burliuk david (24 Ergebnisse)

Paperback. Zustand: Brand New. Burliuk, David; Mayakovsky, Vladimir (illustrator). translation edition. 53 pages. 5.75x4.00x0.25 inches. In Stock.

Zustand: Fair. Acceptable condition. The American Quarterly on the Soviet Union Vol. III, No. I. Spine tips worn. (russia ussr soviet union).

Zustand: Fine. Leichte Kratzer / Abnutzungen / Druckstellen; Farbtonänderung.

Zustand: Good. *Price HAS BEEN REDUCED by 10% until Monday, June 8 (weekend SALE item)* 16 pp., original self wrappers, good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. David Burliuk (illustrator). First. Well-illustrated in color. 64 pages. Slim square 4to, black boards, d.w. Winnipeg: Winnipeg Art Gallery, (2008). First edition. Fine in fine dust wrapper. Scarce exhibition catalogue.

Hardcover. Zustand: Very Good. Scarce volume on Russian artist termed "father of Russian Constructivism" here signed by the artist and his wife, making this already uncommon publication even more special and uncommon. This was, at the time, the only published English language volume on the artist, and the most substantial volume published by The Societe Anonyme. Signed on the front free endpaper to a NYC artist, from "Davey and Marussia Burliuk." Generally a nice copy. No DJ if ever issued with one. Textured red boards have some very noticeable instances of being rubbed and scuffed, particularly along the spine. A few stray scuff spots to front and back panels as well, resulting in uneven discoloration in parts. Apparent ink mark seeming to be the letter "A" to front cover as well. Otherwise just scuffed a bit along the edges. Now in mylar. Interior is bright and clean, minor toning to pages, but no marks besides the signatures and inscription. Binding solid, sturdy, square. Opens ever so slightly wider at page 15, but no threat to integrity. Overall a superb copy of this very uncommon book, here warmly inscribed by the artist and his wife. Signed by Author(s).

Encuadernación de tapa dura. Zustand: Casi nuevo. 2000. Catálogo de gran formato y peso de la exposición celebrada en el Von der Heydt - Museum (Wuppertal, Alemania) en el año Septiembre - Noviembre de 2000. Presenta la colección del Staatliches Russisches Museum. 239 pp. Excelentes reproducciones en color de 224 obras expuestas. Idioma: Alemán. LIB 10L.

Zustand: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, June 8 (weekend SALE item)* 20 pp., original self wrappers, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Burliuk, David, 1882-1967. David Burliuk (1882-1967): selections from various periods. With an essay by Alfred Werner. New York: ACA Gallery, 1967, 20pp., stapled PAPERBACK, very good, reproductions are in black and white except for the cover. Catalog of an exhibition held Oct. 31-Nov. 18, 1967. - American Contemporary Art Gallery.- With substantial 5-page In Memoriam by Alfred Werner, dated New York 1967. - Burliuk (born in Kharkov, Ukraine) was a an early member of the futurist and Blaue Reiter groups.

Klammerheftung; Broschur. Zustand: Sehr gut. 16 Seiten, zahlr. s/w. Abb. Sehr gutes Exemplar mit leichten altersbedingten Gebrauchsspuren. Die Publikation erschien anläßlich der Ausstellung in der Kölner Galerie Gmurzynska, vom 2. September bis 15. Oktober 1966. / Die erste große Retrospektiv-Ausstellung in Deutschland des russischen Futuristen und letzten überlebenden Mitgliedes der Gruppe Der Blaue Reiter". / Der Name David Burliuk ist mir seit 35 Jahren bekannt, aber erst vor drei Jahren hatte ich die Gelegenheit, ihm zu begegnen, einem 82jährigen Jun. gen, der immer noch Poesie schreibt, malt und reistlich war der erste in ger englischsprechenden Welt, welcher der Rolle, die David Burliuk im Leben Majakowskis, des großen russischen Dichters, spielte, Beachtung ver- schaffte. Dieser schrieb einst: "In die Schule für Malerei, Skulptur und Architektur eingetreten. in der Schule erschien Burliuk. Arrogantes Aus- sehen, Lorgnette, Überrock. ich hatte ihn beschimpft. Kam immer nur, um sich aufzublasen. David hatte den Zorn eines Meisters, der seine Zeit- genossen übertroffen hatte. Ich, die Inbrunst eines Sozialisten, merkte das unvermeidliche Schicksal des Alten. So entstand der russische Futurismus. Am nächsten Tag hatte ich ein Gedicht geschrieben. las mein Zeug Burliuk vor. Sagte, ein Freund von mir hätte es gemacht. David hielt inne. Er schaute mich von oben bis unten an, indem er ausrief: Du hast es selbst geschrieben! Du bist ein Genius!' Und von da an begeisterte ich mich für Poesie. An diesem Abend wurde ich ganz plötzlich ein Dichter. Am Morgen stellte mich Burliuk jemandem vor, indem er herausposaunte: Kennst Du ihn nicht? Meinen genialen Freund, den berühmten Dichter Majakowski.' Ich versuchte ihn zu unterbrechen. Burliuk blieb steinhart. Mich verlassend brüllte er: Nun schreibt oder man wird mich für einen Narren halten!" (Herbert Marshall) Sprache: Deutsch Gewicht in Gramm: 550.

