Bartolozzi francesco 1727 1815 (44 Ergebnisse)

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Bild-Maße: ca. 15,5 x 9 cm. -- Original Kupferstich. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original engraving. -- slightly stained on the outer margin, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Italienisch Gewicht in Gramm: 10. …

No Binding. Zustand: Near Fine. First Edition. Image size 10 5/8" x 7 5/8", wide margins, 1" chip extending in about 3/8" from edge but remaining 3/8" beyond the plate mark; light foxing. Beneath the image, there are the credits to Reynolds and Bartolozzi, "Proof", "Ugolino", "London Printed for R. Sayer and J. Bennett, No. 53, Fleet Street, as the act directs, June 28, 1778. Engraving (illustrator). …

Single Sheet. Zustand: Near Fine. Original Antique Engraving. Original Antique Stipple Engraving On Antique Laid Paper. Plate Mark 39.6 X 2.6 Cm. A Domestic Scene, Young Man Sitting At Right, Reading, With Two Women Working On Clothes, A Small Child, And A Dog. Original Hand Coloring. "Painted By Morland" At Lower Left, "Bartoloxxi St" At Lower Right, With Large Text "Domestic Happinesf" In Large Script At Bottom. Plate Mark Approximately 15 7/16" X 11 1/2"" Rectangular; Image Is Also Rectangular; Large Margins. Francesco Bartolozzi Ra (1727 - 1815) Was An Italian Engraver, Whose Most Productive Period Was Spent In London. Bartolozzi Was Born In Florence. He Was Originally Destined To Follow The Profession Of His Father, A Gold- And Silver-Smith, But He Manifested So Much Skill And Taste In Designing That He Was Placed Under The Supervision Of Two Florentine Artists, Including Ignazio Hugford And Giovanni Domenico Ferretti Who Instructed Him In Painting. After Devoting Three Years To That Art, He Went To Venice And Studied Engraving. He Particularly Admired The Work Of Joseph Wagner. His First Productions In Venice Were Plates In The Style Of Marco Ricci, Zuccarelli, And Others, While Working For Wagner, Which Began To Draw Attention. He Then Moved For A Short Time To Rome, Where He Completed A Set Of Engravings Representing Frescoes At Grottaferrata By Domenichino Depicting The Life Of St Nilus. He Soon Returned To Venice And Left For London In 1764. He Lived In London For Nearly Forty Years. He Produced An Enormous Number Of Engravings, Including Clytie After Annibale Carracci, And Of The Virgin And Child, After Carlo Dolci. A Large Proportion Of Them Are From The Works Of Cipriani And Angelica Kauffman. Bartolozzi Also Contributed A Number Of Plates To Boydell's Shakespeare Gallery. He Also Drew Sketches Of His Own In Red Chalk. Soon After Arriving In London, He Was Appointed 'Engraver To The King' With An Annual Salary Of £300. He Was Elected A Founding Member Of The Royal Academy In 1768, And In 1802 Became The Founding President Of The Short-Lived Society Of Engravers. His Pupils Were Michele Benedetti, Ignatius Joseph Van Den Berghe, Thomas Cheesman, Lambertus Antonius Claessens, Daniel Gardner, Christiaan Josi, Johan Fredrik Martin, Conrad Martin Metz, Luigi Schiavonetti, John Keyse Sherwin, Heinrich Sintzenich, Peltro William Tomkins, Don Bernardo Zilotti,[2] And Gabriel Scorodomoff. Bartolozzi Was Not The Inventor Of The So-Called Crayon Manner Of Engraving, Which Imitated The Subtleties Of Chalk Drawings, But He Made It The Fashion. In 1802, Bartolozzi Accepted The Post Of Director Of The National Academy Of Lisbon, The City Where He Died. His Son Gaetano Stefano Bartolozzi, Born In 1757, Was Also An Engraver, And The Father Of Madame Vestris. (Source: Wikipedia).…

Single Sheet. Zustand: Near Fine. Original Antique Engraving. 16" X 21". One Of A Large Suite Of Engravings By Bertolozzi, After The Original Drawings By Holbien In The Collection Of The Crown. A Well Colored Impression, With Artist And Engraver Names Immediately Beneath The Portrait, And Publishing Information Below.…

