ramiro erastene (28 Ergebnisse)

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New.

Gebunden. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - Un livre d'art sur l'uvre lithographiée de l'artiste belge Félicien Rops, écrit par le célèbre critique d'art Érastène Ramiro.

Buch. Zustand: Neu. Neuware - Un livre d'art sur l'oeuvre lithographiée de l'artiste belge Félicien Rops, écrit par le célèbre critique d'art Érastène Ramiro.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

Couverture souple. Zustand: . In 8 en feuilles sous couverture illustrée de Japon fort, 16 pages. Epreuve de la préface pour Histoires et aventures d'Andersen, bandeau cul de lampe et illustration de couverture par Alexandre Lunois. On joint une lettre autographe signée d' Eugene Rodrigues à l'imprimeur: Mon cher Monsieur Féquet. Ayez l'obligeance de m'apporter les épreuves mardi matin , avec votre petite facture.

Hardcover. Zustand: Fine. 1st Edition. In-8 demi-maroquin bleu, à coins, dos à nerfs orné, tête dorée, [8]-VII-109-[9] pages, 6 eaux-forte hors-texte dont celle de couverture. (Quelques décharges.) Tirage limité à 250 exemplaires numérotés. celui-ci 168 sur papier vélin. bel exemplaire en très bel état, ex libris Henri Bonnasse, photo sur demande. ref 460-02.

Leather and paper over boards. Zustand: Very good. First edition. Hardcover 3/4 blue leather over marbled paper over boards. 4to. 212, [4], 213-215 pp. Illustrated with an original colour print of "Eritis similes deo," 24 engraved plates (21 b/w, 3 sepia,) including frontispiece portrait, with tissue guards, and numerous in text b/w drawings. Printed on Japanese paper. Gilt title and floral ornaments stamped on the spine. Gilt rulings on front and back board. Gilt head. Marbled endpapers. One out of a limited deluxe print run of 125 copies (100 on Japanese paper, and 25 on China paper). Slightly age toned. Pages are clean, and bright. Binding strong and square. Boards and spine lightly shelf worn/rubbed. Bumped corners. Very good condition overall.

Hardcover. Zustand: Near Fine. Limited Edition. Beautifully bound in half-tan leather, pebbled cloth boards. Raised bands on spine with gilt titles. Decorative tooling along edges of leather at fore-edge corners, as well as along fore-edge of the leather covering spine. Endpapers have an Art Nouveau pattern. Tall 8vo.

Zustand: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, June 1 (SALE item)* trade edition, inscribed by Ramiro; quarto, xvii, 137, [2] pp., 17 plates total, with seven being in two states each; original paper wrappers, one small spot to the fore edge, plates and text unaffected, else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. Photos available upon request.

Zustand: Très bon. 24 planches hors texte, plus la couverture en couleurs. 1 volume in-4° 1/2 chagrin havane, dos à nerfs. Reliure moderne.

4to. pp. 2 p.l., 215. 24 heliogravures (incl. frontis. portrait; 3 sepia) & numerous text illus. (many full-page). Uncut in original pictorial wrs., respined (covers spotted). First Edition. From 1874 the Belgian artist lived in Paris, where he became a close friend of Baudelaire and devoted himself principally to illustrating books, notably for the French Symbolist and Decadent writers including Baudelaire, Mallarmé, and Huysmans. "Many of Rops's etchings are erotic or pornographic in tone and depict an imaginary underworld or subjects of social decadence. Despite his peculiarities, Rops was a printmaker of brilliant technique and original content whose handling of dry point (etching directly on the plate) marks him as one of the masters of the medium. He was also one of the first modern etchers to revive the neglected medium of soft-ground etching, in which the etching ground is melted into and mixed with tallow, producing the effect of lines drawn with a soft pencil or chalk. (Encyc. Britannica) "Rops often combined soft-ground etching a technique practiced by few artists of his day with mezzotint or aquatint, and sometimes added hand-coloring to his plates. His etchings were popular, and influenced many younger artists, including Symbolists such as Edvard Munch and Max Klinger." (Wikipedia).

