bartolozzi giovanni (14 Ergebnisse)

Zustand: New. pp. 42.

Zustand: New. In.

Zustand: New. In.

Zustand: NEW.

Zustand: NEW.

Bild-Maße: ca. 15,5 x 9 cm. -- Original Kupferstich. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original engraving. -- slightly stained on the outer margin, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Italienisch Gewicht in Gramm: 10.

Zustand: Good. Oblong folio. 38.4 x 30cm. [33pp.], Some pages with creases and foxing.Engraved frontispiece and title page; 22 of a maximum of 48 plates present. New half goatskin and marbled boards by the artisan binder Sasha Mosalov.The Venetian painter Piazzetta (1682-1754) executed commissions for various Venetian and foreign nobles, many of whom are named in the list of subscribers. He produced drawings for more than sixty books, the most famous of which is Albrizzi's 1745 Gerusalemme Liberata. The plates here were produced after Piazzetta's death by his pupils Marco Pitteri and Francesco Bartolozzi, who provided a copy of each of his drawings in their own distinctive style.OCLC Number / Unique Identifier:1184193209:Physical Description:14 unnumbered pages, 11 leaves, 48 plates : frontispiece ; 30 x 44 cm ; folio.Notes:24 of the plates engraved by F. BartolozziIncludes "Alcuni avvertimenti per lo incamminamento di un giovane alla pittura" by G.P. Cavazzoni Zannotti (12ff.) and a life of Piazzetta by AlbrizziFirst plate has imprint "Appresso Leonardo Bassaglia".Roya Academy, London: ReferencesS. Boorsch, Venetian Prints And Books In The Age Of Tiepolo [exhibition catalogue] (1997), p.20-1, 42; The Glory of Venice, ed. J. Martineau [Royal Academy exhibition catalogue] (1994-5), no.89; Da Carlevarijs ai Tiepolo: incisori veneti e friulani del settecento, ed. D. Succi [exhibition catalogue] (1983); Il libro illustrato nel settecento a Venezia, ed. T. Gasparrini Leporace [exhibition catalogue] (1955); A. Ravà, Marco Pitteri incisore veneziano [1922].Summary NoteThe text consists of fifteen chapters on the art of painting: Delle qualità convenienti ad un Giovanetto voglioso di apprendere la Pittura; Della elezione del Maestro; Come lo Scolare s'abbia a contenere col Maestro; Della utilità del Copiare de opere de' gran Maestri; Del Colorito; Di quanto sia necessario il valersi del vero; Della Teorica, e della Pratica; Della Simmetria; Della Notomia; Della Prospettiva; Della Invenzione; Della Disposizione; Degli Affetti; Del Costume; Della Grazia.The first forty-eight plates form pairs, each pair showing one composition in two manners of representation. In Pitteri Piazzetta had one of the most able etchers of his chalk drawings. Pitteri adopts Faldoni's method of etching long parallel lines and by selectively exaggerating their raggedness imbues them with great subtlety.The book is a tribute from Albrizzi to Piazzetta, who had provided illustrations for more than sixty of Albrizzi's publications, most famously the Gerusalemme Liberata of 1745.

Zustand: Good. Oblong folio. 50 x 39cm. 83 numbered plates.New half parchment and marbled board binding by the artisan binder, Sasha Mosalov.Title and dedication included in numbering of plates. Single letterpress leaf bears bibliographical information by Domenco de' Rossi. Dedicatory leaf incorporates port. of Cardinal Flavio Chigi, to whom first ed. was dedicated, engraved by V. Guigou. Plate 30 signed with initials by Robert van Audenaerd, who was responsible for other plates as well. Thirty-one of the plates by Bartoli are copies in reverse of plates from François Perrier's Icones et segmenta (Rome, 1645). Perrier's monogram appears on plates 53 & 54. See Indice.First ed. appeared probably in 1666 and comprised 81 plates. Plates 60 & 61 of the present ed., devoted to the Roman fresco known as the Aldobrandini Wedding, were etched by Bartoli in 1677 and added to the work. In 1690 a group of 31 plates was transferred to another de Rossi publication (Veteres arcus Augustorum), and replaced with 31 others in part by Bartoli. .References; OCLC Number874380230;RIBA, Early printed, 1 (1994), no. 206, p.116-7 [describes mainly a pre-1693 edition].Summary Note:The sculptures shown are accompanied by a short explanatory caption, and statement of location. Several are from the collections of the Barberini, Medici, Borghese, Mattei, Giustiniani and Pamphili; a smaller number from the collections of the Mazarins, Montalto, Della Valle, the Queen of Sweden, Farnese, Massimi, Sacchetti and Vitelleschi; one is from the collection of Cardinal Flavio Chigi, to whom the work is dedicated. Others are from the Vatican and Capitoline collections, from churches and from the Forum of Nerva. Only one is shown from outside Rome, from the royal collection in Madrid.