Palace editions 2000- ISBN 10: 3930775913 / ISBN 13: 9783930775910 First edition - Tadellos ! Hardcover with dust jacket - both fine inside and outside - 239 (2) pages + dust jacket ORIGINALEINBAND - ORIGINAL PUBLISHERS WRAPPERS Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

First edition; 8vo (22 x 15 cm); 32pp. including title-page, with two illustrations by the author, original publisher's wrappers, a very good copy. David Burliuk (1882-1967) often referred to as the 'Father of Russian Futurism' is the author of these two poems. The first is titled The Great and Meek Bolshevik and dedicated to Tolstoy on the 100th anniversary of his birth and the second was written in celebration of Maksim Gorky's 60th birthday.

On the way to the New World --- First publication of the poem "Christopher Columbus", illustrated by the famous futurist artist and Maykovsky's friend. One of only three works published by Mayakovsky in the US. An excellent copy of this scarce edition: Worldcat locates only four physical copies (Harvard (2), Penn State, University of Notre Dame), to which we can add one copy in Chicago, one in the St. Petersburg RNB and one at the Slavonic Library in Prague. We could not trace any other copy at auction in the West, and only three in Russia. "Mayakovsky was very fond of this little book; it was always on the bookshelf of the desk in his room on Lubyanka lane" (Mayakovsky museum, our translation here and below). The leading poet of Revolutionary Russia, Vladimir Mayakovsky (1893-1930) attempted to get to the States three times: twice his visa was rejected and the third time he managed to obtain a visa to Mexico first. On 21 June 1925, Mayakovsky departed the French port of Saint-Nazaire for Mexico on the transatlantic ship "Espagne". The present poem "Khristofor Kolomb" ["Christopher Columbus"] was written aboard, its typewritten copy being dated "7.VII. Atlantic Ocean." In a letter to his lover and muse Lilia Brik from 3 July, Mayakovsky reported: "I have to write poems about Christopher Columbus, which is very hard, because without Odessians here it is difficult to figure out the diminutive of Christopher. And to rhyme Columbus (which is already difficult) in the tropics is a heroic deed". Upon his arrival in Mexico later in July, Mayakovsky sent the poem to Brik for publication in the futurist journal LEF ["Levyi Front Iskusstv", "Left Front of the Arts"], which was edited by the poet himself. At that time, LEF however ceased its publications and the poem did not come out. Meanwhile, Mayakovsky entered the US and reached New York on July 30. There he had a momentous encounter with his friend and poet David Burliuk who illustrated and published the poem in a separate edition titled Otkrytie Ameriki [Discovery of America] in October 1925, while Mayakovsky was travelling through the country. This edition shouldn't be confused with the other, very similar title 'Moe Otkrytie Ameriki' [My Discovery of America], a 1926 Russian publication relating Mayakovsky's travel itself and published upon his return: Mayakovsky indeed reached Moscow on 22 November 1925 after 6 months of travelling the longest journey in his life. The poem curiously asserts that Columbus was Jewish, and the edition even includes an epigraph "Christopher [Kolumb] was Christopher [Kolomb] the Spanish Jew. From Journals", possibly added by Burliuk (see Khardzhiev). The Russian spelling of Columbus' name as "Kolomb" is unusual and "most likely comes from the American pronunciation of the great traveller's name" (Kozhinov); the poem's earlier version from the letter to Brik had the conventional spelling "Kolumb". All the subsequent authorised publications of the poem, such as in Krasnaia gazeta [Red Newspaper] (#270, 6 November, 1925) and Parizhskii vestnik [Paris Herald] (#162, 13 November, 1925), used the New York edition's spelling as an example. David Burliuk (1882-1967) was a Ukrainian poet, artist and one of the leading figures of Russian futurism and avant-garde. Together with Mayakovsky and other poets he formed the Gileia (also Hylaea) art group, the most leftist and experimental one among futurists, publishing avant-garde almanacs and staging futurist plays. In 1920 he immigrated to Japan and two years later settled in New York where he was active in pro-Soviet groups. Provenance: Private émigré collection, New York. Physical description:Duodecimo (14.7 x 10.5 cm). 12 pp. including a first leaf with portrait to recto and blank verso. Publisher's illustrated wrappers by Burliuk. Condition:Very light browning to upper margin of upper wrapper, otherwise excellent. Bibliography:Turchinskii. p. 346; Lesman 1501; Kozhinov V. V., Robin I. L., Timofeeva V. V. Pri.

