vigerius (5 Ergebnisse)

2. Aufl. XXXVI/1007 S., HLdr. der Zeit, Rücken an den Kapitalen eingerissen, Einband sonst mäßig gebrauchsspurig,

9 Bll., 551 S. + Indices. Halblederband der Zeit. Exlibr. a. d. Innendeckel. St. a. Vors. Gut erhalten.

Couverture rigide. Zustand: Bon. Francisci Vigeri Rotomagensis de Praecipuis Graecae Dictionis Idiotismis Libellus. Illustravit, perpetuis animadversionibus & quamplurimis idiotismis auxit Henricus Hoogeveen. Editio tertia multis partibus auctior.Lugduni Batavorum, Apud Petrum Vander EYK 1766. 634 pp. + 118 pp. Latin/grec.Reliure demi veau à petits coins de l'époque. Jolie dos à nerfs orné de fleurons dorés avec pièce de titre maroquin rouge. Tranches rouges. Plats frottés. Pas de rousseur. Bon état. Format in-8°(21x13).

Hardcover. Zustand: Near Fine. Third edition. Full vellum. 634pp plus Index. Text in Greek and Latin. Title page in black and red. Title inked on spine. Bookplate of Samuel Putnam Avery, and slightly later ownership inscription in Latin, a few old notes in text, a handsome, near fine copy. An exploration of Greek and Latin idioms.

The two major texts by Marcus Vigerius de Savona (or Emmanuele Vigerio; 1446-1516) in their second editions. The Decachordum Christianum was first published by Girolamo Soncino in Fano in 1507. It is a devotional work, dealing with the Holy Family and Christ's incarnation, from the Annunciation to the Ascension. This second edition was printed in Hagenau in the Alsace, for the most famous publisher of Nuremberg, Anton Koberger. Each of the ten sections is preceded by a splendid woodcut by the "Master I S with the shovel", an artist of the school of Hans Schäufelein (ca. 1480-ca.1539) in Nuremberg and Nördlingen, who was himself a pupil of Dürer. The Master probably also worked in Alsace and his work is often confused with Schäufelein's. His style, however, is somewhat different and shows also the influence of Dürer and Baldung.With (partly erased) contemporary owner's entries on the first fly-leaf and title and many contemporary scholarly annotations in text, spine skilfully restored, some spotting on a few leaves. Very good copy in a magnificent contemporary blind-tooled binding, probably from Nuremberg.l Oldenbourg (Schäufelein) I, 129; Proctor, German Books 1501-1520 11684; VD 16, V1183; cf. Thieme & Becker XXIX, p. 558. Contemporary calf over wooden boards, blind-tooled sides: chequered pattern with floral stamps, one in the form of an onion (6.5 x 4.5 cm) and smaller triangular stamps with a dragon, a small rectangular stamp with leaves and a round one with trefoil; two brass clasps, title written on fore-edge. Leaves from a 14th-century liturgical manuscript pasted on the inner sides of the boards. From the "Koberger Werkstatt". With title in woodcut border of 4 pieces by Urs Graf and 10 beautiful full-page woodcuts (ca. 13.9-14.4 x 9.7-10.2 cm) in a border of 4 woodblocks measuring together ca. 18.8-19.1 x 13.9-14.4 cm. by the painter and woodcutter the "Master I S with the shovel", a pupil of Hans Schäufelein: apart from the first, all the woodcuts are signed with the monogram "I S" on the blade of a shovel. Pages: [6], 204, [14] pp.