Zucker s (14 Ergebnisse)

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Brand New. 106 pages. 9.00x6.00x0.24 inches. In Stock.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. [1st American edition], [1st printing] ; 528 pages : illustrations ; 24 cm ; ISBN: 9780517279144; 0517279142 ; LC: PR6039.O32; Dewey: 828/.9/1209 ; OCLC: 733738812 ; dark orange textured boards, in color pictorial dustjacket ; nicks to dustjacket ; "The author has compiled almost every known fact, name, foreign word, date and etymological allusion." ; VG/VG. Kevin Reilly (illustrator). Book. …

Zustand: New. In English.

Soft cover. Zustand: Good+. Part 2 ONLY, ASTIA Document No. AD 211500, light wear to covers, spine taped, unmarked, 372pp, G+. Book.

Paperback. Zustand: Brand New. 2nd edition. 310 pages. French language. 9.50x6.50x1.00 inches. In Stock.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. [1st AMerican edition], [1st printing] ; 528 pages : illustrations ; 24 cm ; ISBN: 9780517279144; 0517279142 ; LC: PR6039.O32; Dewey: 828/.9/1209 ; OCLC: 733738812 ; dark orange textured boards, in color pictorial dustjacket ; bookmark on front endpaper ; "The author has compiled almost every known fact, name, foreign word, date and etynological allusion." ; foxing on textblock ; VG/VG. Kevin Reilly (illustrator). Book. …

Zustand: Akzeptabel. Formateinband: Pappband / gebundene Ausgabe XIII, 537 S. (28 cm) 1st Edition; Sauberes Exemplar aus Institutsbibliothek mit den üblichen Schildchen und Stempeln; mit Klarsichtfolie überzogen; Etwas gealtert, Papier etwas gebräunt, Schnitt teils fleckig; sonst in gutem Zustand. Sprache: Englisch Gewicht in Gramm: 1990 [Stichwörter: Electron Beams, Imploding Systems, Plasma Focus and collective effects, Inductive and capacitive storage systems, Collective effects, Switches]. …

Zustand: New. Editor(s): Zucker, Betty. Num Pages: black & white illustrations, bibliography. BIC Classification: KC; KJM. Category: (G) General (US: Trade). Dimension: 203 x 127 x 12. Weight in Grams: 222. . 2014. Paperback / so. . . . . Books ship from the US and Ireland.

Grosses Original-Farbportraitfoto (kl. 8 to, zwei verschiedene Motive vorhanden), von Rachel Zucker eigenhändig signiert (portrait-photo in small 8 to, signed by american poet, fine / 2 different shots available, price per autograph for 1).

144 pp.; 24.3 x 17.3 cm.; sewn bound; other special feature[s]; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Special Issue of the Journal of Aesthetics and Art Criticism published in 1944. Edited by Dagobert D. Runes. Contents include: "Editorial;" "The Visual Arts and Post-War Society," by Robert L. Lepper; "Contemporary Painting," by Lester D. Longman which incorporates a four-fold horizontal pull-out topographic map of "Post-Impressionism, 1885 - 1905"; "Theatre Today, Symptoms and Surmises," by George Beiswanger; "The Role of Architecture in Future Civilization," by Paul Zucker; "The Art of the Movies in American Life," by Milton S. Fox; "Music and Social Crisis," by Ernst Krenek; "Poetry Today and Tomorrow," by Robert P. Tristram Coffin; "Problems and Prospects of Civic Planning," by Theron I. Cain; "The Arts and Social Reconstruction," by Alfred Neumeyer; "Art, Aesthetics, and Liberal Education," by Thomas Munro; "Art Ahead," by Van Meter Ames; "The Social Message of Art," by Max Schoen; "Of Democracy and the Arts," by H.M. Kallen and "Contributors." Good. 2.2 cm. loss of covers along bottom of spine with 1.2 cm. tear. 2.5 cm. tear to recto at spine edge. 4 mm. loss and 8 mm. tear to top edge of spine. 1 cm. loss to bottom right corner of recto and 2.8 cm. dog-ear to bottom right corner of recto. 4.6 cm. dog-ear to top right corner of recto. Additional rubbing and staining of covers. 19.3 cm. of crease to bottom left corner of verso. Glue has loosened so that spine edge of cover and verso are not attached to text block but are held in place by their attachment to the recto. Light yellow spotting 9-11 pages. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

