darling scott (15 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

First Edition. First edition. Softcover. 135 pages. Text by W. Scott Braznell and Sharon S. Darling. Includes 69 color plates along with several black and white figures. An about very good copy with some bumping to the top corner of the pages. A solid reference copy.

Zustand: New. In.

Zustand: New. In.

Zustand: Good. 16mo. Oblong. [16 pp.], Stapled Wraps, Very Good. Illustrated, photographs. Collector's Party Invitation Present. Early British 1970's spoof of the Modern Art Scene.

Postkarte. Zustand: Gut. Kleinformatige Sammelkarte von Scott Darling bildseitig mit schwarzem Stift signiert /// (Mehrere Exemplare von diesem Motiv vorrätig) /// Autogramm Autograph signiert signed signee /// Scott Darling (* 22. Dezember 1988 in Lemont, Illinois) ist ein US-amerikanischer Eishockeytorwart, der zuletzt bis Februar 2021 probeweise bei den Rockford IceHogs aus der American Hockey League unter Vertrag stand. Darling begann seine Karriere in der Saison 2005/06 und hütete das Tor für die Chicago Young Americans und die North Iowa Outlaws. In der folgenden Saison stand er für die Capital District Selects in der EJHL auf dem Eis. Er schloss die Saison mit dem höchsten Fangquote (92,4 %) aller Torhüter ab. Im Jahr 2007 wurde er sowohl im NHL Entry Draft 2007 von den Phoenix Coyotes in der sechsten Runde an insgesamt 153. Position als auch im USHL Entry Draft von den Indiana Ice in der vierten Runde an insgesamt 40. Position ausgewählt. In der Saison 2007/08 spielte er in der United States Hockey League für die Indiana Ice und konnte mit dem Team die Playoffs erreichen. In den folgenden zwei Spielzeiten stand er für die University of Maine im Kasten. Zwischen 2010 und 2014 stand er für insgesamt zehn verschiedene Clubs in verschiedenen Ligen unter Vertrag. Mehr als 20 Einsätze hatte er in der Saison 2010/11 bei den Louisiana IceGators, 2011/12 bei den Mississippi RiverKings, 2012/13 bei den Wheeling Nailers und 2013/14 bei den Milwaukee Admirals. Anfang 2014 wurde Darling von den Chicago Blackhawks verpflichtet und wurde vorerst hauptsächlich bei den Rockford IceHogs, dem Farmteam der Blackhawks, eingesetzt. Sein NHL-Debüt gab er beim 2:1-Heimerfolg der Blackhawks gegen die Ottawa Senators am 26. Oktober 2014; der erste Shutout gelang ihm am 18. März 2015 beim 1:0-Auswärtssieg gegen die New York Rangers.[1] Am Ende der Saison 2014/15 gewann er mit den Blackhawks den Stanley Cup und etablierte sich anschließend in deren NHL-Aufgebot. Nach drei Jahren in Chicago gaben ihn die Blackhawks im April 2017 im Tausch für ein Drittrunden-Wahlrecht im NHL Entry Draft 2017 an die Carolina Hurricanes ab. Die Hurricanes sicherten sich damit allerdings vorerst nur die Verhandlungsrechte an Darling, da sein Vertrag zum 1. Juli 2017 auszulaufen drohte. Schließlich unterzeichnete er im Mai 2017 einen neuen Vierjahresvertrag bei den Hurricanes und soll fortan ein durchschnittliches Jahresgehalt von 4,15 Millionen US-Dollar beziehen.[2] Bei der Weltmeisterschaft 2018 nahm der Torhüter zudem erstmals an einem internationalen Turnier teil und gewann dort mit der Nationalmannschaft der USA die Bronzemedaille. Mit Beginn der Saison 2018/19 verlor Darling jedoch seinen Stammplatz bei den Hurricanes an Curtis McElhinney und Petr Mrázek, sodass er zeitweise zu den Charlotte Checkers in die AHL geschickt wurde. Schließlich endete seine Zeit in Carolina im Juni 2019 vorzeitig, als er samt einem Sechstrunden-Wahlrecht für den NHL Entry Draft 2020 an die Florida Panthers abgegeben wurde. Im Gegenzug wechselte Torhüterkollege James Reimer zu den Hurricanes. Die Panthers wiederum bezahlten Darling die zwei verbleibenden Jahre seines Vertrages sofort aus (buy-out), sodass er sich anschließend auf der Suche nach einem neuen Arbeitgeber befand. Anfang November 2019 gab der österreichische Club HC Innsbruck die Verpflichtung Darlings bekannt[3]. Dort war er eine Saison aktiv, bevor er im Januar 2021 probeweise zu den Rockford IceHogs zurückkehrte, bei denen er jedoch nach einem AHL-Einsatz keinen festen Vertrag erhielt. /// Standort Wimregal Pkis-Box53-U024ua Sprache: Englisch Gewicht in Gramm: 10.

Zustand: New.

