David burliuk (19 Ergebnisse)

Paperback. Zustand: Brand New. translation edition. 53 pages. 5.75x4.00x0.25 inches. In Stock. Burliuk, David; Mayakovsky, Vladimir (illustrator).

Zustand: Fair. Acceptable condition. The American Quarterly on the Soviet Union Vol. III, No. I. Spine tips worn. (russia ussr soviet union).

hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. First. Well-illustrated in color. 64 pages. Slim square 4to, black boards, d.w. Winnipeg: Winnipeg Art Gallery, (2008). First edition. Fine in fine dust wrapper. Scarce exhibition catalogue. David Burliuk (illustrator).

Encuadernación de tapa dura. Zustand: Casi nuevo. 2000. Catálogo de gran formato y peso de la exposición celebrada en el Von der Heydt - Museum (Wuppertal, Alemania) en el año Septiembre - Noviembre de 2000. Presenta la colección del Staatliches Russisches Museum. 239 pp. Excelentes reproducciones en color de 224 obras expuestas. Idioma: Alemán. LIB 10L.…

26 x 1,8 cm, 12 Seiten, 4 schwarz-weiss Abbildungen, ein Persönlichkeitsfoto, illustrierte Original-Klammerheftung (lediglich die Metallklammern oxidiert), kleiner Papierabrieb innherhalb der Umrahmung auf dem Vorderdeckel, sonst ein gutes Exemplar. SA 34 (= Sammlung Société Anonyme). - Herbert, Apter, Kenney, The Société Anonyme and the Dreier Bequest at Yale University, 1984, darin: Seite 7; Seite 128 (mit Abbildung der Titelillustration); Seite 756, chronology: [.] Campendonk s one artist show, costing $ 1250, is held at the Daniel Galleries; Dreier and Burliuk speak at the opening, and Burliuk writes a short text for the accompanying brochure [.]. - Gross, J., The Société Anonyme. Modernism in America, 2006, darin siehe Seite 170. - Firmenich, Andrea, Heinrich Campendonk 1889-1957. Leben und expressionistisches Werk. Aurel Bongers Recklinghausen, 1989. - Charles Daniel (1878-1971), art dealer, opened his gallery, known as Daniel Gallery, after the Armory show in 1913. The gallery closed in 1932. Société Anonyme New York. Daniel Galleries. Burliuk, David (Foreword). Lozowic, Louis (translation). Heinrich Campendonk. Catalog for his first solo exhibition in America. Exhibition in the rooms of the Daniel Gallery, 2 West 47th Street. There are 34 works listed, 4 of which are shown (Pastoral Scene, The Wood Carver, The Yellow cat, Piero). New York, Published by the Société Anonyme, Inc New York. Press of J. J. O'Brien & Son, [1925], 26 x 1.8 cm, 12 pages, 4 black and white illustrations, a personality photo, illustrated original staple binding (only the metal staples oxidized), small paper abrasion within the frame on the Front cover, otherwise a good copy. SA 34 (= Collection Société Anonyme). - Herbert, Apter, Kenney, The Société Anonyme and the Dreier Bequest at Yale University, 1984, therein: page 7; Page 128 (with cover illustration); Page 756, chronology: [.] Campendonk's one artist show, costing $1250, is held at the Daniel Galleries; Dreier and Burliuk speak at the opening, and Burliuk writes a short text for the accompanying brochure [.]. - Gross, J., The Société Anonyme. Modernism in America, 2006, see page 170. - Firmenich, Andrea, Heinrich Campendonk 1889-1957. Life and expressionist work. Aurel Bongers Recklinghausen, 1989. - Charles Daniel (1878-1971), art dealer, opened his gallery, known as Daniel Gallery, after the Armory show in 1913. The gallery closed in 1932. …

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First edition. Russian poet and artist David Burliuk's copy with his original ink drawing and signature to half title page. Hardbound in dust jacket. Unclipped upper dust jacket flap has $3.00 price, lower flap is neatly clipped. Jacket shows minor wear to edges and some age darkening, otherwise very good. Light canvas boards show minor age toning, otherwise very good. …

Soft cover. Zustand: Good. Paperback. Minor tears to pages. Foxing to wrappers, otherwise very good.