No Binding. Zustand: Fine. Original Antique Engraving. Image Size 9 1/8" X 6 1/4", Wide Margins. Beneath The Image, There Are The Credits To Rubens And Bartolozzi, "Rubens' Second Wife / From The Original At Houghton Hall In The Collection Of The Earl Of Oxford" With The Printers Information And Date Below. Engraving (illustrator).…

Size: Folio. 370 x 267mm. Disbound. Some foxing. Stipple engraving with some etching by F. Bartolozzi after the drawing by Biagio Rebecca (ca 1735-1808) of Louis François Roubiliac's (1702-1762) statue of Handel which was then in Vauxhall Gardens. Handel's statue by Roubiliac, commissioned by Jonathan Tyers for Vauxhall Gardens, is depicted with Handel full-length, seated, facing forwards with legs partly crossed, wearing headwear, long coat and breeches, and playing a lyre with sun motto at top of the instrument, with a cherub writing in a music book resting on a lute at the composer's feet, all surrounded by trees in the distance. This image was used as a frontispiece in Samuel Arnold's collected edition of Handel's works.…

Size: Frame = 35 x 41cm, image = 227 x 293mm. Mounted, framed (gilt) and glazed. Two men, singing and playing the lute, around a table; on the left, a young man with a feathered hat, seated, in profile to right, holding a music score in his left hand and singing; on the right, a bearded man with a round hat playing the lute, pens, ink and paper atop the table.…

Hardcover. Zustand: Fair. 1st Edition. 2 volumes quarto 15x11 inches- original boards, crudely rebacked. Two titles, two lists of plates and 151 FINE ENGRAVED PLATES- the majority by Bartolozzi after Guercino- includes 30 double page folding plates. Some, mostly marginal, spotting- but affecting the decorative nature of only 6 plates and 6 plates with an old outer marginal crescent waterstain not affecting the image. A reasonably good copy of the first edition of this work- a rare printing that in later editions had only 91 plates.…

Size: 272 x 188mm.; image = 215 x 159mm. Single sheet stipple engraving, some creasing and a few brown spots. Arne is depicted three-quarter-length, standing in profile to the right at a harpsichord, wearing bag-wig and sword, in court dress; "the exaggeration of his elongated melancholy face and the position of the hands give the character of a caricature" (M. Dorothy George). The original drawing, attributed to Bartolozzi, evidently a sketch from life, is in the Royal Collection at Windsor.…

0. Sprache: Deutschu.

circa 34,8 x 24,8 cm. 1 leaf only on upper edge mounted on paper "Elegant portrait from the series "Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty, for the Portraits of Illustrious Persons of the Court of Henry VIII." - Here Jane Meutas (or Mewtas, born Joan Astley; c. 1517-1551), an English lady of the Queen's privy chamber and wife of the courtier Peter Meutas who was knigthed in 1544, when she became Lady Meutas. " - On paper with a pink tone, fine, clean. …

Size: 248 x 186mm. (platemark = 182 x 142mm). Stipple engraving by Francesco Bartolozzi after a drawing by Pierre Violet (1742-1819). Gautherot is depicted three-quarter-length, seated on a settle, holding violin and bow.

Zustand: Good. Etching and engraving, mounted on support sheet. 29.5 x 42 cm (sheet). Good, sheet trimmed to or within the platemark.

Zustand: Good. Etching and aquatint. 33 x 25.5 cm (sheet). Very Good, light toning along sheet edges.

Zustand: Good. Etching and wash; 34.3 x 26m., sheet size. Partially mounted on a support sheet.Calabi & De Vesme 1928 / Francesco Bartolozzi. Catalogue des estampes et notice biographique d'après les manuscrits de A. De Vesme entièrement réformés et complétés d'une étude critique par A. Calabi (2115).From "Raccolta di alcuni desegni del Berbieri da Cento detto il Guercino," Roma, 1764.…

Zustand: Good. Etching and wash; 32 x 24.5m., sheet size. Partially mounted on a support sheet.Calabi & De Vesme 1928 / Francesco Bartolozzi. Catalogue des estampes et notice biographique d'après les manuscrits de A. De Vesme entièrement réformés et complétés d'une étude critique par A. Calabi (2136).From "Raccolta di alcuni desegni del Berbieri da Cento detto il Guercino," Roma, 1764.…

