wallace berman (55 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

216 pp.; 26.6 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 8, 1989 - February 18, 1990, with public projects held November 22 - December 31, 1989. Texts by Marvin Heiferman, Lisa Phillips, and John G. Hanhardt. SArtists include Vito Acconci, Dennis Adams, Laurie Anderson, John Baldessari, William Beckley, Gretchen Bender, Wallace Berman, Ashley Bickerton, Dara Birnbaum, Nayland Blake, Barbara Bloom, Troy Brauntuch, Chris Burden, Nancy Burson, David Kramlich, Peter Campus, Sarah Charlesworth, John Clem Clarke, Clegg and Guttmann, Chuck Close, Bruce Conner, Robert Cumming, Fluxus Collective, George Brecht, Alison Knowles, Robert Watts, George Maciunas, Jack Goldstein, Dan Graham, Gran Fury, Hans Haacke, Robert Heinecken, Jenny Holzer, Larry Johnson, Edward Kienholz, Carole Ann Klonarides, Silvia Kolbowski, Jeff Koons, Joseph Kosuth, Barbara Kruger, Annette Lemieux, Les Levine, Sherrie Levine, Roy Lichtenstein, Robert Longo, Frank Majore, Allan McCollum, Matt Mullican, Peter Nagy, Bruce Nauman, Nam June Paik, Richard Prince, Robert Rauschenberg, David Robbins, James Rosenquist, Edward Ruscha, David Salle, Richard Serra, Cindy Sherman, Laurie Simmons, Lorna Simpson, Alexis Smith, Mark Tansey, Bill Viola, Andy Warhol, Oliver Wasow, William Wegman, Tom Wesselmann, and Krzysztof Wodiczko. Includes image world chronology, selected bibliography, films and videotapes in the exhibition, and an exhibition checklist. Very Good / Fine. Light rubbing of cover edges and yellowing of page edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

January. 160 pp. Near fine in illustrated wrappers. Cover art by Wallace Berman. Contributions by Hirschman, Bromige, Brakhage, Ginsberg, Creeley, and reproductions of four Berman artworks.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

First edition. 5 3/4 x 8 5/8 inch illustrated sheet. Fine. Reproduction of a card sent to Jack Hirschman by Berman. Created by Alastair Johnston to accompany copies of his Auerhahn Press bibliography, but here offered separately.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. 183 pages. A critical look at the work of Wallace Berman. Includes texts by Eduardo Lipchutz-Villa, Walter Hopps, Charles Brittin, Christopher Knight, David Meltzer, Michael McClure, Tosh Berman, Colin Gardner, and others. Includes numerous illustrations, a chronology, list of previous exhibitions, and a bibliography. A tight near fine copy in cloth boards and in a near fine dust jacket with some light war. A valuable reference on Berman.

First edition. [32 pp]. Toning and some light soiling to rear panel, else near fine in stapled wrappers. One of 600 copies. Cover art by Wallace Berman.

Zustand: very good. First Edition. 28 cm, 155, wraps, illus. (some color), bibliography, sticker residue on front cover and endpaper. Inscribed by the author (Gettings). Catalog of the exhibition held May 12-August 14, 1988, at the Hirshhorn Museum and Sculpture Garden. Well-illustrated profiles of non-mainstream artists, including Wallace Berman, Clyde Connell, Bruce Conner, Oyvind Fahlstrom, Robert Helm, Alfred Jemsen, Luis Jimenez, and Peter Saul.

First Edition. First edition and first printing. Hardcover. 151 pages. Features an introduction by Kristine McKenna and an afterword by Lorraine Wild. A wide ranging collection of photographs by Berman who is in part best known for his journal "Semina" A clean near fine copy in photo-illustrated boards with some light wear. No dust jacket as issued. Internally a clean copy.

First Edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 183 pages; Physical desc. : 183 p. : ill. (some col. ) ; 25 cm. Bibliography: p. 181. Subject: Berman, Wallace (1926-1976) - Catalogs. 3 Kg.

Hardcover. Zustand: Very Good. Light wear to jacket, outer edge of page block foxed.