Single Issue Magazine. Zustand: Good. First Edition. Features: Great cover photo of Peter Gabriel; Nice half-page ad for the Stray Cats and their "Rock This Town" album; R.E.M.; Bonnie Hayes/Wild Combo; Wall of Voodoo; Trees; Lords of the New Church - they bring their bad news to America; Peter Gabriel Steps Into The Light; The Iggy Pop Autodiscography; Gift giving guide to Rock Books '82; TP Index 1982; and more. 66 pages. Laid-in beside their photo ad at page 18 is a flexi-record by Berlin entitled "Masquerade". Unmarked with average wear. Minor moisture exposure to top edge. A sound copy of this special vintage issue.; 4to.

Paperback. Zustand: Good. First Edition. 120 pages. Features: Telstar - Giant step into the future; Build this all-transistor FM tuner; SW propatagion forecast; Noise limiter for the HE-20A; Traffic Jam ahead on short waves; Tube Changing in the color receiver; TV Nonocle gives extra eye to wearer; Tube layouts in TV sets; Service clinic; More on reverberation units; Understanding the microphone; Counting with the Dekatron; Measure atomic radiation; There's more to calibrating the signal gen; Equipment report; Simplified metal locator; Transverter powers mobile gear; and more. Average wear. Unmarked. A sound copy of this great vintage issue.

Revised Final Draft script for the 1944 film, "Bermuda Mystery," here under the working title, "Murder in Bermuda." A comedic mystery based on a story by John Larkin. Constance Martin (Rutherford) is convinced that her uncle's death in Bermuda was a murder. The authorities in Bermuda declare he died of natural causes, so Connie travels to New York to inform her uncles WWI buddies, who have all cashed in their collective "death pool." In New York, Connie hires Steve Carramond (Foster) to help her investigate the death, despite the fact he's set to get married the next day. Set briefly in Bermuda, mostly in New York. Blue titled wrappers, noted as FINAL on the front wrapper, rubber-stamped copy No. 8 and production No. 997, dated Dec. 16, 1943. Distribution page present, with receipt intact. Title page present, dated December 16, 1943, noted as Final Script, with a credit for screenwriter Darling. 123 leaves, with last page of text numbered 118. Mimeograph duplication, with blue revision pages throughout, dated 12/17/43. Pages and wrapper Near Fine, bound internally with two gold brads.

Archive of three scripts and one post-production script for the 1942 film. First is a First Draft script, under the working title "'Sherlock Holmes' (#2)," by screenwriters Edward T. Lowe and Scott Darling, dated March 24, 1942. Ribbon copy typescript on onionskin, with annotations in manuscript pencil on several pages, inquiries about plotline, question marks, as well as dates, and name of screenwriter Darling. Bound in, preceding script, are: A two-page, carbon typescript, breakdown of the story in 21 points, with annotation of "1st rough draft" and "One 3/24/42," in manuscript pencil, in upper right of first page. A ribbon copy typescript "continuity" breakdown of locations and sequences in ten points, dated 4/6/42. A ribbon copy typescript "comments on Sherlock Holmes #2," broken into nine points, dated 4-6-42, and a three-page ribbon copy typescript synopsis, dated 3/24/42. Second is a Third Draft script, under the working title "'Sherlock Holmes' (#2)," crediting screenwriter Scott Darling on front wrapper, and Edward T. Love and Scott Darling on title page, dated April 22, 1942. Annotation in manuscript pencil of "mimeographed pink" on lower right of front wrapper. Ribbon copy typescript on onionskin, with several annotations in red or graphite manuscript pencil, question marks, an asterisk, underlines, and screenwriter S. Darling's name and date "4-27-42." Third is a Draft script, under the working title "Sherlock Holmes Fights Back," with name of screenwriter Edmund L. Hartmann on front wrapper. Title page credits to "Additional Changes by Edmund L. Hartmann," and screenwriters Scott Darling and Edward T. Lowe, dated May 22, 1942. Carbon typescript, with mimeograph duplication revision pages. Bound in, preceding script, is a page describing concept for "The Miss Bently School for Girls," with photograph affixed, illustrating concept. Annotations in red and graphite manuscript pencil throughout, noting dialogue, locations, shots, characters, as well as strikes and dates. Lastly, a Post-production Dialogue and Contitnuity script, dated August 6, 1942, with single annotation in manuscript ink on front wrapper. Loosely based on the 1903 Sherlock Holmes short story "The Adventure of the Dancing Men," by Sir Arthur Conan Doyle. The fourth Sherlock Holmes movie starring Basil Rathbone and Nigel Bruce, and the second produced at Universal Studios. Preceded by "Sherlock Holmes and the Voice of Terror" (1942), directed by John Rawlins, and followed by "Sherlock Holmes in Washington" (1943), also directed by Roy William Neill (who would go on to direct all subsequent Holmes films at Universal). Watson and Holmes, transplanted from their usual Victorian setting, now in England in the midst of WWII, have to protect Swiss scientist Dr. Franz Tobel and his invention, an advanced bomb site, from falling into the hands Nazi Germany, as well as Holmes' arch-nemesis, Professor Moriarty (Lionel Atwill). The first Holmes film to feature Inspector Lestrade (Dennis Hoey) of Scotland Yard. March 24, 1942 script, "'Sherlock Holmes' (#2)": Gray titled wrappers, dated March 24, 1942, with credits for screenwriters Edward T. Lowe and Scott Darling. Title page integral with first page, dated 3/24/42, noted as 1st draft screenplay, with credits for screenwriters Lowe and Darling. 103 leaves, with last page of text numbered 96. Ribbon copy typescript on onionskin, rectos only. Pages Near Fine, wrapper Very Good with chipping and closed tears to extremities and one large 4.5 inch closed tear on bottom of front wrapper, bound with three gold brads. April 22, 1942 script, "'Sherlock Holmes' (#2)": Gray titled wrappers, noted as THIRD DRAFT on the front wrapper, dated April 22, 1942, with credits for screenwriter Scott Darling. Title page integral with first page, with credits for screenwriters Edward T. Lowe and Scott Darling. 110 leaves, with last page of text numbered 110. Ribbon copy typescript, rectos. Pages Near FIne, wrapper Very Good with closed tears and chipping at extremities, bound with three gold brads. May 22, 1942 script, "Sherlock Holmes Fights Back": Gray titled wrappers, with credits for screenwriter Edmund L. Hartmann. Title page present, dated May 22, 1942, with credits for Additional Chages by screenwriter Edmund L. Hartmann, screenwriters Scott Darling and Edwart T. Lowe and author Sir Arthur Conan Doyle. 107 leaves, with last page of text numbered 100. Carbon typescript with mimeograph duplication revision pages, rectos only, with pink revision pages throughout, undated. Pages Near Fine, wrapper Very Good with large closed tear to front wrapper and chipping and closed tears to extremities, bound with three gold brads. script: Titled self wrappers, noted as DIALOGUE CONTINUITY on the front wrapper,dated August 6, 1942, with credits for director Neill. 109 leaves. Mimeograph duplication, rectos only. Pages Near Fine, bound at top with two gold brads.

