jerry kearns (18 Ergebnisse)

0 68 p. Includes illustrations. Very good. light shelf wear, ex museum stamp.

First Edition. First edition. Oblong softcover. 23 pages. Exhibition catalog for a show that ran October 9 through November 11, 1986. Includes illustrations of works by Richard Artschwager, Llyn Foulkes, Leon Golub, Jerry Kearns, Barbara Kruger, Irving Petlin, and Andy Warhol. A near fine copy in wrappers with some very minute wear.

43 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Periodical on political art. Edited by Stuart Garber. Essays "State of Mind/State of the Union, Introduction and Listing"; "SM/U Working Conditions:.What Next?" by Jerry Kearns and Lucy R. Lippard; "SM/U Exhibitions: Wrestling with the Darkness," by Stuart Garber; "SM/U Performances I: A Dose of Cold Reality," by Jim Traub: "SM/U Imagegrams from the PADD ARCHIVES"; "SM/U Performances II: To Compare Apples and Oranges." by Charles Frederick; "Art Against Apartheid," by Blaise Tobia "Public Access T.V.: Use It or Lose It," by Diane Agosta, Caryn Rogoff, and Abigail Norman; "Fred Holland/New York Street Theatre Caravan" "International News." Cover: Jerry Kearns. Good / Very Good. 10.5 cm. loss to lower right corner of recto. Light yellowing of cover edges, contents are clean and unmarked.

Soft cover. Zustand: Very Good. Softcover, 72 pgs. 9 x 8 in. Catalog for exhibition held in NYC February 4 - March 18, 1984. Overall VG, with mderate edge wear, partial crease to back cover, light toning to spine.

71 pp.; 20.3 x 22.8 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held February 4 - March 18, 1984. Text by Marcia Tucker, Donald B. Kuspit, Lucy Lippard, and Nilda Peraza. Artists include Fred Lonidier and Allan Sekula, curated by Benjamin H.D. Buchloh; Nancy Spero and Francesc Torres curated by Suzanne Lacy; Ismael Frigerio and Alfredo Jaar curated by Kaylynn Sullivan and Hannah Wilke curated by Lowery Sims. Includes checklist of the exhibition. Good. Light rubbing of covers and bumping of corners. Stickers on recto cover. Contents clean and unmarked.

11 pp.; 27.8 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Periodical on political art. Edited by Stuart Garber. Essays "Against 'Inner Exile,'" by Vanalyne Green and Margia Kramer; "Report: The 'The Art Politik' Conference," by Lucy R. Lippard; "Ed Koch: The 'Acting' Mayor of New York," a poster featuring a collage by Jerry Kearns and painting by John Fekner; Review of "Internationalist Art Show Anti-WW3: Contemporary Art and Poetry from Around the World," by Herb Perr; "Report : The NAM Conference in Milwaukee," by Vanalyne Green as well as a news section. Very Good / Fine. Light yellowing of spine edge and gentle bumping of head and tail edges, otherwise Fine. Contents clean and unmarked.

43 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Periodical on political art. Edited by Stuart Garber. Essays "State of Mind/State of the Union, Introduction and Listing"; "SM/U Working Conditions:.What Next?" by Jerry Kearns and Lucy R. Lippard; "SM/U Exhibitions: Wrestling with the Darkness," by Stuart Garber; "SM/U Performances I: A Dose of Cold Reality," by Jim Traub: "SM/U Imagegrams from the PADD ARCHIVES"; "SM/U Performances II: To Compare Apples and Oranges." by Charles Frederick; "Art Against Apartheid," by Blaise Tobia "Public Access T.V.: Use It or Lose It," by Diane Agosta, Caryn Rogoff, and Abigail Norman; "Fred Holland/New York Street Theatre Caravan" "International News." Cover: Jerry Kearns. Good. Moderate yellowing of covers and overall soiling. Contents are clean and unmarked.

43 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Periodical on political art. Edited by Stuart Garber. Essays "State of Mind/State of the Union, Introduction and Listing"; "SM/U Working Conditions:.What Next?" by Jerry Kearns and Lucy R. Lippard; "SM/U Exhibitions: Wrestling with the Darkness," by Stuart Garber; "SM/U Performances I: A Dose of Cold Reality," by Jim Traub: "SM/U Imagegrams from the PADD ARCHIVES"; "SM/U Performances II: To Compare Apples and Oranges." by Charles Frederick; "Art Against Apartheid," by Blaise Tobia "Public Access T.V.: Use It or Lose It," by Diane Agosta, Caryn Rogoff, and Abigail Norman; "Fred Holland/New York Street Theatre Caravan" "International News." Cover: Jerry Kearns. Very Good / Fine. Light yellowing of spine edge and fore edge of recto, otherwise Fine.

