papo colo (16 Ergebnisse)

paperback. Zustand: Good.

Soft cover. Zustand: Near Fine. No Jacket. Large 4to volume with 108 pages in near fine condition.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran September 23 through October 28, 1989 at Exit Art and then traveled to four other locations for additional dates. Features text contributions by Papo Colo, Neil Smith, Wodiczko, David Lurie, Rosalyn Deutsche, and Julie Courtney. Includes numerous black and white illustrations. A near fine copy in stapled wrappers.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Soft Cover. Zustand: Near Fine. This is a near fine softcover copy with almost no wear. Completely clean. This catalog was prepared to accompany the exhibition at the Rosa Esman Gallery and at Exit Art, both in New York in the Soho district from November 20 to December 31, 1986. Essays by Lucy Lippard, John Yau, Rosa Esman, Martha Wilson, and Jeannette Ingberman. Illustrated in color and black & white with images on every page. Papo Colo (1946- ) is a Puerto Rican artist who works both in New York and Puerto Rico, where he has a studio in El Junque rainforest. In 1982 Papo Colo, with Jeanette Ingberman, founded Exit Art. Limited edition of 1000 copies. 11" high X 8" wide, about 40 pages. This book will be securely packed and shipped with tracking.

Soft cover. Zustand: Near Fine. Cardboard portfolio, sealed with diagonal green tape (seal broken) containing 24pp catalogue (stapled green card wraps) and glossy white envelope holding 40 loose colour plates by Moscow artists.

Softcover. Zustand: Very good. 36 p. 28 cm. B&w photos. Stapled. Bottom corner of front cover and first pages a bit worn.

Soft cover. Zustand: Very Good. Published on the occasion of an exhibition held at Exit Art New York in 1989. Well-bound in staple wraps, sharp corners, clean and bright interior pages. Covers show some light, faint foxing - mostly concentrated at the top of the front panel. Overall excellent.

Hardcover. Zustand: Brand New. 01 edition. 438 pages. French language. 11.50x9.50x1.50 inches. In Stock.

Staple-bound Wrappers. Zustand: Near Fine. Slim volume, 36 pages. Illustrations throughout. Minor wear to the paper covers, spine and edge. Illustrated wraps. Published on the occasion of the exhibition from Exit Art, New York NY November 1-December 2, 1989. Conversation between Jimmie Durham and Jeanette Ingberman. Book.

hardcover. Zustand: Good. Prima edizione (First Edition). Testi di Papo Colo, Mary Anne Stanieszewski, Marvin J. Taylor, Susan Harris, Charles Kremer et al. 1000 illustrazioni a colori e in bianco e nero. Biografie degli artisti . 8vo (cm 23x28). pp. 442. . Perfetto (Mint). . Prima edizione (First Edition). . Unfinished Memories: 30 Years of Exit Art is an intimate portrait of an institution that from 1982 to 2012 challenged social, political, aesthetic and curatorial norms. Committed to experimenting at the intersection of disciplines, publications and design, the gallery Exit Art remained steadfast in its mission to provide new possibilities and opportunities for artists, curators and viewers through its expansive historical shows, exhibitions of emerging and under-recognized artists, experimental theatre and performance works, as well as national and international film and video programs. Conceived by Exit Art's founders, Jeanette Ingberman and Papo Colo, this volume is a resource on more than 200 exhibitions, events, festivals and programs featuring more than 2,500 artists, presented within the larger context of the art world. More than seventy eyewitness accounts and idiosyncratic recollections from artists, curators, critics and friends create a vivid sense of the exhibitions, performances, screenings, discussions, ideas and people that were part of Exit Art during its three-decade run. Unfinished Memories: 30 Years of Exit Art  è un ritratto intimo di un'istituzione che dal 1982 al 2012 ha sfidato le norme sociali, politiche, estetiche e curatoriali. Impegnata a sperimentare all'intersezione di discipline, pubblicazioni e design, la galleria Exit Art è rimasta ferma nella sua missione di fornire nuove possibilità e opportunità ad artisti, curatori e spettatori attraverso le sue ampie mostre storiche, le esposizioni di artisti emergenti e poco riconosciuti, le opere teatrali e performative sperimentali, nonché i programmi cinematografici e video nazionali e internazionali. Ideato dai fondatori di Exit Art, Jeanette Ingberman e Papo Colo, questo volume è una risorsa su oltre 200 mostre, eventi, festival e programmi con più di 2.500 artisti, presentati nel più ampio contesto del mondo dell'arte. Più di settanta testimonianze e ricordi idiosincratici di artisti, curatori, critici e amici creano un senso vivido delle mostre, delle performance, delle proiezioni, delle discussioni, delle idee e delle persone che hanno fatto parte di Exit Art durante i suoi tre decenni di vita. Book.

