William hugues (33 Ergebnisse)

Hardcover. Zustand: Fair. 2nd. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. 2nd. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good +. 6 x 9 in. Brown faux morocco boards. Condition is VERY GOOD+ ; mild edge wear, covers clean. Binding tight and text unmarked. Phil. Stax.

Hardcover. Zustand: Very Good. Subsequent. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

hard cover. Zustand: good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDGood, hard cover book with no dust jacket, bumped edges, tips bumped, ink on inside front cover page, 443 pages, sm4to.

Couverture souple. Zustand: bon. RO60060325: 1980. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 239 pages. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.

Hardcover. Zustand: Good. 1st Edition. 252pp nd ca 1870 hardback, full black leather gilt, bw engraved plates and illustrations in text, including engraved extra title page tissue-guarded, gift inscription dated 1875 to ffep, extremities rubbed, with gilt stamp to centre of front board advertising 'French Classes conducted by Monsieur P. Baume, Glasgow' blind-embossed library stamp to ffep, all edges gilt, some scattered spotting, eps in imitation of watered silk.…

Taschenbuch. Zustand: Gut. Moat Hall - 1st. 1980 : William Hughes - tb DY-3GV3-NM78 Sprache: Deutsch Gewicht in Gramm: 500.

Couverture souple. Zustand: bon. RO60146145: 1968. In-8. Broché. Etat passable, Coins frottés, Dos plié, Papier jauni. 183 pages. Nombreuses notes au crayon in texte. Texte en anglais. Quelques rousseurs. Quelques traces d'adhésif. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.

[9707].

Zustand: Buone. inglese Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Encuadernación de tapa blanda. Traducción de D. G. R. y M. Madrid. Suc. de Hernando. Col. Bibl. Científica y Recreatica, nº 7. 1917. Nueva edic. 18x11 cm. 165 págs. láms. y grabados en texto. cartoné edit. ilust. con Litografías, lomo tela. señal de numeración. # medicina.

Zustand: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Zustand: new. vendeur professionnel. Expedition en 24/48h.

Zustand: Gut. Zustand: Gut | Seiten: 480 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. X, 214 Pp. First Printing, Code 563 At Bottom Of Rear Flap. Fine In Fine Dj, Price Clipped, Name Label On Front Endpaper.

Zustand: EC. Paris, percaline; in-4, 252 pp. Quelques tâches de rousseur.

Encuadernación de tapa dura. Zustand: Bien. Madrid, Imprenta y Librería de Gaspar (Biblioteca Científica Recreativa), 1879. Tela editorial con gofrados en ambos planos, 18x12 cm., 207 pp., grabados intercalados. Sello de caucho en portadilla y lomo rozado, por lo demás en buen estado de conservación.…

in-12, demi-reliure toilée de l'époque, pièce de titre, plats papier marbré, 327p. Rousseurs inégales. Bon exemplaire.

Encuadernación de tapa dura. Zustand: Muy bueno. Edición Ilustrada. Historia de un pliego de papel. Pizzetta. Mi Casa. Historia familiar de mi cuerpo. William Hugues. Pizzetta; William Hugues. Dos obras en un solo volumen. Gaspar y Roig Editores, colección Biblioteca Científica Recreativa, sin fecha. Media piel, tejuelo con hierros en oro, ilustrados con grabados. 350 gramos. VER TODAS LAS FOTOS.…

Couverture rigide. Zustand: bon. R320059935: XIXe SIECLE. In-4. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. VIII 272 pages augmentées de nombreuses illustrations en noir et blanc in et hors texte - TRanches dorées - Légères salissures sur le 1er palt illustré en couleurs. . . . Classification Dewey : 840.08-XIX ème siècle.…

Couverture rigide. Zustand: Satisfaisant. In-4 bradel percaline éditeur noir et or illustrée d'après René Péan. 31 cm sur 23. 80 illustrations en photogravure noir et blanc. Tranches dorées. 312 pages. Mors très fragilisés et partiellement déliés. Dos légèrement insolé et effrangé. État correct d'occasion.…

