Roy william neill (8 Ergebnisse)

Verlag: SoHo News New York, NY 1980
- Softcover
Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker
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87 pp.; 38.3 x 27.4 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Josh Friedman. Cover stories include "East Village Art Attack," by Gerald Marzorati featuring Robin Tewes and Cynthia Karasek; "A Gay Night at the Prom," by Paul Slansky; "Veronica Geng on Film;"… "Aging Rockers," by Roy Trakin; "Long Hot Summer Style Supplement." Art reporting includes "Louise Nevelson," by John Perreault "Art Reviews," William Zimmer on Brian O'Neill and Fontaine Dunn. Comic by Tuli Kupferberg. Cover photo by Edie Baskin. Good. Gently folded in two; light yellowing of paper from age, paper slightly brittle; light rubbing of covers; multiple small tears to page edges.

Spider Woman (Original publicity photograph from the 1943 film)
Gale Sondergaard, Nigel Bruce, Basil Rathbone (starring); Roy William Neill (director); Arthur Conan Doyle (stories); Bertram Millhauser (screenwriter)
Verlag: Universal Pictures, Universal City 1943
- Foto
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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Vintage publicity photograph from the 1943 film. The seventh of 14 films to costar Basil Rathbone and Nigel Bruce as Sherlock Holmes and John Watson, respectively. Loosely based on Arthur Conan Doyle's 1890 novel "The Sign of the Four," as well as the short stories "The Final Problem", "The Adventure of the Empty House", and "Th…e Adventure of the Speckled Band." From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Approximately 10 x 8 inches. Very Good, with moderate cracking to the emulsion and two small labels affixed just above the bottom edge of the recto.
Weitere BilderEight Bells (Original keybook photograph of Ann Sothern from the set of the 1935 film)
Roy William Neill (director); Percy S. Mandley (novel); Ethel Hill, Bruce Manniing (screenwriters); Ray Jones (photographer); Ann Sothern, Ralph Bellamy, John Buckler (starring)
Verlag: Columbia Pictures, Culver City, CA 1935
- Foto
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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Vintage keybook photograph of Ann Sothern from the set of the 1935 film, with three stamps on the verso, one crediting photographer Ray Jones, and a mimeo snipe on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 19…30s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Ann Sothern is the daughter of a steamship line owner who stows away on one of her father's ships to Shanghai, whose captain and first mate have feelings for Sothern. 8 x 10 inches. Near Fine.