Zustand: Near fine. First Edition. First edition of this lavishly illustrated companion book to an exhibition on Berman - "a legend in the West Coast-Beat Generation counterculture" - and the community he created. 11'' x 9''. Original photographic paper boards. Photographic endpapers. Illustrated throughout in color and black and white. 384 pages. Trace shelfwear, minor bumping to head of spine. Interior clean and crisp.

Hardcover. Zustand: Brand New. 120 pages. 11.10x9.70x0.70 inches. In Stock.

Soft cover. Zustand: Very Good. 8vo softcover in stiff wraps, staple bound. 24pp with color illustrations. Clean, unmarked, well bound. Very minimal wear, pages crisp. Very good to near fine. A rare example of a catalogue published to coincide with an exhibition by American artist Wallace Berman at Nicole Klagsbrun Gallery, 2010. Texts by Wallace's son Tosh Berman, Michael Duncan, and Andrew Lampert. In very good condition.

183 S. überwiegend illustr. mit Fotoabb. Schutzumschlag etwas berieben und am oberen Kapital mit zwei 1cm langen Einrissen, sonst sehr guter Zustand 9080096830 Sprache: Englisch Gewicht in Gramm: 1000 Gr.-8° (22,5-25 cm), OLeinen m. OSchutzumschlag.

Large 8vo, cloth, dj, illustrated, 183 p. In fine condition. K13.

Hardcover. Zustand: Brand New. 152 pages. 11.75x9.50x11.75 inches. In Stock.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. Ix, 370 Pp. Hardcover, First Printing Indicated. Near Fine In Near Fine Jacket, Not Price-Clipped, Wear Along Top Of Rear Panel Of Dj. Inscribed By Aleta Wallach. Inscribed by Author(s).

Hardcover. Zustand: Brand New. 152 pages. 11.75x9.50x11.75 inches. In Stock.

Zustand: New.

Hardcover. Zustand: Very Good. 1st Edition. Uncommon Wallace Berman publication. Spiral-bound, internally unmarked. Slightest shelfwear to boards, very small stain to fore-edge. In protective mylar.

First edition. 183 pp. Very near fine in like dust jacket. Many color reproductions of Berman's work. Walter Hops, Charles Brittin, David Meltzer, Michael McClure, Tosh Berman, and others contribute.

Rilegato (hardback). Zustand: Ottimo (Fine). Introduzione di Kristine McKenna. Postfazione di Lorraine Wild. Fotografie in bianco e nero di Wallace Berman . 8vo. pp. 152. . Ottimo (Fine). . Prima edizione (First Edition). . The quintessential visual artist of the Beat generation, Wallace Berman's influence has continued to radiate throughout the American art scene and in our popular culture since the 1950s. As an artist, Berman worked in relative obscurity up until his premature death, at the age of 50, in 1976. Since then, however, interest in his work, and recognition of its importance, have steadily increased. The subject of the recent--and highly lauded--traveling exhibition and accompanying catalogue, Semina Culture: Wallace Berman e His Circle, he was the central and binding figure in a diverse community of artists, poets, actors and musicians, and was revered for his wisdom as well as his achievements as an artist, publisher and filmmaker. However, until the 1999 discovery of an archive of his photographic negatives, very few people have known that Berman was also an extremely accomplished photographer. He documented the West Coast Beat culture of the 1950s, the first stirrings of the hippie culture that took root in the canyons of Southern California in the 60s and the diverse cast of characters who passed through his famously creative world with amazing intimacy and candor. Berman's photographs are gathered here for the first time ever. Artista visivo per eccellenza della generazione Beat, Wallace Berman ha influenzato tutta la scena artistica americana e la nostra cultura popolare dagli anni '50. Come artista, Berman ha lavorato in relativa oscurità fino alla sua morte prematura, all'età di 50 anni, nel 1976. Da allora, tuttavia, l'interesse per il suo lavoro e il riconoscimento della sua importanza sono costantemente aumentati. E' stato la figura centrale di una variegata comunità di artisti, poeti, attori e musicisti, ed è stato venerato per la sua saggezza e per i suoi successi come artista, editore e regista. Tuttavia, fino alla scoperta del 1999 di un archivio dei suoi negativi fotografici, pochissime persone sapevano che Berman era anche un fotografo estremamente abile. Ha documentato la cultura beat della West Coast degli anni '50, i primi passi della cultura hippie che ha messo radici nei canyon della California meridionale negli anni '60 e il variegato gruppo di personaggi che ha attraversato il suo mondo creativo con incredibile intimità e candore. Le fotografie di Berman sono raccolte qui per la prima volta. Book.

