Arthur lubin (31 Ergebnisse)

Vintage full-color British front-of-house card from the 1959 UK release of the 1957 US film. An American boy becomes lost after the plane he is on is forced to make an emergency landing off the Japanese coast. The boy befriends a fisherman's son, and the two travel through the countryside while avoiding the police, who they mistakenly believe are out to arrest, rather than rescue, the American. A story set and shot on location in Japan. 8 x 10 inches. Very Good plus, with pinholes at 2 corners, and faint creases.…

Vintage publicity photograph from the 1952 film, showing Francis and actor Donald O'Connor. Printed mimeo snipe on the verso. A talking mule gets his owner into a variety of scrapes during basic training at West Point. The third film in the Francis the Talking Mule series. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 10 x 8 inches. Very Good, with moderate adhesive residue on the verso, and corresponding discoloration on the recto.…

Vintage keybook publicity photograph from the 1953 film, showing actors Donald O'Connor and Yvette Duguay. Annotations in manuscript ink on the verso. The owner of a talking mule lands a job at a newspaper in New York City, and is framed for a murder while on assignment. The fourth film in the Francis the Talking Mule series. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Near Fine.…

Two vintage publicity photographs from the 1955 film, showing actors Donald O'Connor and Martha Hyer with Francis. Printed mimeo snipe affixed to the verso. The sixth film in the Francis the Talking Mule series. In this installment, Francis' owner is mistakenly shipped off to the Navy. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Near Fine.…

Vintage publicity photograph from the 1941 film, showing Dorothy Darrell, Carol Bruce, Martha Raye, and Elaine Morley dancing in line. Annotation in manuscript pencil on the verso. Abbott and Costello's third service comedy of 1941, following "Buck Privates" and "In the Navy." From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Shot in Ontario, California. 10 x 8 inches. About Near Fine.…

Vintage publicity photograph from the 1950 film, showing actors Donald O'Connor and Patricia Medina with Francis. The first film in the enduring Francis the Talking Mule series, about a junior officer in the US Army who is pursued by a talking Army mule. Loosely based on the 1946 novel by David Stern. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 10 x 8 inches. Very Good, with adhesive residue on the verso and faint, corresponding toning on the recto.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First edition. Small piece of front fly clipped, thus very goods in very good dustwrapper with a few tears and rubbing. Self-published novel by a Haitian-born, New York civil servant. Scarce.

Faltblatt. Zustand: Gut. 4 S., 18*26 cm . Papierbedingt leicht vergilbt, sonst sehr sauber. Sprache: Deutsch Gewicht in Gramm: 550.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Aceptable. Essays "Reading 9-11-01," by Charles Simic, Catharine R. Stimpson, Andrew Ross, Daniel Libeskind, Daniel Birnbaum, Homi K. Bhabha, Avital Ronell, Arthur C. Danto, Anne Carson, Carlos Basualdo, Johan Grimonprez, Linda Nochlin, William Gass, Barbara Kruger, Allucquère Rosanne Stone, Robert Storr, and Leon Golub; "Adam Lehner on Art in the Aftermath," by Adam Lehner; "Philip Nobel on the Future," by Philip Nobel; "Passages: Benjamin Ivry on Pierre Klossowski," by Benjamin Ivry; "Passages: Paul Mattick on Sidney Tillim," by Paul Mattick; "Hotlist," by Ken Goldberg; "Hotlist: Matthew Israel on Video-game Art." by Matthew Israel; "First Break: Michael Duncan on Peter Saul," by Michael Duncan; "Top Ten," by Richard Phillips; "10-20-30: Eric C. Banks on Artforum, November 1971," by Eric C. Banks; "Cargo and Cult: The Displays of Thomas Hirschhorn," by Benjamin H.D. Buchloh; "A Thousand Words: Rodney Graham," by Rachel Kushner; "Artists Curate: Impact and Satori - Instruments of Comprehension," by Gabriel Orozco; "Plane Songs," Lauren Sedofsky talks with Alexander Sokurov; "Centerfold: Wolfgang Staehle," by Alexi Worth; "Eternal Returns: The Art of Verne Dawson," by Bob Nickas; "Openings: Jennifer and Kevin McCoy," by David Frankel. Reviews by Daniel Soutif, David Lubin, Richard Shone, James Meyer, George Baker, Julie Caniglia, Frances Richard, Meghan Dailey, Nico Israel, David Frankel, Donald Kuspit, Gregory Williams, Martha Schwendener, Tom Breidenbach, Joan Seeman Robinson, Philip Auslander, Ellen Berkovitch, Christopher Miles, Bruce Hainley, Alexandre Melo, Pablo Llorca, Massimo Carboni, Hans Rudolf Reust, Philipp Kaiser, Miriam Rosen, Matthias Dusini, Jennifer Allen, Noemi Smolik, Lars Bang Larsen, Barry Schwabsky, and James Hall. Cover: John Pilson. …

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. Fine in lightly rubbed, still fine dustwrapper. Self-published novel by a Haitian-born, New York civil servant. Scarce.

