van dyck anthonie (3 Ergebnisse)

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 381 pages : illustrations, facsimiles (some colour) ; 33 cm. Contents: Indian summer of a golden age. Antwerp after 1585 / Roland Baetens Flemish and Dutch paintings in the seventeenth century : changing views on a diptych / Hans Vlieghe On drawings and Flemish-Venetian relations in the seventeenth century / Bert Meijer Seventeenth-century Flemish painters and their prints / Ger Luijten 'Scrawls' and disegno in seventeenth-century Flemish drawing / Carl Depauw Catalogue. Peter Paul Rubens ; Jacob Jordaens ; Anthony van Dyck ; Other seventeenth-century Flemish artists Notes: "Published for the exhibition 'Rubens, Jordaens, Van Dyck and their Circle: Flemish Master Drawings from the Museum Boijmans Van Beuningen', organized by the Museum . and the American Federation of Arts"--Colophon Includes concordance (p. 380-381) A translation, probably from the Dutch.

Zustand: Sehr gut. 4°. 31 x 24 cm. 192 Seiten. Gebundener Original-Pappband mit Original-Schutzumschlag. (Meesters der Schilderkunst). 1. Auflage. Niederländischsprachige Ausgabe. Mit zahlreichen Abbildungen. Schutzumschlag minimal berieben. Vorsätze wenig gebräunt. Gutes bis sehr gutes Exemplar. First edition. Dutch edition. With many illustrations. Original hardcover with dust jacket. Dust jacket slightly rubbed. Endpapers slightly darkened. Nearly fine copy.

An old man on the left in profile reaching out towards a younger woman to the right. This impressive work on paper is said o be based on a lost self-portrait by Titian. Rather than a mistress, the young woman might be seen as a personification of Pictura, or Painting. She is clearly oversized in respect to the painter. Titian had used an extra-large woman in a series of paintings of a nude Venus, in each of which the woman is larger than the male musician. This discrepancy in scale might mean that the man is an "artist" creating his "work of art". Music, as a metaphor for the creation of art, has been a common theme in painting in every century since the Renaissance. Instead of music here Titian (or possibly Van Dyck) constructed a composition in which touch becomes the metaphor for "painting." A skull is positioned within a niche under the elbow of the woman. The lower part of the print has been cut out. The text would read: 'Ecco il belveder ó che felice sorte! / Che la fruttifera frutto in ventre porte // Ma ch'ella, ó me vita et morte piano / demone tra l'arte del magno Titiano // Al molto illustre, magnifico et osseruandis.mo sig.re il SIG LUCA VAN UFFEL, in segno d'affectione et inclinatione / amorevole como Patrone et singularis.mo amico suo dedicato il vero ritratto del unico Titiano Ant. van Dyck.' The dedicatee of the print is Lucas van Uffelen (1586-1638) art dealer and patron of van Dyck. l Etching and engraving on paper pasted on cardboard; total 261 x 224 mm; traces of glue visible on the surface, some dirt and a tear on the right margin repaired while attaching the print to the cardboard. Bright impression; late state; Hollstein 21.