Sprache: Englisch
Verlag: Hebrew Union College Press, Cincinnati, 1962
Anbieter: Library of Religious Thought, Omaha, NE, USA
Hardcover. Zustand: Very Good. 18pp.
Sprache: Englisch
Verlag: Hebrew Union College Press, Cincinnati, 1962
Anbieter: Library of Religious Thought, Omaha, NE, USA
Hardcover. Zustand: Very Good. 18pp. Front cover has some fading.
Sprache: Englisch
Verlag: Hebrew Union College Press, Cincinnati, 1962
Anbieter: Library of Religious Thought, Omaha, NE, USA
Hardcover. Zustand: Very Good. 18pp.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 16,77
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Verlag: Committee for Beyond the Frame / ICA Tokyo / Tokyo, Japan / Japan, 1991
Anbieter: Specific Object / David Platzker, New York, NY, USA
211 pp.; 30 x 21 cm.; sewn bound; color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Setagaya Art Museum, Tokyo, July 6 - August 18, 1991. Traveled to The National Museum of Art, Osaka, August 29 - September 29, 1991 and Fukuoka Art Museum, Fukuoka, November 15 - December 15, 1991. Essays by Lynn Gumpert and Brian Wallis. Artists include Richard Artschwager, John Baldessari, Gretchen Bender, Sarah Charlesworth, Nancy Dwyer, Kate Ericson and Mel Ziegler, Suzan Etkin, Jenny Holzer, Jasper Johns, Joseph Kosuth, Barbara Kruger, Louise Lawler, Sherrie Levine, Roy Lichtenstein, Gordon Matta-Clark, Allan McCollum, Bruce Nauman, Claes Oldenburg, Stephen Prina, Robert Rauschenberg, James Rosenquist, David Salle, Andres Serrano, Cindy Sherman, Lorna Simpson, Robert Smithson, Nancy Spero, Haim Steinbach, Andy Warhol and Lawrence Weiner. Includes exhibition checklist and selected bibliographies. Texts in Japanese and English. Very Good. Yellowing and light rubbing of covers with light edge wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.
Verlag: Washington University, Publisher, St. Louis, 1933
Anbieter: Mare Booksellers ABAA, IOBA, Dover, NH, USA
Pamphlet. Zustand: Good. Pamphlet. 8 pp. This first issue of this 'little' magazine, featuring the story 'Les Amies' by Dorothy Weiner, as well as work by Clark Mills, Josephine Johnson and others. Edited by Mills, with Dorothy Weiner on the student staff. Perhaps an association copy, with Clark Mills' name and address typed at the upper front cover, with a handwritten 'exchange?' above that. Clark Mills (McBurney) was a poet perhaps best known for his friendship and association with Tennessee Williams, which began in 1933 and continued through their attendance of Washington University and beyond. Mills is cited by Williams as turning him on to poets such as Hart Crane, Rimbaud and others (see Tennessee Williams: Notebooks, edited by Margaret Thornton, p. 26). GOOD condition. Moderate offsetting and browning to the outer pages, mostly along the extremities, with some foxing to the same locale. Minor general browning and soiling to the exterior. Small crease to the lower corner.
Sprache: Englisch
Verlag: Verlag der Buchhandlung Walther König Cologne, Germany, 2000
ISBN 10: 3883754455 ISBN 13: 9783883754451
Anbieter: Specific Object / David Platzker, New York, NY, USA
88 pp.; 24.5 x 16.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Catalogue published on the occasion of the performance of the opera "THE SOCIETY ARCHITECT PONDERS THE GOLDEN GATE BRIDGE / ODER: WIE SIE KRIEGEN WAS SIE NICHT VERDIENEN," by Lawrence Weiner and Peter Gordon, held at National Galerie im Hamburger Bahnhof, Museum für Gegenwart, Berlin, September 8-10, 2000 and Kunst und Ausstellungshalle der Bundes Republik Deutschland, Bonn, November 8 & 11-13, 2000. Includes an interview with Lawrence Weiner by Gerd de Vries and an interview with Peter Gordon by Lawrence Weiner. Publication designed by Weiner. Text in German and English. Very Good / Fine. Rubbing of cover edges, and scuffing of covers, otherwise Fine. Contents clean and unmarked.