No Binding. Zustand: Fine. No Jacket. loose-leaf publication ; OCLC: 857088726 ; a six-year run of Old-House Journal, as well as The Old-house journal catalog, with the indexes ; lists over 5,873 products and services, with 525 companies for the renovation of old houses; many articles on various aspects of repair; laid the groundwork for the Public Television series This Old House ; V.1.no.1: An old house is a way of life -- Protecting the aging house from winter storms -- Old-house living: a brownstone in Brooklyn -- Sealing leaky windows -- Quieting a steam heating system -- Flat-roof repairs -- Chimney check up -- The care and cleaning of brass -- v.1 no.2 : Refinishing secrets of the Boston Museum -- The bare-brick mistake -- A schoolhouse in Kentucky -- Restoring shutters to working order -- Surgery on a staircase -- Coping with frayed electrical wiring -- How to apply French polish -- Recipes for reviving and refinishing - v.1 no.3: Teaching a fireplace not to smoke -- Antique wallpaper preservation -- Victorian gingerbread -- The art of getting plastered -- Tricks an old farmhouse plays -- Matching bricks & mortar -- How to paint a cathedral -- v.2 no1: Catalog your house's secret passages -- An Italian villa in New Haven -- Major repairs to plaster surfaces -- Tips on mixing plaster -- Mansard roof -- A tale of two houses -- V.2 no 2: How to stiffen sagging floors -- Let's do away with incentives that destroy old houses -- Wallpaper in old houses -- Where to buy 18th & 19th century wallpaper -- Duplicating plaster cornices -- v.2 no.3: Duplicate plaster castings -- A townhouse in Trenton -- Parts of a staircase -- One way to insulate an attic -- V.2, no4: Drapes & curtains -- A family plantation in Virginia -- Don't get stuck with the wrong glue -- Restoration of sandstone -- V.2 no.5: Repairing old floors -- Octagon house on the Hudson -- Re-creating period window hangings -- v.2 no 6: A restorationist view of windows -- Queen Anne revival in Little Rock -- Repairing & restoring marble mantels -- Windows and parts -- V.2 no 7: Sawn wood ornament -- Pre-Civil War manse on the Mississippi -- Mix your own wood stain -- Running electrical wire -- Restoring and re-creating sawn wood ornament -- V.2 no 8: Eastlake -- Preserving woodworkers' art in St. Paul -- Restoring rotted window sills -- Improved process for stripping paint -- v.2 no 9: Tips on stripping shutters -- in Covington, a riverboat captain's Italianate berth -- restoring a frame house exterior -- Early American roof types -- Victorian fancywork -- v.2 no 10: The domestic architecture of Downing -- Caustic approach to exterior paint removal -- A restored federal enclave in Charlestown -- Detecting & defeating rot in old houses -- Downing on color -- v.2 no2 : Preventing rot in old houses -- How to make an electrical survey -- Greek revival on the immigrant road -- Classical orders -- v.2 no12: Refinishing old wood floors -- Insuring townhouse living -- Tips on sanding -- Painted floors -- Cast iron fences -- Care & repair of ornamental iron -- v.3 no 1: Early American wall stenciling -- Restored, a hopeless 1865 Greek revival ruin -- Selecting the best floor finish -- v.3 no2: Victorian stenciling -- Romanesque revival in the inner city -- The case against removing paint from brick masonry -- Replacing a clapboard -- Glenview, Victorian stencilling restored -- v.3 no.3 Restoring old brickwork -- Dual personality saves 1836 Greek revival -- The peril in Portland cement -- Marbelizing -- v.3 no 4: Late Victorian art movement -- Reviving a 1745 stone manor -- Selecting & using chemical paint removers -- v.3 no5: Greek revival decoration -- Self-supporting shingle-style seaside cottage -- v.3 no6: How to grain like a professional -- Moving story of a Swiss chalet in Vermont -- Locating buried artifacts -- v.3, no.7 : Lighting for the old house -- Victorian charm re-created in San Francisco -- Rebuiling fireplaces -- Adapting old fixtures -- Fancy butt shingles; etc ; a mark or two; else FINE. Book.…

