gollerbakh (10 Ergebnisse)

Softcover/Paperback. Zustand: Good. Kniga E.Gollerbakha - odno iz pervykh i sereznykh issledovanij, posvyashchennykh zhizni i tvorchestvu originalnogo russkogo filosofa, pisatelya, publitsista V.V.Rozanova. Osveshcheny osnovnye etapy ego zhizni, otrazhena vedushchaya problematika ego tvorchestva Uedinennoe, Opavshie listya, Legenda o Velikom Inkvizitore F.M.Dostoevskogo, Apokalipsis nashego vremen i dr.Reprintnoe izdanie.

Softcover/Paperback. Zustand: Fair. Erikh Fedorovich Gollerbakh 1895 Nr. 1942 Nr. russkij iskusstvoved, khudozhestvennyj i literaturnyj kritik, bibliograf i bibliofil. S 1918 goda nauchnyj sotrudnik Tsarskoselskoj khudozhestvenno-istoricheskoj komissii, v 1919Nr.1921 gg. rabotal v Otdele po okhrane pamyatnikov iskusstva i stariny, v 1921Nr.1924 gg. nauchnyj sotrudnik Russkogo muzeya. Kniga rasskazyvaet o Tsarskom Sele kak istoriko-literaturnom i bytovom pamyatnike 18 Nr. nachala 20 veka. Poeticheskaya istoriya goroda, v kotorom v raznoe vremya zhili A.S.Pushkin, V.A.Zhukovskij, A.A.Delvig, V.K.Kyukhelbeker, P.A.Vyazemskij, A.K.Tolstoj, N.S.Gumilev, A.A.Akhmatova i mnogie drugie, soprovozhdaetsya risunkami v siluetnoj manere, vypolnennymi E.F.Gollerbakhom.Kniga imela golovokruzhitelnyj uspekh. Ukazyvalos, chtonbsp;'davno pora tak podojti knbsp;izobrazheniyu Tsarskogo Sela'.nbsp;Nekotorye litsa, polzuyas malym formatom knigi, stali nosit etu knizhku vnbsp;bumazhnike, kak samuyu doroguyu imnbsp;veshch, kak znamya razlagayushchejsya intelligentsii, vmeste snbsp;raspisaniem poezdov inbsp;tabel-kalendarem.

Softcover/Paperback. Zustand: As New. Sergej Gollerbakh rodilsya 1 noyabrya 1923 goda v g. Detskoe Selo.Nezakonchennoe srednee obrazovanie 9 klassov srednej shkoly v g.Pushkine i poslednie pyat mesyatsev Nr. s yanvarya po iyun 1941 goda Nr. v Srednej Khudozhestvennoj shkole v Leningrade. V 1942-m godu vyvezen nemtsami na raboty v Germaniyu. Osvobozhden amerikanskimi vojskami v 1945 godu. Ne vernulsya domoj, ostalsya v Germanii g.Myunkhen, gde uchilsya v Myunkhenskoj Akademii Khudozhestv 1946-1949gg.V 1949-m godu emigriroval v Soedinennye Shtaty, poselilsya v Nyu-Jorke. Prodolzhal khudozhestvennoe obrazovanie v Lige studentov-khudozhnikov 1951g., v Amerikanskoj Khudozhestvennoj Shkole 1952g. Rabotal kak kommercheskij grafik, illyustrator, pozdnee stal professorom v Natsionalnoj Akademii Dizajna v Nyu-Jorke.Dejstvitelnyj chlen Akademii Iskusstv v Nyu-Jorke, pochetnyj prezident Amerikanskogo Obshchestva Akvarelistov.

Zustand: new. Pages: 362 Language: Russian. Gravjura javljaetsja samym molodym i demokratichnym vidom mirovogo izobrazitelnogo iskusstva. Esli v Evrope etot sposob sozdanija izobrazhenij pojavilsja na rubezhe XIV - XV vekov, to istorija russkoj gravjury beret svoe nachalo v XVI veke, odnako lish v XVIII stoletii etot zhanr dostig v Rossii zrelosti. Po rasporjazheniju imperatora Petra I sjuda byli priglasheny inostrannye mastera, obuchivshie mestnykh khudozhnikov novym dlja nikh priemam. I vskore o russkikh graverakh zagovoril uzhe ves mir. G.A.Kachalov, Ja.V.Vasilev, A.G.Ukhtomskij, E.P.Chemesov, D.G.Gerasimov, I.P.Pozhalostin, A.O.Orlovskij, V.V.Mate, L.A.Serjakov i mnogie drugie blistatelnye mastera gravernogo dela vnesli znachitelnyj vklad v razvitie etogo vida iskusstva. Gravirovannye portrety, narodnye i satiricheskie kartinki, pejzazhnye i zhanrovye stseny, a takzhe knizhnye illjustratsii nashikh khudozhnikov ne tolko obogatili etot vid izobrazitelnogo iskusstva novymi vyrazitelnymi sredstvami, no i dali miru nemalo nastojaschikh shedevrov.Erikh Gollerbakh, izvestnyj iskusstvoved i literaturnyj kritik, rasskazyvaet chitateljam kratkuju istoriju gravjury i litografii v Rossii, a takzhe znakomit chitatelej s proizvedenijami mnogikh veduschikh russkikh graverov i litografov XVI - nachala XX veka, sozdannymi v raznykh zhanrakh. 9785001110675.

