gordon eve (20 Ergebnisse)

Zustand: New. In.

Softcover. Zustand: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Couverture souple. Zustand: bon. RO40061606: 1981. In-12. Broché. Etat d'usage, 1er plat abîmé, Coiffe en pied abîmée, Quelques rousseurs. Environ 220 pages. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne.

Two vintage studio still photographs from a television re-release of the 1950 film musical. Loosely based on the 1925 stage musical "No, No, Nanette," by Otto Harbach and Frank Mandel, about a would-be Broadway thespian who makes a bet with her wealthy uncle that she can say "no" to any question asked of her for an entire day. 10 x 8 inches. Near Fine.

Zustand: Very Good. First edition hard back binding in publisher's original colour illustrated glazed boards. 8vo. 9½'' x 7''. Contains 18 printed pages [9 back-to-back] of text with colour illustrations, pop-ups, moving tab pulls and wheels. Tiny rub to the spine tips and corners, without any ownership markings and in Very Good firm and sound condition, no tears or thumb marks to the tabs. Member of the P.B.F.A. POP-UP MOVABLE BOOKS.

Pamphlet. Zustand: Collectible; Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDOffprint. Reprinted from Experimental Medicine and Surgery, Volume 23, No. 2-3. 1965. First separate edition. Offprint. Original wrappers. *. First edition.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Excellent crisp copy of this uncommon and unusual monograph, which contains many inserts in plastic sleeves bound in between many colorful pages of Prince's work. This copy nearly as new. Binding solid, sturdy, tight, square. Interior is bright and clean and free of marks of any kind. Dustjacket excellent and now in brodart. A superb copy.

Re-Shoot script for Season 1 Episode 3 of the 1994 television series, seen here under the working title "The Bowmans." Based on a character created by stand-up comedian John Caponera, the series followed John Bowman, a working class middle manager and family man, as he attempted to balance work and family, and improve his lot in life. In this installment, John gives his son a job at the warehouse to help him learn how to be responsible. Originally aired on January 11, 1994, on NBC. Self wrappers, dated August 25, 1993, on the front wrapper, noted as RE-SHOOT, with credits for director John Rich, and screenwriters Jeff Martin, Suzanne Martin, and Kevin Curran. Title page integral with the front wrapper. 22 leaves, with last page of text numbered 18. Xerographic duplication, rectos only. Pages Very Good plus, wrapper Very Good plus, bound with two gold brads.

First Draft, Second Draft, and "Video Tape Recording" script for Season 1 Episode 5 of the 1994 television series. Originally aired January 30, 1994 on NBC. Based on a character created by stand-up comedian John Caponera, the series followed John Bowman, a working class middle manager and family man, as he attempted to balance work and family, and improve his lot in life. In this installment, two of the characters damage a statue at their boss' house. First Draft: White titled self-wrappers, lacking rear wrapper, noted as First Draft on the front wrapper, dated June 18, 1993, with credits for screenwriters Frank Lombardi and Dana Reston. Title page integral with front self-wrapper. 45 leaves, with last page of text . numbered 43. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads. Second Draft: White titled self-wrappers, lacking rear wrapper, noted as Second Draft on the front wrapper, dated 9/8/93, with credits for screenwriters Frank Lombardi and Dana Reston. Title page present integral with front self-wrapper. 45 leaves, with last page of text numbered 45. Xerographic duplcaition, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads. "Video Tape Recording" script: White titled self-wrappers, lacking rear wrapper, noted as VTR on the front wrapper, production No. R209, dated October 19, 1993, with credits for screenwriters Frank Lombardi and Dana Reston and for director Gerry Cohen. Title page integral with front self-wrapper. 41 leaves, with last page of text numbered 41. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads. With manuscript ink annotations on some pages.

hardcover. Zustand: Gut. 160 Seiten; rosenheimer - 2. Auf. 1978 : Eve Harlow - gb + Su. Gr. - 10-34-1 WA-1IWK-X0Y4 Sprache: Deutsch Gewicht in Gramm: 500.

Softcover. Zustand: Near Fine. First edition. Quarto. Two-punch hole binding with yellow yarn. Offsetting on wrappers, near fine. Poetry, short stories, and drawings with contributions by Deborah Wong, Raymond Rorke, John Prendergast, Bing Mark (with two short poems by Albert Camus and Isak Dinesen), Ruth Domino (translations by Daniel Hoffman and Jerre Mangione), Roger Gordon, Denise Gallagher, Robert Friedman, Michelle Fost, Eve Donovan, Deborah Burnham, and Carole Bernstein. Scarce, *OCLC* locates no copies.

