standard paul (31 Ergebnisse)

Zustand: Good. Williams 1954-81, Paul H.; Co., Standard Oil (illustrator). Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Williams 1954-81, Paul H.; Co., Standard Oil (illustrator). Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Zustand: Good. 96 pgs. Good, with moderate cover wear. Articles include "A View: Introductory Education in Typography," "The Formal Economy of Written Signs," "The Future Role of the Printing Historical Society," "Is Literacy Acquisition Easier in Some Languages Than in Others?" and more.

Zustand: Very good. - Octavo, limp reddish brown cloth with a printed label on the spine, in a dust wrapper. The covers are slightly warped & the dust jacket is lightly rubbed. 471 pages plus colophon. Illustrated with numerous full-page & textual facsimiles, including several folding facsimiles. Very good. First German edition. Originally published in English by Penguin Books in 1955 under the title "Five Hundred Years of Printing". The text is in German.Calligrapher Paul Standard's copy. Laid in are two autograph letters in German from Leo Kasarnovski sending him the book.

Hardcover. Zustand: Very Good. First Edition. 8vo, 36, [ii] pages, cloth.

hardcover. Zustand: Very Good. The pages are tanned at the edges. The copy shows minor external wear, but is in othewrwise very good condition.

Paperback. Zustand: Very Good. FIRST THUS. First Edition Thus, First Printing. Published by Pentalic Corporation, 1978. Octavo. Paperback. Book is very good with shelf/edgewear. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Hardcover. Zustand: Very Good. First in book form. 38pp. Lightly toned boards, very good.

Zustand: Good. 1947. No edition remarks. 36 pages. Pictorial dust jacket over brick red cloth. Illustrations throughout. Pages remain bright and clean. Binding remains firm. A previous owner's name to front free endpaper. Boards have mild shelf wear with light rubbing and corner bumping. Some mild marking and tanning. Unclipped jacket has moderate edge wear with tears, chips, and some areas of loss. Some tanning and foxing to all surfaces, particularly to spine.

Softcover. Zustand: Fine. Reprint Edition. A lovely Reprint Edition in a like dust-jacket; This book is a guide to calligraphy and its many uses. It covers the basics of the craft, from the materials needed to the techniques and principles involved. The author also offers tips for wider use of calligraphy, including ways to create unique pieces of art. This book is a great resource for anyone interested in learning how to create beautiful lettering.; 8vo; 36 pages.

Softcover. Zustand: Near Fine. [12] pp., tall 12mo (7.75 x 3.25 in.); cord-tied wrapper, dustjacket. Drawings of the zodiac signs are by Fritz Kredel; text translated from old almanacs by Paul Standard; printed in burgundy and black on Rives paper. Designed by Herbert Reichner, possibly the Viennese rare book dealer who emigrated to the US and established his book business in New York 1939. However, the address shown here is 11 West 42nd Street in New York, while other authorities state that in 1939, a Herbert Reichner operated out of 34 East 62nd Street (see Dickinson, Dictionary of American Antiquarian Booksellers, 172-3). Near fine copy; minor age-toning around dustjacket edges.

Softcover. Zustand: Fine. Reprint Edition. An unblemished reprint edition; This book is a comprehensive guide to calligraphy and its many variations, from the beginner to the enthusiast. It provides instructions for creating beautiful flowers, leaves, and vines, as well as detailed instructions for restoring old calligraphy. This book is perfect for anyone interested in learning about this beautiful art form.; 8vo; 36 pages; Price? ? ?

Brown Cloth. Zustand: Very Good. First Edition. 38 pages, colour & b/w illustrations. Some soiling, shelfwear to covers, offsetting to prelims, otherwise contents fine, unmarked. [770] Size: 240mm. x 165mm.

Hardcover. Zustand: Very Good. Hardcover, 10 1/2" x 7 1/2", unpaginated. Fine copy.

With hints for its wider use today. Sylvan Press Limited 1947. 36,(2) pp. Illustrated. Publisher's cloth. 24 x 16 cm.[#\87802].

106 s. Ill. Förlagsband med skyddsomslag.

Zustand: Sehr gut. Williams, Paul H.; Co., Standard Oil (illustrator). Zustand: Sehr gut | Seiten: 591 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardcover. Zustand: Very Good. :: An Appreciation of Oswald Bruce Cooper, with characteristic Examples of his Art in Lettering, Type designing & such of his Writings as reveal the Cooperian Typographic Gospel. :: Bound in rose-colored cloth, front board bears decorative illustration of author's initials in gilt. Title and publisher lettered upon spine, also in gold. Top edge text block rose. Quarto (11 1/4 x 8 1/2 inches; 286 x 216 millimeters). 183 pages. Condition: Very Good. Small stains upon cloth of boards. Interior pages age-toned. Beautiful, large book - great care was taken to honor this gentleman and his works.

