William jay rathbun (15 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Zustand: Very Good.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. As fine and readable a survey of Japanese art history and art culture as one can find to that date. Many, many score fine full-color and black-and-white illustrations and augmented by double-column texts. Contributions by Richard Pearson, James C. Dobbins, William H. McCullough, Martin Collcutt, Marius B. Jansen and Michael Knight, and by William Jay Rathbun and Henry Trubner. Preface by Henry Trubner and BOnnie Pitman-Gelles, and with a Preface by William Jay Rathbun. Fine-looking, structurally sound hardcover, little discernible wear, bright interior, unmarked. Bright and shiny dust jacket, illustrated, little worn. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. [5], 6-238 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

Soft cover. Zustand: Good. 1st Edition. Internally clean with light wear to corners, crease to lower front corner, light wear to spine. Solid reading copy. BP/Textiles.

paperback. Zustand: Very Good. Unmarked trade paperback.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good.

Soft cover. Zustand: Very Good. 1st Edition. 1983 exhibition catalog showcasing the Beauty of Japanese Folk Art, with 148 items fully described from ceramics, textiles, sake casks, cooking vessels and pot hooks etc. Ex pencil mark inside cover otherwise clean interior with all pages tight in binding, covers a little age faded.…

Hardcover. Zustand: Very Good. 0877014612. 1987, bright clean copy, with dustjacket, no markings, Professional booksellers since 1981.

Colour map and photographic plates, 199pp, index. 30.5 x 23cm. A very good paperback copy. From the library of Aubrey and Eva Sweet with a small label indicating the collection number on the spine.

Zustand: Good. 4to. 300 pp. Illustrated Soft Covers, Very Good+. Plates, some color. Large heavy volume; will cost extra for shipping.

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. English text.; Paperback.; 21.5 x 30 cm.; 1.2 kg; 297 pages with black and white and a few colour illustrations.; Used with minor signs of wear on the exterior and interior. Small wear mark on the right side of the front cover. Minor edge wear, scuffs ans scratches on the front cover, spine and back cover. Interior with minor signs of wear.; Catalog published for the exhibition, A Myriad of Autumn Leaves: Japanese Art from the Kurt and Millie Gitter Collection, held at the New Orleans Museum of Art, November 13, 1983-January 15, 1984 and at The Walters Art Gallery, Baltimore, February 15-April 22, 1984.; "This is the second exhibition that the New Orleans Museum of Art has organized of works from the Gitter collection. The first, Zenga and Nanga Paintings by Japanese Monks and Scholars, was presented in 1976 and focused on artists of two particular schools of the Edo Period. The present exhibition, which includes only one work from the first show (the great Virtue calligraphy by the monk Hakuin), is broader in scope, with paintings from nearly all the major schools of the period, as well as ceramics and sculpture. However this exhibition also reflects the personal tastes and passions of the collectors. Works of the Nanga and Zenga schools predominate in the selection of paintings. The Gitters have a special admiration for three artists, who are among the greatest Japan has produced: Ike Taiga, Yosa Buson, and Hakuin Ekaku. These masters are represented in the exhibition by, respectively, seven, four, and five works each. Thus the exhibition retains the personal flavor of a private collection, while presenting a survey of Edo painting." excerpt from the preface. …