William blake morton d paley (12 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Very Good.

Soft cover. Zustand: Good. 302 pages : 100, 5 color facsimiles. Series: Blake's illuminated books ; v. 1. Though we have graded our copy of this book as good only, its only real flaw is mild wear at the fore-corners of its paper wrappers and textblock. It is otherwise an attractive copy, unmarked and structurally sound. 1120 grams.…

Hardback. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Please note that this is a heavy item and may incur extra shipping costs for international orders.; Dust jacket is bright and unmarked, front and rear upper panel creased, unprice clipped; brown cloth boards are clean, gilt titling bright, corners sharp; binding is tight; pages are unmarked with colour plates, previous owner's small numerical annotation on final page. Scarce in hardback.; 8.5 x 1.25 x 12 inches; 302 pages.…

Paperback. Zustand: Very Good. Princeton Paperbacks edition in the Blakeâs Illuminated Books series, 1998, in overall very good used condition with only slight signs of age, handling and storage - covers just a touch rubbed. Binding tight and appears almost unopened. Internally clean, no annotation or inscriptions; text and illustrations bright and clear throughout. Photographs available. Not an old library book.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. First thus, a full-length study of Blake's designs for Cromek's 1895 edition of Blair's poem, (includes facsimile of the final publication). For the first time Blake's preparatory and rejected designs are presented alongside the published versions. Elephant folio, in black fabric-covered boards with red leather label at the backstrip. The book is in Fine condition, appears not to have been read, corners and spine tips not bumped. The dustjacket has minor scratches in the gloss and minor shelf-wear to edges but is free from tears or loss of any description - Near Fine. Blake, William (illustrator).…

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

4°, 195 Seiten. mit 11 Textabbildungen und 116, meist ganzseitigen, teils farbigen Abbildungen. Orig.Leinen mit OSU im Schuber. Mit Anmerkungen, Zeittafel. - Rücken unten bestoßen. Gewicht (Gramm): 1050.

Cloth. Zustand: Fine. Zustand des Schutzumschlags: Very Good Indeed. First edition. A smart and bright first edition copy of this selection of essays on the poet William Blake written by scholar Sir Geoffrey Keynes. This volume gathers a selection of essays by Geoffrey Keynes that view William Blake's works from a variety of perspectives. The essays cover Blake's earliest works and his later poems and designs.Sir Geoffrey Keynes was a British surgeon and author who was a scholar and bibliographer of English literature and English medical history focusing primarily on William Blake and William Harvey.Richly illustrated throughout and in the original unclipped dust wrapper. In the publisher's original cloth binding. Externally, excellent. Internally, firmly bound with bright and clean pages. In the original unclipped dust wrapper which is generally excellent with some very minor edge wear. Fine. William Blake (illustrator). book.…

Hardcover. Zustand: Very Good. Hardcover. 8vo. Published by The Folio Society Ltd. , London, UK. 1992. Xviii, 54 pgs. Illustrated in color & black and white. Issued in slipcase. Slipcase lightly scuffed and worn. Bound in illustrated cloth with titles present to the spine and the front board. Boards lightly rubbed and worn. No ownership marks present. Text is clean and free of marks, binding tight and solid. Unabridged, full color value reproduction of Songs of Innocence and of Experience by William Blake. This classic poetry, written in 1789, was originally hand colored on each page and is reproduced here in full color for a visually rich experience. Songs includes his most famous poem, "Tiger Tiger burning bright, In the forests of the night, " and many others. Interesting to read, and unique to Blake's poetry in this collection, are that the poems of Innocence are often counter poised with the poems of Experience. EB; 8vo 8" - 9" tall.…

Limited edition, one of 36 special copies from a total edition of 186 copies. Folio. 95, (1) pp. Publisher's wine red half calf over black moiré silk, gilt lettered to the spine with a matching gilt lettered label to the upper board, slipcase in matching moiré silk. Illustrated in colour and black and white; slipcase also housing a matching red full calf portfolio enclosing a card wallet holding fine reproductions of Blake's original watercolours mounted on card, as per the originals. Just some slight dustiness to the slipcase, a sumptuous production. An out-of-series set, marked as such on the watercolours wallet, being John Commander's own copy. Although not inscribed by him directly, the set was acquired from Commander's estate. Loosely inserted is a 12 page typescript of a review of the work by his fellow Blake scholar Robert N. Essick with Commander's pencilled annotations at intervals concerning some of Essick's observations. Also enclosed is an original 6" x 4" colour photograph captioned in pencil on the rear "John [Commander], Bob [Essick], Detto [unknown]" dated "October 21, 1991". Commander spent his life in publishing and for many years headed the Scolar Press. An expert on Blake, he was heavily involved in the refounding of the William Blake Trust and was appointed as secretary and executive director of the organisation. He also wrote about Blake and is credited with the design and production of this work on the verso of the title page. The story of the origins and subsequent disappearance of William Blake's designs for "The Grave" are long and complicated. Blake had been commissioned by Robert Hartley Cromek to produce illustrations for Blair's poem in late 1805 intending for a published edition. Blake assumed he would also be employed to engrave the images and be paid accordingly. However, Cromek had other ideas and gave the work to the Italian engraver Luigi (or Louis) Schiavonetti. Various miscommunications and provocations ensued causing Blake and Cromek to fall out. The published work eventually appeared in 1808 and Cromek passed away four years later at the age of 42. The whereabouts of Blake's designs for the next two decades are broadly known but after their sale in 1836 they completely disappeared. Nineteen of the watercolours in their original red portfolio (reproduced faithfully here) eventually turned up in Glasgow in 2001. Originally offered for sale together as a collection, the ownership passed to a London art dealer who failed to find a buyer. They were subsequently individually lotted up, including the case, and sold at Sotheby's New York in 2006. Now split between "four different countries and two continents", the auction was the last time the collection was held in one place.…