Bindings (384 Ergebnisse)

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust Jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN.…

Soft cover. Zustand: Fine. 1st Edition. Color Illustrations Of Shaw Bindings And Dust Jackets (illustrator).

Original cloth in cardboard slipcase, a very good copy. Almost as new. Please see description or ask for photos.

Paperback. Edges a bit worn, some minor traces of use, a good copy. Text in French. Please see description or ask for photos.

Hardcover. Zustand: Very Good. No Jacket. First Edition. With over 80 illustrations of fine antiquarian bindings - a collection of plates - bound in red cloth - very good - no publisher - circa 1920 ?? 2 VOLUMES, HARDCOVER, NO DUST JACKET, NO MARKINGS, VERY GOOD CONDITION, EXCELLENT VALUE . NUMEROUS FULL PAGE PLATES IF FINE ANTIQUARIAN BINDINGS.…

26,5 : 19 cm. 47 pages with 113 coloured illustrations. Original stiff wrappers. The book shows original coloured wrappers from the collection of Curt Tillmann.

21 x 13 cm. 15 S. ISBN: Keine. Kartoniert / Soft cover. No jacket. Guter Zustand / Good condition. 1. Auflage. Sprache: De, Mit 22 Seiten, Loseblatt. Mit einer Fotoportraittafel une einem. Zum INHALT: (1) Letzte Gedichte von Rudolf Binding: "Schnell gehst du, Welt" / "Bitt, Wandrer, für den andern" -- (2) Rede am Sarge von Rudolf Alexander Schröder. -- (3) Zwei Gedichte von Hermann Claudius (gesprochen am Sarge Rudolf G.Bindings): "Alles Leben hat seine Not." / "Einmal werde ich erwachen." -- (4) Rede am Sarge von Ludwig Friedrich Barthel. -- (5) Handschriftfaks.: Die Anfangszeilen (und: Die letzen Zeilen) der unvollendet gebliebenen Erzählung "Der Stadtheilige". Und: Fotoportrait: Aufnahme der letzten Lesung in Lippoldsberg 1938. -- (6) Paul Alverdes: Abschied von Rudolf G. Binding. -- (7) Penzoldt, Ernst: Ritterliche Erscheinung: An einen jungen Freund. -- (8) El8. (Va). Jpg. …

Hardcover. Zustand: Very Good. No Jacket. First Edition. blue cloth, 52 plates, a splendid catalogue of important bindings exhibited at the Bodleian in 1968. Valuable reference book.

4to (270 x 210 mm), 58 illustrs., (some coloured), orig. stiff decorated wrappers, 58 lots.

Soft cover. Zustand: Fine. 1st Edition. Eight Large Format Catalogs, Scholarly And Containing Only Unique Or Rare Antiquarian Material Of Exceptional Quality, Particularly Fine Bindings. Undated Catalogs But Circa Late 1980'S-2000. Fine Illustrations Of Rare Books, Title Pages, Bindings. (illustrator). …

Bindings schönste Erzählungen, ca. 19,5 x 12 cm Lehrerbibliotheksexemplar mit entsprechenden Stempeln und Vermerken. Rücken mit kleinem Aufkleber, Einbanddeckel gestempelt, Schnitt angegraut, Seiten im guten Zustand O-Leinen mit Klarsichtfolie überzogen 320 Seiten.

Zustand: Near Fine. (240 x 165). pp, lvi, (2), 627, (5). Colour and black & white plates. Contents very clean. Red and gilt cloth. Dustjacket in clear protective wraps. A copy in lovely crisp condition. Original purchase invoice tucked. The catalogue was printed in an edition of 1500. A heavy book which may require extra postage to be quoted.…

Hamburg, Maximilian-Gesellschaft, 2004. 32 x 23 cm.OLn mit Rückenetikett. 204 S. Gedruckt in 1100 Exemplaren. 1. Auflage. Prachtexemplar. Großzügig gestaltetes Buch mit Farbabbildungen von 79 Einbänden aus verschiedenen europäischen Ländern, darunter elf Belgische und ein Niederländische - mit ausführlichen Beschreibungen.…