81 pp.; 21.5 x 30.4 cm.; staple bound; black-and-white & color; edition size 6200; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "The Museum as Site : Sixteen Projects," the second exhibtion in the two-part exhibition "Art in Los Angeles," held July 21 - October 4, 1981. Curated by Stephanie Barron. Photographs by Robbert Flick. Artists included in the "Museum as Site: Sixteen Projects" exhibition are Robert Irwin, Lloyd Hamrol, Terry Schoonhoven, Karen Carson, Jay McCafferty, Robert Graham, Michael Asher, Michael Brewster, John Baldessari, Roland Reiss, Richard Jackson, Michael C. McMillen, Jonathan Borofsky, Alexis Smith, Chris Burden, and Eric Orr. Includes exhibition histories and exhibition floorplans. Includes the floorplan for the first "Art in Los Angeles" exhibition "Seventeen Artists in the Sixties," curated by Maurice Tuchman, which included artists Larry Bell, Billy Al Bengston, Wallace Berman, Ronald Davis, Richard Diebenkorn, Sam Francis, Joe Goode, David Hockney, Craig Kauffman, Edward Kienholz, John McLaughlin, Edward Moses, Bruce Nauman, Kenneth Price, Edward Ruscha, and Peter Voulkos. Good / Very Good. Rubbing of cover edges. Vertical creasing across recto and verso. Light scratching of covers. 2 cm. original pricing sticker on recto. 3.5 cm. dog-ear to top left corner of verso. Light bumping of top right corner of page. Contents clean and unmarked.

72 pp.; 27.8 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. Pincus; "The Figurative Style of the Early Sixties: Brice, Lebrun, Warshaw," by Michael Kohn; "The Psychobiological Imperative," by Marilyn Ekdahl Ravicz; "Artist Pages," by Roger Herman, Jacobus Bos, and "My Parents in German," by Jim Morris "Colson's Corner," by unattributed artists. Cover art "Molecule Men" by Jonathan Borofsky. Very Good. Light dust soiling of covers and 1.4 cm. crease/bumping to bottom of publication. 3 mm. tear to top edge of spine. Contents clean and unmarked.

72 pp.; 27.8 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. Pincus; "The Figurative Style of the Early Sixties: Brice, Lebrun, Warshaw," by Michael Kohn; "The Psychobiological Imperative," by Marilyn Ekdahl Ravicz; "Artist Pages," by Roger Herman, Jacobus Bos, and "My Parents in German," by Jim Morris "Colson's Corner," by unattributed artists. Cover art "Molecule Men" by Jonathan Borofsky. Good / Very Good. 2 mm. yellow stain to recto with dust soiling of covers. Additional light soiling across verso. Bumping of corners. Contents clean and unmarked.

Hardcover. Zustand: Near fine. First edition. Quarto (10-3/8" x 8-1/2"). 151, (1)pp. Photographic boards, black spine lettered in blue. Profusely illustrated with black & white photographs. Slightest hint of rubbing at tips, otherwise a fine copy. A collection of photos of Wallace Berman's (1926-1976) friends and family.

Card covers, stapled spine. Zustand: Near fine lacking dustjacket. First Edition. 20 x 20cm near fine card-covered catalogue showing some of the works by Wallace Berman, American experimental filmmaker, assemblage, and collage artist and a crucial figure in the history of post-war California art. Has a Mayor Gallery library stamp on title page.

Card covers, Zustand: Near fine in wraps. First Edition. 21 x 21cm near fine card-covered exhibition catalogue with black and white reproductions showing works by Wallace Berman, American experimental filmmaker, assemblage, and collage artist and a crucial figure in the history of post-war California art.