Three vintage linen backed photograph from the set of the 1955 film. Mimeo snipe affixed to the verso. A telling of the 11th century legend of the English noblewomen, Lady Godiva who famously rode on horseback with only her long hair covering her body, as an appeal to her husband's oppressive taxation of his tenants. 10 x 8 inches. Near Fine.…

Post-production Continuity and Dialogue script for the 1939 film. A prison warden must decide between keeping a huge lot of stolen goods and saving a man from the electric chair. Tall yellow titled wrappers. Title page present, noted as production No. 1032, with credits for director Arthur Lubin and actors Victor McLaglen and Jackie Cooper. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads at the top edge.…

Two vintage publicity photographs from the 1954 film, including one keybook photograph showing actor Donald O'Connor with Francis, and one showing actress Mamie Van Doren in a cheeky salute. Printed mimeo snipe affixed to the verso of one photograph. A junior officer is mistakenly assigned to the Women's Army Corps, where he encounters numerous tricky situations-largely due to his talking mule. The fifth film in the Francis the Talking Mule series. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 10 x 8 inches. Near Fine.…

Three vintage studio still publicity photographs from the 1951 film, one showing actor Donald O'Connor with Francis, one showing O'Connor and Francis with Piper Laurie, and the last showing Laurie alone. A talking mule continues to get his owner into trouble at the racetrack. The second film in the Francis the Talking Mule series. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Lightly toned on the margins, else about Near Fine.…

Two vintage publicity photographs from the 1946 film, one showing actors Merle Oberon and Turhan Bey, the other showing Oberon alone. One with a printed mimeo snipe affixed to the verso. Based on George S. Hellman's 1931 novel "Peacock's Feather." A king decides to marry a beauty over his sorceress fiancée, resulting in pain and suffering. Producer Walter Wanger's second attempt to adapt Hellman's novel. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Very Good plus.…

Vintage keybook reference photograph from the 1941 film, showing Lou Costello and Bud Abbott in a baseball scene. Printed mimeo snipe affixed to the verso. Abbott and Costello's third service comedy of 1941, following "Buck Privates" and "In the Navy." From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Shot in Ontario, California. 10 x 8 inches. Near Fine.…

Vintage publicity photograph from the 1944 film, showing actress Ramsay Ames. A successful entry in Universal's Technicolor fantasy adventures (alongside "Arabian Nights" in 1942 and "White Savage" in 1943), loosely based on the classic Arabian Nights tales, with a fitting score by Edward Ward to match director Arthur Lubin's directorial flair. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Near Fine. Weaver, Universal Horrors.…

Revised Final Draft script for the 1958 television episode of "The Ed Wynn Show." Copy belonging to actor Tom Irish, with his name in green manuscript ink on the front wrapper and notation in green ink to a single page. Irish played an uncredited bit part named "Biff." In 1958, veteran vaudeville comedian Ed Wynn, creator of the innovative live skit-based 1949 television show of the same name, tried his hand at a third television series: a short-lived sitcom that would last only one season. Though Wynn was one of few beloved vaudevillians to make a successful transition to the small screen, with his first show featuring high profile Hollywood guests and winning a Primetime Emmy Award for Best Live Show in 1950, his success would not last indefinitely. As television grew, he would shift towards more serious dramatic roles. The 1958 iteration of "The Ed Wynn Show" would be the last series he put his name on before taking a spate of guest appearances and dramatic roles in various television shows and films. Yellow titled wrappers, noted as production No. 4477, dated October 29, 1958, with credits for screenwriters Laurence Marks and Milton Pascal. Title page present, dated October 29, 1958, noted as REVISED FINAL DRAFT, with credits for screenwriters Marks and Pascal. 43 leaves, with last page of text numbered 38. Mimeograph on eye-rest green stock, with yellow revision pages throughout, dated October 31, 1958. Pages Very Good plus, wrapper Very Good bound with two gold brads.…

1950. Paris Éditions de Minuit 1950 - Broché 13 cm x 21 5 cm 109 pages - Direction Marcel Bisiaux; textes et poèmes de Armen Lubin Jean Paulhan André Dhôtel Marcel Bisiaux Robert Musil Marcel Jouhandeau Alexei Remizov Maurice Lefebvre Georg Trakl John Audrey R. Sipran Mark Rutherford Alfred Kern Monique Chuffart Georges Lambrichts Dostoievski Jacques Brenner Arthur Adamov Dominique Arban Jeanine Arland Audiberti J.-J. Duval Philippe Jaccottet Pierre Klossowski M. Lecomte Pierre Leyris J.-M. Poursin Armand Robin René de Solier A. Tavera Henri Thomas- Bon état. Bon état.…

Draft script for the 1966 film, here under the working title "There's No Place Like Space," from the collection of cinematographer Paul Vogel, presumably his working copy, with "Camera" written in manuscript pencil at the top right corner of the front wrapper. A vehicle to promote the band Herman's Hermits in much the same vein as The Beatles in Richard Lester's 1965 "A Hard Day's Night," and 1966 "Help." British pop rock band Herman's Hermits tour the US and are chosen as the "good luck name" of the next Gemini space capsule. Yellow titled wrappers, rubber-stamped copy No. 73, dated August 30, 1965, with credits for screenwriter James B. Gordon. Title page integral with first page. 112 leaves, with last page of text numbered 112. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.…