Hardcover. Zustand: Very Good. Rare publishers deluxe leather bindings. Reprint of the original 1886 edition, published by Ellis and Scruton. Two volumes. 8vo. (7.7 x 5.3 inches). Very good copies, the pages clean throughout and some gatherings still unopened. Finely bound, by Roger de Coverly of London, in late nineteenth century full dark blue calf in the same style as the original decorative publishers cloth binding, designed by Rossetti himself. Spines with five raised bands, the compartments lettered and decorated in gilt. Elaborate floral design to all of the boards, all in gilt. Board edges with gilt piping. Inner boards with single gilt rules lines. Original decorative floral endpapers printed in dark blue on light blue paper. Top edges gilt, the others untrimmed. Some rubbing to the spines, and a little bumping to the edges but still a very attractive pair of fine leather bindings by one of the master bookbinders of the day.…

Hardcover. Zustand: Near Fine. 3rd Edition. 7 volumes, 12mo., ([viii], 356pp. + [vi], 340pp. + xvi, 296pp. + xii, 287pp. + viii, 375pp. + xii, 367pp. + xii, 378pp.), some b/w illustrations to vol. V, top edges blocked in gilt, marbled endpapers to each volume, all volumes bound in matching contemporary navy half morocco over marbled boards, gilt ruled spines in compartments with raised bands and gilt titles by Roger de Coverley & Sons (each volume with their name stamp to verso of front free endpaper). A generally VG+ clean tightly bound set of early editions with only some light wear and some neat colour touch-ups to some extremities. Volume 1 of this set has a pencil note to verso of front free endpaper to say it was previously purchased at James Bain Booksellers in 1917 for £6. Ex Lbris Oliver Brett (3rd Viscount Esher, who was a British peer and politician) with his fine engraved bookplate to each volume. Charles Lamb (1775 1834) was an English essayist, poet, and antiquarian, best known for his Essays of Elia and for the children's book Tales from Shakespeare, co-authored with his sister, Mary Lamb (1764 1847). Friends with such literary luminaries as Samuel Taylor Coleridge, Robert Southey, William Wordsworth, Dorothy Wordsworth and William Hazlitt, Lamb was at the centre of a major literary circle in England. He has been referred to by E. V. Lucas, his principal biographer, as "the most lovable figure in English literature".…

Hardcover. Zustand: Good. No Jacket. 1st Edition. Catalogues 1-172 (complete); Lists 4-8 § 15-20 § 22-33; Stock Lists 1-2 (complete); supplements 1-16, 18 . London, 1923-1992. 21 vols in 4to & 8vo bound in buckram containing 154 catalogues, lists & supplements in their original illustrated or printed wrappers; the remainder offered loose in original wrappers as issued. A comprehensive collection of scholarly, illustrated sale catalogues, lists & supplements issued by the distinguished firm of London antiquarian booksellers founded in 1923, specializing in early printed continental books, bindings & manuscripts. Comprising a complete series of 172 sale catalogues (nos 82 & 95 in photocopy) - nos 1-154 bound (nos 29-48 from the library of John Carter CBE (1905-75), author & bibliographer (signed) - (Sotheby sale 1976); catalogues no 155-172 in original wrappers, as issued; including 24 lists (of 33 issued), stock lists I & II (all issued), supplements 1-16 & 18 (of 18 issued) (1960-1984) - (nos 1-5 bound in buckram.) Overall condition good to very good, except for cat. no 97 (soiled blank margins some tears without loss.) E. Ph. Goldschmidt (1887-1954) collector, bibliographer & aniquarian bookseller, paid special attention to textual questions, bindings and provenances. Offered additionally : (1) Christie's, London, auction catalogue. The Stock and Reference Library of E.P. Goldschmidt & Co. Ltd. London, 8 & 9 July, 1993. 4to. [10] + 383 p, 666 lots. Illustrated. List of prices realized loosely laid in. Laminated illustrated wrappers. Part II contains lots 291-666 of the reference library); some cover illustrations are of early sale catalogues. (2) Goldschmidt, E.Ph. Medieval texts and their first appearance in print. London, Bibliographical Society, 1943. [6] including frontispiece + 143 + [1]p. Publisher's printed wrappers, untrimmed & partially uncut. First edition of one of the author's most influential works ( published as 'Supplement to the Bibliographical Society's Transactions, 16').…

