Fister pat (6 Ergebnisse)

Soft cover. Zustand: Very Good. Softcover 1985 edition. Covers and text in very good condition. Book elongated with slight waves the result. Binding firm. Pages unmarked and clean.

SOFTCOVER. Zustand: Fine. 1st Edition. Very Large landscape 4to. (approx 28cm x 40cm) in colour printed stiff glossy card covers, 136pp on thick glossy art paper, colour plates, etc . [CONDITION: An extremely well preserved almost AS NEW very clean and tight unmarked copy (minute speck of shelf rub to cover corner tips) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Soft cover. Zustand: Good. No Jacket. 1st Edition. English text.; Paperback.; 22 x 28 cm.; 0.8 kg.; 192 pages with black and white and colour illustrations.; Used with signs of wear on the exterior and interior. The exterior shows wear marks, edge wear, scuffs and scratches on the front cover, spine and back cover. The top right corner of the front cover has a bump. The top and bottom of the spine are bumped, with small chips and tears. The back cover is worn at the bottom and at the middle of the text, with a tiny chip in one word. Interior with signs of wear, with a few pages slightly bent at the top most likely due to the bump. Good readable copy.; Catalogue from an exhibition held at the Asia Society Gallery, New York, June 13-September 1, 1985; Spencer Museum of Art, University of Kansas, Lawrence, September 29-December 22, 1985; Huntington Art Gallery, March 6-April 13, 1986; University of Texas, Austin; University Art Museum, June 11-September 14, 1986 Berkeley, California; Japan has perhaps the most lively and richly developed tradition of supernatural lore of any civilization. It is comprised of some of the most relentlessly fearsome goblins, demons, metamorphosed animals and ghosts ever known to man. Japanese poets, actors, dancers, and artists have all delighted in portraying these monsters, often with a playfulness and humor that mitigates the demons' more ferocious qualities, but also with a bold, dramatic fervor designed to impress upon their audiences the lessons of folklore. For, like our own mythological and fairy-tale characters, Japan's supernatural inhabitants suggest much about the morals of the Japanese people and of their efforts to understand the mysteries of the world. This is the first book devoted to the study of the supernatural world and its representation in Japanese art. From the 17th to the 19th centuries many of Japan's most brilliant artists, including Hiroshige, Hokusai, Yoshitoshi, and Zeshin, allowed their imaginations free rein to present these mysteries in a variety of media, including paintings, woodblock prints, screens, netsuke and inro sculptures, and fans. The 49 color plates and 75 black and white illustrations presented here show a stunning array of Japan's most fiendish figures. Each of the ten chapters focuses on one of the most important themes in Japanese lore, discussing its anthropological meaning and literary and artistic interpretations.…

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. English text.; Paperback.; 21.5 x 30 cm.; 1.2 kg; 297 pages with black and white and a few colour illustrations.; Used with minor signs of wear on the exterior and interior. Small wear mark on the right side of the front cover. Minor edge wear, scuffs ans scratches on the front cover, spine and back cover. Interior with minor signs of wear.; Catalog published for the exhibition, A Myriad of Autumn Leaves: Japanese Art from the Kurt and Millie Gitter Collection, held at the New Orleans Museum of Art, November 13, 1983-January 15, 1984 and at The Walters Art Gallery, Baltimore, February 15-April 22, 1984.; "This is the second exhibition that the New Orleans Museum of Art has organized of works from the Gitter collection. The first, Zenga and Nanga Paintings by Japanese Monks and Scholars, was presented in 1976 and focused on artists of two particular schools of the Edo Period. The present exhibition, which includes only one work from the first show (the great Virtue calligraphy by the monk Hakuin), is broader in scope, with paintings from nearly all the major schools of the period, as well as ceramics and sculpture. However this exhibition also reflects the personal tastes and passions of the collectors. Works of the Nanga and Zenga schools predominate in the selection of paintings. The Gitters have a special admiration for three artists, who are among the greatest Japan has produced: Ike Taiga, Yosa Buson, and Hakuin Ekaku. These masters are represented in the exhibition by, respectively, seven, four, and five works each. Thus the exhibition retains the personal flavor of a private collection, while presenting a survey of Edo painting." excerpt from the preface. …

Soft cover. Zustand: Fine. 134 pages : illustrations (some colour) ; 21 cm.

tankobon_hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Includes dust jacket. Japanese language text. Profusely illustrated.