280 x 200 mm. (11 x 8"). 3 p.l., ix, [1], 181, [3] pp. LUXURIOUS RED CRUSHED MOROCCO BY H. ZUCKER OF PHILADELPHIA (stamp-signed on front turn-in), covers framed by gilt fillets, raised bands, spine compartments with inlaid green morocco concave frame with gilt embellishment, PICTORIAL VIOLET MOROCCO DOUBLURES with dentelle gilt frame, front doublure with the onlaid figure of a nude nymph within an onlaid green morocco lobed frame, rear doublure with an onlaid and gilt lyre centerpiece similarly framed, marbled free endpapers, top edge gilt, others edges untrimmed. Original illustrated paper wrappers bound in. Housed in a red buckram chemise and matching slipcase (these somewhat worn). WITH 33 ETCHED ILLUSTRATIONS BY RAPHÄEL COLLIN, eight full-page, all in three states, and with an ORIGINAL WATERCOLOR ON (somewhat wrinkled) VELLUM. Prospectus bound in at rear. Front free endpaper with bookplate of Benjamin Abraham. âIsolated small spots of foxing to margins, one state of one plate rather foxed, but still a lovely copy in fine condition--clean, fresh, and bright with virtually no signs of wear. This is bibliophile's edition of one of the most widely believed and successful of all literary hoaxes, in an American binding that could easily be mistaken for the work of a Parisian atelier. Before opening his Sansom Street workshop, binder Hyman Zucker trained and worked with the eminent Philadelphia bindery of Pawson & Nicholson, co-founded by James B. Nicholson (1820-1901), author of the first practical manual on bookbinding written in the United States ("A Manual of the Art of Bookbinding," 1856). Zucker issued a pamphlet introducing his new business, which would "Attend to All Orders for the Binding of Books in Every Style of the Art from Plain Half-binding to Elaborate Tooling Upon Full Bound Volumes." The present volume is clearly one of his high-end productions, with especially striking doublures. Fin-de-siècle Paris saw the emergence of a new type of book collector, as documented by Willa Silverman in "The New Bibliopolis." The scholarly bookworm who searched the stalls of the bouquinistes for 17th century volumes was replaced by the wealthy, educated man (and it was almost always a man) of refined taste, who disdained dull, calf-covered volumes in favor of new, exquisitely produced books. The leader of these new bibliophiles was collector and taste-maker Octave Uzanne, whose "aesthetic manifesto" promised, in Silverman's words, to require "illustrations, typography, paper, and bindings such as had never been seen before, produced with the most modern techniques." Publishers and bibliographic societies vied to offer exclusive limited editions with such distinguishing characteristics. This volume is a perfect example: not only does it feature illustrations in two additional states that demonstrate the stages of production, but it also contains an original, signed watercolor by Raphäel Collin (1850-1916), a successful painter and sought-after illustrator. The text--which is printed on paper with the sheen and feel of fine silk--could be considered the ideal content for a bibliophile's edition, as it combines two favored genres: Greek or Roman classics and Symbolist poetry. Containing 143 erotic prose poems with lesbian themes, "Songs of Bilitis" was represented to comprise translations from the Greek of a supposed contemporary of Sappho, when it was, in fact, penned by novelist and Symbolist poet Pierre Louÿs. Born in Belgium, Louÿs (1870-1925) relocated to France where, though an apparent heterosexual, he became familiar in homosexual circles and was known for close friendships with André Gide and Oscar Wilde. In 1891, along with Gide, Henri de Régnier, and Paul Valéry, Louÿs founded the literary review, "La Conque," where he published "Astarte," an early collection of erotic verse; his first great success, the present "Les Chansons de Bilitis," followed in 1894. Former owner Benjamin Abraham seems to have been an American collector--perhaps from Philadelphia--who followed the French bibliophilic fashion. The Morgan Library has nine books with his bookplate, all finely bound French bibliophile editions from the late 19th and early 20th century. No. 6 OF 60 COPIES on Japon ancien with plates in two additional states, initialed by the publisher, from a total edition of 325, THIS COPY WITH AN ORIGINAL WATERCOLOR ON VELLUM by Raphäel Collin, the illustrator of the work, NOT CALLED FOR IN THE JUSTIFICATION.…