by Trisha Brown, Elizabeth Garren, Lisa Kraus and Nina Lundborg with visual presentation and costumes by Robert Rauschenberg. Includes biographies of the performers. Cover photograph by Babette Magolte. Good / Very Good. Gentle 6 mm. dog-ear to lower right corner of recto and additional light handling wear. Contents clean and unmarked.

First Edition. First Edition. INSCRIBED by Simone Forti on the first page: "4/14/02 / For Joan / Simone." Near Fine in perfect-bound wrappers. Signed.

Soft cover. Zustand: Very Good. 1st Edition. Softcover, 87p : illustrations ; 23 cm. Very good, minimal marks to delicate white wrappers, clean, crisp, unmarked. The Bear in the Mirror is a collection of stories, prose-poems, drawings, photos, letters, notes, and memories. Simone Forti dives into her family s past, trying to put all the myths and fragments of information into some kind of perspective, from December 1938 till the present moment, from woollen mills in Italy to Los Angeles. Chance encounters with bears play an important part in this narrative in pieces.

paperback. Zustand: Very Good. Zustand des Schutzumschlags: Good+. Illustrated white d/jkt, unclipped; very intact, but worn at edges, with occasional tiny losses; a little grubby. Illustrated white card wrappers; slightly browned. Spine uncreased; minuscule wear to base of spine, binding unaffected. B/w illustrations. "An account of an ongoing personal discourse and its manifestation in dance". ; 8vo (7" x 9"); 143 pages.

43 pp.; 27.8 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published as an overview of performances and exhibitions held at The Kitchen in New York in 1974 and 1975. Introduction by Bruce Kurtz. Artists include: Ant Farm, Eleanor Antin, John Baldessari, Kirsten Bates, Connie Beckley, David Behrens, David Behrman, Carmen Beuchat, Scott Billingsley, Trisha Brown, Jim Burton, Jim Byrne, Peter Campus, Cornelius Cardew, Sergio Cervetti, Rhys Chatham, Peggy Cicierska, Andy Mannik, Jim Cobb, David Cort, Alvin Curran, Barbara Dilley, Juan Downey, Jean Depuy, Susan Ensley, Henry Flynt, Nova'Billy, Simone Forti, Jon Gibson, Davidson Gigliotti, Frank Gillette, Tina GIrouard, Dan Graham, Amy Greenfield, Ellen Grossman, Noel Harding, Julia Heyward, Nancy Holt, Gerard Hovagimyan, Nelson Howe, Tannis Hugill, Tom Johnson, Joan Jonas, Beryl Korot, Jill Kroesen, Shigeko Kubota, Robert Kushner, Richard Landry, Darcy Lange, Garrett List, Anna Lockwood, Alvin Lucier, Jackson Mac Low, Ingram Marshall, Michael McClard, Mike Metz, Dick Miller, Phill Niblock, Steve Paxton, Liz Phillips, Virginia Quesada, Eliane Radique, Steve Reich, Jonathan Richman, Ripert Center, Joost Romeu, Jim Rosenberg, Leon Rosenblatt, Martha Rosler, Arthur Russell, Ira Schneider, Robin Schwartz, Allen Sekula, S.E.M. Emsemble Festival, Willoughby Sharp, Tape Inc., Richard Teitelbaum, David Tudor, Peter van Riper, Robin Winters, Walter Wright, and Susan Wolfson. Cover photo by Robin Winters. Very Good / Fine. Light rubbing of covers with light bumping of corners and creasing at spine. Contents clean and unmarked.

Original wraps. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good +. A sharp, well-preserved copy of the 1974 1st edition of this "account of an ongoing personal discourse and its manifestations in dance". Crisp and Near Fine in its printed beige wrappers. And in a bright, VG+ to Near Fine dustjacket, with very light spotting along the front fore-edge. One of the titles in the very interesting "Nova Scotia" series, which has also produced theoretical works by Steve Reich, Claes Oldenburg and Yvonne Rainer.