Paris, Pellet, Floury, 1905, in-4°, 26 x 20 cm, 215 pp + engraved portrait + 23 photo-engravings , uncut copy, sewn, original printed stiff wrapper, slightly disbound, top of spine damaged with loss of paper. Interior very fine. Text in French. Livre en Français. Exemplaire broché avec sa couverture originale. (légèrement débroché, dos avec manque, perte de papier au dos), Intérieur en parfait état. Complet avec ses 23 planches.

12. Paris, Pellet, Floury, 1905, in-4°, 26 x 20 cm, 215 pp + engraved portrait + 23 photo-engravings h.t., contemporary brown half leather, orig. wrapper bound in, binding scratched but interior fine. Text in French. Livre en Français. Reliure usée mais intérieur bon. Complet avec ses 23 planches.

First edition, number 107 of 130 copies on vélin d'Arches with the engravings in two states. This copy was bound by Henri Creuzevault (1905-1971), a leading designer bookbinder of the early 20th century. This is a splendid example of Parisian interwar design, appropriately paired with a "highly valued fine publication" (our translation, Carteret, p. 331). Creuzevault, who was also a proficient draughtsman and painter, began training as a binder after the First World War in the bindery of his father, Louis Lazare. His "art, always highly rigorous, developed throughout his life. His early style was fairly sober and traditional, progressing in the 1930s to compositions in the style of Art Deco, and 10 years later returning to an austere Classicism before the production of his bold works of the 1950s" (Benezit, p. 190). Written under a pseudonym by Eugène Rodrigues, president of the society Les Cent Bibliophiles, Faune Parisienne is a social satire of the capital. Benezit Dictionary of Artists, vol. 4, 2006; L. Carteret, Le Trésor du Bibliophile, Livres Illustrés Modern 1875 à 1945, vol. 4, 1948. Quarto (263 x 189 mm). With 9 plates and 6 in-text etchings and aquatints in two states (one colour), 4 plates in final and early etched states, a plate of the cover design in black and white etching and aquatint, wood-engraved illustrations to text, all after Legrand. Near-contemporary tan crushed morocco, Creuzevault's gilt pallet to foot of front turn-in, flat spine, irregularly spaced gilt fillets running on both diagonals with white morocco onlaid dots across spine and boards, gilt fillet with white onlaid dots at corners of turn-ins, tan moiré silk endpapers patterned with white spots, edges gilt, green, red, and yellow striped bookmarkers, original cover bound at front, spine at rear. Housed in a matching quarter morocco chemise with marbled paper sides and mabrled slipcase. Slipcase rubbed, else fine.

