douglas melvyn (33 Ergebnisse)

Single Photograph. Zustand: Fine. Original Photograph. Inscribed "To Arthur Peterson with my best wishes Melvyn Douglas 1954". Peterson was an actor from the thirties in CXhiocago until the 1980's in Los Angeles and is best known as "The Major" on "Soap". Inscribed by Author(s).

Zustand: Sehr gut. 4 S., 19 x 14 cm, Original-Filmprogramm. 4 ungez. Seiten. Sehr gutes, sauberes Exemplar, ungefaltet, ungelocht. DIES IST EIN PROGRAMMHEFT UND KEINE DVD ODER VHS. THE ITEM IS A PLAYBILL NOT A DVD OR VHS. Originaltitel: Two-faced Woman Sprache: Deutsch Gewicht in Gramm: 260.

Two vintage black-and-white studio still photographs from the 1941 film. Starring actress Ruth Hussey is prominently featured. Both photos with pink mimeo snipes affixed to the verso. One image from the set is shown. Please inquire for the other. Based on the 1933 Broadway play by Day and Mearson. Struggling composer Jerome (Douglas) meets a muse named Susan (Hussey) who inspires him to write a hit song, and his ex-wife returns for her share of the high life. 8 x 10 inches, small white borders. Very Good, with light rubbing and marginal creasing. Byrge and Miller, The Screwball Comedy Films.

Zustand: As New. Neuf. 13 76x18 03x1 48cm. Sans date. blu_ray. As New.

0,0 x 0,0 x 0,0 cm, DVD. Zustand: Gut. 1 DVD kleine Gebrauchsspuren. Nicht FSK geprüft, daher: ACHTUNG FSK 18-Artikel - Versand via DHL mit Alterssichtprüfung - Kein Versand an Packstationen möglich! W48 Altersfreigabe FSK ab 18 Jahre Sprache: Englisch Gewicht in Gramm: 518.

Zustand: Near Fine. Publisher's original illustrated laminated card covers. Quarto 11'' x 8¼'' 256 pages ISBN 0380002906. Monochrome filmstrip illustrations throughout. In near Fine condition with corners very slightly turned-up, no dust wrapper as published. Member of the P.B.F.A. CINEMA, SCREEN & FILMS.

paperback. Zustand: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Vintage studio still photograph of Melvyn Douglas and Patricia Gozzi from the 1965 film. Not to be confused with the 1964 anthology film "La Fleur de L'Age, ou Les Adolescentes" directed by Jean Rouch, Hiroshi Teshigahara, Michel Brault and Gian Vittorio Baldi. Agnes (Gozzi) is a young, lonely teenager living with her widower father Frederick (Douglas) and caretaker Karen (Gunnel Lindblom) on an isolated farm on the Brittany coast and take in and befriend an escaped convict, Joseph (Dean Stockwell). Set in Brittany, France, shot on location in Brittany, Cotes-d'Armor, and Paris. 8 x 10 inches. Near Fine.

DVD-Hülle. Zustand: Gut. Standard Version. Versand im Luftpolsterumschlag! CD/DVD-Hülle etwas berieben, Disc ist in einem guten Zustand; Case shows some wear, disc in good condition. H241031dvd69 ISBN: 4010884525960 Sprache: Englisch Gewicht in Gramm: 101.

[4] pp.; 24 x 15.2 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for "Speak Out for McCarthy" event held Sunday, May 19, [1968] at Madison Square Garden in New York City. Program included appearances by Garry Morre, Tony Randall, Dick van Dyke, José Ferrer, Elaine May, Renée Taylor, Gene Wilder, Phil Ochs, Alan Arkin, Dustin Hoffman, Arthur Miller and others.The verso lists the New York delegate slates. Good / Very Good. Folded in half, red ink notation on verso, handling marks and light edge wear.

Hardcover. Zustand: sehr gut. "2 Bl. Werbung für den Film "Herr Theaterbesitzter, denken Sie daran, am Falz etwas brüchig." in deutscher Sprache.