Table Draft script for Season 1 Episode 10 of the 1994 television series, seen here under the working title "The Bowmans." Based on a character created by stand-up comedian John Caponera, the series followed John Bowman, a working class middle manager and family man, as he attempted to balance work and family, and improve his lot in life. In this installment, John's son Bob takes his first-grade class on a field trip to his father's warehouse. Originally aired on March 22, 1994, on NBC. Green titled wrappers, dated August 11, 1993, on the front wrapper, noted as TABLE DRAFT, with credits for screenwriter Wendy Braff and director Gerry Cohen. Title page present, dated August 11, 1993, noted as TABLE DRAFT, with credits for Braff and Cohen. 45 leaves, with last page of text numbered 42. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.

Revised Table Draft script for Season 1 Episode 11 of the 1994 television series, seen here under the working title "The Bowmans." Copy belonging to producer Steve Sustarsic, with his name on a printed label on the title page, and his annotations in manuscript ink throughout. Based on a character created by stand-up comedian John Caponera, the series followed John Bowman, a working class middle manager and family man, as he attempted to balance work and family, and improve his lot in life. In this installment, John discovers his daughter has been shoplifting at a local department store. Originally aired on March 29, 1994, on NBC. Self wrappers, dated August 19, 1993, on the front wrapper, noted as REVISED TABLE DRAFT, with credits for screenwriter Suzanne Martin and director Gerry Cohen. Title page integral with the front wrapper. 47 leaves, with last page of text numbered 41. Xerographic duplication on yellow stock, rectos only, with pink revision pages dated 8/19/93 throughout. Pages Very Good plus, wrapper Very Good plus, partially bound with a gold brad.

Vintage reference photograph from the 1958 film. The 21st entry in the Tarzan film series, the third of six films to star Gordon Scott as the titular ape man, and the second Tarzan film to be released in color, in which a tribal witch doctor tries to take down a doctor attempting to establish a Western hospital in the jungle. Shot on location in Africa and California. 8 x 10 inches. Very Good plus, with pinholes at the corners.

Final Draft script for Season 1 Episode 1 of the 1994 television series, seen here under the working title "The Bowmans." Copy belonging to producer Steve Sustarsic, with his name on a printed label affixed to the title page, and his annotations in manuscript ink throughout. Based on a character created by stand-up comedian John Caponera, the series followed John Bowman, a working class middle manager and family man, as he attempted to balance work and family, and improve his lot in life. In this installment, John discovers his son is planning to convert to Buddhism at the urging of his son's new girlfriend. Originally aired on January 3, 1994, on NBC. Self wrappers, dated August 27, 1993, on the front wrapper, noted as FINAL DRAFT, with credits for screenwriter Warren Bell and director Gerry Cohen. Title page integral with the front wrapper. 48 leaves, with last page of text numbered 41. Xerographic duplication, rectos only. Pages Very Good plus, wrapper Very Good plus, with light dampstaining on the top right page edges. Bound with two gold brads.

Two scripts for Season 1 Episode 9 of the 1994 television comedy series, including one Working Table Draft and one Table Draft. Based on a character created by stand-up comedian John Caponera, the series followed John Bowman, a working class middle manager and family man, as he attempted to balance work and family, and improve his lot in life. In this installment, John contests a littering ticket. Originally aired on March 15, 1994, on NBC. Working Table Draft: Self wrappers. Title page present, dated October 7, 1993, with credits for Cohen, Silverman, and Sustarsic. 47 leaves, with last page of text numbered 46. Xerographic duplication, rectos only. Pages Fine, bound with two gold brads. Table Draft: Self wrappers. Title page present, dated November 10, 1993, with credits for Cohen, Silverman, and Sustarsic. 50 leaves, with last page of text numbered 46. Xerographic duplication, rectos only. Pages Fine, bound with two gold brads.

