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381 pages : illustrations, facsimiles (some colour) ; 33 cm. Contents: Indian summer of a golden age. Antwerp after 1585 / Roland Baetens Flemish and Dutch paintings in the seventeenth century : changing views on a diptych / Hans Vlieghe On drawings and Flemish-Venetian relations in the seventeenth century / Bert Meijer Seventeenth-century Flemish painters and their prints / Ger Luijten 'Scrawls' and disegno in seventeenth-century Flemish drawing / Carl Depauw Catalogue. Peter Paul Rubens ; Jacob Jordaens ; Anthony van Dyck ; Other seventeenth-century Flemish artists Notes: "Published for the exhibition 'Rubens, Jordaens, Van Dyck and their Circle: Flemish Master Drawings from the Museum Boijmans Van Beuningen', organized by the Museum . and the American Federation of Arts"--Colophon Includes concordance (p. 380-381) A translation, probably from the Dutch.

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Zustand: New. &Uumlber den AutorGert Baetens (Editor) Gert Baetens holds a PhD from KU Leuven and specializes in Greek and Demotic papyrology and the history of Graeco-Roman Egypt. His recent publications include studies of the l.

Buch. Zustand: Neu. Neuware - 'Ostraka in the Collection of New York University is a comprehensive edition and commentary of 77 ostraka, or potsherds with ancient texts written on them, from Greco-Roman and late antique Egypt. Seventy-two of these ostraca are housed in NYU Special Collections, originally purchased by Caspar Kraemer in 1932, then the chair of the NYU Classics Department. Although Kraemer advertised the imminent publication of the texts in 1934 and later collaborated with the famed papyrologist Herbert Youtie, neither completed the project. The texts in this small collection span the 2nd cent. BCE to the 8th cent. CE and include both Greek and Coptic texts. The majority, however, form a coherent dossier of tax receipts related to mortuary activities in Upper Egypt during the reign of Augustus (texts 7-70, dated from roughly the last quarter of the 1st cent BCE to 12 CE). The five ostraca published in this volume not held by NYU include one that had been part of Kraemer's original purchase but was subsequently lost (thankfully preserved in a photograph in Youtie's archive at the University of Michigan), and four ostraca now held by the Los Angeles County Museum of Art. The latter four texts were purchased separately and published previously, but clearly belong originally to the same group of texts. They are included in this volume both for the sake of completeness and because the authors were able to improve the readings in light of the context provided by the dossier. In addition to the scholarly edition of these texts, the volume contains a full discussion of their provenance, the taxes, the taxpayers and collectors, and a ceramological analysis of the sherds'.