Sprache: Englisch
Verlag: Köln : Verlag der Buchhandlung Walther König,, 2000
ISBN 10: 3883754455 ISBN 13: 9783883754451
Anbieter: Wanda Schwörer, Engelsbrand, Deutschland
Pp. Zustand: Wie neu. 87 S. : Ill.; 25 cm neu Aufgrund meiner Knie-OP versende ich vorübergehend nur dienstags & freitags. Danke für eure Verständnis Sprache: Englisch Gewicht in Gramm: 855.
Sprache: Englisch
Verlag: Experimental Medicine and Surgery, Volume 23, No. 2-3, 1965
Anbieter: Robinson Street Books, IOBA, Binghamton, NY, USA
Verbandsmitglied: IOBA
Pamphlet. Zustand: Collectible; Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDOffprint. Reprinted from Experimental Medicine and Surgery, Volume 23, No. 2-3. 1965. First separate edition. Offprint. Original wrappers. *. First edition.
Sprache: Englisch
Verlag: Scientific American, Inc., New York, 1955
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Magazin / Zeitschrift Erstausgabe
Soft cover. Zustand: Fair. First Edition. Covers Are Entirely Detached Although Present; Otherwise Clean And Almost Unworn. 140 Pp. First Printing Of Weisskopf's New Model Of The Atomic Nucleus.
Gebundene Ausgabe. Zustand: Sehr gut. Gebraucht - Sehr gut SG - Schutzumschlag leicht beschädigt, ungelesenes Mängelexemplar, gestempelt, Versand Büchersendung - Julião Sarmento ( 1947 in Lissabon) ist einer der bedeutendsten portugiesischen Künstler seiner Generation. Seit den 1970er-Jahren präsentiert er Filme, Video- und Klangkunst, Gemälde, Skulpturen, Installationen sowie Multimediakunst und hat zudem eine Reihe von ortsbezogenen Arbeiten entwickelt. Sein Werk ist national wie international bereits vielfach ausgestellt worden. Der reich bebilderte Band stellt Arbeiten Sarmentos aus mehr als 5 Jahrzehnten vor. Er zeigt alle Werke, die in der begleitenden Ausstellung zu sehen sind und dokumentiert zudem ein Projekt, das der Künstler in Zusammenarbeit mit dem Schriftsteller James Salter eigens für die Publikation entwickelt hat. Er bietet eine Reihe von kurzen Artikeln zu ausgewählten Werken aus der Feder namhafter Kritiker, Künstler und Kuratoren, ein Gespräch zwischen Sarmento und James Lingwood sowie einen Essay von João Fernandes. (Portugiesische Ausgabe ISBN 978-3-7757-3530-8) Ausstellung: Museu de Arte Contemporânea de Serralves, Porto 23.11.2012 - 24.2.2013 Julião Sarmento (born 1947 in Lisbon) is one of the most significant Portuguese artists of his generation. He began exhibiting film, video, sound, painting, sculpture, installation and multimedia in the 1970s, but also developed several significant site-specific projects. Sarmento has exhibited his work extensively, both nationally and internationally. This book features works from the late 1960s until the present. Heavily illustrated with all the works on display, the publication also includes a project developed by the artist in collaboration with writer James Salter specifically conceived for the book. It features small texts on some works by several art critics, artists and curators, a conversation between Sarmento and James Lingwood and an essay by João Fernandes, Museum Director and exhibition curator. (Portugese edition ISBN 978-3-7757-3530-8) Exhibition schedule: Museu de Arte Contemporânea de Serralves, November 23, 2012-February 24, 2013.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 114,22
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Serpentine Gallery London, United Kingdom, 1995
ISBN 10: 1870814916 ISBN 13: 9781870814911
Anbieter: Specific Object / David Platzker, New York, NY, USA
1 vol : [36] pp. ; 1 vol: 14 pp. ; 1 vol: [1] pp.; 10.5 x 15 cm.; loose card[s]; black-and-white & color; edition size unknown Set of 36 postcards housed in cardboard box published in conjunction with show held March 24 - April 30, 1995. Curated by Hans Ulrich Obrist. Includes folded press release and exhibition booklet with text by Andrea Schlieker and artist biographies. Artists include Christian Boltanski, Maria Eichhorn, Hans-Peter Feldmann, Jef Geys, Gilbert & George, Douglas Gordon, Christine Hill, Carsten Höller, Fabrice Hybert, Wolfgang Tillmans, Lawrence Weiner, and Franz West. Fine. Box and cards are as issued. Soiling to label on foil packaging.