256 pp.; 27 x 20 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Spring 2002 issue of the biannual publication "Purple". Edited by Elein Fleiss and Olivier Zahm. Contents include: "Summer 2002," by Alex Antitch; "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "What The Coptic Guy Said," by Nick Tosches; "Avenidas," by Jens Hoffmann; "Ma couleur préférée," by Claude Closky; "Therefore," by Elein Fleiss; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillon; "Surface," by Dominique Gonzalez-Foerster; "Lutz Huelle," interviewed by Nakako Hayashi; "Miltos Manetas," interviewed by Olivier Zahm; "Louis Vuitton & Miu Miu," by Ola Rindal; "Helmut Lang," by Terry Richardson; "Marc Jacobs," by Mark Borthwick "Ann-Sofie Back," by Giasco Bertoli; "Julia & Mehdi, apres," by Laetitia Benat; "A.F. Vandervorst," by Masafumi Sanai; "Jil Sander, Men & Women," by Richard Prince; "La Mer," with texts by Lewis Baltz, Mehdi Belhaj Kacem, Dike Blair, Jeff Clark, Eve Couturier, Bruce Benderson, Elein Fleiss, Richard Prince, Jeff Rian, Olivier Zahm, Geoffrey Cruickshank-Hagenbuckle, Mark Fishman, Amy Fusselman, Kim Gordon, Karl Holmqvist, Lodge Kerrigan, Mark Kingwell, Claude Lévêque, Chan Marshall, Mark Mordue, and Beth Yahp; Photos by Laetitia Benat, Dike Blair, Mark Borthwick, Anders Edström, Elein Fleiss, C. Wayne Gordon, and Takashi Homma; "Tokyo Synthesis," by Claude Lévêque; "Equador," by Banu Cennetoglu; "El Castillo," by Pablo Leon de la Barra; "Seven Pink Drawings," by Tomoo Gokita; "In Jerusalem and Tel Aviv," by Rami Maymon; "Buenos Aires Amor," by Guillermo Ueno; "Faces," by Trinie Dalton; "Uncoated Eyes," by Amy Jean Porter; "Kook!," by Geoffrey Cruickshank-Hagenbuckle; "Green, Blue, Pink, Charlotte," by Henry Roy; "Uslu Airlines," by Banu Cennetoglu and "On The Hairwaves," by Tom Lingnau & Frank Schumacher. Good. Yellowing of cover edges and dusting of covers. Light bumping of top and bottom right corners of recto. Rubbing of edges and scratching of covers. Contents clean and unmarked.

Revised Table Draft script and Final Draft script for Season 1 Episode 4, seen here under the working title "The Bowmans." Scripts belonging to screenwriter and producer Stephen Sustarsic, with his name on a printed label affixed to both title pages, and his annotations in manuscript ink throughout both scripts. Based on a character created by stand-up comedian John Caponera, the series followed John Bowman, a working class middle manager and family man, as he attempted to balance work and family, and improve his lot in life. In this installment, John hurts his leg in a t-ball game, and is forced to wear a cast for ten weeks. Originally aired on January 18, 1994, on NBC. Revised Table Draft: Self wrappers, dated September 8, 1993, on the front wrapper, noted as REV. TABLE DRAFT, with credits for screenwriters Stephen Sustarsic and David Silverman, and director Gerry Cohen. Title page integral with the front wrapper. 48 leaves, with last page of text numbered 42. Xerographic duplication on yellow stock, rectos only, with pink revision pages dated 9/9/93 throughout. Pages Near Fine, wrappers Very Good plus, with first leaf detached from the binding. Bound with two gold brads. Final Draft: Self wrappers, dated September 10, 1993, on the front wrapper, noted as FINAL DRAFT, with credits for Sustarsic, Silverman, and Cohen. Title page integral with the front wrapper. 49 leaves, with last page of text numbered 42. Xerographic duplication, rectos only, with yellow revision pages dated 9/13/93 throughout. Pages Near Fine, wrappers Very Good plus, bound with two gold brads.