Square 12mo, 34pp., 31 plates of bindings, original printed wrappers. From the bookbinding reference library of Frank Broomhead.

Leipzig, J. Zeitler, 1908, XIV,172,(1) pag., printed by hand by Otto Hupp in black and red in 600 handnumbered copies by Lücke & Wulff (Hamburg) out of the Neudeutsch type of Genzsch & Heyse under supervision of Walter Tiemann (Leipzig), original delicately blindtooled full leather with rouded corners, spine with raised bands, 2 brass clasps (catches not present), 14,5 x 11,4 cm. = Second half w. stain in lower blank corner.…

17,5 x 27,5 cm. 15. Druck der Trajanus-Presse. Erste Ausgabe, Nr 455 von 500 nummerierten Exemplaren., 112 S. illustrierter Originalpappband mit Goldgeprägtem Rückenschild. 4 Holzschnitten von Fritz Kredel. Einband mit Lichtspuren, zwei sehr schöne Exlibris.

Later edition (first published 1856). 12mo (18cm). Publisher's full morocco, elaborately embossed with gilt titles and matching gilt devices to front and rear boards; all edges gilt; 300pp; frontispiece, engraved extra-title and 4 inserted leaves of plates; 4pp publisher's catalog bound in at end of text. Mild overall rubbing, with some softness to leather at head and heel; top edge gilt slightly oxidized; still a sound, Very Good copy in a quite lovely mid-19th c. gift binding. Early pencil gift inscription to a Mary F. Sisson, dated 1854. A religious and temperance miscellany, mostly short moral tales with a few verse works interspersed. T.S. Arthur (1809-1885) is best-remembered for his hugely popular temperance trace Ten Nights in A Bar-Room, and What I Saw There (1854), but he was an incredibly prolific writer, churning out more than 100 titles between 1840 and the early 1880s. For the current work, see WRIGHT II:150, recording one copy of an 1856 edition by the current publisher and another the same year from a Chicago publisher.…

First edition, 4to (245 x 170 mm), 700pp., limited edition, 95 coloured and 15 black and white photographs, orig. cloth, d.w. The complete collection of special Gregynog bindings owned by the late Miss Margaret Sydney Davies, who founded the famous Welsh Gregynog Press (1922-1940) with her sister Gwendoline Elizabeth. Describes most extensively, both bibliographical and historical, all forty-two Gregynog Press titles and their special bindings, which were designed by artists such as Robert Ashwin Maynard, Horace Walter Bray, Blair Hughes-Stanton, William MacCance and George Fisher.…

Rotterdam, Nijgh & Van Ditmar's Uitgeverij, 1929, 1e druk, 286,(1) pag., illustrated in b/w, text in Dutch, original rustbrown cloth illustrated in gilt, top edge stained red, quarto (fine copy). = Beautiful binding design by P.A.H. Hofman, showing the Trinakria, the symbol of Sicily, in gilt on rustbrown cloth, quarto size.…

12mo, 34pp., signed by Broomhead with a interesting ms note in pencil to title "Bindings & design by J. Green", 31 illustrs., orig. printed wrappers. In effect a trade catalogue produced by the Oxford University Press to illustrate the high quality of workmanship that was available for unique commissioned bindings. From the library of the bookbinding historian, Frank Broomhead.…