Cloth. Zustand: Very Good. A vanishingly scarce twelfth edition, richly illustrated with 80 photogravures, offering a French perspective on the life and customs of early 20th-century London and its inhabitants. In the publisher's original pictorial cloth binding.This is the twelfth edition, a vanishingly scarce copy of this work.This copy features eighty black-and-white photogravure illustrations, 21 of which are full page plates. Collated, complete.This is a vivid portrayal of London life, including street scenes, social life, festivals and customs, sports and games, the "stomach" of London, maritime life, commerce and finance, police, administration, educational institutions, and the military, among others. This volume provides a charming overview of English customs and institutions through a sophisticated French lens. In the publisher's original cloth binding. Externally, smart. Tear at head of spine, with cloth separating from spine. The odd slight handling mark to boards. Slight rubbing to extremities and boards. Slight bumping to extremities. Offsetting to endpapers. Very slight soiling to cloth with the odd minor spot to rear boards. Internally, generally firmly bound. Hinges slightly strained in place, but remaining firm. Pages bright and clean, with age slight age toning, not uncommon with this paper. Very Good. Various (illustrator). book.…

Köln, London, [etc.], Taschen, [2004]. 550 pp. Num. col. / b./w. ills, incl. fold. plts. Orig. hardcover (pictorial boards), d./j. Folio [ca. 30 x 45 cm.]. Presented in its original card-board box. - The box is worn.Text in English, French and German, translated from the English (main text) and German (introductory essays). - This spectacular compilation of plates representing a superb collection of ancient Etruscan, Greek, and Roman vases is the fruit of a collaboration between Sir William Hamilton and British diplomat and collector Pierre-François Hugues d'Hancarville, an adventurous connoisseur and amateur art dealer.…

Zustand: Very good condition. A neoclassical masterpiece from the greatest 18th century work on the arts of the ancient world by D'Hancarville, "Antiquites Etrusques, Grecques, et Romaines tirees du Cabinet du M. William Hamilton", published in Naples in 1767. This is one of only two double-page engravings of the famed Hamilton Vase, now in the British Museum. Framed within ornate patterned borders, the principal scene shows a youth standing in a small temple-like structure, with his horse and armor. Flanking the temple are two youths and two women holding objects including a helmet, shield and spear; a mirror and wreath; two offering bowls, fillet and a branch; and a ritual bucket and jug. At the right side of the engraving is a scene with two males and two females flanking a stele, most likely making offerings and paying homage to the deceased. Colored at the time, the terra cotta colored figures and highlighting in white, against the black background makes a powerful graphic statement. Sir William Hamilton was the British ambassador to Naples during the city's golden age, from 1764 to 1800. An avid antiquarian, Hamilton assembled one of the world's finest collections of Greek and Roman antiquities. The core of his collection was bought en bloc from the Porcinari family, after an introduction by Hugues d'Hancarville, an amateur art dealer. Hamilton added several more choice items before selling the entire collection to the British Museum in 1772, where it became one of the main collections in the department of Greek and Roman antiquities. However, before the collection was shipped to England, Hamilton arranged for Hugues d'Hancarville to oversee the cataloging and drawing of every item. The published work appeared in 1766-1767 and is a triumphant example of the printmakers art of the highest order. The Hamilton Vase was given star treatment in d'Hancarville's book, with no less than three single b&w and two double-page colored engravings, this being one of the colored ones. (See Jenkins & Sloan, Vases and Volcanoes, Sir William Hamilton and His Collection. British Museum: London 1996, p109 (pictured). Stunning double page engraving with original hand color and ample margins, framed sympathetically in a gilt and black wood frame. 27 x 17 1/2" in frame measuring 37 x 27".…