First book edition (the two articles herein, now expanded, originally appeared in The Inland Printer), 8vo, pp. 38; printed in red and black throughout, calligraphed shoulder notes and illustration, other typographical illustrations throughout; handsome production, and generally fine in orig. blue cloth, gilt lettering on spine. Designed by Raymond DaBoll.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 4° - B/w reproductions. Exhibition Catalog: Three Swiss Italian Xilographers Ugo Cleis (1903-1976)- Aldo Patocchi (1907-1986)- Imre Reiner (1900-1987). Text in Italian, French and German language, published in 1000 copies. Original boards and original dust-jacket. In Very good condition.

Grosses Original-Farbportraitfoto (kl. 8 to quer), von Paul Lendvai eigenhändig signiert (in person, Wien Nov. 2025, leider über sein Gesicht geschrieben - er signiert nicht gern Fotos von sich !).

Gr.-8°, kart. Zustand: Gut. 83 Bll. Gebraucht: Einband berieben, Papier gebräunt, ansonsten guter Zustand. Sprache: Deutsch Gewicht in Gramm: 550.

4°, gebundene Ausgabe. Zustand: Sehr gut. unpaginierte Seiten, mit montierten Titelseiten Orig.-Pappband mit montiertem Rückenschild, Cellophan-Schutzumschlag, Papier in altersgemäßem sehr gutem Zustand, Schriftmuster mittels montierter Buchseiten vorgestellt. B05-02-02C Sprache: Deutsch Gewicht in Gramm: 1750.

First Myriade Press printing. Octavo (23cm). Printed card wrappers; [176]pp; illus. Mild external wear, principally to wrapper edges and corner extremities; internally clean, tight and unmarked - Near Fine. Reissue, in slightly smaller format, of the 1963 edition (which was limited to 725 copies). Review copy, with publisher's press release and review slip laid in.

ÜBER DIE HEUCHELEI Täuschungen und Selbsttäuschungen in der Politik. Paul Zsolnay Verlag Wien, 3. Auflage 2024, ERSTAUSGABE, 188 SS. gebunden (Hardcover, 8 to) mit Schutzumschlag, schön erhalten (neuwertig) - von Paul Lendvai eigenhändig signiert (in person, Wien Nov. 2024).

[New York], Stores Publishing Co., [1948]. 29 x 22 cm. Offprint on deluxe paper from Woman's Day, December 1947. Stapled in grey cover. 4 p. Printed in red-brown and black on laid paper. Text about the Chancery cursive by Arrighi with letter images - also of other typographical types, and partly taken from letters from calligraphers to Paul Standard! Among others Jeanyee Wong, Jan Tschichold, George Salter, Jan van Krimpen, Stanley Morison and Will Carter. Spine slightly torn. On the inside of the cover a very beautiful handwritten dedication by Standard (1896-1992) to Huib van Krimpen: 'H. van Krimpen/ with cordial regard,/ & in common affection for/ Chancery Cursive,/ Paul Standard/ (calligraphic curl)/ N.Y., 12 April 1948'. This classic article from a widely read women's magazine (3 million buyers in 1947) is cited in the online version of the Encyclopaedia Britannica as an example of the popularity of calligraphy.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Poor. First American edition. Octavo [24 cm] Natural tan cloth over boards with the title stamped in black ink stamped title on the spine and a New York City skyscraper vignette on the front cover. Woodcuts reproduced in black and white, and in color. With light foxing to the upper extremities. Large areas of age-toning on the endpapers. Small ink stamp on rear free endpaper. In the illustrated dust jacket, which is split in half, age-toned, and brittle. A first American edition, from the German American illustrator, and author of Woodcuts & Wood Engravings: How I Make Them.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First American edition.

Hardcover. Zustand: Near Fine. Hardcover. Number 254 of 500 copies and signed by Hermann Zapf on the colophon. This is an interesting and informative work on typography and title page design. There are 78 book and title pages, some bound in and others inserted. In his preface, Paul Standard of New York wrote: The typographer's true task is to bring to each book the grace, distinction and convenience proper to its content; and to make the title and every other part mutually reflect each other." A description of each of the title pages is included following the samples of typographic design. Bound is grayish green paper covers with a vellum spine with gilt titling. Ownership signature of Bernard Klem in ink to free front endpaper. Short closed tear to bottom of title page, else in near fine condition with light sunning to covers. No slipcase. Measures 8.5 x 12 inches. Unpaginated. PRINTARTS/100324. Signed.