Hard Cover. Zustand: Good. [Par] E. Ramiro. H. Floury, Libraire-Éditeur. Paris. 1896. De 28x19 cm. Com [iv], vii, 109, [iv] págs. Encadernação com lombada em pele, com rótulo, nervos e ferros a ouro. Corte das folhas dourado e aparado à cabeça. Ilustrado no texto com gravuras, vinhetas e bonitas iniciais decoradas; e em extratexto com 7 reproduções de muita qualidade sobre papel encorpado. Exemplar n.º 68 de uma tiragem de apenas 200, sobre papel velino. Pequena falha de pele na coifa inferior. Preserva as capas de brochura. Etiqueta do encadernador onde se lê «Relieure Franz, Ostermann, Paris». Este catálogo apresenta o corpo de trabalho de Legrand, reproduzindo as gravuras do artista com os melhores padrões de impressão. Erastene Ramiro é pseudónimo de Eugène Rodrigues-Henriques (Paris, 1853 ? Paris, 1928), que foi advogado, bibliófilo e bibliógrafo. Louis Auguste Mathieu Legrand (Dijon, 1863 ? [?], 1951) foi um artista francês, conhecido sobretudo pelas suas gravuras em água-forte, por vezes eróticas. Estudou pintura na Escola de Belas-Artes em Dijon. Mudou-se para Paris em 1884 e conheceu o mestre gravador Felicien Rops, que o orientou na arte da gravura e da litografia. Tal como Rops, retratou frequentemente prostitutas e cenas da vida nocturna parisiense e, na viragem do século, chegou mesmo a estabelecer o seu estúdio no Moulin Rouge. Duas das suas obras satíricas, «Prostituição» e «Naturalismo», levaram-no a um processo por obscenidade. Rops colocou Legrand em contacto com um amigo advogado, Eugéne Rodrigues, para o defender. Além de exercer a advocacia, Eugéne era também bibliófilo e biliógrafo. Tornaram-se amigos e após uma curta pena de prisão começaram a colaborar em projectos criativos. De destacar que no autorretrato que consta da capa anterior está inscrito «a Eug. Rodrigues, mon meilleur ami.» (a Eug. Rodrigues, o meu melhor amigo). Os conhecimentos técnicos de Legrand foram reconhecidos pela academia, tendo sido galardoado com a Légion d?honneur em 1906. 28x19 cm. [iv], vii, 109, [iv] pp. Bound with leather spine, with label, raised bands and gilt tools. Top trimmed gilt edges. Illustrated in the text with engravings, vignettes and beautiful decorated initials; and hors-texte with 7 high-quality reproductions on thick paper. Copy no. 68 of a print run of only 200, on vellum paper. Small leather flaw on the lower spinecap. Preserves the paperback covers. Binder"s label reads 'Relieure Franz, Ostermann, Paris'. This catalog presents Legrand"s body of work, reproducing the artist"s prints with the best printing standards. Erastene Ramiro is the pseudonym of Eugène Rodrigues-Henriques (Paris, 1853 - Paris, 1928), who was a lawyer, bibliophile and bibliographer. Louis Auguste Mathieu Legrand (Dijon, 1863 - [?], 1951) was a French artist, known above all for his etchings, sometimes erotic. He studied painting at the School of Fine Arts in Dijon. He moved to Paris in 1884 and met the master engraver Felicien Rops, who guided him in the art of engraving and lithography. Like Rops, he often depicted prostitutes and scenes from Parisian nightlife and, at the turn of the century, even set up his studio in the Moulin Rouge. Two of his satirical works, 'Prostitution' and 'Naturalism', led to him being prosecuted for obscenity. Rops put Legrand in touch with a lawyer friend, Eugéne Rodrigues, to defend him. As well as practicing law, Eugéne was also a bibliophile and bibliographer. They became friends and after a short prison sentence they began collaborating on creative projects. It should be noted that the self-portrait on the front cover is inscribed 'a Eug. Rodrigues, mon meilleur ami.' (to Eug. Rodrigues, my best friend). Legrand"s technical expertise was recognized by the academy, and he was awarded the Légion d"honneur in 1906. Language: Português / Portuguese Location/localizacao: M-6-C-24.

Number 169 of an edition limited to 250 copies, one of 200 printed on papier vélin. With 6 lithographic plates including self-portrait frontispiece. 114 pages, numerous engraved and half-tone illustrations in text. Half red morocco with marbled boards, spine tooled in gilt. Half bound in leather 28 x 19cms. Important study of Louis-Auguste-Mathieu Legrand (1863-1951), pupil of the Belgian printmaker Felicien Rops. Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). Over 112 works are presented in seven sections: les Rustiques, les Feminines, les Fantaisistes, les Danseuses, les Mystiques, Illustrations et Vignettes Diverses and. Text in French.