Palace editions 2000- ISBN 10: 3930775913 / ISBN 13: 9783930775910 First edition - Tadellos ! Hardcover with dust jacket - both fine inside and outside - 239 (2) pages + dust jacket ORIGINALEINBAND - ORIGINAL PUBLISHERS WRAPPERS Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.…

David Burliuk (1882-1967) often referred to as the 'Father of Russian Futurism' is the author of these two poems. The first is titled The Great and Meek Bolshevik and dedicated to Tolstoy on the 100th anniversary of his birth and the second was written in celebration of Maksim Gorky's 60th birthday. First edition; 8vo (22 x 15 cm); 32pp. including title-page, with two illustrations by the author, original publisher's wrappers, a very good copy. Provenance: V. Zemskov (stamp to title-page). …

An important work of the Russian avant-garde, with illustrations from Goncharova, Larionov, Guro and the Burliuks. This is a a remarkably fresh example in the original wallpaper wrappers but with a less common flowery design. Sadok Sudei opens with the long Hylaean manifesto calling for a new style of personal freedom and verbal richness, and for the implementation of Zaum, a trans-rational language. First edition, 8vo (18.8 x 16.6 cm); with 15 black and white illustrations after Goncharova (2), Larionov (2), Guro (6), David Burliuk (3) and Volodymyr Burliuk (2); in the original flower wallpaper covers with label pasted to upper cover, repairs to spine; housed in a contemporary marbled slipcase, slightly cracked; text in Russian, a fine copy.…

On the way to the New World --- First publication of the poem "Christopher Columbus", illustrated by the famous futurist artist and Maykovsky's friend. One of only three works published by Mayakovsky in the US. An excellent copy of this scarce edition: Worldcat locates only four physical copies (Harvard (2), Penn State, University of Notre Dame), to which we can add one copy in Chicago, one in the St. Petersburg RNB and one at the Slavonic Library in Prague. We could not trace any other copies at auction in the West, and only three in Russia. "Mayakovsky was very fond of this little book; it was always on the bookshelf of the desk in his room on Lubyanka lane" (Mayakovsky museum, our translation here and below). The leading poet of Revolutionary Russia, Vladimir Mayakovsky (1893-1930) attempted to get to the States three times: twice his visa was rejected and the third time he managed to obtain a visa to Mexico first. On 21 June 1925, Mayakovsky departed the French port of Saint-Nazaire for Mexico on the transatlantic ship "Espagne". The present poem "Khristofor Kolomb" ["Christopher Columbus"] was written aboard, its typewritten copy being dated "7.VII. Atlantic Ocean." In a letter to his lover and muse Lilia Brik from 3 July, Mayakovsky reported: "I have to write poems about Christopher Columbus, which is very hard, because without Odessians here it is difficult to figure out the diminutive of Christopher. And to rhyme Columbus (which is already difficult) in the tropics is a heroic deed". Upon his arrival in Mexico later in July, Mayakovsky sent the poem to Brik for publication in the futurist journal LEF ["Levyi Front Iskusstv", "Left Front of the Arts"], which was edited by the poet himself. At that time, LEF however ceased its publications and the poem did not come out. Meanwhile, Mayakovsky entered the US and reached New York on July 30. There he had a momentous encounter with his friend and poet David Burliuk who illustrated and published the poem in a separate edition titled Otkrytie Ameriki [Discovery of America] in October 1925, while Mayakovsky was travelling through the country. This edition shouldn't be confused with the other, very similar title 'Moe Otkrytie Ameriki' [My Discovery of America], a 1926 Russian publication relating Mayakovsky's travel itself and published upon his return: Mayakovsky indeed reached Moscow on 22 November 1925 after 6 months of travelling the longest journey in his life. The poem curiously asserts that Columbus was Jewish, and the edition even includes an epigraph "Christopher [Kolumb] was Christopher [Kolomb] the Spanish Jew. From Journals", possibly added by Burliuk (see Khardzhiev). The Russian spelling of Columbus' name as "Kolomb" is unusual and "most likely comes from the American pronunciation of the great traveller's name" (Kozhinov); the poem's earlier version from the letter to Brik had the conventional spelling "Kolumb". All the subsequent authorised publications of the poem, such as in Krasnaia gazeta [Red Newspaper] (#270, 6 November, 1925) and Parizhskii vestnik [Paris Herald] (#162, 13 November, 1925), used the New York edition's spelling as an example. David Burliuk (1882-1967) was a Ukrainian poet, artist and one of the leading figures of Russian futurism and avant-garde. Together with Mayakovsky and other poets he formed the Gileia (also Hylaea) art group, the most leftist and experimental one among futurists, publishing avant-garde almanacs and staging futurist plays. In 1920 he immigrated to Japan and two years later settled in New York where he was active in pro-Soviet groups. Provenance: Private émigré collection, New York. Physical description:Duodecimo (14.7 x 10.5 cm). 12 pp. including a first leaf with portrait to recto and blank verso. Publisher's illustrated wrappers by Burliuk. Condition:Very light browning to upper margin of upper wrapper, otherwise excellent. Bibliography:Turchinskii. p. 346; Lesman 1501; Kozhinov V. V., Robin I. L., Timofeeva V. V. Primechaniia // Maiakovskii V. V. Polnoe sobranie sochinenii: V 13 t. Moskva, Gos. izd-vo hudozh. lit., 1955-1961. T. 7. Stikhotvoreniia vtoroi poloviny 1925 1926 goda i ocherki ob Amerike; Gosudarstvennyi muzei V. V. Maiakovskogo, "Otkrytie Ameriki. New York".…

