Over the last few centuries, historians have increasingly turned to images in their attempts to understand and visualize the past. This book surveys the various ways that they have adopted for making use of this material, and examines the specific objects that became available to them through excavation, the creation of private collections and public museums, easier means of travel, and the startling displacements brought about by vandalism and art exhibitions. Francis Haskell begins by discussing the antiquarians of the 16th and 17th centuries who brought to light and interpreted as historical evidence coins, sculptures, paintings discovered in the catacombs beneath Rome, and other relics surviving from earlier ages. He explains that, in the 18th century, historians gradually began to acknowledge the significance of such visual sources and to draw on them in order to validate and give colour to their narratives or to utilize them as foundation stones for a new branch of learning - the history of culture. Later writers followed the example of Michelet in making inferences from the visual arts to indicate the whole mentality of an age, while (more erratically) others saw in them the harbingers of political, religious, or social upheavals. Haskell concludes by discussing those cultural historians of the 19th and early 20th centuries, Burckhardt and Huizinga above all, who did not merely give the visual arts a prominent and necessary place in their interpretations of the past, but in some ways actually interpreted the past through the visual arts.
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Over the last few centuries, historians have increasingly turned to images in their attempts to understand and visualize the past. This book surveys the various ways that they have adopted for making use of this material, and examines the specific objects that became available to them through excavation, the creation of private collections and public museums, easier means of travel, and the startling displacements brought about by vandalism and art exhibitions. Francis Haskell begins by discussing the antiquarians of the 16th and 17th centuries who brought to light and interpreted as historical evidence coins, sculptures, paintings discovered in the catacombs beneath Rome, and other relics surviving from earlier ages. He explains that, in the 18th century, historians gradually began to acknowledge the significance of such visual sources and to draw on them in order to validate and give colour to their narratives or to utilize them as foundation stones for a new branch of learning - the history of culture. Later writers followed the example of Michelet in making inferences from the visual arts to indicate the whole mentality of an age, while (more erratically) others saw in them the harbingers of political, religious, or social upheavals. Haskell concludes by discussing those cultural historians of the 19th and early 20th centuries, Burckhardt and Huizinga above all, who did not merely give the visual arts a prominent and necessary place in their interpretations of the past, but in some ways actually interpreted the past through the visual arts.
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Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Hardback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Artikel-Nr. GOR003541809
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Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Artikel-Nr. GRP8939667
Anbieter: Better World Books: West, Reno, NV, USA
Zustand: Good. Used book that is in clean, average condition without any missing pages. Artikel-Nr. 5279309-6
Anbieter: Wonder Book, Frederick, MD, USA
Zustand: Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Artikel-Nr. B10A-01861
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
Zustand: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Artikel-Nr. GRP63038892
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Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1750grams, ISBN:0300055404. Artikel-Nr. 9531129
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Anbieter: Southampton Books, Sag Harbor, NY, USA
Hardcover. Zustand: Like New. First Edition. First Edition, First Printing. Published by Yale University Press, 1993. Octavo. Hardcover. Book is like new with spotting to top page ends. Dust jacket is like new. Great copy of this engaging history title.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York. Artikel-Nr. 356249
Anbieter: Book Express (NZ), Shannon, Neuseeland
Hardcover. Zustand: Very Good. 560 pages. Heavy book may incur additional freight outside of NZ In this engrossing book, an eminent art historian surveys the ways that histo rians have made use of visual sources-sculptures, paintings, coins, and other re lics-in their attempts to understand and visualize the past. Francis Haskell exa. Artikel-Nr. 5480f
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Anbieter: MW Books, New York, NY, USA
First Edition. Fine cloth copy in a near-fine, very slightly edge-dulled dust wrapper. Pages very slightly tanned. Includes previous owner's inscription. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: x, 558 p.: ill. (some col.); 27 cm. Notes: Includes bibliographical references (p. [520]-542) and index. Subjects: Art and history. History Sources. Art and society History. Art as historical evidence History. Visual Arts. Illustrations, images, etc. Interprétation. History Representation of historical events. History in art. Art and society. Genre: Art History. 1 Kg. Artikel-Nr. 318700
Anbieter: BRIMSTONES, Lewes, Vereinigtes Königreich
hardback, 4to, x,558pp., illustrated, clean and tight, no inscriptions, Very Good / Very Good dustwrapper. wrapper slightly creased on front panel. ISBN: 0300055404. Artikel-Nr. 788300
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