Vintage photograph of director Charles Vidor and stars Rosalind Russell and Melvyn Douglas speaking to Orson Welles on the set of the 1947 film. Welles was directing the classic Columbia Pictures film, "The Lady from Shanghai" at the same time. Mimeo snipe and agency stamps on the verso. Janet Ames (Rosalind Russell) seeks out five soldiers who her husband sacrificed his life for during World War II. After suffering a serious injury she meets Smithfield "Smitty" Cobb (Melvyn Douglas) who helps her find the men her husband saved, though he does not tell her he is one of them. He tries to help her reconcile her pain and guilt, while he treats his own pain from the war with heavy drinking. 8 x 10 inches. Near Fine.

Zustand: Good. Original pictorial wraps. 18.2 x 25.8cm. 34.pp.The Motion Picture Library was a pioneering bilingual film publication launched in Tokyo in post-WWII Japan (1946-1948). Aimed at bridging American pop culture and Japanese audiences, it printed full English scripts, actor profiles, and bilingual synopses of imports like Casablanca. The emergence of these bilingual or heavily translated film resources during the mid-1940s marked a dramatic cultural shift. Following wartime censorship and the total ban of foreign films, the sudden influx of Hollywood movies under the Supreme Commander for the Allied Powers (SCAP) created a boom in cine-literacy. ."M?shon pikuch? raiburar?" wa, dainijisekaitaisengo no Nihon (1946-nen ? 1948-nen) ni oite, T?ky? de s?kan sa reta senku-tekina bairingaru eiga shuppan-monodeatta. Amerika no poppukaruch? to Nihon no kankyaku to no kakehashi to naru koto o mezashi, d?shi wa "Kasaburanka" nado no yuny? eiga ni tsuite, kanzen'na eigo kyakuhon, haiy? no purof?ru, soshite nichiei taiyaku no arasuji o keisai shite ita. 1940-Nendai nakaba ni okeru, k?shita bairingaru aruiwa ?habana hon'yaku o hodokoshita eiga kanren shiry? no t?j? wa, gekitekina bunka-teki tenkan o sh?ch? suru monodeatta. Senji-ch? no ken'etsu ya gaikoku eiga no zenmen kinshi o hete, reng?-koku saik? shirei-kan s? shirei-bu (SCAP) no t?chi-ka de Hariuddo eiga ga totsujotoshite tairy? ni ry?ny? shita koto wa, eiga riterash? (eiga o yomitoku chikara) e no kanshin o ikkini takameru b?mu o makiokoshita nodearu.??????????????????????????????????1946??1948??????????????????????????????????????????????????????????????? ???????????????????????????????????????????????????????????? ???????1940????????????????????????????????????????????????? ???????????????????????????????????????????????SCAP????????? ???????????????????????????????????????????????????????????? ????.).

Production script for the 1980 film, created for internal use just prior to the commencement of shooting, with Lorimar Studios wrappers, but also with copied punch holes throughout (see images). Annotation in manuscript ink on the title page, noting copy No. 22. Laid in with the script is a three-page synopsis (internal, reading "NOT FOR PUBLICATION"), with an annotation in manuscript ink on the first page, noting "File." Based on the 1970 novel by screenwriter Jerzy Kosinski. Peter Sellers' final film, and the last unqualified success of director Hal Ashby's all too brief career. Winner of an Academy Award for Best Supporting Actor for Melvyn Douglas, with Sellers receiving a Best Actor nomination. White generic Lorimar wrappers. Title page present, dated January 10, 1979, with credits for Kosinski and screenwriter Robert C. Jones. 107 leaves, with last page of text numbered 106. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with two gold brads. National Film Registry. Criterion Collection 864. Ebert II.

Final script for the 1962 film. Early draft, preceding the film's release by five years, credited to screenwriter Robert Rossen. Rossen was ultimately uncredited in the film, but was involved in this early stage of the script's development. Based on Louis O. Coxe and Robert H. Chapman's 1949 play, which was based in turn on Herman Melville's 1924 novella. A seaman's innocence and natural beauty wins him the affection of the entire crew except the abusive master-at-arms, who eventually wrongly accuses the seaman of conspiracy to mutiny. The feature film debut of Terence Stamp, who was nominated for a Best Supporting Actor Academy Award for his performance. Yellow titled wrappers, noted as FINAL SCREENPLAY and dated October 15, 1957, with credit for screenwriter Robert Rossen. 122 leaves, with last page of text numbered 122. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with three gold brads.

