Exit art (30 Ergebnisse)

Paperback. Zustand: Very Good. Binding sound, text clean, light shelfwear; slight rubbing to extremities. 46 pages. Book.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Zustand: Near Fine. No Jacket. Large 4to volume with 108 pages in near fine condition.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran September 23 through October 28, 1989 at Exit Art and then traveled to four other locations for additional dates. Features text contributions by Papo Colo, Neil Smith, Wodiczko, David Lurie, Rosalyn Deutsche, and Julie Courtney. Includes numerous black and white illustrations. A near fine copy in stapled wrappers.…

Zustand: Good. 8to. 108 pp. VG, plates.Provenance Peter NortonProvenance Peter Norton. From the collection of Peter Norton Family Foundation, Santa Monica, CA. In 2003, Norton, the founder of Norton Utilities, became the chairman of the board of MoMA PS1.

Soft cover. Zustand: Very Good. 1st Edition. Quarto softcover in stiff wraps, staple bound. Unpaginated with black and white and color illustrations. Clean, internally unmarked, well bound. Catalogue published to coincide with an exhibition at EXIT ART, New York, 1989. This was the American artist Jane Hammond's first solo exhibition. with an appreciation by Robert Creeley and artist's biography. Nice copy of this less common catalogue.…

8°. 24 x 31 cm. Original-Pappband. 1. Auflage. Englischsprachige Ausgabe. Auf Seite 2 von Peter Stanick signiert. Mit zahlreichen Abbildungen und 3 beiliegenden Postkarten. Umschlag leicht aufgebogen, ansonsten sehr gutes Exemplar. First edition. English language edition. Signed by Peter Stanick on page 2. With many illustrations and enclosed 3 postcards. Original hardcover. Cover slightly bent, otherwise fine copy.…

Soft cover. Zustand: Near Fine. Cardboard portfolio, sealed with diagonal green tape (seal broken) containing 24pp catalogue (stapled green card wraps) and glossy white envelope holding 40 loose colour plates by Moscow artists.

Softcover. Zustand: Very good. 36 p. 28 cm. B&w photos. Stapled. Bottom corner of front cover and first pages a bit worn.

Softcover. Zustand: Very Good. Exhibition catalog. Slim quarto. Illustrated in black and white. Stapled wrappers rubbed with a price label on the lower wrap, very good. Text includes "The Homeless Vehicle Project" by David Lurie and Krzysztof Wodiczko, "Tompkins Square Park Time Line" by Neil Smith, "Architecture of the Evicted" by Rosalyn Deutsche, "The Homeless Vehicle Project: Philadelphia" by Julie Courtney. "The Homeless Vehicle and the Tompkins Square Tableaux are components of the same metaphor. The dispossessed want their rights back and Wodiczko is ready to give it to them with the force of his photo theatre installation and the utility of his object of transportation." (from introductory essay by Papo Colo, "Living Rights are Human Rights"). …

Soft cover. Zustand: Very Good. Published on the occasion of an exhibition held at Exit Art New York in 1989. Well-bound in staple wraps, sharp corners, clean and bright interior pages. Covers show some light, faint foxing - mostly concentrated at the top of the front panel. Overall excellent.

Gr. 8 ° Broschur, 44 S., Katalog zur Ausstellung vom 24.10. bis 28.11.1987, mit zahlr. Abb. im Text und auf Tafeln, mit Biographie und Bibliographie Zustand: Gut, Einband mit leichten Gebrauchsspuren, ein schönes Exemplar in Ausstattung und Präsentation 600 gr.

Zustand: Very Good. 1st. A 1st ed. very good paperback, minor signs of wear on cov. as in image, text/block tight clean. 176p. 28x21,5cm. 600gr. Notice: Has increased shipping cost due to weight (600gr.). Look up "Shipping terms".

Staple-bound Wrappers. Zustand: Near Fine. Slim volume, 36 pages. Illustrations throughout. Minor wear to the paper covers, spine and edge. Illustrated wraps. Published on the occasion of the exhibition from Exit Art, New York NY November 1-December 2, 1989. Conversation between Jimmie Durham and Jeanette Ingberman. Book.…

Origi.Broschur, kl.4°, ca.28 Blatt. Umschlag vergilbt sonst guter Zustand.

Halbgewebe, gebundene Ausgabe. First edition. 438 Seiten, Buch ist in sehr gutem Zustand. Als Geschenk geeignet. 9783958291973 Sprache: Englisch Gewicht in Gramm: 2222.

Zustand: Good. 4to. Oblong. 30 pp. Soft, stapled black and white photographic wraps. Very good with marginal creasing along wraps. Black and white plates. Includes additional essay by Carlo McCormick. Catalogue created on occasion of exhibition "Anton Van Dalen: The Memory Cabinet" at the Cleveland State University Art Gallery from September 17 through October 29, 1988. From the Collection of the Art Historian Peter Selz.…

Hardcover. Zustand: Fine. 1st Edition. Picture boards the art work of Stanick sected from works 1975 to 1993 in fine condition.

