William dwiggins (15 Ergebnisse)

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. Xii, 365 Pp. Grey-Green Cloth Stamped In Red. An Original Publication Of The Readers Club, Not A Reprint. Dj Priced $1.50. Book Near Fine, No Marks, Dj Lightly Used.

Soft cover. Zustand: Very Good. This issue includes articles on graphics on pencils, William Addison Dwiggins, Gutenberg Museum Library, and the Deberny & Peignot type foundry. 64 pages, col. ill. ; 28 cm. Shelf wear to edges, small slight stain to front and back cover, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Softcover. Zustand: Gut bis sehr gut. 40 (unpag.) Seiten, Original-Engl. Broschur. Gutes Exemplar.

Hardcover. Zustand: Very Good. No Dust Jacket. First Edition. Signed by Author. Size: 9" x 5 3/4". Text body is clean, and free from previous owner annotation, underlining and highlighting. Turquoise paper with blue printed decoration over boards, 39 pages of text plus 32-page "scrapbook" and numerous photographic reproductions and other illustrations. Wear at corners and along spine, spine toned, gift inscription by Paul Hollister, the writer of one of the opening texts of the book, on front free end paper. Quantity Available: 1. Shipped Weight: 2 lbs 0 oz. Category: Art & Design; Signed by Author. Pictures of this item not already displayed here available upon request. Inventory No: 015257.…

Hardcover. Zustand: Near Fine. Hardcover. One of 900 copies, with 400 for subscribers and 500 for general sales. "Being a collection of the writings of Dwiggins on various subjects. Some critical, some philosophical, some whimsical." And they are - this is an enjoyable compilation of many essays by him on everything from "The Shape of Roman Letters," to "The Crew of the Ship 'Earth." Bound in blue cloth covers with title in gilt on front cover and spine. The book was composed in linotype Caledonia and printed by the Anthoensen Press of Portland, Maine. Binding by John Marchi of Portland. With ownership signature of Huntington Williams of Baltimore on free front endpaper. Affixed to rear endpaper is a typed bibliographic description of the book, including original price of $5.00. In near fine condition. Measures 4.75 x 7.25 inches. 152 pages BOB/082226.…

Taschenbuch. Zustand: Neu. Neuware - 'Layout in Advertising' is a foundational text in the field of graphic design and commercial art, authored by the influential designer William Dwiggins. This seminal work provides a comprehensive analysis of the structural and aesthetic elements required to create effective and visually compelling advertisements. Dwiggins meticulously breaks down the process of arranging text, images, and white space to capture consumer attention and convey a clear message.The book covers a wide range of topics essential to the advertising professional, including typography, illustration, and the psychological impact of visual hierarchy. Dwiggins emphasizes the importance of balance, proportion, and clarity, offering practical guidance that remains relevant for anyone interested in the history and evolution of visual communication. By examining the relationship between form and function, 'Layout in Advertising' serves as both a historical window into early 20th-century marketing practices and a timeless resource for understanding the core principles of design.Whether exploring the nuances of letterforms or the strategic placement of copy, this work highlights Dwiggins' unique perspective as a master of type and layout. It is an essential read for designers, students of advertising history, and those looking to master the art of persuasive visual storytelling.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Mounted Sheets. Zustand: Very Good. First Edition. Specimen sheet (560mm. x 430mm.), accompanying sheet (280mm. x 220mm.), mounted in a card folder. Pin marks and some tape marks, with small losses to corners of specimen sheet. [808] Size: 320mm. x 240mm.

Softcover. Zustand: Very Good. First paperback edition (published simultaneously with the hardcover edition). Small soil marks on a couple pages, tears and soiling on wraps, very good. An illustrated alphabet designed and illustrated by the leading artists of the day, printed in red and black. Printed wrapper designed by William A. Dwiggins, and the letter "Q" illustrated by Boris Artzybasheff. …

Buch. Zustand: Neu. Neuware - 'Layout in Advertising' is a foundational text in the field of graphic design and commercial art, authored by the influential designer William Dwiggins. This seminal work provides a comprehensive analysis of the structural and aesthetic elements required to create effective and visually compelling advertisements. Dwiggins meticulously breaks down the process of arranging text, images, and white space to capture consumer attention and convey a clear message.The book covers a wide range of topics essential to the advertising professional, including typography, illustration, and the psychological impact of visual hierarchy. Dwiggins emphasizes the importance of balance, proportion, and clarity, offering practical guidance that remains relevant for anyone interested in the history and evolution of visual communication. By examining the relationship between form and function, 'Layout in Advertising' serves as both a historical window into early 20th-century marketing practices and a timeless resource for understanding the core principles of design.Whether exploring the nuances of letterforms or the strategic placement of copy, this work highlights Dwiggins' unique perspective as a master of type and layout. It is an essential read for designers, students of advertising history, and those looking to master the art of persuasive visual storytelling.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Hardcover. Zustand: Very Good. :: An Appreciation of Oswald Bruce Cooper, with characteristic Examples of his Art in Lettering, Type designing & such of his Writings as reveal the Cooperian Typographic Gospel. :: Bound in rose-colored cloth, front board bears decorative illustration of author's initials in gilt. Title and publisher lettered upon spine, also in gold. Top edge text block rose. Quarto (11 1/4 x 8 1/2 inches; 286 x 216 millimeters). 183 pages. Condition: Very Good. Small stains upon cloth of boards. Interior pages age-toned. Beautiful, large book - great care was taken to honor this gentleman and his works.…

1 vols. 8vo. Zustand: Red wrappers. Fine. First Edition. First Edition. 1 vols. 8vo. Booklet to announce a new linotype face, Electra by W.A.D.

Hardcover. Zustand: Very Good. Dust Jacket Included. 1st Edition. Boston: W. A. Butterfield, 1907. 8vo, 99 p., original tan cloth ruled in black and stamped in gilt. First edition of this scarce work and the author's only published book, a collection of letters detailing the author's travels in Egypt, Italy and Switzerland. A VG copy with corners gently bumped, cloth lightly soiled and stained; binding slightly cocked, but a sound copy, in a chipped and torn jacket designed by typographer and calligrapher William Addison Dwiggins, with top 1" of spine missing; closed tear and wrinkling to rear panel; corners chipped, but a VG- example overall.…

Edition limited to 75 copies (this, no. 64) for The Typocrafters for their 1972 annual meeting in Chicago, printed by Dwight Agner from DeRoos and Contura types with Paul Hayden Duensing ornaments; 8vo, pp. [8], 3-19, [1]; original terracotta wrappers, printed wrap-around label on upper and lower cover; fine. From the library of Kim Merker. This article first appeared in the inaugural issue of Print Magazine, Spring, 1940, and is reprinted here with the permission of Print's editors.…

First edition, no. 105 of 190 copies. First edition, no. 105 of 190 copies. xii, 87, [1, colophon]. 1 vols. 4to. A beautiful copy of this authoritative work on Dwiggins? Bound in crimson cloth and marbled boards. Very fine xii, 87, [1, colophon]. 1 vols. 4to.

Zustand: Good. Good, papercover with dust jacket, 20x14,5x0,3 Lino cut drawings in single colour ink. Spine and backside dustwrapper slightly discoloured. Ex-libris or bookstore stamp on front dustwrapper and end page. , letterbox mail.