9780300055405 - History and Its Images: Art and the Interpretation of the Past von Haskell, Francis (15 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. History and Its Images: Art and the Interpretation of the Past This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Hardcover. Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Paperback. Zustand: Very Good. Over the last few centuries, historians have increasingly turned to images in their attempts to understand and visualize the past. This book surveys the various ways that they have adopted for making use of this material, and examines the specific objects that became available to them through excavation, the creation of private collections and public museums, easier means of travel, and the startling displacements brought about by vandalism and art exhibitions. Francis Haskell begins by discussing the antiquarians of the 16th and 17th centuries who brought to light and interpreted as historical evidence coins, sculptures, paintings discovered in the catacombs beneath Rome, and other relics surviving from earlier ages. He explains that, in the 18th century, historians gradually began to acknowledge the significance of such visual sources and to draw on them in order to validate and give colour to their narratives or to utilize them as foundation stones for a new branch of learning - the history of culture. Later writers followed the example of Michelet in making inferences from the visual arts to indicate the whole mentality of an age, while (more erratically) others saw in them the harbingers of political, religious, or social upheavals. Haskell concludes by discussing those cultural historians of the 19th and early 20th centuries, Burckhardt and Huizinga above all, who did not merely give the visual arts a prominent and necessary place in their interpretations of the past, but in some ways actually interpreted the past through the visual arts. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

First Edition. Fine cloth copy in a near-fine, very slightly edge-dulled dust wrapper. Pages very slightly tanned. Includes previous owner's inscription. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: x, 558 p.: ill. (some col.); 27 cm. Notes: Includes bibliographical references (p. [520]-542) and index. Subjects: Art and history. History Sources. Art and society History. Art as historical evidence History. Visual Arts. Illustrations, images, etc. Interprétation. History Representation of historical events. History in art. Art and society. Genre: Art History. 3 Kg.

Hardcover. Zustand: Like New. First Edition. First Edition, First Printing. Published by Yale University Press, 1993. Octavo. Hardcover. Book is like new with spotting to top page ends. Dust jacket is like new. Great copy of this engaging history title.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1750grams, ISBN:0300055404.

Hardcover. Zustand: Very Good. 560 pages. Heavy book may incur additional freight outside of NZ In this engrossing book, an eminent art historian surveys the ways that histo rians have made use of visual sources-sculptures, paintings, coins, and other re lics-in their attempts to understand and visualize the past. Francis Haskell exa.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

hardback, 4to, x,558pp., illustrated, clean and tight, no inscriptions, Very Good / Very Good dustwrapper. wrapper slightly creased on front panel. ISBN: 0300055404.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. x, 558 pages : illustrations (some colour) ; 27 cm. Summary:Over the last four centuries, historians have increasingly turned to images in their attempts to understand and visualize the past. In this wide-ranging and engrossing book, a distinguished art historian surveys the various ways that they have adopted for making use of this material, and he examines the specific objects that became available to them through excavation, the creation of private collections and public museums, easier means of travel, and the startling displacements brought about by vandalism and art exhibitions. Francis Haskell begins by discussing the antiquarians of the sixteenth and seventeenth centuries who brought to light and interpreted as historical evidence coins, sculptures, paintings discovered in the catacombs beneath Rome and other relics surviving from earlier ages. He explains that, in the eighteenth century, historians gradually began to acknowledge the significance of such visual sources and to draw on them in order to validate and give colour to their narratives or to utilize them as foundation stones for a new branch of learning - the history of culture. Later writers followed the example of Michelet in making inferences from the visual arts to indicate the whole mentality of an age, while (more erratically) others saw in them the harbingers of political, religious or social upheavals. Haskell concludes by discussing those cultural historians of the nineteenth and early twentieth centuries, Burckhardt and Huizinga above all, who did not merely give the visual arts a prominent and necessary place in their interpretations of the past, but in some ways actually interpreted the past through the visual arts.

Hardcover. Zustand: Fine Copy. Frontis. and 262 colour and black and white illus., index; x+558pp. orig. cloth,

Zustand: Very good.

Hardcover. Zustand: Brand New. 560 pages. 10.50x8.00x1.50 inches. In Stock.