Zustand: Good. 13 cm x 18 cm. Card. 2 pp. Color. Very Good, dot above print.

Zustand: Good. 13 cm x 18 cm. Card. 2 pp. Color. Very Good.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDED1989. Catalog of an exhibition of the work of Krzysztof Wodiczko including black and white glossy photos of his works. Very good condition. Clean copy. *.

Zustand: Good. Single flat card, printed both sides. 5 x 7 inches. Mint Condition. Announces the exhibition 12 September - 12 October 1985, opening Thursday 12 September, 6-8pm, in association with Jeffrey Browning, New York. Reproduces Naked Brunch, 1985, acrylic on canvas, 96 x 85 inches. Verso carries the Exit Art address at 578 Broadway and a non-profit bulk postage indicium, permit no. 5261.…

Zustand: Good. 8vo. 14 pp. Soft Covers. Very Good. B/W Plates. Includes 2 original B/W photo prints of artwork by Ursula von Rydingsvard.From the Collection of the Art Historian Peter Selz (1919-2019).

Soft cover. Zustand: Very Good. 1st Edition. Octavo softcover, saddle-stapled in stiff wraps. 68pp with two black and white illustrations. Clean, internally unmarked, well bound. All pages and wraps minorly bumped at upper forecorner, mild rubbing particularly at spine. Page interiors bright and fresh. Published in conjunction with the exhibition "EXISTENTIAL/POLITICAL: Works from the FOURTH DECADE by Rudolf Baranik and May Stevens" at EXIT ART, New York 1994. An important collection of trenchant criticisim, poetry, reminisces, and conversations by partners/artists Rudolf Baranik and May Stevens. Rare and important - in very good condition.…

[80] pp.; 10.3 x 8.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Ruled paged "Pocket Memo" blank book published as announcement in conjunction wtih show held May 1 - June 12, 1993. This is a commercial memo book with a dust jacket added over existing covers, with exhibition information serving as the invitation to the show's opening. The Design Show was curated by Jean-Noël Herlin, with research by Karen Bubb, and Sarah Wagner. Invitation and installation design by Papo Colo. Good / Very Good. Wear to top edge of dust jacket verso, and mild wear to jacket overall.…

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…

No Binding. Zustand: Very Good. 1st Edition. Twelve loose 5"x 7" black and white plates plus one tipped onto die-cut, gatefold cardboard case. With folded exhibition flyer plus accordion-fold card with an essay by the curator Jeanette Ingberman. Cards bright and fresh with little wear, card case with very little discernible wear. Exhibition catalaogue for a group show at legendary alternative exhibition space EXIT ART focusing not on pornography "in its traditional definition as a manifestation of a diseased society. but rather the valid expression of an extreme human experience, the secrets of eroticism portrayed by individual artists as they emphasize, in a subjective way, a particular fantasy". With art by Martha Boyden, Papo Colo, Jane Dickson, Dan Freeman, Michael Hafftka, Kim Keever, Komar & Melamid, Roberto Llimos, Carey Marvin, Richard Mock, Mike Roddy, and Betsy Rosenwald. An exemplary copy.…

Encuadernación de tapa blanda. Zustand: Excelente. Catálogo de la exposición celebrada en la galería Exit Art de Nueva York en mayo de 1987. Textos de Jeanette Ingberman, Mary Anne Staniszewski, Catherine Kempeneers, Emmanuel Wingels en inglés (ENGLISH). 44 pp. Rústica. 22,5 x 20,5 cm.

Zustand: Very good plus. First edition. Rare portfolio documenting Hsieh's third extended performance piece, a full year in New York City spent outside shelter of any kind (save for 15 hours inside a police station courtesy of the NYPD), issued in conjunction with an installation at Franklin Furnace. Each of Hsieh's one-year performances was preceded by a written statement of intent and documented with notes, on film, and in photographs, as his long endurance of his chosen conditions progressed: "In the same way that the images offer an apocalyptic view of the world, they show us the survivor hero who managed to endure the penalties of his circumstances" (Ingberman). Hsieh's first two performances required only personal and artistic discipline and the cooperation of one assistant - staying inside a constructed cell in his own studio and punching a time clock every hour, respectively. This third performance, his so-called 'Outdoor Piece,' was also an experiment in restriction and discipline, but one which took the artist outside the narrow ambit of a controlled gallery or studio space, relinquishing as much control as he asserted: in New York, outside, like Hell, is other people. An uncommon document of this pioneering performance artist. 11'' x 14''. Folder containing six bifold leaves [24 pages] printed with artist's statement and large-scale black and white photographs. Light to moderate edgewear and creasing to folder. Faint foxing here and there. Overall, sound.…