First Edition. 26 x 19cm. Hardcover in maroon buckram boards, cloth spine, 157pp. 250 x 185mm. Text in Russian. Contains examples of adventurous typographical Futurist graphic poetry, and complete with seven plates. Vladimir Burliuk's two colour plates are bound facing each other after the pre-title page. An early landmark work in Russian Futurism. Contributions from Vasily Kamensky, David Burliuk, Vladimir Burliuk, Alexandra Exter [i.e. Aleksandra Ekster], Velimir Khlebnikov, Vadim Shershenevich, Benedikt Livshits, et al. Some unobtrusive pencil underlining in Velimir Khlebnikov's and Nikolai Burliuk's texts (pages 79-85) in the 'Theory and Controversy' section, and also two marginal pencil lines on Livshits's text on pages 102-3. Pages light toned, otherwise good condition.£3500.

26 x 1,8 cm, 12 Seiten, 4 schwarz-weiss Abbildungen, ein Persönlichkeitsfoto, illustrierte Original-Klammerheftung (lediglich die Metallklammern oxidiert), kleiner Papierabrieb innherhalb der Umrahmung auf dem Vorderdeckel, sonst ein gutes Exemplar. SA 34 (= Sammlung Société Anonyme). - Herbert, Apter, Kenney, The Société Anonyme and the Dreier Bequest at Yale University, 1984, darin: Seite 7; Seite 128 (mit Abbildung der Titelillustration); Seite 756, chronology: [.] Campendonk s one artist show, costing $ 1250, is held at the Daniel Galleries; Dreier and Burliuk speak at the opening, and Burliuk writes a short text for the accompanying brochure [.]. - Gross, J., The Société Anonyme. Modernism in America, 2006, darin siehe Seite 170. - Firmenich, Andrea, Heinrich Campendonk 1889-1957. Leben und expressionistisches Werk. Aurel Bongers Recklinghausen, 1989. - Charles Daniel (1878-1971), art dealer, opened his gallery, known as Daniel Gallery, after the Armory show in 1913. The gallery closed in 1932. Société Anonyme New York. Daniel Galleries. Burliuk, David (Foreword). Lozowic, Louis (translation). Heinrich Campendonk. Catalog for his first solo exhibition in America. Exhibition in the rooms of the Daniel Gallery, 2 West 47th Street. There are 34 works listed, 4 of which are shown (Pastoral Scene, The Wood Carver, The Yellow cat, Piero). New York, Published by the Société Anonyme, Inc New York. Press of J. J. O'Brien & Son, [1925], 26 x 1.8 cm, 12 pages, 4 black and white illustrations, a personality photo, illustrated original staple binding (only the metal staples oxidized), small paper abrasion within the frame on the Front cover, otherwise a good copy. SA 34 (= Collection Société Anonyme). - Herbert, Apter, Kenney, The Société Anonyme and the Dreier Bequest at Yale University, 1984, therein: page 7; Page 128 (with cover illustration); Page 756, chronology: [.] Campendonk's one artist show, costing $1250, is held at the Daniel Galleries; Dreier and Burliuk speak at the opening, and Burliuk writes a short text for the accompanying brochure [.]. - Gross, J., The Société Anonyme. Modernism in America, 2006, see page 170. - Firmenich, Andrea, Heinrich Campendonk 1889-1957. Life and expressionist work. Aurel Bongers Recklinghausen, 1989. - Charles Daniel (1878-1971), art dealer, opened his gallery, known as Daniel Gallery, after the Armory show in 1913. The gallery closed in 1932. Sprache: englisch.