Zustand: Fine. - An archive consisting of 11 stages of an autograph letter each penned in sepia ink in a calligraphic hand by the American calligrapher Paul Standard, 9 of which are signed.Beginning with the outline of an idea "I have spoken of the subtle effect of the italic script." roughly penned on 2 sheets of 9 inch high by 6-1/4 inch wide paper with the return address "Livres Anciens Maurice Bridel", probably wrappers for a book catalog, which the bookseller had mailed him from Lausanne, Switzerland on July 28, 1956. Postmarked, with Paul Standard's typed address. Using the ample blank space, Paul Standard has begun to pen a letter upon the theme outlined above. There are profuse corrections throughout.A second letter, penned in sepia ink on 11 inch high by 7-3/4 inch wide buff paper begins with the same thoughts "In another place I have spoken of the subtle effect of the italic script upon the quality of a writer's prose." the fifth line of this letter continues with "But there are vast legions who seem quite." with the word "happy" scratched out and replaced with "content" . "with their ball-point 'pens'." There are several corrections with words crossed out such as replacing "the person" with "those who have" and the addition of the word "dynamic". This version of the letter is not signed but Paul Standard has numbered each line from the sixth one down, starting with the number 1 through 22. The first 5 lines will no longer appear in subsequent rewrites.Next he has rewritten lines 1 through 18, starting with "But there are vast legions" on 7-3/8 inch high by 8-1/2 inch wide creamy white quality paper, numbering each line. There are several corrections throughout. This letter is also not signed.Continuing to develop the letter or essay, Standard has rewritten it on quality 11 inch high by 8-3/8 inch wide creamy white quality paper. Signed in full with several corrections in ink & pencil.Next is a clean rewrite on 11 by 8-3/8 inch quality paper without any corrections. Signed by Paul Standard.Another copy with no apparent changes to the text but with the calligraphy penned and laid out slightly differently. Also signed in full by Paul Standard.Another layout, with the first lines changed to: "But then there's the writer who seems quite content with is ball-point 'pen', who does not even think of italic. Him I should wish not to convert but rather to help in this way." There are a couple of corrections. Signed in full "Paul Standard".Now we come to a clean rewrite, with the calligraphic text attractively laid out, signed in ful by Paul Standard.And finally, the final version is another beautifully calligraphed rewrite with yet a final change. Where the third line previously read "Him I should wish not to convert but rather to help.", it now reads "Him I should wish less to convert but to help." Signed in full "Paul Standard".A wonderful unique archive of the development of a calligraphic letter on the very subject of calligraphy by Paul Standard.Mostly fine and housed in 2 folded folios sheets of parchment paper. The beautifully crafted letter or essay now reads thus: "But then there's the writer who seems quite content with his ball-point 'pen', who does not even think of italic. Him I should wish less to convert than to help, and in this way. I should urge him to continue with his accustomed script, but to write with an edged pen. At once his familiar hand gains a new dimension. His old monotonous hairline letters come into a new life. The edged pen imparts to his words a flowing quality, a running sequence of alternating thicks & thins, achieved without manual pressure. His formerly static lines become dynamic - not explosively but subtly & quietly, with a calm distinction as of dignified speech. The change, proceeding from the logic of the edged tool that created our Latin alphabet, may give the writer the clue to a more thorough-going reform through rediscovery of the italic hand. But even if he never takes this final step he will yet have redeemed his older script, replacing its anaemia with a timeless grace & vigor. Yours sincerely Paul Standard".The American calligrapher and author Paul Standard (1896-1992) emigrated from Russia in 1903. He is the author of "Calligraphy's Flowering, Decay and Restoration", "Our Handwriting", and "Arrighi's Running Hand".Charles Skaggs who taught night classes in calligraphy at Cooper Union writes of Paul Standard "Here we have Arrighi's most devoted and scholarly advocate. At Cooper Union and New York University, Standard taught the pure, straight stuff, both as to the mechanics of pen management and to the legitimate variations of the Italian renaissance hand. Basics came before personal frills.". "His gutty, uninhibited italic could have forged a papal bull of a canto from Dante with convincing aplomb. Standard's personal correspondence (always in sepia ink) with fellow calligraphiles was as worldwide as the reading of his published writings." . "He delights in a stubborn anachronism that charms all who are privileged to know him." Charles Skaggs taught at Cooper Union for 5 years and donated his collection to Smith College.