Verlag: Sidney Janis Gallery New York, NY, 1969
Anbieter: Specific Object / David Platzker, New York, NY, USA
[24] pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held January 7 - 31, 1970 at Sidney Janis Gallery, New York. Artists in the exhibition included Marcel Duchamp, Kurt Schwitters, Hans Arp, Joan Miro, Buckminster Fuller, Jackson Pollock, Christo, Bruce Conner, Walter De Maria, Robert Rauschenberg, Robert Whitman, Ellsworth Kelly, James Rosenquist, Oyvind Fahlström, Lucas Samaras, Robert Indiana, Jim Dine, Jasper Johns, Claes Oldenburg, Robert Barry, Bruce Bauman, Arman, Barry Flanagan, Les Levine, Robert Gordon, George Kuehn, Fred Sandback, George Segal, Picasso, Man Ray, Francis Picabia, Allan Kaprow, Lawrence Weiner, Victor Burgin, Lloyd Hamrol, Peter Hutchinson, George Herms, Ernst Hesse, William Bollinger, Alan Saret, Robert Rohm, and Robert Watts. Good. Moderate wear and scruffing to covers. Contents clean and unmarked.
Verlag: Köln (Verlag der Buchhandlung Walther König), 2000
Anbieter: Ars Libri, Ltd. (ABAA), Charlestown, MA, USA
87, (1)pp. Prof. illus. (largely in color). Sm. 4to. Boards. Published in conjunction with the performance of the opera by the collaborators at the Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart, Berlin, 11-13 Nov. 2000.
Verlag: The Chrysalis West Foundation, Burlington, California, 1963
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Near Fine. Magazine. Octavo. 95pp. Pictorial wrappers. Wraps slightly toned with a few faint creases, near fine. A celebration of Ken Kesey with an excerpt from *Sometimes a Great Notion*. The issue also includes interviews, poems, stories, art and photography from Alan Marcus, Irving Marcus, Donald Barthelme, David R. Bunch, LeRoi Jones [Amiri Baraka], Thomas McAfree, Jack Gilbert, Charles Blackburn, Theodore Holmes, John Knoepfle, Jamie Reid, Ralph Robin, Leon Weiner, Philip Whalen, and Jose Angel Calderon.
Verlag: The Chrysalis West Foundation, Burlington, California, 1963
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Near Fine. Magazine. Octavo. 95pp. Some tanning to the paper wrappers and some wear to the spine, near fine. Subscription card laid in. A celebration of Ken Kesey with an excerpt from *Sometimes a Great Notion*. The issue also includes interviews, poems, stories, art and photography from Alan Marcus, Irving Marcus, Donald Barthelme, David R. Bunch, LeRoi Jones [Amiri Baraka], Thomas McAfree, Jack Gilbert, Charles Blackburn, Theodore Holmes, John Knoepfle, Jamie Reid, Ralph Robin, Leon Weiner, Philip Whalen, and Jose Angel Calderon.
