Bishop hal (28 Ergebnisse)

paperback. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Paperback. Zustand: Very Good. The Way of Saint James: The G.R.65 (A Cicerone Press guide) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 350 pages. 8.00x5.25x1.00 inches. In Stock.

Softcover. Zustand: Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Small amount of corner wear to cover. Softcover. English. Pub Year 1997, See images for condition. About the book >.>.> Twentieth-Century British Wood Engraving: A Celebration and a Dissenting Voice by Hal Bishop presents a comprehensive examination of wood engraving in Britain, bringing together an extensive collection of works from notable engravers. This ambitious exhibition aims to highlight the craftsmanship and diversity of the medium through selected pieces ? reflecting various styles from representational to abstract, spanning the period from 1890 to the 1960s. It features contributions from 31 leading engravers, showcasing their prints and illustrations while situating their work within a broader historical context.The selection process for the exhibit emphasises individual artist-engravers, focusing on twelve celebrated figures who exemplify the richness of wood engraving over the past century. The criteria for selection have been complex and at times contradictory, ensuring a diverse representation while acknowledging the challenges of visibility and recognition faced by many artists. Among the distinguished contributors are Moyica Poote, whose enduring dedication to the craft commands inclusion despite recent prominence, and emerging talents like Howarn Pairs, who embrace traditional themes while contributing to the contemporary dialogue in engraving.Several artists featured have previously been overlooked or underrated, bringing their unique techniques and perspectives back into focus. Joan Euuis, Racuel Reckitt, Geoffrey Wales, and others reflect the historical depth and evolving nature of the medium. The exhibition also acknowledges those who have departed from the scene or have been relegated to obscurity, as it aims to create a fuller picture of wood engraving's legacy. The text culminates in a nuanced exploration of the medium's celebration, complemented by dissenting voices that enrich the narrative. (LL).…

First Edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description; 102 pages, 11 unnumbered pages of plates : illustrations ; 20 x 21 cm. Subjects; Wood-engraving. British 20th century. Exhibitions. 1 Kg. …

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : Hardcover, 320 pages, 180 color illustrations - Reference monograph / first theoretical book to extensively examine the practice and artworks of one of today's leading international Swiss artists.

Paperback. Zustand: Brand New. 330 pages. 8.00x5.25x1.00 inches. In Stock.

365 pp.; 28.2 x 19.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph / exhibition catalogue published in conjunction with Thomas Hirschhorn's exhibition held at Swiss Pavilion of the 2011 Venice Biennale, 2011. "Establishing a Critical Corpus is the first theoretical examination of the work of Thomas Hirschhorn (born 1957), in six illustrated essays by authors including scholars Claire Bishop and Hal Foster and the poet Manuel Joseph, providing a variety of angles on Hirschhorn's practice." -- publisher's statement. "This 'textbook' is a dense, charged, and meaningful book of texts to think about, and which develop different topics about my work in general, a specific part of my work, or issues that extend beyond my work. These texts are the center, the 'hardcore' of the book, with pictures of my work to 'illustrate' each text. This book wants to assert and give form to one of my goals: to establish a 'critical corpus' with my work, through a critical and sovereign approach to art, to an artwork of today, and - in this case - to my artwork. I invited six authors to contribute : Claire Bishop, Seabstian Egenhofer, Hal Foster, Manuel Joseph, Yasmil Raymond, and Marcus Steinweg, because - beside friendship - we have established a critical relationship throughout my work. I love what they are doing and I hold in great esteem their work and their integrity as authors. The Book is published on the occasion of my work 'Crystal of Resistance' at the Swiss Pavilion of the 2011 Venice Biennale." -- Thomas Hirschhorn. Fine. New, as issued, in publisher issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.…

20 x 21 cm 102 pp with b&w illustrations. Wrappers, very good.

Soft cover. 8vo. pp 102, [11 black and white plates.] Green covers with black and white illustration. Published on the occasion of the exhibition at the Royal Albert Memorial Museum and the Hereford City Museum & Art Gallery, 1997.ISBN: 1855225522 Very good condition, some light surface rubbing to covers.…

Hard Cover in Slipcase. Zustand: Fine. No Jacket ( as Issued ). Limited Edition. Rachel Reckitt's book illustrations, including the complete set of woodblocks engraved for The Mill on the Floss, & what was lost in their making. A UK Limited edition. One of 185 cloth bound copies, this being copy number 93. Set in 14 pt. Van Dijck at Gloucester Typesetting and printed at Whittington on Zerkall mould-made papers. Fine in matching paper covered slipcase. Unfaded, no inscriptions, tight and bright. A lovely copy. Paypal accepted. Reckitt, Rachel (illustrator).…