Vintage photograph of John Wayne and Louise Latimer on the set of the 1937 film, with a mimeo snipe on the verso. Not to be confused with the 1925 silent film of the same name. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. John Wayne stars as the manager of a trucking company who pits his trucking fleet in a contest against a train to deliver aviation parts to the Pacific coast before a labor strike takes place. Shot on location in Santa Clarita and Newhall, California. 10 x 8 inches. Near Fine.

Two vintage publicity photographs, including one photograph of John Wayne and Diana Gibson, and one double-weight photograph of Wayne and Paul White, From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. John Wayne stars as a pearl diver who signs up to sail on a whaling vessel whose captain, Montagu Love, marries Wayne to his daughter, Diana Gibson, to protect him against his first mate, Moroni Olsen. Previously considered a lost film, the Library of Congress holds the only known complete print, as the film had not been duplicated for distribution since its general release in 1937. 9.5 x 7.5 inches and 10 x 8 inches. Near Fine overall.

Five vintage reference photographs from the 1942 film. One with a mimeo snipe on the verso, and three with annotations in manuscript ink on the same. The fourth film in Universal Pictures' Frankenstein series, preceded by "Frankenstein" (1931), "Bride of Frankenstein" (1935), and "Son of Frankenstein" (1939), and the first to star Lon Chaney as the monster. Set in the fictional village of Frankenstein. 8 x 10 inches. Generally Very Good plus to Near Fine, one photograph with tape near the margins of the recto, one with pinholes at the corners, and one with paper residue at the bottom left corner. Weaver and Brunas, Universal Horror.

Draft script for the 1944 film, complete through page 94, scene 203. The remainder is not present, but the condition of the script would suggest that this draft is as issued. Copy belonging to an unknown crew member, with annotations in manuscript pencil and blue pencil throughout, regarding dialogue changes, direction, and camera setup. The second installment in the "Inner Sanctum" series, after "Calling Dr. Death" (1943), also directed by Le Borg, based on the 1943 story, "Conjure Wife," by Fritz Leiber, Jr. Professor Norman Reed (Chaney, Jr.) falls in love with an exotic native woman (Gwynne). What Prof. Reed doesn't know is that his exotic wife was raised by superstitious natives who taught her to trust her faith in voodoo. With Chaney, Jr., in an early role where he wasn't portraying a ghoulish monster, and more fun had by the cast off-screen than would its viewing audience, the film was essentially a silly romp. Leiber's story wouldn't get its official screen treatment until 1962 with "Burn, Witch, Burn," directed by Sidney Hayers, script by Richard Matheson, and starring Peter Wyngarde and Janet Blair. Lacking front wrapper. Title page present, dated November 15, 1943, with credits for screenwriters Darling and Weisberg, and novelist Leiber, Jr. 99 leaves, mimeograph on pink stock, with yellow revision pages throughout, dated 11-18-43. Pages Near Fine, wrapper Near Fine bound with two gold brads. Weaver, Universal Horrors.