Verlag: Lust/Unlust Music New York, NY, 1980
Anbieter: Specific Object / David Platzker, New York, NY, USA
[unpaginated]; 31.5 x 31.5 cm.; edition size unknown; unsigned and unnumbered Love of Life Orchestra (LOLO) vinyl record recorded at Aquarius Studios S.A., Geneva, Switzerland, February 1 - 15, 1980. Musicians in Love of Life Orchestra (LOLO) are Peter Gordon, David van Tieghem, Larry Saltzman, Al Scotti, and Randy Gun. Cover concept by Lawrence Weiner. Cover design by Static Kling. Good / Very Good. Record Fine. Record cover coming unglued and light rubbing evident. Due to the fragility of this item additional shipping charges will be required for international orders.
Verlag: Independent Curators Incorporated New York, NY, 1997
ISBN 10: 0913655147 ISBN 13: 9780913655146
Anbieter: Specific Object / David Platzker, New York, NY, USA
104 pp.; 21.5 x 10.7 cm.; glue bound; black-and-white; edition size 5000; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with the traveling show "do it," conceived and curated and with an introduction by Hans-Ulrich Obrist. Essay by Bruce Altshuler. Artists in the museum portion of the exhibit include Andrew Bolton, Joan Brossa, Critical Art Ensemble, Jimmie Durham, Maria Eichhorn, Hans-Peter Feldmann, Paul-Armand Gette, Felix Gonzalez-Torres, Joseph Grigely, Ulrike Grossarth, Shere Hite, Fabrice Hybert, Ilya Kabakov, Mike Kelley, Alison Knowles, Koo Jeong-a, Bertrand Lavier, Siobhan Liddell, Eva Marisaldi, Chris Marker, Yoko Ono, Michelangelo Pistoletto, Emilio Prini, Jason Rhoades, Rupert Sheldrake, Andreas Slominski, Bruce Sterling, Rirkrit Tiravanija, Lawrence Weiner, Erwin Wurm, Marina Abramovic, Dara Birnbaum, Gilbert & George, Liam Gillick, Douglas Gordon, Dan Graham, Marie-Ange Guilleminot, María Teresa Hincapié, Allan Kaprow, Ben Kinmont, Jiri Kolar, Annette Messager, Eileen Myles, Pepón Osorio, Steven Pippin, Pipilotti Rist, Nancy Spero, Rosemarie Trockel and Franz West. Artists included in do it (tv) broadcast on Austrian television include Gilbert & George, Leon Golub, Douglas Gordon, Marie-Ange Guilleminot, Shere Hite, Robert Jelinek, Ilya Kabakov, Jonas Mekas, Eileen Myles, Yoko Ono, Steven Pippin, Michelangelo Pistoletto, Michael Smith, Nancy Spero, Rirkrit Tiravanija, Lawrence Weiner, Christian Boltanski, John Baldessari, and Erwin Wurm. Very Good. Light rubbing of covers and fading at spine. Contents clean and unmarked.
Verlag: Erste Auflage.Leipzig, Förderkreis der Leipziger Galerie für Zeitgenössische Kunst. 1995., 1995
Erste Auflage. Leipzig. Förderkreis der Leipziger Galerie für Zeitgenössische Kunst. 1995. 25:19 cm. 32 S. OKt. Enthält Textbeiträge von Klaus Werner, Gerti Fietzek und Gregor Stemmrich. Der Beitrag von Stemmrich in Deutsch und Englisch. Mit einigen Schwarz-Weiß-Abbildungen. Beiliegend: Das Plakat zur Ausstellung (mehrf. Gefaltet, Ecke oben links eingerissen, 59,5:42 cm.), ein doppelblatt großer Fahrplan mit Ankunfts- und Abfahrzeiten vom Leipziger Bahnhof (59,5:42 cm) sowie 4 mehrfach gefalt. Fahrpläne, die jeweils eine abgebildete Wortskulptur von Weiner enthalten. Attached: the exhibition poster (folded several times, top left corner torn, 59.5 x 42 cm), a double-page timetable with arrival and departure times from Leipzig train station (59.5 x 42 cm), and four folded timetables, each containing a word sculpture by Weiner.