Hardcover. 5 volumes, 4to (10 x 7 5/8 inches): 5 engraved frontispieces all with original hand-color, 360 engraved plates of vases and antiquities by F.A. David, most with original hand-color. Contemporary green half morocco, the smooth spines gilt decorated in six compartment, red morocco lettering-pieces in one (extremities a little scuffed). PROVENANCE: with the engraved armorial bookplate of Mathew Anderson on the front paste-down of each volume; The Richard Harris Collection, Natural History & Colourplate Books; his sale at Bloomsbury Book Auctions, 13 October 2010, lot 142. A fine and attractive set of the "pocket" edition of Hamilton's vases, with unusually wide margins. Hamilton's collection of ancient vases, assembled by him after his appointment to the court of Naples in 1764, was first illustrated, described, and published between 1776 and 1777. Pierre Francois Hugues, an authority on ancient art, had introduced Hamilton to the Porcinari family, the owners of a large collection of ancient classical vases which Hamilton bought and enlarged, and then sold to the British Museum in 1772. Before their shipment of England, all the objects were listed, drawn and described under the supervision of the brilliant but unscrupulous "baron". The work was finely illustrated with hand-colored engraved plates whose 'influence on neo-classical design and taste was to be profound (Dictionary of Art). One of the explicit aims of the work was to discover the proportions of ancient vases in order to aid in their true reproduction, and indeed its influence on Josiah Wedgewood was significant. "Within barely a year of the publication of the first volume Josiah Wedgwood had opened his pottery works, Etruria, in Staffordshire, and thrown six black basalt 'first day vases' based on vases in Hamilton's publication. Countless other subsequent Wedgwood articles and designs were inspired by the work. "When Hamilton and his wife returned to London on leave in August 1771, he negotiated for his collection of vases to be bought for the nation. According to tradition, this 'first collection' was purchased for the British Museum in 1772, for £8400, out of funds authorized by act of parliament. There seems to be no evidence for this sale, although the story was known to Horace Walpole, who refers to it in one of his 'books of materials' but mentions the sum of £8000. In 1772 Hamilton was made a knight of the Bath and elected a fellow of the Society of Antiquaries; he and his wife arrived back in Naples early in 1773, after travelling via Vienna, Venice, Florence, and Rome. Believing that he had exhausted the supply of fine Greek vases, Hamilton did not resume collecting until 1789, when he began amassing what would become his second collection of vases. This collection was fully described in Collection of Engravings from Ancient Vases (4 vols., 1791-95), edited with illustrations by Johann Heinrich Wilhelm Tischbein, director of the Naples art academy. Far less expensive than the Antiquités, the volumes of these vase engravings, which were soon republished in various affordable editions, had considerable influence on public taste and on artists such as John Flaxman and Henry Fuseli" (Geoffrey V. Morson for DNB). Catalogued by Kate Hunter.…

[1910] ? Imprenta de Gaspar y Roig, Madrid Col. Biblioteca Científica Recreativa. Trad. de D. J. V. y C. Il. en b/n. 207+208 p. 18x11 cm. Enc. media piel no editorial. Exterior algo fatigado Para ver o recibir fotografías de los libros puede ir a nuestra web o solicitarlas., ).

Paris, Librairie Ch. [Charles] Delagrave, s.d. [1908]. Un vol. au format in-4 (317 x 232 mm) de 316 pp. Reliure d'édition de plein cartonnage cerise, plats biseautés, le premier agrémenté d'un filet d'encadrement doré ainsi que d'une large composition figurative en plusieurs tons, titre frappé or, dos lisse orné d'un filet d'encadrement doré, filets dorés et en noir, Union Jack frappé sur fond crème, titre doré, tranches dorées. Edition originale. Exemplaire revêtu d'un joli cartonnage éditeur à décor figuratif polychrome. L'ouvrage s'agrémente de 80 compositions tirées en photogravure d'après René Péan. Angles et coupes élimés. Ors du cartonnage oxydés ; lequel présente en outre un éclat altéré. Du reste, très belle condition. …

1 volume in-8° relié pleine percaline crème estampée d'un décor polychrome. Plats bisautés, tranches dorées. 275 p. figures dans le texte, hors-texte en couleurs. Bel exemplaire.