Hardcover. Zustand: Brand New. 01 edition. 438 pages. French language. 11.50x9.50x1.50 inches. In Stock.

Hardcover. Zustand: Brand New. 01 edition. 438 pages. French language. 11.50x9.50x1.50 inches. In Stock.

[80] pp.; 10.3 x 8.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Ruled paged "Pocket Memo" blank book published as announcement in conjunction wtih show held May 1 - June 12, 1993. This is a commercial memo book with a dust jacket added over existing covers, with exhibition information serving as the invitation to the show's opening. The Design Show was curated by Jean-Noël Herlin, with research by Karen Bubb, and Sarah Wagner. Invitation and installation design by Papo Colo. Good / Very Good. Wear to top edge of dust jacket verso, and mild wear to jacket overall.

No Binding. Zustand: Very Good. 1st Edition. Twelve loose 5"x 7" black and white plates plus one tipped onto die-cut, gatefold cardboard case. With folded exhibition flyer plus accordion-fold card with an essay by the curator Jeanette Ingberman. Cards bright and fresh with little wear, card case with very little discernible wear. Exhibition catalaogue for a group show at legendary alternative exhibition space EXIT ART focusing not on pornography "in its traditional definition as a manifestation of a diseased society. but rather the valid expression of an extreme human experience, the secrets of eroticism portrayed by individual artists as they emphasize, in a subjective way, a particular fantasy". With art by Martha Boyden, Papo Colo, Jane Dickson, Dan Freeman, Michael Hafftka, Kim Keever, Komar & Melamid, Roberto Llimos, Carey Marvin, Richard Mock, Mike Roddy, and Betsy Rosenwald. An exemplary copy.

New York; Exit Art, 1982. 28x21,5 cm. 27 folded sheets in a brown cardboard box. The box has been sealed with a dollar bill, and has been opened. There is a small crack in onr of the foldings. A fine copy. Published on the occasion of Exit Art's first event, a group exhibition at Franklin Furnace in New York. The exhibiting artists were Vito Acconci, Gempei, Akasegawa, Louis Aragon, Scott Billingsley, Marc Blane, Gunther Brus, Barry Bryant, Chris Burden, Papo Colo, Bogomir Ecker, William Farley, John Fekner, Lou Forgione, John Giorno, John Halpern Gaag, Abbie Hoffman, Sam Hsieh, Jay Jaroslov, Komar & Melamid, George Maciunas, Gordon Matta-Clark, Ann Messner, Richard Mock, Peter Monnig, Charlotte Moorman, Otto Muehl, Hermann Nitsch, Dennis Oppenheim, Peoples Flag Show, Jan Van Ray, and Real Estate Show. "The show explored the ways in which the practice of art had occasionally run afoul of the law, from Charlotte Moorman playing cello in the nude to Chris Burden ordering his assistant to shoot him in his arm. The catalogue consisted of a series of artists? statements housed in a box, which was sealed shut. In order to open it, you had to tear through a dollar bill glued across the flaps?an illegal act, albeit of the mildest kind." (Hua Hsu, "Exit Art 1982-2012", in The Paris Review, April 12, 2012). From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on inside of the box.