Verlag: The Kitchen Center for Video and Music New York, NY, 1979
Anbieter: Specific Object / David Platzker, New York, NY, USA
[10] pp.; 28 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Schedule of independent films shown at The Kitchen Center May 1, 2, 3, 1979. Featured films, organized by Leandro Katz, included Jack Goldstein's "Metro-Goldwyn-Mayer," "Bone China," and "The Jump," Ericka Beckman's "We Imitate We Break Up," Beth B and Scott B's "Black Box," Viktor Vondracek's "Mrs. Wong," Klaus Wyborny's "Six Little Pieces of Film," Gordon Matta-Clark's "Freshkill," Sheila McLaughlin's "Inside Out," Ernie Gehr's "Untitled," Barbara Ess / Carla Liss' "Seesaw" and "Technology/Transformation: Wonder Woman," JJ Murphy's "Science Ficton," Tom Chomont's "Space Time Studies," Stuart Sherman's "5 Films," Leandro Katz's "Splits," Bette Gordon's "Exchanges," Michael Oblowitz's "Table Conversation," Pat O'Neil's "Sleeping Dogs (Never Lie)," John Lurie's "Hell Is You With African Queen," Howard Guttenplan's "Diary 78," Warren Sonbert's "Divided Loyalties," Bill Brand's "Split Decision," Lawrence Weiner's "Altered to Suit," Martha Haslanger "Frames and Cages and Speeches" and "Lived Time," Manuel de Landa's "The Itch, Scratch, Itch Cycle" and "Incontinence," and Harry Smith's "Mirror Animation." Short synopses provided for each film indexed. Very Good. Discoloration towards edges, light handling marks and edge wear.
Verlag: Mudd Club New York, NY, 1979
Anbieter: Specific Object / David Platzker, New York, NY, USA
[1] pp.; 27.8 x 27.8 cm.; monochrome; edition size unknown; unsigned and unnumbered; offset-printed Poster announcing a screening of "Altered to Suit" a film of Lawrence Weiner at Mudd Club, New York, April 23, 1979. Featuring Peter Gordon, David van Tieghem, and Love of Life Orchestra. Music by Peter Gordon with Teta Gorgoni, Rosmary Hochschild, Britta Le Va, Michael Shamberg, and Kirsten Vibeke Thueson. References : "Lawrence Weiner : Posters, November 1965 - April 1986" by Lawrence Weiner, Benjamin H.D. Buchloh, Alice Z. Weiner. Halifax, Nova Scotia / Toronto, Canada : Nova Scotia College of Art & Design / Art Metropole, 1986, pp. 80 - 81. "SHOW (&) TELL : The Films & Videos of Lawrence Weiner" by Lawrence Weiner, Bartomeu Mari, R.H. Fuchs, Alice Weiner, Dieter Schwarz. Ghent, Netherlands : Imschoot Uitgevers, 1992, pp. 22- 25. "Of & About Posters : The Lawrence Weiner Poster Archive (1965?2021) at the Vancouver Art Gallery" by Lawrence Weiner, Grant Arnold, AA Bronson, Cathy Busby, Gary Dufour, Willard Holmes. Vancouver / Munich, Canada / Germany : Vancouver Art Gallery / Hirmer Publishers, 2025, pp. 49. Very Good / Fine. 1 mm. nick to left side edge of recto. Very light bumping of corners and small areas of rubbing on recto, otherwise Fine.