Original printed wrappers, 110 pp. Very good.

170 x 130mm. Paperback, 400[+8]pp. Some wear to covers. Corner cut out of endpaper.Please contact us if you would like to see an image of the book.

Hardcover. Zustand: As New. 1st Edition. Clothbound folio, 34x25.5 cm., 192pp. 192 color reproductions, each tipped-in. Nikolai Roerich (1874-1947) was an oversize presence in the Mir iskusstva group of artists, musicians, and writers at the turn of the century who came to note in the West through the work of Sergei Diaghilev with the Ballets Russes. Roerich had strong impact among the spiritualist and theosophical circles in the USA and founded Corona Mundi, an organization dedicated to world peace under the banner of art and culture. He spent most of his later life in India and Tibet. Uncommon, large monograph published by the Roerich Society founded in Riga, Latvia. It is the first and only published part of what was to be a larger series, which was curtailed with the Soviet invasion of Latvia soon after the book's release. It is an extensive coverage of Roerich's oeuvre, with primary focus on his work in the Himalayas and Tibet. Book design by Ludolf Liberts (1895-1959), a renowned artist and stage designer in Riga and art editor Albert Prande (1893-1957), a former student of Roerich at the school of the St. Petersburg Imperial Society for the Promotion of Arts. Author Vsevolod Nikanorovich Ivanov (1888-1971) was a philosophical writer and publisher who spent most of his life in the Russian Far East and China and was a close friend of Roerich's. He authored an earlier monograph on Roerich and collaborated on this work with Erikh Fedorovich Gollerbach (1895-1942), the well-known and widely published historian of art and culture. This is a sumptuous production on heavy paper and fine color printing. An absolutely superior copy, as new. OCLC locates seven North American library holdings. shipping weight 6.5 lbs.

Hardcover. Zustand: Very Good. 8vo, 217, [3] pp. Brown cloth (some toning of paper). In Russian. The book is a history of engraving and lithography in Russia by Erich Gollerbakh (1895-1942), who was an art and literary critic and bibliophile. He was one of the founders and the chairman of the Society of Bibliophiles. He worked as a scientist at the Leningrad Bibliology Institute and the Bibliology Institute of the Ukrainian Academy of Science.

8 unnumbered pages of plates. 32 pp. Text in Russian. 1 vols. 8vo. David Burliuk (1882-1967), the so-called Father of Russian Futurism, Ukrainian emigré painter and poet. Beginning with his early association with friends such as Vladimir Maiakovsky and Livshits, D. Burliuk was a part of some of the most significant ideas of the Russian literary movement. After the Revolution, in the early twenties, Burliuk moved to Japan and later to the Unites States. In 1930-1931 he published two books written about him by Russian authors, one of which is the present volume. OCLC: 17316946 (18 locations) Green wrappers printed in black., gathered with golden cord. Fine 8 unnumbered pages of plates. 32 pp. Text in Russian. 1 vols. 8vo.

Leningrad: self-published (tip. Akademii iskusstv), 1928. Octavo (24.5 × 18 cm). Original pictorial card wrappers; 47, [1] pp. With forty-nine woodcut illustrations. Very good; in protective mylar. First and only edition of this monograph on Solomon Iudovin (or Yudovin, 1892-1954), an important Soviet Jewish artist originally from near Vitebsk, in today's Belarus. From 1907 to 1910, Yudovin studied in Vitebsk under Yehuda Pen and from 1910 until 1917 he continued his studies in St. Petersburg. His uncle S. Ansky (1863-1920) invited him to participate in a series of ethnographic expeditions in Ukraine's Jewish villages across the Pale of Settlement, which would significantly impact his future work. After the revolution, he lived in Vitebsk, where he collaborated with Mark Chagaoo and organized a group exhibition of Jewish artists. In 1929, he organized an exhibition of Jewish folk art at the I. L. Perets Society in Vitebsk. In the second half of the 1920s, he served as chief curator of the St. Petersburg Jewish Society for History and Ethnography. He was a prolific illustrator of numerous Jewish writers, including Sholem-Aleikhem, Dovid Bergelson, and Mendele Moikher Sforim, among others. While more realistically oriented than his compatriots in the Kultur Lige and other representatives of the Jewish Renaissance, his work is highly valued for its technical mastery and he ranks among the important Jewish-influenced artists of his time. The volume contains two essays, "Graviury S. Iudovina" (S. Iudovin's engravings) by E. Gollerbakh and "Sotsial'nye korni tvorchestva S. Iudovina" (The social roots of S. Iudovin's artwork) by I. Ioffe. The texts are illustrated with forty-nine woodcuts by Iudovin. Also appended is a chronological list of all woodcuts and linotype prints produced by Iudovin to date. One of 1200 copies, of which 50 copies were numbered and contained an additional engraving on a separate leaf; this copy is unnumbered.