And hoole john (9 Ergebnisse)

SOFTCOVER. Zustand: Fine. 1st Edition. Quarto size (4to) in glossy card covers. 48pp, plates in colour and b/w, index etc . [CONDITION: A well preserved almost AS NEW clean and unmarked copy (covers faintly tanned, minute speck of shelf rub to bottom cover corner tips) ] . __To see more of our books on Graphic Art and Design type DbbGRAPHIC in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

SOFTCOVER. Zustand: Fine. 1st Edition. Large 4to. in photo illustrated stiff glossy card covers, 88pp, mainly b/w photos. . [CONDITION: A well preserved near FINE clean and tight unmarked copy (some very slight cover creasing, few spots of slight shelf rub to cover edges) ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

SOFTCOVER. Zustand: Fine. 1st Edition. Large 4to. in photo illustrated stiff glossy card covers, 88pp, mainly b/w photos. PLUS PLUS 4pp printed catalogue of the exhibition loosely inserted . [CONDITION: FINE, a well preserved and very clean and tight unmarked copy ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

4°, softcover. 1st ed. 120 p. Very fine copy in mint condition. Sprache: Englisch Gewicht in Gramm: 0.

Encuadernación de tapa blanda. Zustand: Bien. Barbican Art Gallery, 1983. Texto en inglés. Arte. Profusamente ilustrado. 80 pp. 24 x 20. Tapa blanda de editorial ilustrada. Sin subrayados ni anotaciones. Buen estado de conservación. ISBN: 0946372047.

Zustand: Good. Publisher's printed white paper stapled tabloid. 12½" x 10". Monochrome photographs throughout. New short stories and articles by: H. E. Bates 'Henry Williamson' and 'New Books Reviewed'; John Harley-Mason 'Tracking Down the Virus'; James Agate 'Ellen Terry and Osbert Sitwell'; Alan Dent 'Centenaries Mild and Bitter'; Hoole Jackson 'Cornwall in Peace and War'. Cheap paper browning and in Good condition. Member of the P.B.F.A. BATES, H. E. (1906-1974).…

Hardcover. Zustand: Good. First Edition Thus. A perfectly serviceable reference copy; nothing fancy, but complete and sturdy, being a bound collection of seven (7) Dublin, Ireland-based plays of classic and redone, again-performed plays. Bound in early calf leather with spine label reading "Select Tragedies," though rubbed, and with gilt-stamped bands. Tips bent slightly, one scuffed to boards. Binding slightly dry, splitting to gutter to first paste-down, but yet fully intact and stands easily by itself on the shelf. Removed bookplate inside front flap, owner marks there now, occasional annotations, slight, gentle toning, some leaves are creased a bit and/or are lightly soiled, several small tears to pages, but again, overall Good condition, and it looks great on the shelf. The bound volume comprises: Dorothea Celisia. Almida, A Tragedy. As it is Performed at The Theatre Royal, in Drury-Lane. By a Lady. Dublin: Printed for W. Wilson, J. Exshaw, H. Saunders, H. Bradley, W. Sleater, D. Chamberlaine, J. Potts, J. Williams, W. Colles, R. Moncriefe, and T. Walker, 1771. Prologue by William Whitehead, Esq, spoken by Mr. Reddish. [6], 7-58, [2] pp. including Epilogue, by Mr. Garrick, spoken by Mrs. Barry. Adapted and translated from Voltaire's 'Tancrède'. John Hoole, Cleonice, Princess of Bithynia: a tragedy, as it is performed at the Theatre Royal in Covent-Garden. Dublin, Ireland: W. Spotswood, for the United Company of Booksellers. Prologue written by Thomas Vaughan, Esq., spoken by Mr. Bensley. [7], 8-54 [4] pp., plus an Epilogue by Mrs. Bulkley. Thomas Otway. Venice Preserved; Or, A Plot Discovered. A Tragedy. Dublin: Printed by P. Wogan, No. 23, Old Bridge, Dublin, Ireland, 1794. [6], 7-59, [1] pp. [Henry Mackenzie]. The Prince of Tunis. A Tragedy. As Performed at the Theatre-Royal, Edinburgh, Scotland. Dublin, Ireland: Printed by Byrn and Son, No. 18, Sycamore Alley, Dublin, Ireland. For the Company of Booksellers, 1779. [9], 10-68, [2] pp. First published at Edinburgh in 1773; published anonymously. Thomas Southerne. Isabella: Or the Fatal Marriage. A Play. Alter'd from Southern. As it is now performing at the Theater Royal in Drury Lane. Dublin, Ireland: Printed for P. and W. Wilson, and W. Sleater, 1769. [5], 6-60 pp. Original title, The Fatal Marriage: Or, The Innocent Adultery, which first appeared 1694. Robert Merry. Lorenzo, A Tragedy in five acts. As it is performed at the Theatre-Royal in Covent-Garden. Dublin, Ireland: Printed for W. Wilson, P. Wogan, P. Byrne, J. Moore, J. Jones, A. Grueber, W. Jones, G. Draper, R. White, and J. Rice, 1791. iv, [2], 64, [2] pp. Lacks title page [pp. i-ii]. Name "Elizabeth Wilson" inked to p. iii in a period hand. Wife of one of the booksellers? [Horace Walpole]. The Count of Narbonne, A Tragedy. As it is Acted at the Theatre Royal in Covent Garden by Robert Jephson, Esq., and with his Prologue. Dublin, Ireland: Printed by R. Marchbank, for the Company of Booksellers, 1781. [10], 4-57, [5] pp. Adapted from 'The Castle of Otranto', by Horace Walpole. Prologue by Edmond Malone, spoken by Miss Yonge. NOTE: According to C.B.E.L. this is the first edition. [Paul Hifferman, Henry Jones, and Reddish]. The Heroine of the Cave. A Tragedy. As it is Performed at the Theatre-Royal in Drury-Lane. Dublin, Ireland: Printed by W. Spotswood, for the United Company of Booksellers, 1775. Prologue by Mrs. Reddish. Dedication by Dr. Paul Hiffernan, to "All virtuous wives, The following finished pattern of connubial attachment, and heroic exertions of true [italicized] and become female firtitude . . . " Several pages of publisher's advertisements of other recently published plays. 60 pp. "Dedication signed: Paul Hiffernan. Apparently left unfinished by Henry Jones of Drogheda, with additions and alterations by Hiffernan." All in, a fine omnibus edition of Dublin-published and England-performed plays of the period in a period binding and with all flaws noted.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage.…