Hardcover binding, 107[+5]pp. 195 x 170mm. Bound in magenta and dark blue patterned paper-covered boards, retaining original wallpaper wraps, bound in. Some splitting to gutters. External wear to extremities, otherwise good. Printed on pale cyan-coloured paper. A landmark compilation of prose and art, including a call for the implementation of Zaum a new trans-rational language. Rare.Please contact us if you would like to see an image of the book.…

The work contains essays by Sergei Tretyakov, David Burliuk, Tatyana Tolstaya and Sergei Rafalovich in tribute to the poet Aleksei Kruchenykh. The title for the publication was inspired by Kruchenykh's literary gatherings in the city of Tiflis (Tbilisi). Burliuk aimed to distinguish Russian Futurism as a distinct literary and artistic movement and these essays highlight the radical nature of the group's writing. There are three lithographs within the text by Gustav Klutsis and Ivan Kliun, both well-known Constructivist artists. First edition; small 8vo (19 x 14 cm); 44, [4](ads)pp.; illustrations by Klutsis and Kliun, original wrappers in black and red by Nagorskaia, some slight loss to front and back covers, small contemporary Russian bookseller stamps to back cover, age-toning to margins, otherwise a very goof copy; in modern cloth backed patterned sleeve.…

weicher Einband. . Hefte alle im Großformat, in russischer und englischer Sprache. * Exilkunst, Avantgarde. Unikate. (Khar).

Hardcover. Zustand: gut. 2016. David Burliuk - ein vergessener Künstler In deutscher Sprache. pages.

32-pp. 2 woodcut illus. Lrg. 8vo. Dec. wraps. (small tear in front-cover). At head of title: "David D. Burliuk, poet, khudozhnik, lektor. Otets Rossiiskogo Futurizma." Typographic design by Burliuk.

8 unnumbered pages of plates. 32 pp. Text in Russian. 1 vols. 8vo. David Burliuk (1882-1967), the so-called Father of Russian Futurism, Ukrainian emigré painter and poet. Beginning with his early association with friends such as Vladimir Maiakovsky and Livshits, D. Burliuk was a part of some of the most significant ideas of the Russian literary movement. After the Revolution, in the early twenties, Burliuk moved to Japan and later to the Unites States. In 1930-1931 he published two books written about him by Russian authors, one of which is the present volume. OCLC: 17316946 (18 locations) Green wrappers printed in black., gathered with golden cord. Fine 8 unnumbered pages of plates. 32 pp. Text in Russian. 1 vols. 8vo.…

CONTAINING AN ORIGINAL SIGNED DRAWING [BURLIUK, David Davidovich]. Burliuk. Part I: Russia. In Collaboration with Nicholas Burliuk. Part II: Twenty Years in America. By Katherine S. Dreier. Foreword by Duncan Phillips. xvi, 182 pp., illustrated with 53 reproductions of Burliuk paintings selected by Marcel Duchamp and Katherine S. Dreier. 8vo, 265 x 185 mm., bound in the original red wrappers with black lettering, in a new red and black cloth folding box. New York: The Société Anonyme, 1944. The first monograph on Burliuk published outside of Russia and one of the most substantial publications by The Société Anonyme arts organization. This copy includes an elaborate full-page drawing in watercolour and crayon inscribed by Burliuk to Miriam Grubin in 1945. A key artist in the Russian Futurist movement, Burliuk moved to the United States after the Revolution. In 1923 he met Katherine Dreier, who was helpful in promoting his American career. Spine worn, lower front corner torn away.…

. 22 cm. 32 pág. Ilustr. con dos dibujos del autor. * Pintor, grafista, crítico de arte, organizador de exposiciones de vanguardia y poeta considerado fundador del futurismo ruso. Literatura rusa. Poesía. Futurismo.