Kein Einband. Zustand: Gut bis sehr gut. Diese kleine runde Kreidmanier von Francesco Bartolozzi (Florenz 1728 - 1815 Lissabon) nach einer Vorlage des Künstlers Giovanni Battista Cipriani (Florenz 1727 - 1785 London) versinnbildlicht die Allegorie der Luft (Air) durch sechs Putti beim Spiel in einem Nest. Das Blatt ist unter dem Medaillon in der Platte bezeichnet "F. Bartolozzi sculp.t / G. B. Cipriani pinx.t / Air". Technik: Kreidemanier. Maße: Blatt: 180 x 180 mm, Platte: 13 mm (Durchmesser). Zustand: sehr gut. Hinweis: Dieser Artikel unterliegt der Differenzbesteuerung gem. § 25a UStG, daher wird die im Kaufpreis enthaltene Mehrwertsteuer in der Rechnung nicht gesondert ausgewiesen (Kunstgegenstände/Sonderregelung). Signatur des Verfassers.

Giovanni Guercino (Giovanni Francesco Barbieri) (illustrator). 'GVERCINO INQUO / F.BARTOLOZZI SCULPS. LONDRA 1764'A thoughtful depiction of three figuresa bearded old man, a young woman, and a standing nude child, studying a model on a table.Made by Francesco Bartolozzi after Giovanni Guercino (Giovanni Francesco Barbieri).Medium: Sepia etching on hand-laid (verge) paper.Sheet size: 31 x 45 cm (12.2 x 17.72 inch). Image size: 31 x 45 cm. (12.2 x 17.72 inch).BARTOLOZZI, GUERCINO, ETCHING, SEPIA, ROYAL COLLECTION, PORTRAIT, FIGURES, BAROQUE, 18TH CENTURY | PCO-E21-31BACKGROUND INFORMATIONAfter a set of drawings first owned by the English consul in Venice, later added to the collection of the English King. Published in London in 1764 by the Royal Printer, commissioned by the English King.Biography engraver: Francesco Bartolozzi (1728-1815) was a prolific Italian engraver, known for his stipple engravings and delicate etching techniques. Active in London for most of his career, Bartolozzi was appointed as "Engraver to the King" in 1764.Biography artist: Giovanni Guercino (1591-1666), a Baroque painter from Cento, Italy, was renowned for his dynamic compositions, rich use of color, and expressive drawings. Many of his works were translated into prints by later artists like Bartolozzi. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Giovanni Guercino (Giovanni Francesco Barbieri) (illustrator). Bust of a young boy in a cloak with a fur collar, rendered in Bartolozzi's expert etching technique, capturing the gentle expression and fine details of Guercino's original drawing.Made by Francesco Bartolozzi after Giovanni Guercino (Giovanni Francesco Barbieri).Medium: Etching in sepia on hand-laid (verge) paper.Sheet size: 19.5 x 25 cm (7.68 x 9.84 inch). Image size: 16.5 x 21 cm. (6.5 x 8.27 inch).BARTOLOZZI, GUERCINO, PORTRAIT, ETCHING, BOY, ROYAL COLLECTION, 18TH CENTURY, GIOVANNI FRANCESCO BARBIERI, MONOCHROME, YOUTH | PCO-E21-31BACKGROUND INFORMATIONAfter a set of drawings first owned by the English consul in Venice, later added to the collection of the English King. Published in London in 1764 by the Royal Printer, commissioned by the English King.State: Early state.Biography engraver: Francesco Bartolozzi (1728-1815) was a prolific Italian engraver, known for his stipple engravings and delicate etching techniques. Active in London for most of his career, Bartolozzi was appointed as "Engraver to the King" in 1764.Biography artist: Giovanni Guercino (1591-1666), a Baroque painter from Cento, Italy, was renowned for his dynamic compositions, rich use of color, and expressive drawings. Many of his works were translated into prints by later artists like Bartolozzi. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Giovanni Guercino (Giovanni Francesco Barbieri) (illustrator). Bust of a young woman, possibly a queen, holding a dish, with her gaze directed to the side, rendered with Bartolozzi's detailed etching technique after Guercino's original drawing.Made by Francesco Bartolozzi after Giovanni Guercino (Giovanni Francesco Barbieri).Medium: Etching in sepia on hand-laid (verge) paper.Sheet size: 19 x 26.5 cm (7.48 x 10.43 inch). Image size: 19 x 21 cm. (7.48 x 8.27 inch).BARTOLOZZI, GUERCINO, QUEEN, PORTRAIT, ETCHING, DISH, ROYAL COLLECTION, 18TH CENTURY, GIOVANNI FRANCESCO BARBIERI, BAROQUE | PCO-E21-31BACKGROUND INFORMATIONAfter a set of drawings first owned by the English consul in Venice, later added to the collection of the English King. Published in London in 1764 by the Royal Printer, commissioned by the English King.Biography engraver: Francesco Bartolozzi (1728-1815) was a prolific Italian engraver, known for his stipple engravings and delicate etching techniques. Active in London for most of his career, Bartolozzi was appointed as "Engraver to the King" in 1764.Biography artist: Giovanni Guercino (1591-1666), a Baroque painter from Cento, Italy, was renowned for his dynamic compositions, rich use of color, and expressive drawings. Many of his works were translated into prints by later artists like Bartolozzi. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Giovanni Guercino (Giovanni Francesco Barbieri) (illustrator). A delicate scene depicting two young women, one holding a birdcage, rendered with Bartolozzi's intricate etching technique after Guercino's original drawing.Made by Francesco Bartolozzi after Giovanni Guercino (Giovanni Francesco Barbieri).Medium: Etching in Sepia on hand-laid (verge) paper.Sheet size: 24.9 x 35 cm (9.8 x 13.78 inch). Image size: 24.9 x 35 cm. (9.8 x 13.78 inch).BARTOLOZZI, GUERCINO, BIRDCAGE, PORTRAIT, ETCHING, ROYAL COLLECTION, 18TH CENTURY, GIOVANNI FRANCESCO BARBIERI, BAROQUE | PCO-E21-31BACKGROUND INFORMATIONAfter a set of drawings first owned by the English consul in Venice, later added to the collection of the English King. Published in London in 1764 by the Royal Printer, commissioned by the English King.Biography engraver: Francesco Bartolozzi (1728-1815) was a prolific Italian engraver, known for his stipple engravings and delicate etching techniques. Active in London for most of his career, Bartolozzi was appointed as "Engraver to the King" in 1764.Biography artist: Giovanni Guercino (1591-1666), a Baroque painter from Cento, Italy, was renowned for his dynamic compositions, rich use of color, and expressive drawings. Many of his works were translated into prints by later artists like Bartolozzi. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Guercino Pinsit. F. Bartolozzi sculp. Gedruckt in brauner Farbe. Selbstporträt von Giovanni Francesco Barbieri (1591-1666), besser bekannt als Guercino oder Il Guercino. Er war ein italienischer Maler des Barock aus der Region Emilia und aktiv in Rom und Bologna. Der Name Guercino ist italienisch für Schielender, dieser Spitzname wurde ihm auf Grund seiner schielenden Augen verliehen. Francesco Bartolozzi (*1728-1813) war italienischer Kupferstecher, Zeichner und Verleger, der in London vor allem in Punktiermanier gearbeitet hat und diese Technik zur Vollendung gebracht hat. In dem Entstehungsjahr dieses Blattes ist B. nach England übersiedelt. Dalton, Bibliothekar und künstlerischer Berater des englischen Königs, hat Bartolozzi kurz zuvor beauftragt, einige Zeichnungen nach Guercino stechen zu lassen. Vermutlich stammt dieses Blatt aus dieser Auftragsserie. Blatt gerahmt - durchgängig hell stockfleckig./ Self-portrait of Barbieri, named Guercino, engraved by F.Bartolozzi. Printed in brown colour. Leaf lightly but continuous foxed. dalton, librarian and art-counsel of the king, charged Bartolozzi with a serie of Engravings after drawings of Guercino before B. lived in England. Sprache: Deutsch Gewicht in Gramm: 2100 Blatt: 32,0 x 26,5 cm. Platte: 26,5 x 32, 5 cm. Motiv: 23,5 x 28,5 cm.