avery anthony (26 Ergebnisse)

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Zustand: Como nuevo. : Este libro ofrece consejos prácticos y eficaces para conseguir un hogar seguro y proteger a tu familia de todo tipo de riesgos domésticos. Aprenderás a elegir la mejor ubicación y orientación para tu casa, así como los materiales de construcción más seguros. Descubre cómo utilizar de forma segura los suministros y electrodomésticos, y cómo evitar los efectos nocivos de los productos de limpieza, belleza, higiene, mantenimiento y jardinería. Incluye consejos para la seguridad de niños y bebés, normas básicas de reciclaje y cómo prevenir accidentes como caídas, electrocuciones, quemaduras e inhalación de productos nocivos. También encontrarás consejos contra inundaciones, incendios, cortocircuitos y sistemas de seguridad para evitar robos. EAN: 9788479274191 Tipo: Libros Categoría: Salud y Bienestar|Hogar y Cocina Título: Ideas y trucos para un hogar sano y seguro Autor: Anthony Avery Editorial: Robinbook Idioma: es-ES Páginas: 250 Formato: tapa blanda.

Paperback. Zustand: Brand New. 72 pages. 8.98x5.98x0.24 inches. In Stock.

paperback. Zustand: near fine. Giambologna (illustrator). Profusely illustrated in color and b/w. 238 pages. Square 4to, glossy pictorial wrappers. Manchester: Arts Council of Great Britain, 1978. A near fine copy. Catalogue for the travelling exhibition, with stops in Edinburgh, London, and Vienna.

Hardcover, no dust jacket. G/G. Ex-library large section sliced from dust jacket. Otherwise very good. Volume 2 only. pp.

Zustand: New. In.

Paperback. Zustand: Brand New. 656 pages. 9.50x6.50x1.50 inches. In Stock.

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Zustand: Gut. Zustand: Gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Gebundene Ausgabe. Zustand: Sehr gut. 312 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Mit Schutzumschlag in gutem Zustand. Leichte Gebrauchsspuren. Sprache: Deutsch Gewicht in Gramm: 1200.

Zustand: Very good.

Book. Zustand: Brand New. illustrated edition. 626 pages. 9.50x6.50x2.00 inches. In Stock.

488 Seiten, ca. 23,5 x 30,2cm (sehr schwer!) übergroßes Format, Schutzumschlag vergilbt, berieben, fleckig und rissig (wurde innen nachgeklebt), Ecken/Kanten bestossen, Einband berieben, vergilbt und fleckig, Buchschnitt mit Lagerspuren, Seiten gebräunt, schiefgelesen, sonst eher guter Zustand; ISBN 3870700785 3870700785 Altersfreigabe FSK ab 0 Jahre Sprache: Deutsch gebundene Ausgabe, Hardcover/Pappeinband.

Large octavo (250 x 170 mm), publisher's full cloth with publisher's illustrated dustjacket, xxi (+i), 311 (+1) pp.; vii (+i), pp. 313-621 (+1), a well preserved copy. [JSJS - Supplements to the Journal for the study of Judaism; 85/I-II]. - ISBN: 9004136592. - Contents: VOLUME 1: Preface; A Biographical Sketch (Daniel J. Harrington, S.J.); Bibliography of Works by Anthony J. Saldarini; "CHRISTIANITY IN THE BEGINNING": Matthew 21:12: Trading Words, Turning the Tables, Timing the End (Herbert W. Basser); James and the (Christian) Pharisees (Bruce Chilton); A "Mother of Sons" in Israel and in Matthew's Jewish-Christian Community (Lisa Sowle Cahill); Abraham in Marcion's Gospel and Epistles: Marcion and the Jews (John J. Clabeaux); Targumizing Tendencies in Matthean Redaction (Craig A. Evans); The Pharisees and Jesus in Galilee and Q (Richard A. Horsley); From the Birth of Jesus to the Resurrection: Women in the Gospel of Matthew (Thomas R.W. Longstaff); John the Baptist and Jesus (Joel Marcus); Deception, Ambiguity, and Revelation: Matthew's Judgmental Scenes in Social-Science Perspective (Jerome H. Neyrey); Antioch's Aftershocks: Rereading Galatians and Matthew after Saldarini (Robert M. Price); Methodological Reflections on the Tax Collectors in the Gospels (Lawrence M. Wills); "JUDAISM BEFORE 70": The Pharisees and the Mishnaic Division of Agriculture before 70 c.e. (Alan J. Avery Peck); The Importance of the Iturean Principality according to Josephus and His Contemporaries (J. Andrew Overman); Pesher Nahum and Josephus (James C. VanderKam); VOLUME TWO: "JUDAISM AND CHRISTIANITY IN THE BEGINNING": The Epistle to the Hebrews and the Scrolls (Harold W. Atridge); How Jewish Was Mark's Gospel? (Daniel J. Harrington, S.J.); The Legal Nature of Papyrus Yadin 19 and Galatians 3:15 (Timothy H. Lim); The Jewishness of Matthew: Another Look (Frederick J. Murphy); The New Testament and the House of Shammai (John Townsend); "JUDAISM FROM 70":Early Rabbinic Liturgy in Its Palestinian Milieu: Did Non-Rabbis Know the 'Amidah? (Ruth Langer); What Use Attributions? An Open Question in the Study of Rabbinic Literature (Jacob Neusner); Midrash and the Rabbinic Sermon (Gary Porton); Archaeology and Ancient Synagogues up to about 200 c.e. (James F. Strange); How Society Shaped the Liturgy of the Scribes, Priests, and Rabbis (Tzvee Zahavy); "JUDAISM AND CHRISTIANITY TODAY": Matthew's Christian-Jewish Community and Interreligious Encounter Today (Francis X. Clooney, S.J.); Judaism and Christianity: The Parting of the Ways (Alan D. Crown); Actualizing Matthean Christology in a Post-Supersessionist Church (Philip A. Cunningham); Realistic Expectations: The Limits of Theological Negotiation (William Scott Green); How to Read Scriptures for Religious Truth (Robert Cummings Neville). - [00B | SOD | oR ] 1470 g.

