Roth horowitz (35 Ergebnisse)

Zustand: Very Good. Very Good condition. Very Good dust cover. (photographs, artistic, abstract) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

2 vol. : [unpaginated] ; 51 pp. (reader); 2 vol. : 24.2 x 17 cm. ( S M T W T F S) ; 20.2 x 12.7 cm. (reader) ; 25.1 x 17.2 cm. (slipcase); slipcase; black-and-white & color; edition size 1000; unsigned and unnumbered; offset-printed Artist's book / monograph on the camera-less photography of Marco Breuer. Includes a spiral-bound book of images with a paperback "Reader" with essays on Breuer housed in a pocket in the inside of the verso. Books are housed in a slipcase with the title printed on the spine. Reader includes texts by Evan Hause, Richard Howard, Adam Klein, Lynne Tillman and Martin Wilner M.D. Very Good / Fine. Sunning of slipcase, otherwise Fine. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges may be required for international orders.…

Trade Paperback. Zustand: Like New. Like New. First Edition. First Edition, First Printing. Published by Roth Horowitz, 1999. Octavo. Book is like new. Dust jacket is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

dj. First Edition. First edition. Softcover. Printed in an edition of only 500 copies. Published in conjunction an exhibition that ran February 24 through April 1, 2000. Features a poem by Robert Creeley and an essay by Peter C. Bunnell. Includes 10 black and white images and a checklist. A fine copy in wrappers in a fine dust jacket. A nicely printed book.…

Zustand: Good. 8vo. [64] pp. In original cardboard slipcase, spiral bound. Color plates throughout. Very Good. Minor rubs to the covers.

Hardcover. Zustand: Very Good. 1st Edition. Uncommon Wallace Berman publication. Spiral-bound, internally unmarked. Slightest shelfwear to boards, very small stain to fore-edge. In protective mylar.

First Edition. First edition. Hardcover. Published in an edition of 1000 copies and in conjunction with an exhibition January 9 through February 22, 2003. Features text by Hilton Als and James Elkins. A powerful look at the devastation created by the A-Bomb. A close to near fine copy in paper covered boards with some minor wear. No dust jacket as issued.…

Erste Auflage. 28,6 x 22,2 cm. [16] unpaginierte Blätter. Illustrierter OPappband. Eine Ecke des Buches minimal gestaucht, sonst sehr gutes Exemplar. Katalog zur gleichnamigen Ausstellung in der Galerie Roth Horowitz, New York, vom 9. Januar bis zum 22. Februar 2003. Reproduktion von zehn Duotone-Bildern mit Originalessays von James Elkins ("Rapatronic Photographs of Atomic Tests") und Hilton Als ("Hiroshima, ein Leben"). Die hier präsentierten Bilder stammen aus zwei verschiedenen Archiven: die ersten Schwarz-Weiß-Vintage-Fotografien von Dr. Harold Edgerton, aufgenommen an Atomteststandorten in den USA in den 1950er Jahren; das zweite ist eine Sammlung von über 700 Schwarz-Weiß-Vintage-Fotografien, die ein Offizier der US-Marine in den ersten Monaten nach dem Abwurf der Atombombe am 6. August 1945 in Hiroshima aufgenommen hat (Verlagsinfo).…

Soft cover. Zustand: Very Good. 1st Edition. Softcover in removable paper jacket, first edition of 500. Published on the occasion of an exhibition of Chappell's works at Roth Horowitz, 2000 - this copy comes with a personalized slip on gallery letterhead inviting someone to the opening of the show, presumably sent by Roth or Horowitz. Interior clean and unmarked with very minimal shelfwear. Front cover with trivial mark. Black and white photographs with a poem by Robert Creeley and essay by historian Peter Bunnell. These vintage prints are rare examples of the photographer's works from this time period, as the vast majority of his prints and negatives were destroyed in a house fire. …

dj. First Edition. First edition. Hardcover. First printing of only 1000 copies designed by Andrew Roth and Jerry Kelly and printed on Job Parilux Paper. Essay by James Elkins. Includes 10 color illustrations. A fine copy in a very near fine dust jacket and in a fine cardboard slipcase. An attractive production.…

Hardcover. Zustand: Good. No Jacket. Ex-Library copy with typical library marks and stamps. Dust jacket missing. Shelf and handling wear to cover and binding, with general signs of previous use. Secure packaging for safe delivery.