14 vols. Small 8vo. (c.17.5 x 11 cm). Uniformly bound in contemporary calf over marbled boards, spines with raised bands and twin black morocco labels lettered in gilt, marbled endpapers. Minor shelfwear to spines, generally a very good set. *Comprising: Jacqueline du Pasquier, Cinq Étages H.G. Wells, Pages Choisies Georges de la Fouchardière, La Chienne Edmonde Bernard, Rien Que Nous Deux Montesquieu, Lettres Persanes& De l'Esprit des Lois Rabelais, Gargantua & Pantagruel Corneille, Theatre: Le Cid - Horace - Cinna La Rochefoucauld, Maximes et Oeuvres Diverses Voltaire, Dictionnaire Philosophique Jean-Jazques Rousseau, Discours sur les Sciences et les Arts, Discours sur l'inégalité, Deux Mémoires Charles Folëy, La Bête Noire Georges Simenon, M. Gallet Décédé Anne-Marie Gasztowtt, Irène et Patrick Yvette Prost, La Dame Noire. …

Hardcover. Zustand: Very Good. 1st Edition. FIRST EDITION. Four large 8vo volumes. (9.2 x 7.1 inches). Illustrated throughout with portraits and views. A very good set in the beautiful decorative Art Nouveau style red cloth bindings designed by Talwin Morris. Front boards with gilt, dark green and light green decorations. Spines with gilt lettering and decoration plus dark and light green blocking. Rear boards decorated in white and green. Bevelled edges to all boards. Plain grey endpapers. All edges gilt. Some rubbing to the edges and uniform fading to the cloth spines but the gilt and colours still strong and bright and this is a very attractive set in these beautiful bindings. --- This design, featuring attractive Glasgow Roses and Crowns, was exhibited at the influential Esposizione Internazionale d'Arte Decorativa Moderna in Turin in 1902. -- More photos available on request.…

Hardcover. Zustand: Good. No Jacket. 1st Edition. (AUCTION CATALOGUE) Pichon, Jérôme, Baron). Catalogue de la Bibliothèque de feu M. le Baron Jérôme Pichon. Président honoraire de la Sociétié des Bibliophiles français. Paris: Librairie Techener, 1897. Large 8vo. [2] f + xlvi + [2] + 459 + [1] p. Title in red & black with Pichon's arms. Illustrations in the text. Morocco-backed marbled boards; spine gilt with gilt-lettered title morocco label; marbled endpapers; front hinge & corners lightly worn. First volume of the posthumous sale of the second library of illuminated manuscripts, illustrated books and fine bindings formed by Jérôme Pichon (1812-96), one of the most passionate French 19th century collectors and bibliographers. A first sale had already taken place in 1869. The preface contains George Vicaire's Life of Pichon and a chronological list of his publications. A very good copy. …

Hardcover. Zustand: Good. TWO VOLUMES. 6mo. (7.32 x 4.3 inches). Vol.1; xii, 287pp - Vol.2; iv, 275pp. Bound in contemporary full tree calf with gilt ruling and red morocco volume numbers and title labels to spines. Trinity College Dublin arms in gilt to all four boards. Copper engraved College prize labels mounted onto the front pastedown endpapers of each volume. The books were presented to Gulielmo (William) Spedding in 1830. --- Reverend William Spedding (24th March, 1803 - 14th June, 1870) spent 25 years as the Military Chaplain to the Artillery Garrison, co. Cork, and then became the Rector of Killencoole, co. Louth, Ireland. ---- Some foxing to many pages and area of loss to the outer corner of one leaf in volume one, otherwise text complete. Rubbing to edges and chipping to the spines of the bindings but overall a good set. -- More photos available on request.…