Single Issue Magazine. Zustand: Fair. First Edition. A magazine for collectors and others interested in times past and in articles of daily use and adornment devised by the forefathers. Features: European Earthenware - In the R. Thornton Wilson Collection; Aesop's Fables on Philadelphia Furniture; For the Casual Collector - American Woodenware; Lost Plantations; William Henry Brown of Charleston; Invitation to the Antiques Forum; English Silver in a Texas Collection; Heraldry and the American Collector; and more. Many pages of nostalgic ads from a broad assortment of prominent dealers. Profusely illustrated with excellent black and white photos. pp. 477-564. Printed upon glossy stock. Unmarked with somewhat above-average wear. A worthy reference copy of this informative issue. Size: Folio - over 12" - 15" tall.

Single Issue Magazine. Zustand: Good. Illustrated by Shay, Arthur (cover); Laure, Jason; Avery, John; Shay,Arthur; Kennerley, Dave; Aller, Bill; Manning, Jack (illustrator). First Edition. 80 pages. Features: Before and after photos of former campus radical David Sundance; Homecoming in Bangladesh - Nine million Bengali Hindus fled to India during last year's terror; It's Easier to Convict TV Thieves than Rapists in New York; Is Inflation a Psychosomatic Illness? - with photos of C. Jackson Grayson Jr.; Metamorphosis of the Campus Radical - article with photos of Bo Beller, Jim Sutton, Ted Politis and Sue Ross; Adorable little girl and Teddy Bear in Little Miss Teenform ad; Bold two-page ad for Paradise Island in the Caribbean; A Doctor Explains How He Allows Parents to make Life-or-Death Decisions about the health of their children; Antiquarian home of Mr. & Mrs. James Tyson; Fashion photos of Charlotte Ford (of the motor car company); Many gorgeous color fashion ads; and more. Average external wear with small chip from upper corner of front cover. A worthy vintage copy.; Folio - over 12" - 15" tall; The New York Times Magazine, January (Jan.) 30, 1972 - Homecoming in Bangladesh campus radical David Sundance; Homecoming in Bangladesh - Nine million Bengali Hindus fled to India during last year's terror; It's Easier to Convict TV Thieves than Rapist.

Draft script for the 1987 film. Copy belonging to an unidentified cast or crew member, with annotations in manuscript ink and pencil on three leaves. After his girlfriend dies in a drug overdose, a former Green Beret decides to go after gangs of drug smugglers he sees as responsible for her death. Directed by and starring former American Football League player Fred "the Hammer" Williamson, who appeared in a number of Blaxploitation and action films throughout the 1970s and early 1980s. Shot on location in Rome, Italy, and in Las Vegas, Nevada, in Chicago, Illinois, and Los Angeles. Black titled wrappers. Title page present, undated, with credits for screenwriters Brian Johnson, Conchita Lee, and Anthony Wisdom, and story writer Fred Williamson. 103 leaves, with last page of text numbered 102. Xerographic duplication, rectos only. Pages Very Good plus, wrapper Very Good plus, bound with two gold brads.