Zustand: Very Good. Very Good in a Very Good dust jacket; Hardcover; Dust jacket is clean and glossy with moderate rubbing to the edges and a few tiny edge-tears, and has not been price-clipped (Now fitted with a new, Brodart jacket protector); Light wear to the boards; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (11.75" - 12.75" tall); 4.8 lbs; Gray and yellow dust jacket with title in white lettering; 2001, Roth Horowitz, LLC; 320 pages; "Book of 101 Books, The: Seminal Photographic Books of the Twentieth Century," by Andrew Roth, et al. …

First Edition. First edition. Hardcover. Number 10 of only 50 copies from a total edition of 1000 published in conjunction with an exhibition that ran January 9 through February 22, 2003. Text by Hilton Als and James Elkins. A powerful look at the devastation created by the A-Bomb that includes several black and white photographs by Harold Edgerton just after a successful test of the A-Bomb along with a number of images of the impact of the bomb on Japan. A very near fine copy in paper covered boards. No dust jacket as issued. Although not called for this copy has been signed by Hilton Als on the colophon page.…

Hard cover. Annotated. Sewn binding. Cloth over boards. 320 p. Contains: Illustrations. Audience: General/trade. Good in good dust jacket. Faint discoloration to front corner of jacket and cover near spine. Does not affect pages. Text appears unmarked. Jacket in new mylar.

Hardcover. Zustand: Very good. Hardcover. 1000cc. Page edges just slightly tanned, else a very good hardback in a very good dustjacket.

dj. First Edition. First edition. Hardcover. First printing. While the choices in this book are highly subjective this book along with the the books by Martin Parr and Gerry Badger helped codify and illustrate what are some of the truly classic photography books. Features essays by Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice, and Neville Wakefield and with the catalog by Vince Aletti and David Levi Straus. A fine copy in a fine dust jacket. An as new copy of this excellent reference book that is still in the publisher's shrinkwrap. …

Softcover. Zustand: gut. 2003. After and Before: Documenting the A-bomb. In englischer Sprache. pages.

Zustand: Like New. Fine in a Fine dust jacket; Hardcover; This book is brand new and still sealed in the publisher's original shrinkwrap; Perfect, new condition; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (11.75" - 12.75" tall); 4.8 lbs; Gray and yellow dust jacket with title in white lettering; 2001, Roth Horowitz, LLC; 320 pages; "Book of 101 Books, The: Seminal Photographic Books of the Twentieth Century," by Andrew Roth, et al.…

Hardcover. Zustand: Very Good. Hardcover. 4to. Published by PPP Editions / Roth Horowitz, LLC, New York. 2001. 305 pgs. Illustrated with numerous color and black and white photographs/reproductions. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. The history of the photographic book goes back well more than a century; the medium of photography and the book format were understood very early on to relate to each other on both technical and aesthetic levels. The examples of truly great combinations of photographic image and text, great design and typography bound together as books are numerous, and make up an impressive artistic, social, and documentary statement of the 20th century. Writer and rare book expert Andrew Roth has selected for this volume a group of 101 of the best photography books ever published: books that bring all of the elements of great bookmaking together to create, ultimately, a thing of beauty, a work of art. Mostly made up of publications in which the photographs were meant to be seen in book form, as opposed to the book being merely a repository of images, this list includes many artists and titles that will be familiar to the collector, but also not a few surprises. Chronologically, the first book is Volume One of Edward Curtis's seminal 1907 The North American Indian, the last is David LaChapelle's LaChapelle Land from 1996, and in between are books by Walker Evans and Berenice Abbott, Atget and Brassai, Robert Frank and Garry Winogrand, and many other seminal photographers from all over the world. Each book in the catalogue receives a double page spread including publication information, several image spreads, and a short text about it. The Book of 101 Books, however, is far more than simply an annotated and illustrated catalogue. Six important new essays on a variety of related topics from respected scholars, critics, and artists are included as well: here you will find Richard Benson on the history of printing techniques, Shelley Rice on the societal significance of photography books, May Castleberry on reprints, exhibitions, and keeping books alive for the public; Daido Moriyama on his personal memories of making his classic Bye Bye Photography, Dear, Neville Wakefield on the particular attributes of one of the most recent books in this group: Richard Princeis 1995 Adult Comedy Action Drama, and Jeffrey Fraenkel on the myriad perils of publishing photography books. The catalogue entries themselves are written by the well known critics Vince Aletti and David Levi Strauss. Taken together, the depth and beauty of these essays and images makes The Book of 101 Books both an essential reference and an aesthetically compelling object. EB; 12.0 X 9.9 X 1.6 inches; 305 pages.…