Numbered 106 of 250, one of 200 copies on papier vélin. 6 lithographic plates including self-portrait frontispiece. Numerous engraved and half-tone illustrations in text. 4to. Fine contemporary half red morocco binding by Meunier over marbled paper covered boards, spine littered in gilt with morocco onlay tooled in gilt and blind, t.e.g., some light spotting and a little offsetting from page marker, else a very good copy. With a separately issued lithographic invitation loosely inserted. [4], vii, [i], 109, [5]pp. Paris, H. Floury, Louis-Auguste-Mathieu Legrand (1863-1951) was born in Dijon, where he studied painting at the Ecole des Beaux-Arts. He moved to Paris in 1884 and met fin-de-siècle master printmaker Felicien Rops who mentored him in the art of etching and lithography. A flavour of Rops' eroticism is present in Legrand's work, though his more darkly macabre themes are less pronounced. Like Rops, he often depicted prostitutes and scenes of Parisian nightlife, and at the turn of the century he even established his studio at the Moulin Rouge. Two of his satirical works "Prostitution" and "Naturalism" landed him in an obscenity trial, and Rops connected Legrand with a likeminded lawyer friend, Eugene Rodrigues, to defended him. Rodrigues was also a writer, bibliophile and bibliographer, publishing under the nom-de-plume "Erastene Ramiro", and it seems their new friendship was more effective than his defence, as following a short prison sentence, the two men began collaborating on creative projects. The self-portrait frontispiece of this work is inscribed in the stone "a Eug. Rodrigues, mon meilleur ami." Prior to this fine catalogue showcasing Legrand's body of work, Rodrigues had produced similar publications with Felicien Rops, in both cases reproducing the artists engravings to the finest print standards. Legrand's technical expertise was recognised by the academy, and he was awarded the Légion d'honneur in 1906.    Loosely inserted into this volume is a rare separately issued piece of ephemera. The engraved print of a young ballerina and two policemen forms the headpiece of an invitation to Legrand's first solo exhibition at Siegfried Bing's famous Maison de l'Art Nouveau gallery, 22 rue de Provence, from the 2nd to the 15th of April 1896. A version of this invitation is held at the Hope Gallery in Salt Lake City, though the text is slightly different. .

0. Paris, Pellet, Floury, 1905, in-4°, 26 x 20 cm, 215 pp + engraved portrait + 23 photo-engravings h.t., contemporary green half morocco, orig. wrapper bound in, binding with some use, inner joint completely broken, small spot on the Rops portrait. (Mors fendu à l'interieur, petit tâche sur le portrait de Rops, sinon bon exemplaire et complet.).

16. Paris, Conquet, 1887-1895, gr. in-4°, rel. demi-maroquin, t.s.d., tirage originale à 550 ex. Sans les gravures hors-texte (exemplaire incomplet). (Incomplete copy, lacks the engravings).

Paris, H. Floury, Libraire-éditeur, 1896, grande in-8°, 28,5 x 20 cm, vii pp + 109 pp + (5) pp nn + couverture, avec 6 eaux-fortes originale hors-texte et ills. dans le texte. Tirage limité à 250 exemplaires. Un des 50 exemplaires de tête, sur japon, avec double suite. Avec une lettre autographe de l'artiste (datée 8 juin, sans année, écrite de Livry-Gargan) collée sur la deuxième feuille de garde. Reliure à la Bradel demi-maroquin brun, dos lisse doré, (signée Carayon). Reliure avec qq. traces d'usage ; coins emoussés, premier mors partiellement fendu à l'intérieur. Très bon exemplaire. Ce catalogue rédigé par son ami Rodrigues (Ramiro) a comme couverture un portrait de l'artiste et une dédicace gravée ; '' (à) mon meilleur ami Rodrigues ''. Dans la lettre, avec comme destinateur un libraire du Passage Jouffroy, l'artiste décline de lui vendre des gravures en pretendant qu'il n'en a plus et qu'ils étaient en premier ligne déstinées pour les bibliophiles. Ouvrage rare, voyez Carteret IV, 29.