Soft cover. Zustand: Good. Arts Council 1978. 1529.1608. 240 pp.

Softcover/Paperback. 320 S. m. leichten Lesespuren a. Buchrücken, Buchschnitt gering bestaubt, Kanten gering bestoßen L027 *.* Sprache: Deutsch Gewicht in Gramm: 1180.

Zustand: Gut. Kartonierter Einband leicht randgebräunt sonst gut erhalten. Sprache: Deutsch Gewicht in Gramm: 1089.

Vintage oversize borderless black and white photographs of actor Anthony Perkins, cavorting about in a field, circa 1960s. With the stamps of photographer Bill Avery and editor Bud Fraker on the verso. Avery worked as a photographer at Columbia Pictures in the early 20th century, with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill, and occasionally worked as a freelance publicity photographer, shooting iconic images of Elvis Presley, Jack Lemmon, Katharine and Audrey Hepburn, and Shirley MacLaine, among many others. 9.25 x 13.5 inches. Near Fine.

Vintage oversize borderless black and white photograph of actor Anthony Perkins, cavorting about in a field, circa 1960s. With the stamps of photographer Bill Avery and editor Bud Fraker on the verso. Avery worked as a photographer at Columbia Pictures in the early 20th century, with a brief interlude as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill, and occasionally worked as a freelance publicity photographer, shooting iconic images of Elvis Presley, Jack Lemmon, Katharine and Audrey Hepburn, and Shirley MacLaine, among many others. 9.25 x 13.5 inches. Near Fine.

Vintage borderless photograph of actress Sophia Loren on the set of the 1958 film. With a Photoplay Library stamp on the verso, along with the stamp of photographer Bill Avery and manuscript pencil annotations regarding layout. Based on Eugene O'Neill's 1924 play. A greedy New England farmer marries for a third time after working his first two wives to death. Trouble ensues when his new wife, a headstrong Italian woman, begins an affair with his youngest son. Bill Avery worked as a photographer at Columbia Pictures in the early 20th century, with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill, and occasionally worked as a freelance publicity photographer, shooting iconic images of Elvis Presley, Jack Lemmon, Katharine and Audrey Hepburn, and Shirley MacLaine, among many others. 9.5 x 7.5 inches. Near Fine.

Vintage borderless oversize black and white photograph of actor Anthony Perkins, circa 1950s. With the stamps of photographer Bill Avery and editor Bud Fraker on the verso. Shot early in his career, before Perkins played his best-known role as Norman Bates in Alfred Hitchcock's 1960 film "Psycho." Bill Avery worked as a photographer at Columbia Pictures in the early 20th century, with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill, and occasionally worked as a freelance publicity photographer, shooting iconic images of Elvis Presley, Jack Lemmon, Katharine and Audrey Hepburn, and Shirley MacLaine, among many others. 9.25 x 13.5 inches. Near Fine.

Vintage oversize borderless reference photograph of actor Anthony Perkins barefoot on the set of "The Rainmaker," circa 1953. The original penciled notations on the verso indicate that Perkins was on the set to visit Wendell Corey. With the stamps of still photographer Bill Avery and editor Bud Fraker on the verso. Shot early in his career, before Perkins played his best-known role as Norman Bates in Alfred Hitchcock's 1960 film "Psycho." Bill Avery worked as a photographer at Columbia Pictures in the early 20th century, with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill, and occasionally worked as a freelance publicity photographer, shooting iconic images of Elvis Presley, Jack Lemmon, Katharine and Audrey Hepburn, and Shirley MacLaine, among many others. Shot partially on location in Kanab, Utah. 8.5 x 13.5 inches. Near Fine.

Vintage oversize borderless double weight reference photograph from the 1957 film, showing actors Anthony Perkins and Norma Moore. With the stamps of photographer Bill Avery and editor Bud Fraker on the verso, along with the stamp of Photoplay and several manuscript pencil and ink annotations regarding layout. A dramatization of the experiences of major league baseball star Jimmy Piersall, loosely based on his own 1955 memoirs, following his 1948 contract with the Boston Red Sox to his eventual nervous breakdown and hospitalization for bipolar disorder. Bill Avery worked as a photographer at Columbia Pictures in the early 20th century, with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill, and occasionally worked as a freelance publicity photographer, shooting iconic images of Elvis Presley, Jack Lemmon, Katharine and Audrey Hepburn, and Shirley MacLaine, among many others. Set in Boston, Massachusetts and Waterbury, Connecticut. 8.3 x 13.5 inches. Very Good plus, with a few small manuscript pencil annotations regarding cropping on the bottom edge.