Mostly 8vo, various paginations, mostly original decorated cloth, a handful of printed card wrappers. Most in good or very good condition. A large and representative collection covering the whole book-designing career of influential artist Talwin Morris, who became synonymous with the ?Glasgow Style? of the turn of the 20th century. The 262 volumes include complete runs of his celebrated and beautiful bindings for sets such as William S. Murphy?s The Textile Industries and James Weir French?s Modern Power Generators reminiscent of and an influence on the burgeoning Private Press movement; it also includes more than a hundred of his simpler series bindings. Talwin Morris (1865-1911), artist and book designer, was born in England but moved to Glasgow in 1893 to take up the post of Art Manager for publisher Blackie and Son. He was to arrive in a city where other artist-craftsmen and women - chief among them future collaborator Charles Rennie Mackintosh - were poised to make their mark on 20th century art. Prior to his work for Blackie he produced headpieces and mastheads for magazines published by Cassels and during his Glasgow tenure, like many of his contemporaries he did not confine himself to one medium, having a mirror exhibited in Turin and designing an ink stand for Liberty and Co. As Art Manager, he had a greater influence on the form of Blackie?s books than a simple illustrator would have had. Morris?s role allowed him to develop his style in both series bindings and individual works, both of which are well-represented in this collection. His series designs span from the inexpensive paperback ?Plain Text Shakespeare? series for which he designed the elegant front wrapper design printed in black, through the Red Letter Shakespeare series in hardback for Blackie?s Gresham subsidiary, for which he designed the two-colour front board decoration and title-page, through the Selections from Poets, for which he designed front board and spine, end-papers and title pages. All are well-represented in this collection, alongside less strictly-defined series work on juvenile and adult fiction, one design seeing service for a number of similar works, as well as the larger, custom designs for Gresham sets that are characteristic of his later work. This distinction is in some ways an artificial one, as the same motifs - often botanical, frequently asymmetric - recur throughout all his work. In presenting a large cross-section of Morris?s work these similarities become more apparent; the cheaper bindings are more economical in execution and materials but not in scope, an elegant economy of line common to all his work.…

A group of reliures japonisantes on a series of Edinburgh-printed 'Author's Edition' copies of these two American authors. This style of binding, with characteristic embossed gilt paper covers in Japanese style became a bibliophilic vogue in the 1880s, reflecting the tremendous enthusiasm for all things Japanese in contemporary Paris. It is most unusual to find them in this context, on a group of popular American titles:HOLMES, Oliver Wendell. The Autocrat of the Breakfast Table. 1883. pp. xlviii, 212; 256, (without half-titles) [and] HOWELLS, William D. Their Wedding Journey and A Chance Acquaintance. 1882, pp. 320; 303, [1]; The Undiscovered Country, 1882, pp. 250; 4 pages of ads, 269, [1]; The Lady of Aroostook. 1882, pp. 204 191, [1]; The Rise of Silas Lapham. 1885, pp. 330; 320, [2]; A Forgone Conclusion. A Counterfeit Presentment and The Parlour Car. 1882, pp. 316; 228. 10 works bound in 6 vols, 16mo (128 × 90 mm). Bound in contemporary French relures japonisantes, gilt, morocco spine labels. Spines slightly darkened with some chips, the sides fine and bright.…

Hardcover. Zustand: Very Good. Three volumes. (5.7 x 3.4 inches. - 4.9 x 3.1 inches. - 4.4 x 2.6 inches). Larger book: Holy Bible, Translated from the original tongues, Oxford, Clarendon press by Samuel Collingwood and co. 1823. -- Middle size book: New Testament, Translated from the original Greek, Oxford, Clarendon press by Samuel Collingwood and co. 1824. -- Smaller book: Psalms of David imitated in the language of the new testament by I. Watts DD, London C. Corrall 1818. Attractive contemporary full red straight grained morocco bindings. Each volume with a gilt stamped view of St. Paul's Cathedral to both thr front and rear boards, all within decorative gilt and blind tooled borders. Spines fully gilt. All edges gilt. A one inch split to the bottom lower hinge of the Bible and some minor rubbing to the edges but overall they are in very good condition. The bindings are not signed. A very attractive little set. …