Four scripts for Season 1 Episode 7 of the 1994 television series, including a Writers First Draft, a Working Table Draft, a Second Revised Table Draft, and a Final Draft. Copies belonging to producer Steve Sustarsic, with his name on a printed label affixed to two scripts, and his annotations in manuscript pencil throughout three scripts. Based on a character created by stand-up comedian John Caponera, the series followed John Bowman, a working class middle manager and family man, as he attempted to balance work and family, and improve his lot in life. In this installment, Drew throws a bachelor party, while Maureen directs a commercial with an aging basketball star. Originally aired on February 1, 1994, on NBC. Writers First Draft: Self wrappers, dated October 18, 1993, on the front wrapper, noted as WRITERS FIRST DRAFT, with credits for director Gerry Cohen and screenwriter Kevin Curran. Title page integral with the front wrapper. 47 leaves, with last page of text numbered 46. Xerographic duplication, rectos only. Pages Very Good plus, wrapper Very Good plus, bound with two gold brads. Working Table Draft: Self wrappers, dated October 29, 1993, on the front wrapper, noted as WORKING TABLE DRAFT, with credits for Cohen and Curran. Title page integral with the front wrapper. 48 leaves, with last page of text numbered 47. Xerographic duplication, rectos only. Pages Very Good plus, wrapper Very Good plus, bound with two gold brads. Second Revised Table Draft: Self wrappers, dated November 4, 1993, on the front wrapper, noted as 2ND REV. TABLE DRAFT, with credits for Cohen and Curran. Title page integral with the front wrapper. 49 leaves, with last page of text numbered 44. Xerographic duplication on blue and pink stock, rectos only. Pages Very Good plus, wrapper Very Good plus, bound with two gold brads. Final Draft: Self wrappers, dated November 5, 1993, on the front wrapper, noted as FINAL DRAFT, with credits for Cohen and Curran. Title page integral with the front wrapper. 52 leaves, with last page of text numbered 46. Xerographic duplication on blue and white stock, rectos only. Pages Very Good plus, wrapper Very Good plus, partially bound with a single gold brad.

Archive of eight scripts for the 1994 television comedy series, seen here under both the release title and the working title "The Bowmans." Archive belonging to screenwriter Stephen Sustarsic, with his name on a printed label affixed to one title page. Archive includes four scripts for Season 1 Episode 4 ("John Hurts His Leg or Tales from the Crip"), and four scripts for Season 1 Episode 9 ("John Fights the System"). Additionally laid in with the archive is a contract for writing credits for Sustarsic and screenwriter David Silverman, dated December 9, 1993, housed in the original mailing envelope. Based on a character created by stand-up comedian John Caponera, the series followed John Bowman, a working class middle manager and family man, as he attempted to balance work and family, and improve his lot in life. The series aired from January 3 to April 12, 1994, on NBC. All scripts housed together in a generic black three-ring binder, with a manuscript label affixed to the spine, presumably in Sustarsic's hand. Draft (Episode 4): Lacking wrappers, presumably as issued. Title page present, dated July 16, 1993, with credits for Silverman and Sustarsic. 54 leaves, with last page of text numbered 53. Xerographic duplication, rectos only. Pages Fine. Table Draft (Episode 4): Lacking wrappers, presumably as issued. Title page present, dated September 8, 1993, noted as TABLE DRAFT, with credits for Cohen, Silverman, and Sustarsic. 50 leaves, with last page of text numbered 42. Xerographic duplication, rectos only. Pages Fine. Revised Table Draft (Episode 4): Lacking wrappers, presumably as issued. Title page present, dated September 8, 1993, noted as REV. TABLE DRAFT, with credits for director Gerry Cohen and screenwriters David Silverman and Stephen Sustarsic. 48 leaves, with last page of text numbered 42. Xerographic duplication, rectos only, with pink revision pages throughout, dated 9/9/93. Pages Fine. Final Draft (Episode 4): Lacking wrappers, presumably as issued. Title page present, dated September 10, 1993, noted as FINAL DRAFT, with credits for Cohen, Silverman, and Sustarsic. 50 leaves, with last page of text numbered 42. Xerographic duplication, rectos only, with yellow revision pages throughout, dated 9/13/93. Pages Fine. Treatment script (Episode 9): Lacking wrappers, presumably as issued. Title page present, dated September 15, 1993, with credits for Silverman and Sustarsic. 21 leaves, with last page of text numbered 20. Xerographic duplication, rectos only. Pages Fine, partially bound with a single staple at the top left corner. Working Table Draft (Episode 9): Lacking wrappers, presumably as issued. Title page present, dated October 7, 1993, with credits for Cohen, Silverman, and Sustarsic. 47 leaves, with last page of text numbered 46. Xerographic duplication, rectos only. Pages Fine. Table Draft (Episode 9): Lacking wrappers, presumably as issued. Title page present, dated November 10, 1993, with credits for Cohen, Silverman, and Sustarsic. 50 leaves, with last page of text numbered 46. Xerographic duplication, rectos only. Pages Fine. Revised Table Draft (Episode 9): Lacking wrappers, presumably as issued. Title page present, dated November 10, 1993, with credits for Cohen, Silverman, and Sustarsic. 43 leaves, with last page of text numbered 38. Xerographic duplication on yellow stock, rectos only. Pages Fine.