Paperback. Zustand: Near Fine. First Edition. Booklet, stitched, with card covers. 27 x 20cm. [16]. 11 wood engraved illustrations by Raymond Hawthorn. Number 22 of 140 copies set in Caslon printed at Libanas Press from the original wood-engravings. An excellent copy.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Muy bien. Issue edited by Tim Griffin. Essays "Passages: Mark Wigley on Philip Johnson," by Mark Wigley; "Film: Amy Taubin on Jonas Mekas," by Amy Taubin; "Film: Steven Shaviro on 'George Bataille's Story of the Eye and Ma mére,'" by Steven Shaviro; "On Site: Jeffrey Kastner on 'The Gates,'" by Jeffrey Kastner; "Slant: Tom Vanderbilt on Art and Competitive Consumption," by Tom Vanderbilt; "Slant: Mark Godfrey on the Artist as Curator," by Mark Godfrey; "Top Ten," by Tim Davis; "Summer 2005 Exhibitions: 50 Shows Worldwide"; "North American News: Nico Israel on 'InSite_05,'" by Nico Israel; "From the Vault: Margaret Carroll on Jacob van Ruisdael," by Margaret Carroll; "On the Road: Traveling Exhibitions"; "International News: Jeffrey Kastner on the 51st Venice Biennale," by Keffrey Kastner; "In Conversation: Daniel Buren and Olafur Eliasson"; "No Pictures, Please: The Art of Tino Sehgal," by Claire Bishop; "Tino Sehgal: An Interview," by Tim Griffin; "1000 Words: Rudolf Stingel," by Cay Sophie Rabinowitz; "American Gothic: Robert Gober's New Work," by Hal Foster; "Exquisite Corpus: The Films of Apichatpong Weerasethakul," by James Quandt; "Words to Live By: The Art of Mark Titchner," by Michael Wilson; "Openings: Seth Price," by Elizabeth Schambelan. Reviews by Michael Wilson, Jeffrey Kastner, Elizabeth Schambelan, David Rimanelli, T.J. Demos, Felicity Lunn, Bruce Hainley, Jan Avgikos, Frances Richard, Martha Schwendener, David Frankel, Johanna Burton, Nell McClister, Emily Hall, Suzanne Hudson, Donald Kuspit, John Kelsey, Brian Sholis, Francine Koslow Miller, James Yood, Maria Porges, Glen Helfand, Christopher Miles, Jan Tumlir, Rachel Kushner, Trevor Mahovsky, Alexandre Melo, Juan Vicente Aliaga, Cathryn Drake, Francesca Pasini, Claire Moulène, Hans Rudolf Reust, Christian Rattemeyer, Jennifer Allen, Marek Bartelik, Barry Schwabsky, Martin Herbert, David Bussel, Charles Green. Cover: Robert Gober.…

Zustand: Good. First edition (softcover). 4to (30cm by 21cm), 103pp. Text illustrations throughout. Original laminated card wrappers. There is a light bump to the lower corner, and some minor spotting to the edges of the text block; overall, this book is in good to very good condition. ISBN 0861833597.…

Hard Cover. Zustand: Very Good. Limited. Hardback, quarter black cloth, decorative paper covered boards. Bound by The Fine Bindery. 35cm x 24.5cm. Illustrative end-papers. 147pp. Frontis. Illustrated throughout by Frank Martin. No. 234 of a limited edition of only 360 copies, signed Frank Martin and Hal Bishop to colophon. Inscribed by Hal Bishop on half-title to Sebastian Carter, with Carter's small bookplate to front pastedown. Also includes a compliments slip from Frank Martin and signed Christmas card from Frank Martin. Slightest wear. An excellent clean copy. A heavy book, additional postage may be required for orders outside the UK. Martin, Frank (illustrator). Inscribed and Signed By Author.…

35 cm. 147 S., Ill. Ohln. Exlibris auf Vorsatz. Tadellos. Limited edition of 360 copies, signed by Frank Martin and Hal Bishop. Sprache: englisch.

Hard Cover. Zustand: Near Fine. Limited. Hardback, in a slipcase. 27.5cm x 19.5cm. xii, 57pp. Frontis. Illustrated. An unnumbered copy from a limited edition of only 225 copies, printed on Zerkall mould-made paper. Very small mark to top of spine. An excellent clean copy. Reckitt, Rachel (illustrator).…