First Draft script for the 1962 film. Based on Louis O. Coxe and Robert H. Chapman's 1949 play, which was based in turn on Herman Melville's 1924 novella. A seaman's innocence and optimism win him the affection of the entire crew except the abusive master-at-arms, who eventually wrongly accuses the seaman of conspiracy to mutiny. The feature film debut of Terence Stamp, who was nominated for a Best Supporting Actor Academy Award for his performance. Yellow wrappers with a die-cut title window in the British style. Title page present, dated March 21, 1961, noted as FIRST DRAFT, with credit for screenwriter Peter Ustinov. 127 leaves, with last page of text numbered 123. Mimeograph duplication, rectos only, with pink and blue revision pages throughout, dated variously between May 5 and August 22, 1961. Title page lightly toned, else pages Near Fine, wrapper about Near Fine, bound internally with three silver brads.

Vintage reference photograph from the 1932 pre-Code film. Mimeo snipe on the verso. Based on the 1929 play by Luigi Pirandello, about a lounge singer who learns that she is actually the long-lost wife of an Italian army officer, having suffered amnesia during an invasion in World War I years before. The first of three films to pair Greta Garbo and Melvyn Douglas. 10 x 8 inches. Very Good plus, moderately toned.

Seven vintage studio still photographs from the 1972 film. The idealistic son of a former California governor is persuaded to run for the US Senate. In the face of almost certain failure, he decides to try to bring controversial, leftist views into public view, and campaign against the corrupt political system. Nominated for two Academy Awards, winning one for Best Screenplay for Jeremy Larner. Set and shot on location throughout California. 10 x 8 inches. Near Fine.

Vintage studio still photograph from the 1963 film, here under the working title "Hud Bannon," showing director Martin Ritt on a camera crane. Based on Larry McMurty's 1961 novel "Horseman, Pass By." The arrogant, selfish son of a rancher sinks into alcoholism after accidentally killing his brother in a car accident, gradually leading to conflict with his hardworking father. Set and shot on location in Texas. 8 x 10 inches. Very Good plus, lightly and evenly toned.

Kein Einband. Zustand: Gut. bildseitig signiert von dem amerikanischen Schauspieler und Oscar - preisträger (1963, 1979) Melvyn Douglas (1901-81) . leichte Gebrauchsspuren, .photo signed by actor Size: 25x20cm. Vom Schauspieler signiert. Photo.

Vintage studio still photograph from the 1937 film, showing Claudette Colbert and Melvyn Douglas in an intimate moment. Mimeo snipe, provenance stamp, and annotations in manuscript pencil on the verso. A woman is unexpectedly caught in a love triangle during a trip to Paris. Shot on location in Sun Valley and Ketchum, Idaho. 8 x 10 inches. Near Fine, with light creases at the bottom corners.

Vintage press kit for the 1976 film. Included in the kit are 18 vintage black-and-white studio still photographs, and 58 pages of promotional and production information. Based on the 1964 novel "Le locataire chimerique" by Roland Topor. The third final film in Polanski's "Apartment Trilogy," (following "Repulsion" and "Rosemary's Baby") in which Polanski plays the role of a man who finds out that the previous tenant of his Parisian apartment attempted suicide by jumping out the window. Slowly, the man becomes obsessed with the tenant, taking on more and more of her habits, ultimately including her attempts at self destruction. Nominated for the Palme d'Or. Set in Paris, and shot there on location. Photographs 8 x 10 inches. 18 pages of production information, saddle stapled, 8.5 x 11 inches, with an additional 40 pages of corner stapled production information. All materials about Fine, housed in a Very Good plus studio folder.

Vintage reference photographs of director Wesley Ruggles on the set of the 1940 film, by photographer Irving Lippman. Mimeo snipe and photographer "Irving Lippman" stamp on verso. Based on the 1919 play by W. Somerset Maugham, which was based on the 1864 poem "Enoch Arden" by Alfred Tennyson. Soon after presumed window Vicky (Jean Arthur) marries her late husband's friend and business partner Henry (Melvyn Douglas), her first, presumed dead, husband Bill (Fred MacMurray) shows back up, and now she's got one too many. Nominated for an Academy Award. 10 x 8 inches. Near Fine. Byrge and Miller, The Screwball Comedy Films, A History and Filmography, 1934-1942.