Size: 144 x 174mm. Printed ticket comprising a stipple engraving by Francesco Bartolozzi after a drawing by Edward Burney (1760-1848) depicting a female figure with laurel wreath tiara and a lyre, holding a cherub in her right arm with another cherub to her left, each holding a mask (one of tragedy and one of comedy), atop clouds. Possibly dating to 1802 when a benefit was held for Banti, during which she sang the role of Polifonte in Nasolini's Merope - her chief rival, Mrs Billington, joined her to sing the part of the heroine.…

Size: 245 x 174mm.; platemark = 243 x 172mm. Single sheet line engraving, printed in red/brown. The Muse is standing on a cloud playing the lyre, her head in profile to right, with putti holding flaming torch next to her, set withing an oval; after Cipriani. Apparently after a design drawn by Giovanni Battista Cipriani (1727-1785). Calabi & De Vesme, Francesco Bartolozzi: Catalogue des estampes et notice biographique d'après les manuscrits de A. De Vesme entièrement réformés et complétés d'une étude critique par A. Calabi (486.IV).…

Incisione originale su rame all'acquaforte e bulino (cm. 23x28,5 più ampi margini bianchi) da un soggetto di Gio. Francesco Barbieri detto il Guercino. Carta vergellata. Ottimo esemplare.

Incisione originale su rame all'acquaforte e bulino (cm. 31x26 più ampi margini bianchi) da un soggetto di Gio. Francesco Barbieri detto il Guercino. Carta vergellata. Ottimo esemplare.

Incisione originale su rame all'acquaforte e bulino (cm. 22x29,5 più ampi margini bianchi) da un soggetto di Gio. Francesco Barbieri detto il Guercino. Carta vergellata con filigrana. Ottimo esemplare.

Incisione originale su rame all'acquaforte e bulino (cm. 23,5x28 più ampi margini bianchi) da un soggetto di Gio. Francesco Barbieri detto il Guercino. Carta vergellata. Ottimo esemplare.

Incisione originale su rame all'acquaforte e bulino (cm. 21,5x30 più ampi margini bianchi) da un soggetto di Gio. Francesco Barbieri detto il Guercino. Carta vergellata. Ottimo esemplare.

Incisione originale su rame all'acquaforte e bulino (cm. 28,5x21 più ampi margini bianchi) da un soggetto di Gio. Francesco Barbieri detto il Guercino. Carta filigranata. Ottimo esemplare.

Incisione originale su rame all'acquaforte e bulino (cm. 21,5x29 più ampi margini bianchi) da un soggetto di Gio. Francesco Barbieri detto il Guercino. Carta vergellata. Lievi fioriture marginali, ma ottimo esemplare.

A nice set of documents relating to the London émigré art scene. A copy of the engraved portrait to which these two items refer, titled 'Louis Joseph de Bourbon, prince de Condé, prince du sang', is BM P&D 1850,0211.17, and carries the information "M.de de Tott pinx.", "F. Bartolozzi RA sculp.", and her details, as publisher: "London Publish'd by M.de de Tott Octo. 1 1802". De Tott's original painting is in the Musée Condé in Paris. See Bartolozzi's entry in the Oxford DNB and the second (1885) edition of Tuer's monograph on him. The two items are attached with a wafer at top inner corner. ONE (signed order by de Tott): On one side of 16.5 x 10.5 slip of laid paper. On reverse, in her hand: 'le Monsieur David Morier / No. 10. Tokenhouse yard / Lothbury -'. In good condition, lightly aged, apart from a clean closed tear made by scissors on opening the wafer, unobtrusively cutting between the 'de' and 'Tott' of her signature. Reads: 'Je prie Monsieur David Morier de vouloir bien remêttre Cent Livres Sterling pour mon Compte, a Mr. G. F. de Queiros, [sic] Eleve de Mr. F. Bartolozzi, qui doit les recevoir au nom de Mr. F. Bartolozzi. pour La moitié du payement de La Gravure qu'il fait, pour moi, du portrait de Mr. Le Pce. de Condé. / Sophie Ernestine Ctesse de Tott'. TWO (receipt signed by de Queiroz): On one side of 20 x 7.5 slip of laid paper, with blind-stamped tax stamp. Only the signature is in de Queiroz' hand. Reads: 'Recd. 16 June 1802 One hundred Pounds on acct. of Madame de Tott for the use of Mr. Fras. Bartolozzi (as Pr annexed Order) / Gregorio Franco. de Queiroz / £100 -'. See Image.…