Pursuit to Algiers [The Fugitive] (Original screenplay for the 1945 film)
Roy William Neill (director); Leonard Lee (screenwriter); Arthur Conan Doyle (novelist); Basil Rathbone, Nigel Bruce (starring)
Verlag: N.p., N.p. 1945
- Softcover
- Manuskript
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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Revised Draft script for the 1945 film, here under the working title "The Fugitive." With a single manuscript ink annotation on the front wrapper reading "92." All leaves watermarked CONTRACT FILE COPY. NOTE: script is incomplete as issued, with text ending on page 92. The twelfth entry in the fourteen film Sherlock Holmes serie…s featuring Basil Rathbone and Nigel Bruce, loosely based on Arthur Conan Doyle's 1911 short story "The Adventure of the Red Circle." The prime minister of the fictitious eastern European country Rovinia begs Holmes and Watson to escort Prince Nikolas back home, as the king has been assassinated and the prince must ascend to the throne. The transatlantic voyage proves to be a dangerous journey, and every passenger becomes a suspect, though Holmes carries more than a few tricks and surprises up his cape. Set in Algiers. Tan titled wrappers, rubber-stamped production No. 7309, dated May 20, 1945. 93 leaves, with last page of text numbered 92. Carbon typescript on onionskin stock, rectos only. Pages Near Fine, wrapper Very Good plus, with three closed tears on the front wrapper and light edgewear overall, bound with three gold brads.
Weitere BilderSherlock Holmes and the Secret Weapon [Sherlock Holmes Fights Back] [Sherlock Holmes #2] (Archive of three original screenplays and one original post-production script for the 1942 film)
Arthur Conan Doyle (short story); Roy William Neill (director); Edward T. Lowe, Jr., Scott Darling, Edmund L. Hartmann (screenwriters); Basil Rathbone, Nigel Bruce, Lionel Atwill (starring)
Verlag: Universal Pictures, Universal City 1942
- Softcover
- Manuskript
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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Archive of three scripts and one post-production script for the 1942 film. First is a First Draft script, under the working title "'Sherlock Holmes' (#2)," by screenwriters Edward T. Lowe and Scott Darling, dated March 24, 1942. Ribbon copy typescript on onionskin, with annotations in manuscript pencil on several pages, inquirie…s about plotline, question marks, as well as dates, and name of screenwriter Darling. Bound in, preceding script, are: A two-page, carbon typescript, breakdown of the story in 21 points, with annotation of "1st rough draft" and "One 3/24/42," in manuscript pencil, in upper right of first page. A ribbon copy typescript "continuity" breakdown of locations and sequences in ten points, dated 4/6/42. A ribbon copy typescript "comments on Sherlock Holmes #2," broken into nine points, dated 4-6-42, and a three-page ribbon copy typescript synopsis, dated 3/24/42. Second is a Third Draft script, under the working title "'Sherlock Holmes' (#2)," crediting screenwriter Scott Darling on front wrapper, and Edward T. Love and Scott Darling on title page, dated April 22, 1942. Annotation in manuscript pencil of "mimeographed pink" on lower right of front wrapper. Ribbon copy typescript on onionskin, with several annotations in red or graphite manuscript pencil, question marks, an asterisk, underlines, and screenwriter S. Darling's name and date "4-27-42." Third is a Draft script, under the working title "Sherlock Holmes Fights Back," with name of screenwriter Edmund L. Hartmann on front wrapper. Title page credits to "Additional Changes by Edmund L. Hartmann," and screenwriters Scott Darling and Edward T. Lowe, dated May 22, 1942. Carbon typescript, with mimeograph duplication revision pages. Bound in, preceding script, is a page describing concept for "The Miss Bently School for Girls," with photograph affixed, illustrating concept. Annotations in red and graphite manuscript pencil throughout, noting dialogue, locations, shots, characters, as well as strikes and dates. Lastly, a Post-production Dialogue and Contitnuity script, dated August 6, 1942, with single annotation in manuscript ink on front wrapper. Loosely based on the 1903 Sherlock Holmes short story "The Adventure of the Dancing Men," by Sir Arthur Conan Doyle. The fourth Sherlock Holmes movie starring Basil Rathbone and Nigel Bruce, and the second produced at Universal Studios. Preceded by "Sherlock Holmes and the Voice of Terror" (1942), directed by John Rawlins, and followed by "Sherlock Holmes in Washington" (1943), also directed by Roy William Neill (who would go on to direct all subsequent Holmes films at Universal). Watson and Holmes, transplanted from their usual Victorian setting, now in England in the midst of WWII, have to protect Swiss scientist Dr. Franz Tobel and his invention, an advanced bomb site, from falling into the hands Nazi Germany, as well as Holmes' arch-nemesis, Professor Moriarty (Lionel Atwill). The first Holmes film to feature Inspector Lestrade (Dennis Hoey) of Scotland Yard. March 24, 1942 script, "'Sherlock Holmes' (#2)": Gray titled wrappers, dated March 24, 1942, with credits for screenwriters Edward T. Lowe and Scott Darling. Title page integral with first page, dated 3/24/42, noted as 1st draft screenplay, with credits for screenwriters Lowe and Darling. 103 leaves, with last page of text numbered 96. Ribbon copy typescript on onionskin, rectos only. Pages Near Fine, wrapper Very Good with chipping and closed tears to extremities and one large 4.5 inch closed tear on bottom of front wrapper, bound with three gold brads. April 22, 1942 script, "'Sherlock Holmes' (#2)": Gray titled wrappers, noted as THIRD DRAFT on the front wrapper, dated April 22, 1942, with credits for screenwriter Scott Darling. Title page integral with first page, with credits for screenwriters Edward T. Lowe and Scott Darling. 110 leaves, with last page of text numbered 110. Ribbon copy typescript, rectos. Pages Near FIne, wrapper Very Good with closed tears and chipping at extremities, bound with three gold brads. May 22, 1942 script, "Sherlock Holmes Fights Back": Gray titled wrappers, with credits for screenwriter Edmund L. Hartmann. Title page present, dated May 22, 1942, with credits for Additional Chages by screenwriter Edmund L. Hartmann, screenwriters Scott Darling and Edwart T. Lowe and author Sir Arthur Conan Doyle. 107 leaves, with last page of text numbered 100. Carbon typescript with mimeograph duplication revision pages, rectos only, with pink revision pages throughout, undated. Pages Near Fine, wrapper Very Good with large closed tear to front wrapper and chipping and closed tears to extremities, bound with three gold brads. script: Titled self wrappers, noted as DIALOGUE CONTINUITY on the front wrapper,dated August 6, 1942, with credits for director Neill. 109 leaves. Mimeograph duplication, rectos only. Pages Near Fine, bound at top with two gold brads.

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Weitere BilderThe Black Room [Mystery] (Two original photographs of Marian Marsh from the 1935 film)
Roy William Neill (director); Arthur Strawn, Henry Myers (screenwriters); Boris Karloff, Marian Marsh, Robert Allen (starring)
Verlag: Columbia Pictures, Culver City, CA 1935
- Foto
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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Two vintage reference photographs of Marian Marsh from the 1935 film, including one keybook photograph. Keybook photograph with a mimeo snipe on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to… be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Boris Karloff stars as twin brothers in a cursed aristocratic family, with an ancient prophecy predicting that one brother will murder the other in the hopes of taking his power. Set in a castle in eighteenth century Austria. 8 x 10 inches. Near Fine.
Weitere BilderFrankenstein Meets the Wolf Man (Two original publicity photographs of Bela Lugosi as the Monster from the 1943 film)
Roy William Neill (director); Curt Siodmak (screenwriter); Lon Chaney Jr., Ilona Massey, Bela Lugosi (starring)
Verlag: Universal Pictures, Universal City 1943
- Foto
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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Two vintage photographs of Bela Lugosi as Frankenstein's Monster, for the 1943 film. One photograph with a provenance label on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of th…e still photography department at Universal Pictures in 1935, where he worked well into the 1950s. The first of Universal's "monster rally films," which incorporated seemingly disparate Universal monsters into a single narrative, and the only film to feature Lugosi as the monster, originally made famous by Boris Karloff in the 1931 film "Frankenstein." Accidentally revived by grave robbers,"wolf man" Lawrence Talbot, seeks out Dr. Frankenstein in the hopes of finding a cure, only to discover the doctor has died but finds his creature still very much alive. 8 x 10 inches. Near Fine.