paperback. Zustand: Fine. Libro d'artista a cura di Fabio Sargentini e Simona Tarantino. Le immagini di questo librino, sono fotogrammi tratti da un video della performance di Simone Forti girato durante la mostra "Contemporanea" a Villa Borghese nel febbraio 1974. Stampato in occasione della performance "Logomotion" di Simone Forti, martedì 18 marzo 2008 nello spazio della Galleria L'Attico Esemplare n. 56/100. Cm 6,7x10,5. pp. 60 non numerate. . Ottimo (Fine). . Edizione originale di 200 esemplari numerati (Original edition of 200 numbered copies). . Nata a Firenze da una famiglia di industriali ebrei emigrati negli Stati Uniti per sfuggire alle leggi razziali fasciste, Simone Forti è un'artista del movimento, come ama definirsi. La sua formazione nella danza inizia nel 1955 a San Francisco, dove partecipa agli innovativi laboratori di Anna Halprin e conosce un modo nuovo di ballare e costruire la coreografia, liberata di ogni elemento non essenziale e aperta all'improvvisazione. A New York, quattro anni dopo, avviene l'incontro decisivo con Robert Dunn, che la introduce alla lezione di John Cage sull'indeterminatezza e la libertà espressiva. In città sono gli anni degli happening, di Fluxus e del Judson Dance Theater. I primi risultati della sua ricerca, presentati nel 1960 alla Reuben Gallery, sono già un'anticipazione di quelle che più avanti chiamerà Dance Constructions. Forti sviluppa performance di una semplicità estrema che implicano quasi esclusivamente l'uso di corde, scatole e strutture di legno grezzo. I movimenti degli interpreti richiedono uno sforzo che è spesso privo di scopo o servono a sperimentare le possibilità di azione del corpo nelle situazioni ludiche dell'infanzia. È il caso di See Saw, performata da Robert Morris, all'epoca suo marito, e Yvonne Rainer, in azione alle due estremità di un gioco a dondolo. Figura chiave nella diffusione della danza e della musica d'avanguardia in Italia grazie a un lungo soggiorno romano nel 1968 e all'amicizia con il gallerista Fabio Sargentini, Forti non ha mai smesso di sperimentare, sconfinando spesso nel campo del video, del disegno, della fotografia e della parola scritta. Alcuni dei contributi più significativi arrivano però soprattutto in ambito sonoro, dove testa il potenziale espressivo del segno grafico, trasformando in partiture musicali i profili dei volti, e quelle del caso, illustrando insieme a Charlemagne Palestine la complementarità tra suono e movimento. Quando, negli anni ottanta, l'artista torna a concentrarsi sul movimento e sulla fisicità, lo fa aggiungendo alle sue performance una forte componente parlata. Inizialmente sviluppati in forma spontanea con il nome di Logomotions, questi lavori saranno successivamente conosciuti come News Animations, in riferimento alle questioni di attualità che costituiscono la traccia a partire dalla quale Forti dipana la sua narrazione. Edizione originale di 200 esemplari numerati (Original edition of 200 numbered copies). Book.

Wrappers in Illustrated Jacket. Zustand: Near Fine. First Edition. 144pp, profusely illustrated in b&w. Published by the estimable Press of the Nova Scotia College of Art and Design in 1974, this is the first monograph on renowned contemporary New York dancer/choreographer Simone Forti. It contains texts (often reproduced in facsimile), sketches, and photographs documenting her performances between 1959 and 1974. A most handsome example in dust jacket showing just a bit of age-toning to the covers. Dance Monograph.

Second Edition, a trade softcover original, with all inserts present. The faithful reprint of the seminal Fluxus manifesto, originally published in 1963. INSCRIBED by editor Jackson MacLow on the front wrapper verso: "This copy for David [and] Ellie [and] Blaine / Jackson / 3/11/74." Good to Very Good in perfect bound red-and-black wrappers, with loss at the bottom fore-edges, and moderate fading on the spine and page edges. Fluxus Codex US. Signed.

48 pp.; 21 x 15.3 cm.; staple bound; black-and-white; edition size 800; unsigned and unnumbered; offset-printed Exhibition catalogue for show of artists' books held September 20 - October 14, 1972. Text by Germano Celant. Exhibition checklist organized chronologically by Celant and Linda Morris. Show included books by Dick Higgins, Claes Oldenburg, Dieter Rot [aka Dieter Roth], Ben, Daniel Spoerri, George Brecht, Yoko Ono, Claus Bremer, John Cage, La Monte Young, Jackson MacLow, Nam June Paik, Emmett Williams, Walter de Maria, Malka Safro, Simone Forti, Richard Maxfield, Christian Wolff, Stanley Brouwn, Piero Manzoni, Edward Ruscha, Robert Filliou, Ray Johnson, Allan Kaprow, Alison Knowles, Joseph Kosuth, Eduardo Paolozzi, Gianfranco Baruchello, Mel Bochner, Terry Atkinson, Michael Baldwin, Ay-o, Oyvind Fahlstrom, John Giorno, Jerome Rothenberg, Wolf Vostell, Robert Watts, Philip Corner, Juan Hidalgo, Mel Ramsden, Carl Andre, Robert Barry, Sol LeWitt, Robert Morris, Lawrence Weiner, Ian Burn, Merce Cunningham, Terry Riley, Ben Vautier, Stephen Kaltenbach, Walter Marchetti, N.E. Thing Co. LTD., Giulio Paolini, Bernard Venet, Franz Erhard Walther, Andy Warhol, Vito Acconci, Stig Brogger, José Luis de Castillejo, Roger Cutforth, Hanne Darboven, Jan Dibbets, Dan Graham, James Lee Byars, Maloney, Bruce Nauman, Michelangelo Pisteletto, Emilio Prini, Allen Ruppersberg, Richard Tuttle, Harold Hurrell, Bernd & Hilla Becher, Christo, Dennis Oppenheim, Mark Boyle, Daniel Buren, Donald Burgy, Gerald Ferguson, Dorothy Iannone, Bejamin Patterson, Gilbert & George, Kathe Gregory, Marilyn Landis, Russell F. Lewis, David Crane, Scott R. Kahn, Lawrence Alloway, Gerard Hemsworth, David Lamelas, Mario Merz, Tom Phillips, Peter Roehr, Klaus Staeck, Art & Language, Derek Boshier, Marcel Broodthaers, Alessandro Carlini, James Collins, Giancarlo Croce, Giorgio Fabbris, Giorgio Spiller, Sandro Greco, Hamish Fulton, Bob Law, Richard Long, Philip Pilkington, David Rushton, Kevin Lole, Peter Smith, Giuseppe Penone, John Stezaker, Athena Tacha, Gérard Titus-Carmel, Vincenzo Agnetti, Giovanni Anselmo, John Baldessari, John Blake, Victor Burgin, Ger van Elk, Richard Hamilton, and Bruce McClean Reference : No. 3 and No. 135 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 15, 74. Very Good. Very light wear to covers. Name of previous owner in ink on first inside page, and small ink dash next to the names of Alison Knowles, Hanne Darboven, and Athena Tacha in the checklist. Otherwise Fine.

