Silver roger (14 Ergebnisse)

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Very Good. No Dust Jacket. Second Edition. Paperback. Govt.Ref.Lib.Copy. Hardly Used. library sticker on spine and title page; library stamp on title page; text tight and bright. Used.

paperback. Zustand: Good. No Dust Jacket. library stickers and stamps on the bottom of the spine, FEP and Littlemore Hospital Library written on the page block. pages are bright and tight. minor bumps to the ends of the cover. Ex - Library, Usual Stamps.

Zustand: New. pp. 200 49:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Gloss Lam.

Zustand: New. In.

Paperback. Zustand: Brand New. 200 pages. 9.13x6.14x0.43 inches. In Stock.

Hardcover. Zustand: Brand New. 1st edition. 315 pages. 9.25x6.00x1.00 inches. In Stock.

couverture souple. Editions Francis Salabert | Paris 1923 | 27 x 34.90 cm | une feuille rempliée | Edition originale de cette partition chant et piano illustrée sur le premier plat d'un dessin en couleurs de Roger de Valerio. Bien que réalisée par un artiste français, dans une veine expressionniste, la couverture reprend l'imagerie stéréotypée des Afro-américains, véhiculée, depuis la guerre de Sécession, par la caricature raciste américaine. Pourtant, en 1923, cette violente stigmatisation avilissante et essentialisante fondée sur l'idéologie d'une hiérarchie ethnique, est facétieusement détournée par les noirs américains notamment à travers la culture du Jazz and Blues et par quelques grandes figures artistiques dont Joséphine Baker. Ainsi, dans sa Revue Nègre se réapproprie-t-elle avec humour et sensualité la représentation dégradante dont les noirs sont victimes. Il est alors parfois difficile dans les représentations de la négritude de ces années folles de distinguer la frontière entre la caricature raciste et sa réinterprétation moderne moquant le mythe racial. Toutefois, ce nouveau fox trot de Franck Silver et Irving Cohn qui fait alors un tabac aux Etats-Unis et que le magazine Billboard placera en 1948 dans sa liste Fifty Years of Song Hits, n'a aucun rapport avec la négritude. Il est inspiré d'une réplique d'un épicier grec suite à la pénurie due à la rouille de la banane. Totalement inadéquate, l'image de Valerio est inspirée par la simple évocation de la banane associée à l'Afrique pour le public français et ainsi à la « sauvagerie » fantasmée du noir africain. Cette réinterprétation colonialiste du cliché racial se distingue de l'imagerie américaine, notamment par le dénuement des personnages, les boucles d'oreilles des enfants et leur chevelure éparse. On retrouvera cette même iconographie dans les bande-dessinée franco-belge, dont Tintin au Congo quelques années plus tard. Très bel exemplaire de cette partition originale française d'un des grands succès du Fox-Trot, d'une grande qualité graphique en dépit de son thème raciste. | [ENGLISH DESCRIPTION FOLLOWS] First edition of this vocal and piano score illustrated on the first cover with a color drawing by Roger de Valerio. Although created by a French artist in an expressionist vein, the cover reproduces the stereotypical imagery of African Americans that had been conveyed since the Civil War through American racist caricature. Yet in 1923, this violent, degrading and essentializing stigmatization based on the ideology of ethnic hierarchy was facetiously subverted by Black Americans, notably through Jazz and Blues culture and by several major artistic figures including Josephine Baker. Thus, in her Revue Nègre, she humorously and sensually reappropriated the degrading representation of which Black people were victims. It was then sometimes difficult in the representations of blackness during these roaring twenties to distinguish the boundary between racist caricature and its modern reinterpretation mocking racial myth. However, this new fox trot by Frank Silver and Irving Cohn, which was then a huge hit in the United States and which Billboard magazine would place in 1948 on its list of Fifty Years of Song Hits, had no connection to blackness. It was inspired by a remark from a Greek grocer following the shortage due to banana blight. Completely inadequate, Valerio's image was inspired by the simple evocation of the banana associated with Africa for the French public and thus with the fantasized "savagery" of the Black African. This colonialist reinterpretation of the racial cliché differs from American imagery, notably through the nakedness of the characters, the children's earrings and their disheveled hair. This same iconography would be found in Franco-Belgian comics, including Tintin in the Congo a few years later. A very handsome copy of this original French score of one of the great Fox-Trot successes, of great graphic quality despite its racist theme. *. …

Single Issue Magazine. Zustand: Good. First Edition. 64 pages. Features: Clairol ad inside front cover features hairdresser John Garrison of Garrison-Ramon Salons, New York and Chicago; Our Zany System of Selecting a President; Mississippi Must Chose to accept integration with or without bloodshed; Borneo - Britain's South Vietnam - the war between British troops and Kukarno's guerillas enters year two; Sukarno's War in Borneo; The Bucks County Playhouse; Portrait of a man Emerging from the Shadows - Robert F. Kennedy (RFK); Great color-photo fashion ads; Photos of seven philosphers of fashion - Andre Courreges, Norman Norell, Yves St. Laurent, Manuel Pertegaz, Pierre Cardin, James Galanos and Emilio Pucci; When Teen-Agers Start to Drink; Architect Joseph L. Russo redesigns an old Riverdale home; The Michelin Guide and its restaurant ratings; Pullover fashion photos; and more. Average wear. Library stamp atop front cover. A sound vintage copy. Schall, Roger; Grey, Ben; Tames, George; Palmer, Nancy; Falk, Sam; Leipzig, Arthur; Silk, G.; Doisneau, Robert; Riboud-Magnum, Marc; Boulat, Pierre; Bath, Phil; Martin, C.B.; Armstrong, Christa; Pascal, David; Einsel, Walter; Harris, Kay; Ducrot, Jerome (illustrator). …

A scarce item: no copies on WorldCat or JISC, nor at the Caird Library, National Martime Museum (though the latter does have a signed print of one of the illustrations). Twenty-six broadsheet pages, on news stock paper, in shiny paper covers printed in red, blue and brown. Filled with illustrations and topical advertisements for everything from corsetry to bicycles, from a full-page one on the inside front cover for 'Brickwoods Jubilee Brew / 4d. per Small Bottle in Public Bars', to one on the back cover reading 'On Review / United Ales & Stout Are Supreme'. First article is 'Britain's Dependence On Sea Power / A Review Foreword / By / Admiral of the Fleet Sir Roger Keyes, Bart., / G.C.B., K.C.V.O., C.M.G., D.S.O., LL.D., M.P. for Portsmouth North, and a former Commander-in-Chief, Portsmouth.' Among many other articles are 'Warship Design in our Sailor King's Reign / Dreadnought Types - Good Looking and Ungainly Ships - Greater Armament Efficiency' by Frank C. Bowen, and the poem 'Semper Fidelis' by Evelyn H. Healey. Central 'Admiralty Plan of Ships at Spithead'.…