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition, first and only printing. Hardcover. Black paper covered boards, with rubber-like material dust jacket with blind-embossed title. Photographs and text by Robert Adams. Designed by Alexander Gelman (Design Machine, New York) and Andrew Roth. Unpaginated, with 40 duotone plates (20 in each section), beautifully printed on heavy paper by Trifolio, Verona, Italy. 8-1/4 x 9-1/4 inches. This first edition was limited to 1000 copies. Out of print. Scarce. New in publisher's shrink-wrap. From Robert Adams: "At about the time I took the pictures I read an interview with Raoul Coutard, Jean-Luc Godard's cameraman. In it Coutard noted with gratitude that 'daylight has an inhuman faculty for always being perfect.' It is one of the mercies, I believe, by which each of us is allowed to live." From the publisher "The unique prints on view were originally part of a larger portfolio which Adams published as The New West in 1974. These 40 images were not included in that publication and are presented here for the first time, sequenced in a new series titled Commercial/Residential. To coincide with the exhibition, PPP Editions in association with Roth Horowitz, has published Commercial/Residential in a limited edition of 1000 copies. This new book is a companion volume to Eden, which Roth Horowitz published in 1999, together they chart the chronology of Adams' formative work. Commercial/Residential presents two parallel and fundamental themes: the evolution of private and public space in the American west. The Commercial portfolio of 20 images is organically constructed, documenting the expansion of undeveloped landscape in Colorado, as civilization encroaches on nature. The images in the Residential portfolio are witness to the ways in which men and women personalize the new, the unknown, making it their own. Through light and a masterful ease with the medium, Adams evokes the drama in the ordinary. The pictures seem without author, as natural as a passing glance, as familiar as a snapshot.". …

Soft cover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition, first printing. Soft cover. Thick blue and white printed stiff wrappers (published only in wraps), with die-cut thick black dust jacket with French folds, housed in a printed corrugated cardboard slipcase. Photographs by Daido Moriyama. Edited and interview with Daido Moriyama (in English and Japanese) by Andrew Roth. Essay by Neville Wakefield and text by James Baldwin (excerpted from Another Country, 1960-1962). Includes a letter from Moriyama to Andrew Roth (in Japanese with English translation, dated February 26, 2002, regarding the publishing of this body of work). Designed by Alexander Gelman, Design Machine, New York and Andrew Roth. 428 pp., with 234 black-and-white plates, beautifully printed full-bleed on heavy fine matt art paper at Trifolio, Italy. 9-3/8 x 6-1/4 inches (slipcase is 10 x 6-3/8 x 2-1/2 inches). This first edition was limited to 3000 copies. New in publisher's shrink-wrap in New dust jacket and Fine slipcase (a few minor horizontal indentations to the cardboard slipcase, else Fine). From the publisher: "In 1971, Japanese photographer Daido Moriyama took a trip to New York City with Tadanori Yokoo. He stayed at the Chelsea Hotel and spent his days in The Museum of Modern Art Photography Study Center looking at pictures taken by Weegee. He shot 100 rolls of film with a half-frame camera, yielding 70 images per roll. Some of those pictures are presented here. One of Japan's leading postwar photographers, Daido Moriyama was born in 1938 in Ikeda, a town outside of Osaka. At the age of 21 he turned to photography and moved to Tokyo to work with the eminent photographer Eikoh Hosoe. Early in his career he was introduced to the work of Andy Warhol and William Klein, and from them he learned to appreciate the harsh contrast and coarse half-tone effects of cheap publishing, raised to a positive aesthetic level. His own photographs are grainy, murky, and quickly developed, full of hard contrasts and rapid drama. other influences included the writer Jack Kerouac, the inspiration behind a seminal series of photos taken while traveling the highways near Tokyo, and author Yukio Mishima and dramatist Shuji Terayama, whose fascination with society's underworld parallels Moriyama's own. In 1974, Moriyama had his first solo exhibition, and later that year, The Museum of Modern Art, New York, included 26 of his photographs in the New Japanese Photography exhibition. More recently, in 1999, a major traveling retrospective of the photographer's work opened at the San Francisco Museum of Modern Art.". …