Vintage publicity photograph from the 1937 film, showing actress Marlene Dietrich provocatively smoking a cigarette. Based on Melchior Lengyel's 1932 play, about a love triangle between a woman, her diplomat husband, and a charming traveler. 8 x 10 inches. Fine.

Vintage borderless double weight reference photograph from the 1976 film, showing director-actor Roman Polanski and actress Isabelle Adjani. Collection stamp on the verso. Based on the 1964 novel "Le locataire chimerique" (or "The Tenant" in the US edition) by Roland Topor. The third and final film in Polanski's "Apartment Trilogy," following "Repulsion" and "Rosemary's Baby," about a man who finds out that the previous tenant of his Parisian apartment attempted suicide by jumping out the window. Slowly, the man becomes obsessed with the tenant, taking on more and more of her habits, ultimately including her attempts at self destruction. Nominated for the Palme d'Or. Set and shot on location in Paris. 9 x 6.75 inches. Near Fine.

Vintage reference photograph from the set of the 1941 film, showing actor Melvyn Douglas sitting next to director George Cukor, who is standing and making a point. With the stamp of Metro-Goldwyn-Mayer on the verso, along with a manuscript pencil annotation noting the date 24-5-42, and a small newspaper clipping in Spanish. A woman poses as her fictitious twin sister in an attempt to woo her husband and win him back. An early attempt by MGM to recast Garbo as a glamorous, modern woman, an "Americanization" tactic which the actress regarded as futile and proved ultimately disastrous: the film became a legendary box-office bomb, and Garbo received some of the worst reviews of her career. 8 x 10 inches. Very Good, with light adhesive verso on the bottom edge and verso. Byrge and Miller, The Screwball Comedy Films.

Vintage publicity photograph from the 1938 film, showing actors Melvyn Douglas, Florence Rice, and Louis Calhern. Annotations in manuscript pencil and provenance stamp on the verso. Based on the 1938 novel by Marco Page, about the Sloanes, a pair of married book dealers who help solve a murder. The first of three films to follow the adventures of the Sloanes, followed by "Fast and Loose" and "Fast and Furious" (both released in 1939), although different actors played the couple in each of the three films. Set in New York City. 8 x 10 inches. Very Good plus.

Vintage publicity photograph from the 1937 film, showing actress Marlene Dietrich. Brief annotation in manuscript pencil on the verso. Based on Melchior Lengyel's 1932 play, about a love triangle between a woman, her diplomat husband, and a charming traveler. 8 x 10 inches. Very Good plus.

Vintage oversize double weight reference photograph of Greta Garbo and director George Cukor on the set of the 1941 film. Mimeo snipe on verso. A woman poses as her fictitious twin sister in an attempt to woo her husband and win him back. An early attempt by MGM to recast Garbo as a glamorous, modern woman, an "Americanization" tactic which the actress regarded as futile and proved ultimately disastrous: the film became a legendary box-office bomb, and Garbo received some of the worst reviews of her career. 13 x 10 inches. Very Good plus with creasing to the corners and edgewear. Byrge and Miller, The Screwball Comedy Films.

Collection of ten vintage photographs from the 1935 film, including one keybook photograph and six double weight photographs, including one taken on the set. All photographs with studio stamps crediting photograph Ray Jones on the verso, and nine with mimeo snipes on the same. The collection includes one keybook photograph of Katherine Alexander, one double weight photograph of Claudette Colbert and Michael Bartlett on the set, four publicity photographs of Edith Fellows (two being double weight photographs), and four reference photographs (three being double weight photographs). From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Claudette Colbert stars as an extraordinarily competent secretary who marries her boss-only to discover taking care of him at home proves much more challenging than taking care of the office. 8 x 10 inches to 8 x 11 inches. Near Fine overall. Byrge and Miller. The Screwball Comedy Films: A History and Filmography 1934-1942.