[1] pp.; 27.8 x 21.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single sided flyer published in conjunction with a performance by Simone Forti with Jon Gibson and workshop participants held October 6, 7, 8, 198? / 199? Very Good. Folded in three. 4 mm. tear to left side edge. Light handling wear and wear to corners with 1.2 cm. light yellow spotting to bottom right corner. Otherwise clean and unmarked.

[1] pp.; 35.5 x 21.6 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Flyer / program for the New York premiere of Joan Jonas's "Double Lunar Dogs," held at the Performing Garage, New York City, [December 9 - 13 and 16 - 20, 1984]. Written and directed by Joan Jonas, inspired by "Universe" by Robert Heinlein. Assistant directed by Marion Cajori. Performers included Jill Kroesen, Spalding Gray, David Warrilow, Mayra Levy, Todd Betterley, Brina Gehry and Daniel Minahan. Sets by Joan Jonas, Mary Heilman, Andrea Callard and Dan Moran. Sound by Richard Teitelbaum, The Residents, Barney Bailey, Michael Riesman, Joan Jonas, Jill Kroesen, Simone Forti and Scott Breindel. Lighting by Richard Lloyd and Gitta Gisell. Videotape by Michael Oblowitz, Joan Jonas, Dede Halleck and Christophe Landzenberg. Film edited by William Farley. Fair / Good. Significant handling wear. Folded in twelve, with rubbing along fold lines. Bumping of corners and edges with a 1.4 cm. dog-ear to bottom left corner and a 6.1 cm. dog-ear to upper left corner. 8 mm. and 5 mm. tear to left side edge of page and 1 mm. tear to right side edge.

[1] pp.; 58.5 x 73.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Poster published in conjunction with the 13th Annual Avant Garde Festival held on June 19, 1977 at the World Trade Center, New York City. Presented by Charlotte Moorman participating artists included Laurie Anderson, Christo, Robert Filliou, Simone Forti, Geoff Hendricks, Joan Jonas, Allan Kaprow, Yoko Ono, Larry Rivers, Bill Viola, and many, many others. Poster designed by Jim McWilliams. Good. Folded in eight as issued with light additional gentle fold marks. This copy printed on matte paper.

[2] pp.; 89 x 58.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Two-sided poster for Festival held July 20, 1980 at Passenger Ship Terminal, 55th Street & Hudson River, New York City. Huge roster of artists includes Ay-O, Christo, Barbara Ess, Simone Forti, John Giorno, Jon Hendricks, Dick Higgins, Nancy Holt, Joe Jones, Alison Knowles, Les Levine, Jackson Mac Low, Ann Magnuson, Nam June Pair, Michael Smith, and many many others. Good. Mailed copy with mailing marks and mailing wear. Small tears along folds. Three tears along meeting points of folds measuring 1 cm., .5 cm. and .3 cm respectively. Moderate yellowing along folded edges. Image on poster clean and unmarked.

[2] pp.; 89 x 58.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Two-sided poster for Festival held July 20, 1980 at Passenger Ship Terminal, 55th Street & Hudson River, New York City. Huge roster of artists includes Ay-O, Christo, Barbara Ess, Simone Forti, John Giorno, Jon Hendricks, Dick Higgins, Nancy Holt, Joe Jones, Alison Knowles, Les Levine, Jackson Mac Low, Ann Magnuson, Nam June Pair, Michael Smith, and many many others. Good / Very Good. Mailed copy with mailing marks and mailing wear. Copy has never been opened and remains sealed with a piece of scotch tape. Light soiling to addressed side and light handling wear.