Verlag: The Clocktower / The Institute for Art and Urban Resources New York, NY, 1975
Anbieter: Specific Object / David Platzker, New York, NY, USA
[1] pp.; 44.4 x 65.8 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Poster published in conjunction with "Artists Make Toys" held at The Clocktower, New York, January 1 - February 15, 1975. Image features a topless Hannah Wilke in a bed with a fully clothed Claes Oldenburg. Allegedly the image prompted the withdrawal and destruction of the exhibition catalogue and this poster for the show prior to its distribution. Artists included Laurie Anderson, Jared Bark, Bill Beckley, George Brecht, Trisha Brown, Chris Burden, Scott Burton, Tosh Carrillo, Enrique Castro-Cid, John Chamberlain, Angus Chamberlain, Cara Croninger, Brad Davis, Jean Depuy, Steve Gianakos, Charles Ginnever, Michael Goldberg, Peter Gourfain, James Grashaw, Marty Greenbaum, Red Grooms, Bob Grosvenor, Susan Hall, Susan Hartnett, Peter Hutchinson, Patrick Israel, Robert Israel, Kurt Kranz, Robert Kushner, Jeffrey Lew, Les Levine, Kim MacConnel, Christa Maiwald, Gordon Matta-Clark, Richard Mock, Ree Morton, Forrest Myers, Max Neuhaus, Richard Nonas, Claes Oldenburg, Dennis Oppenheim, Robert Owings, Gary Perkins, Howardina Pindell, Lucio Pozzi, Italo Scanga, Willoughby Sharp, Thomas Schmidt, Alan Shields, Charles Simonds, Marjorie Strider, George Sugarman, Don Sunseri, Mark di Suvero, Richard Tuttle, Richard Van Buren, Robert Watts, William Wegman, Susan Weil, Lawrence Weiner, Charles Wiley, William Wiley, Hannah Wilke and Joe Zucker. Fair / Poor. Light creasing and yellowing across poster with a 10.2 cm. dog-ear to top right corner and 4.8 cm. dog-ear to top left corner. Multiple tears to bottom left corner ranging from 2 mm. to 5.4 cm. with 1.5 cm. and 2 cm. areas of loss. 3 cm. area of loss to top left corner with additional tearing along poster edge and a 8 mm. and 1.5 cm. tear to center of poster. Curl to poster. Otherwise clean and unmarked.
Anbieter: Herbst-Auktionen, Detmold, Deutschland
Manuskript / Papierantiquität Signiert
E.Albumblatt (1 S. 4 to) mit in rotem Kuli E.NOTENWIDMUNG, Empfehlung, Unterschrift signiert (München, um 1950) Bei Mutti in München hab ich mich immer glückig gefüllt, (und vielen Dank dafür) B. UHER. Darunter einnicht identifizierter Eintrag von RITA BONSER ? Zuletzt mit kleiner Notenwidmung, Original-Zeichnung eines Regenschirms, Zusatz, Unterschrift signiert von DORUS = TOM MANDERS ( Antoon (Tom) Manders, 1921-72, Nederlandse tekenaar , komiek en cabaretier / Dutch artist, comedian and cabaret performer ) Hast Du vielleicht meinen Regenschirm gesehen ? So Ja ! . Schicken nach DORUS, TOM MANDERS. (ex Gästebuch der berühmten Münchener Künstlerkneipe MUTTI BRÄU (im Pfälzer Hof, Ursulastrasse 9/10, zuerst in der Haimhauser Straße) in MÜNCHEN-SCHWABING. Bei der rundlichen Wirtin Traudl Bräu trafen sich an jedem Donnerstag Literaten und Vortragskünstler am Stammtisch von Peter Paul Althaus. In der Nachkriegszeit war dort der Treffpunkt von Sängern, Kabarettisten, Theater- und Filmschauspielern, Musikern, Künstlern und Schriftstellern. In buntem Wechsel huldigen Schauspieler wie : Axel von Ambesser, Gert Fröbe, Ursula Herking, Karl Schönböck und der damals kaum bekannte Klaus Kinski der Brettl-Tradition. Als Honorar gab es ein Glas Wein, oft auch ein warmes Abendessen. Von Malern, die knapp bei Kasse waren, nahm Mutti Bräu auch mal ein Bild in Zahlung. Wohl keine andere Schwabinger Wirtin wurde von ihren Gästen so geliebt wie sie. Zum Dank dafür trugen sie sich, oft mit Reimen, Noten und Zeichnungen, in ihr Gästebuch ein.).