Dramatic frontis illus, 8.25 x 5", full tree calf, 407pp, covers a bit worn, extremities badly bumped & fraying, some skinning to front cover, spine darkened, former owner's ink name on title else a nice, decorative binding. Volume 2 of 5 only.

An extravagant broadsheet advertisement for Overton's edition of Loggan Engraving, printed on two joined sheets. A very large, rare, and separately published advertisement for Overton's issues of David Loggan's celebrated 'Oxonia Illustrata', the plates for which were acquired by Overton, or his father John, at some point during the decade following Loggan's death in 1692. A partner, showing Loggan's Cambridge views, was likely printed at the same time, though the exact date of publication for both is unknown, and it is unclear whether the pair were intended to advertise Overton's reprints of 'Oxonia Illustrata' and 'Cantabrigia Illustrata' in 1705 and 1715 respectively, or simply that he was intending to issue restrikes of individual plates on large sheets according to customer demand. Although very closely modelled on Loggan's aerial plans of the colleges and public buildings, these are actually miniature re-engravings, likely by Overton himself, and printed over two sheets. Each of the available plates is shown in reduced scale on the advert, with Loggan's prospect of Oxford from the Abingdon Road flanked by his east and west views of Duke Humphrey's Library at top. Along the bottom, University costumes are shown in two lines. The remaining views are gridded with relevant explanatory text below each. 'Oxonia Illustrata' was the first illustrated book on Oxford and one of the major works of the seventeenth century. The book, published in 1675, was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. 'Oxonia Illustrata' was intended as a companion work to 'Historia Antiquitates Universitatis Oxoniensis' by Anthony Wood, with whom Loggan had become acquainted some years earlier. David Loggan (1635-1692), artist and engraver, was born in Danzig. He may have learnt the art of engraving from Simon van den Passe in Denmark and from Hendrik Hondius in the Netherlands. Loggan followed Hondius's sons to England in about 1653 and by 1665 he was residing at Nuffield, near Oxford, and had made the acquaintance of Anthony Wood. On 30 March 1669 he was appointed Engraver to the University of Oxford, with an annual salary of twenty shillings. He married a daughter of Robert Jordan, Esq., of Kencote Hall in Oxfordshire, in 1671 and in 1672 they had a son, John Loggan, who later graduated from Trinity College. The marriage probably produced another son, William Loggan, about whom little is known except that he was responsible for a satirical print of Father Peters and the Jesuits, published in 1681. David Loggan took up residence in Holywell in about 1671, prior to matriculating at the University. In 1675 he was naturalised as an Englishman. Henry Overton (1676-1751) was a British engraver, publisher, mapmaker, and printseller. The son of the mapseller John Overton, and brother of Philip Overton, Henry inherited his father's stock and business in 1707, later forming a partnership with John Hoole (fl1710-1737). His earlier maps were largely based on acquired plates engraved by Sutton Nicholls, John Speed, and Blaeu. In addition to his own works, he also published revised editions of Speed's Atlas, as well as David Loggan's views of the colleges and public buildings of the Universities of Oxford and Cambridge.…