Final Draft script for the 1954 film. The fifth of seven films in the popular "Francis the Talking Mules series, all made in the 1950s. Copy belonging to technical advisor Major Lane Carlson, with his name in manuscript blue ink on a label affixed on the front wrapper, and his annotations throughout. Carlson acted as a consultant on the military aspects of the film, as the film involves Francis joining the Army, going to the Pentagon, etc. Salmon titled wrappers, noted as Final Screenplay on the front wrapper, dated February 9, 1954. 157 leaves, Multilith duplication, with blue, pink, and yellow revision pages throughout, dated variously between 2-17-54 and 4-5-54. Pages and wrapper Very Good plus, in a three ring binder used during production.…

Revised Draft script for the 1944 film. The second of Universal's Technicolor fantasy adventures (after "Arabian Nights," 1942, and "White Savage," 1943), loosely based on the classic Arabian Nights tales, with a fitting score by Edward Ward to match Lubin's directorial flair. A fun, but often overlooked, desert romp. Gray titled wrappers, noted as Revised and copy No. 113 on the front wrapper, rubber-stamped production No. 7142, dated 5-20-43, with credit for screenwriter Hartmann. 114 leaves, mimeograph duplication, with annotations throughout. Pages Near Fine, wrapper Poor, with front wrapper starting, bound with three gold brads. Weaver, p. 565.…

Vintage photograph of John Wayne and Louise Latimer on the set of the 1937 film, with a mimeo snipe on the verso. Not to be confused with the 1925 silent film of the same name. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. John Wayne stars as the manager of a trucking company who pits his trucking fleet in a contest against a train to deliver aviation parts to the Pacific coast before a labor strike takes place. Shot on location in Santa Clarita and Newhall, California. 10 x 8 inches. Near Fine.…

Six vintage photographs from the 1947 film musical, including four reference photographs and two studio still photographs. A musical romance featuring Billie Holiday and Louis Armstrong, along with an all-star cast of jazz musicians from Armstrong's band, including Kid Ory, Zutty Singleton, Barney Bigard, and Bud Scott. 10 x 8 inches. Near Fine. Hirschhorn, The Hollywood Musical.…

Two vintage publicity photographs, including one photograph of John Wayne and Diana Gibson, and one double weight photograph of Wayne and Paul White, From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. John Wayne stars as a pearl diver who signs up to sail on a whaling vessel whose captain, Montagu Love, marries Wayne to his daughter, Diana Gibson, to protect him against his first mate, Moroni Olsen. Previously considered a lost film, the Library of Congress holds the only known complete print, as the film had not been duplicated for distribution since its general release in 1937. 9.5 x 7.5 inches and 10 x 8 inches. Near Fine overall.…

Three vintage linen backed keybook photographs of members of the cast and crew on the set of the 1952 film. Mimeo snipe and manuscript annotations on the verso of each. One photo shown. Please inquire to see others. A family facing financial troubles realizes that the two trees they recently brought home from the nursery are money trees, each bearing five and ten dollar bills. At first this mysterious luck is a relief, but quickly the police, the IRS and media outlets all get involved and the family struggles to discern the right way to handle all this new cash. 10 x 8 inches. Near Fine.…

Vintage keybook reference photograph of Arthur Lubin and camerman on a crane above the opera house audience from the 1943 film. Mimeo snipe on verso. Loosely based on the 1910 novel by Gaston Leroux. The second Universal film based on the story, following Rupert Julian's 1925 silent film. Nominated for four Academy Awards and winning two, including one for Best Cinematography. Set in Paris. 8 x 10 inches. Very Good plus, with light creasing and edgewear. Weaver and Brunas, Universal Horrors 1931-1946.…

Vintage publicity photograph from the 1943 film, showing actor Claude Rains as the titular masked Phantom. Annotations in manuscript ink on the verso. Loosely based on the 1910 novel by Gaston Leroux. The second Universal film based on the story, following Rupert Julian's 1925 silent film. Nominated for four Academy Awards and winning two, including one for Best Cinematography. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Set in Paris. 8 x 10 inches. Near Fine. Weaver and Brunas, Universal Horrors 1931-1946.…

Five vintage reference photographs from the 1966 film, showing Herman's Hermits, who appear as fictionalized versions of themselves in the film. A NASA scientist is sent to covertly gather information about Herman's Hermits after the children of US astronauts pick "Herman's Hermits" to be the name of the newest Gemini space capsule. The second US film to feature the British-based band, following "When the Boys Meet the Girls" (1965). 10 x 8 inches. Near Fine.…

Zustand: Gut. 4°, 4 Seiten, voll bebildert, illustr. Original-Filmprogramm - guter Zustand - um 1950. M12268 Sprache: Deutsch Gewicht in Gramm: 50.