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. First edition, first and only printing. Hardcover. Gray cloth with debossed title on spine, with dust jacket. Edited by Andrew Roth. Essays by Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice and Neville Wakefield. Catalogue entries by Vince Aletti and David Levi Strauss. Also includes author biographies and an index. 306 pp., beautifully printed on fine heavy-stock paper at the Stamperia Valdonega with numerous four-color and black-and-white plates. 12 x 10 inches. This first edition was limited to 5000 copies. Out of print. Scarce. Fine in Fine dust jacket. From the publisher: "The history of the photographic book goes back well more than a century; the medium of photography and the book format were understood very early on to relate to each other on both technical and aesthetic levels. The examples of truly great combinations of photographic image and text, great design and typography bound together as books are numerous, and make up an impressive artistic, social, and documentary statement of the 20th century. Writer and rare book expert Andrew Roth has selected for this volume a group of 101 of the best photography books ever published: books that bring all of the elements of great bookmaking together to create, ultimately, a thing of beauty, a work of art. Mostly made up of publications in which the photographs were meant to be seen in book form, as opposed to the book being merely a repository of images, this list includes many artists and titles that will be familiar to the collector, but also not a few surprises. Chronologically, the first book is Volume One of Edward Curtis' seminal 1907 "The North American Indian", the last is David LaChapelle's "LaChapelle Land" from 1996, and in between are books by Walker Evans and Berenice Abbott, Atget and Brassai, Robert Frank and Garry Winogrand, and many other seminal photographers from all over the world. Each book is beautifully reproduced with several image spreads, and a short text about it. 'The Book of 101 Books,' however, is far more than simply an annotated and illustrated catalogue. Six important new essays on a variety of related topics from respected scholars, critics, and artists are included as well: here you will find Richard Benson on the history of printing techniques, Shelley Rice on the societal significance of photography books, May Castleberry on reprints, exhibitions, and keeping books alive for the public; Daido Moriyama on his personal memories of making his classic 'Bye Bye Photography, Dear,' Neville Wakefield on the particular attributes of one of the most recent books in this group: Richard Prince's 1995 'Adult Comedy Action Drama,' and Jeffrey Fraenkel on the myriad perils of publishing photography books. The catalogue entries themselves are written by the well-known critics Vince Aletti and David Levi Strauss. Taken together, the depth and beauty of these essays and images makes 'The Book of 101 Books' both an essential reference and a stunning gift for anyone interested in photography.".…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Limited edition of 500 numbered copies, quarter bound silk, with debossed title on spine, with custom-made slipcase bound in silk. 306 pp., beautifully printed on fine heavy-stock paper at the Stamperia Valdonega with numerous four-color and black and white plates. 12 x 10 inches. Edited by Andrew Roth. Essays by Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice and Neville Wakefield. Catalogue entries by Vince Aletti and David Levi Strauss. Also includes author biographies and an index. Fine in Near Fine slipcase (slight shelfwear to top and bottom of slipcase).…

First Edition. Hardcover. First Edition, one of 1000 unnumbered copies printed. A collection of photographs taken in the late 1970s by noted artist and queer activist David Wojnarowicz, compiled and released posthumously, after his death in 1992. Spine faintly age toned, else about Fine and unread, with no dust jacket as issued. …

dj. First Edition. First edition. Small oblong hardcover. Number 30 of only 50 copies from a total edition of 1000. Features brief text by Adams. Includes 40 tritone illustrations. A fine copy in a fine dust jacket and in fine slipcase. Signed and numbered by Adams on the title page. A nicely printed and designed book that features some of the early work from this important American photographer who was part of the landmark New Topographics exhibition at the George Eastman House. Signed.…

Hardcover. Deluxe Issue, #68/101 Copies. Quarto, 305, [1] pages; VG; bound in full black goatskin, embossed title to spine; top edge gilt; Japanese silk bookmark; housed in blue/gray Japanese silk slipcase, very mild wear; Also issued in a trade edition and a limited edition, this is the Deluxe Edition, #68/101 copies signed by the essayists Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice and Neville Wakefield, the authors Vince Aletti and David Levi Strauss, and the editor Andrew Roth.; shelved case 11. 1352184. Shelved Dupont Bookstore.…

Soft cover. Zustand: Near Fine. Limited Edition. Roth Horowitz: 2000. Soft cover. One of five hundred unsigned copies. Stiff paper wraps with a loose text block. Book is near fine.

Paperback. Zustand: Near fine in wraps. First Edition. 23 x 23cm 38pp stapled wrappers with fold out text. Edition of 1000. 179 works listed. Monochrome illustrations.

Hardcover. Zustand: Fine. No Jacket. 1st Edition. Fine copy in small, oblong hardcover. No titles on black spine.

Los Angeles, Roth Horowitz Andeson Inc., 2002. First impression. Gr.-8°. 38 Seiten. Verschiedenfarbiges und -formatiges Papier. 32 Abbildungstafeln. OBroschur. "WE ARE WELLKNOWN FOR BOOKS ONLY IN BEST CONDITION" - WIR SIND BEKANNT FÜR SOLIDESTE VERPACKUNG" Die angegebenen Versandkosten gelten für Bücher bis 1000 Gramm. Bücher über 1000 Gramm kosten nach Deutschland EUR 4,50. Der wichtige US-Fluxus-Katalog mit beiliegender Preisliste verzeichnet 179 Nummern. FINE COPY ! Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.…