Hardcover binding, 107[+5]pp. 195 x 170mm. Bound in magenta and dark blue patterned paper-covered boards, retaining original wallpaper wraps, bound in. Some splitting to gutters. External wear to extremities, otherwise good. Printed on pale cyan-coloured paper. A landmark compilation of prose and art, including a call for the implementation of Zaum a new trans-rational language. Rare.Please contact us if you would like to see an image of the book.

Paperback, 86[+9]pp. 210 x 170mm. Recent removable archival wrap added. Some tape residue to inner cover and title page, otherwise very good. A key work: the first Futurist anthology exclusively dedicated to poetry.Please contact us if you would like to see an image of the book.

First edition; small 8vo (19 x 14 cm); 44, [4](ads)pp.; illustrations by Klutsis and Kliun, original wrappers in black and red by Nagorskaia, some slight loss to front and back covers, small contemporary Russian bookseller stamps to back cover, age-toning to margins, otherwise a very goof copy; in modern cloth backed patterned sleeve. The work contains essays by Sergei Tretyakov, David Burliuk, Tatyana Tolstaya and Sergei Rafalovich in tribute to the poet Aleksei Kruchenykh. The title for the publication was inspired by Kruchenykh's literary gatherings in the city of Tiflis (Tbilisi). Burliuk aimed to distinguish Russian Futurism as a distinct literary and artistic movement and these essays highlight the radical nature of the group's writing. There are three lithographs within the text by Gustav Klutsis and Ivan Kliun, both well-known Constructivist artists.

weicher Einband. . Hefte alle im Großformat, in russischer und englischer Sprache. * Exilkunst, Avantgarde. Unikate. (Khar).

Broschur, 13*21 cm. Zustand: Gut. 1. Auflage. 108 Seiten guter Zustand, russisch-deutsch 201040120 Sprache: Deutsch Gewicht in Gramm: 150.

32-pp. 2 woodcut illus. Lrg. 8vo. Dec. wraps. (small tear in front-cover). At head of title: "David D. Burliuk, poet, khudozhnik, lektor. Otets Rossiiskogo Futurizma." Typographic design by Burliuk.

8 unnumbered pages of plates. 32 pp. Text in Russian. 1 vols. 8vo. David Burliuk (1882-1967), the so-called Father of Russian Futurism, Ukrainian emigré painter and poet. Beginning with his early association with friends such as Vladimir Maiakovsky and Livshits, D. Burliuk was a part of some of the most significant ideas of the Russian literary movement. After the Revolution, in the early twenties, Burliuk moved to Japan and later to the Unites States. In 1930-1931 he published two books written about him by Russian authors, one of which is the present volume. OCLC: 17316946 (18 locations) Green wrappers printed in black., gathered with golden cord. Fine 8 unnumbered pages of plates. 32 pp. Text in Russian. 1 vols. 8vo.

CONTAINING AN ORIGINAL SIGNED DRAWING [BURLIUK, David Davidovich]. Burliuk. Part I: Russia. In Collaboration with Nicholas Burliuk. Part II: Twenty Years in America. By Katherine S. Dreier. Foreword by Duncan Phillips. xvi, 182 pp., illustrated with 53 reproductions of Burliuk paintings selected by Marcel Duchamp and Katherine S. Dreier. 8vo, 265 x 185 mm., bound in the original red wrappers with black lettering, in a new red and black cloth folding box. New York: The Société Anonyme, 1944. The first monograph on Burliuk published outside of Russia and one of the most substantial publications by The Société Anonyme arts organization. This copy includes an elaborate full-page drawing in watercolour and crayon inscribed by Burliuk to Miriam Grubin in 1945. A key artist in the Russian Futurist movement, Burliuk moved to the United States after the Revolution. In 1923 he met Katherine Dreier, who was helpful in promoting his American career. Spine worn, lower front corner torn away.

. 22 cm. 32 pág. Ilustr. con dos dibujos del autor. * Pintor, grafista, crítico de arte, organizador de exposiciones de vanguardia y poeta considerado fundador del futurismo ruso. Literatura rusa. Poesía. Futurismo.