15 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Periodical on political art. Edited by Elizabeth Kulas, Lucy R. Lippard, Diane Neumaier, Randy Wade, and Irving Wexler. Essays "Hispanic Art from Outrage," with excerpts from a talk by Juan Sanchez, Catalina Parra, Daniel Flores Ascencio, Lucy R. Lippard; "Who's Teaching What to Whom and Why? Excerpts from a Panel on Art, Ideology and Education, PADD Second Sunday Forum, Nov. 14, at Franklin Furnace," by Carol Duncan, Dan Newman, Hans Haacke, Tim Rollins, Ira Shor, Leon Golub, Carol Duncan, Herb Perr, Linda Cunningham, Dan Newman, Ngoma Hill, and Jerry Kearns; "The Activist Artists Advance," by Nancy Angelo; "Practicing Cultural Democracy," by Susan McCarn "Artists' Housing," by Spencer Ramsey. Cover: Judith Sanchez, 2nd grade. Very Good / Fine. Light yellowing of spine edge, otherwise Fine.

Zustand: Good. large quarto, [94] pp., portraits of the ten contributors, all of them women, and the short fiction supposedly selected from slush submissions rejected by Good Housekeeping; paper wrappers darkening but overall very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

11 pp.; 27.8 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Periodical on political art. Edited by Stuart Garber. Essays "Against 'Inner Exile,'" by Vanalyne Green and Margia Kramer; "Report: The 'The Art Politik' Conference," by Lucy R. Lippard; "Ed Koch: The 'Acting' Mayor of New York," a poster featuring a collage by Jerry Kearns and painting by John Fekner; Review of "Internationalist Art Show Anti-WW3: Contemporary Art and Poetry from Around the World," by Herb Perr; "Report : The NAM Conference in Milwaukee," by Vanalyne Green as well as a news section. Good. Yellowing at edges. Last page has 2 cm. tear at edge. Mailed copy with mailing wear and mailing marks to spine and covers. This copy addressed to Hans Haacke. Contents otherwise clean and unmarked.

Zustand: Good. 12mo. 4pp. Announcement for Jerry Kearns, "Fact Witness." Card-stock with "Swoon", 2018 printed in color on cover.

Zustand: Good. 4to. 68 p. Soft covers. Minor signs of shelf wear. Minor creasing. Some color plates. Light creasing. Very Good. Provenance: From the collection of the Peter Norton Family Foundation, Santa Monica, Ca. In 2003, Norton, the founder of Norton Utilities, became the chairman of the board of the MoMA PS1.

Zustand: Good. [Exhibition brochure]. 12mo. Oblong. [4 pp]. Single printed color illustrated card, folded in half. Very good. 1 color plate. Brochure created on occasion of exhibition "Jerry Kearns: White Lies. Recent Paintings" at Modernism in San Francisco, CA from September 12 through November 2, 1996. Includes selected artist chronology. Scarce.From the Collection of the Art Historian Peter Selz.

[2] pp.; 13 x 18 cm.; duotone; edition size unknown; unsigned and unnumbered; offset-printed Double-sided postcard / announcement published in conjunction with show held March 2 - March 30, 1985. Artists included Dennis Adams, Douglas Ashford, Rudolph Baranik, Terry Berkowitz, Chris Bratton, Luis Camnitzer, Michael Corris, Eric Darton, Douglas Davis, Juan Downey, Leon Golub, Alfredo Jaar, Jerry Kearns, Margia Kramer, Michael Lebron, Larry List, Despo Magoni, Margot McLean, Rudy Montanez, Antonio Muntadas, Saul Ostrow, David Reynolds, Geno Rodriguez, Tim Rollins, Martha Rosler, Erika Rothenberg, Carolee Schneemann, Greg Sholette, Mimi Smith, Nancy Spero, May Stevens, and Francesc Torres. Good. Hand-addressed mailed copy with mailing marks and mild wear. Short note from sender in ink on verso, otherwise clean and unmarked.