One of 36 special copies with an incomplete set of 4 (of 8) additional engravings printed from the block by David Esslemont, signed, numbered, and titled by the artist. 314 illustrations by Frank Martin. Printed in Joanna type on Mohawk paper. Folio, original black morocco backed boards, housed with the portfolio of prints in the original patterned paper covered slipcase. With occasional very light spotting, otherwise very good. Prospectus inserted loose. The book was produced to celebrate 50 years of Martin's career as a wood engraver, and 'jobbing artist'. He learned wood engraving with Gertrude Hermes at St. Martin's and is well known for the eleven books he illustrated for the Folio Society with wood engravings. He was also a remarkable graphic artist using large woodcuts and etchings, being particularly fascinated by silent screen and 1920s show business, as can be seen in Arwas and Kobal's book on this work 'Hollywood-Continental'. He was also a superb engraver of Ex-Libris and individual prints.…

Zustand: Good. Original oasis half morocco with decorated boards, gilt lettered spine, illustrated with 40 wood engravings by Rachel Rickett, XII,57,(2) pages, printed in 225 copies of which 55 contain a set of proofs of the engravings for 'The Mill on the Floss' (this is number XLI/LV), half cloth slipcase, 4to. With prospectus.; Spine slightly discoloured.…

Hardcover. Zustand: FINE. Zustand des Schutzumschlags: FINE. Special editions of only XX copies. 2 vol. The Early Wood Engravings Of Geoffrey Wales: From Ravilious and Neo-romanticism 1935-49, A First Volume; 8.5" x 12" Bishops Books, 2001, Hardcover. From an edition of only 120 copies This copy no XVII. Both vols. are from the special editions of only XX copies, casebound, with 2 additional wood colour wood engravings, printed in 3 colours (vol. 1) (The standard edition is in softcover) Set In Perpetua and printed at Hand & Eyre Letterpress from the original wood engraved blocks on Zaerkall mould-made Paper. Black and white illustrations. The prospectus is laid in. Printed black on white card with a sample engraving by Geoffrey Wales. Information text by the publisher with print details and prices. One fold only. The Wood Engravings Of Geoffrey Wales: Energy And Anxiety 1950-1959, A Second Volume; 12" x 8.5", oblong Bishops Books, 2004. Hardcover . From an edition of only 120 copies This copy no VII. Both vols. are from the special editions of only XX copies, casebound, with 3 b/w wood engravings (vol. 2) laid in. (The standard edition is in softcover) Set In Perpetua and printed at Hand & Eyre Letterpress from the original wood engraved blocks on Zaerkall mould-made Paper. Black and white illustrations. The prospectus is laid in. Printed black on white card with a sample engraving by Geoffrey Wales. Information text by the publisher with print details and prices. One fold only. The Second Volume includes also an original signed letter from Hal Bishop to a customer on his letter paper. Bishop apologies for the delay in delivering the book. Both books and their dust jackets are in FINE condition. The covers are protected by a clear cover. Geoffrey Wales (1912 -1990) was born in Margate, Kent and he studied at Thanet Art School and then at the Royal College of Art (RCA) from 1933-37. It was at the RCA that Wales discovered a love of wood engraving, inspired by his tutors Edward Bawden and John Nash. He is known for his printmaking but during the 1960s he also made collages; small, carefully crafted works using his own printed papers. They explore form, texture and tone in abstract compositions reflecting the landscapes and coastal subjects that inspired him. (Printmakers Council).…

Hardcover. Zustand: Fine. 1st Edition. The sole printing published by The Bonnefant Press , Banholt in 1999. Number '39' of only sixty copies ('which was the number of prints available for pages 19 and 27'). The BOOK is in Fine condition and appears unread. Free from inscription and erasures. Housed in the original publisher's plain grey slipcase which is in Fine condition. Signed by Rigby Graham to the limitation page , who has additionally signed and numbered two tipped-in prints as issued. Profusely illustrated in B/W and colour throughout. Loosely inserted is the publisher's 4 page prospectus with a loose sample of the decorated end-paper design. A very handsome production and increasingly elusive. More images available on request. Ashton Rare Books welcomes direct contact. Signed by Illustrator(s).…

91/185 COPIES (from an edition of 225 copies) printed on cream Zerkall mouldmade paper, printed in black with the title and sub-titles printed in blue, with 42 plates of wood-engravings, pp. xii, 57, [ii], royal 8vo, original quarter blue cloth with matching fore-edges, the boards patterned with a Reckitt engraving printed in blue, backstrip with printed label, slipcase, fine. Engravings made in 1938 for an edition of George Eliot's work; commissioned by Paul Elek, but never published.…

37/49 COPIES (from an overall edition of 60) signed by the artist, text from Walbaum type, numerous woodcuts printed from the original blocks, many full-page and in colour, a few on contrasting paper stock, pp. 88 [vi], original mauve cloth, boards printed with repeated block design in stripes of green and red, publisher's grey card slipcase, fine. An extraordinary, beautifully printed edition from Hans van Eijk capturing the vibrant, often totemic qualities of Graham's illustrations, despite the fact that many of the original blocks were 'cracked, warped and worm-eaten.' (Colophon).…