Zustand: Good. Poster. 81 x 49cm.Receiving his MFA from UC Santa Barbara in 1966, Jerry Kearns was born in Petersburg, Virginia in 1943 and creates large-scale whimsical and dark graphic paintings. Since the 1980's Kearns has created "psychological pop" paintings, which have been exhibited in the United States and internationally, focusing on the impact of consumerism and mass media on people's conceptions of themselves and reality. His artistry draws on his own experiences growing up in the United States and witnessing the blending of politics, entertainment, and truth in the media. He personally saw this transformation occur first-hand beginning with the Reagan administration. The subject matter is also based in personal tragedy, as his wife passed away in 2016 due to pancreatic cancer caused by the toxic air in New York City, an environmental crisis denied and covered up by the Bush administration. His sought-after pop art pieces juxtapose famous images and figures from Western iconography in violent scenes of conflict but without a clear victor. Sometimes humorous, sometimes morbid and often both, these acrylic on canvas artworks reflect the hypocrisies and absurdities that lie within the confusing landscape of American cultural politics and ideologies.erry Kearns' "psychological pop" paintings represent a multidimensional quantum universe. Juxtaposing varied modes of representation, Kearns presents a visual mash-up that highlights how certain iconography expresses American belief structures. In compositions rife with conflict, questioning, contradictions and intrigue, Kearns depicts iconic figures sourced from Western popular culture engaged in perpetual power struggles, though it's never clear who is winning. His characters fluctuate between protagonist and antagonist in a narrative that reflects our own constructions of reality - a matrix of thought where time and space are condensed and presented in a single, tense moment.Jerry Kearns has exhibited internationally across the Americas, Europe, and Asia since the 1980s. He has been featured many times in The New York Times, Art and Auction, ARTnews, and Artforum, among others. His paintings are included in many public and private collections, including the Museum of Modern Art (New York), National Galerie (Berlin), Brooklyn Museum (New York), the Art Institute of Chicago, Whitney Museum of American Art (New York), The Norton Family Collection (Los Angeles), San Francisco Museum of Modern Art, and Queensland Art Gallery (Queensland, Australia.

Zustand: Good. Color poster. 32 x 19 inches.Signed and presented to the preeminent San Francisco picture framer.Helnwein is one of the best-known, but also most controversial German-speaking artists after the Second World War. He was best known for his hyperrealistic pictures of wounded and bandaged children. Throughout his career, he deals with the themes of pain, injury and violence, and also touches taboo and stimulus topics of recent history. Thus, in particular, the subject of National Socialism is processed in his works; but in the center of his work is above all the representation of the child.

[1] pp.; 35.5 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single-sided announcement / poster published in conjunction with show held December 7 - January 18, 1982. Organized by Jerry Kearns and Lucy R. Lippard. Features an illustration of Reagan by Mollette. "Anti-Reagan, antiwar, antipollution and anticorporation sentiments stock 'Who's Laffin' Now?', a show of 'political comics, humor and art,' part of the educative 'Bread and Roses' program sponsored for its members by District 1199 of the National Union of Hospital and Health Care Employees. Organized by the art critic and commentator Lucy R. Lippard and Jerry Kearns, a professor in the visual arts at the University of Massachusetts in Amherst, it suspends entirely the distinction between 'fine' and commercial artists. The result is a wild mixture of cartoons, posters, paintings, comic strips, objects and other punchy manifestations, some scattershot crude and some very pointed indeed. The artist Mike Glier, an alumnus of the recent and gritty 'Times Square Show,' for example, contributes a huge black-and-white poster of a fang-toothed President Reagan, attended by Supreme Court justices, gas-masked soldiers and a crying infant. ''Give Blood'' reads the attendant slogan. A more modest effort by a cartoonist, Peter Kuper, depicts a lone child as he emerges from an air-raid shelter in a devastated city and ventures into an abandoned toy store, to find it stocked with toy weapons. The painter Peter Gourfain, working in a large, bold style reminiscent of medieval woodcuts, is responsible for a number of offerings, including a color strip on canvas that deals with the troubles in Ireland, and a Greektype krater decorated with savagely updated scenes from the Bible and mythology." -- Grace Glueck, "32 STORIES OVER CITY A 'BOOMERANG' SOARS," New York Times, December 24, 1981 Very Good. Folded horizontally at center. Date and time of opening party inscribed in ink, otherwise clean and unmarked.