vaenius otto (57 Ergebnisse)

Hardcover. Facsimile Edition. Quarto, [6], 212, [4] pages. In Very Good condition. Bound in full grey cloth with black titling to spine. Binding with light soiling to surfaces of boards. Part of the Garland series THE PHILOSOPHY OF IMAGES, containing a facsimile of 1612 Antwerp edition of van Veen's work. Shelved in Room G. 1389684. Special Collections.

4º menor. Plena tela editorial. Portada, XXIX + edición facsímil de la de Amberes de 1612. Contiene 103 emblemas. Cada uno está compuesto por una grabado en cobre a página completa, acompañado de poemas o explicaciones en varios idiomas, entre ellos el castellano. Edición de 1500 ejemplares. Cubiertas levemente deslucidas, completas. Contenido en perfecto estado. Ver fotografías.

rigide. Zustand: Assez bon. 1 vol. petit in-8 reliure de l'époque plein vélin, Chez Louis Chamhoudry, Paris, 1653, 8 ff., 88 pp. et 1 f. n. ch. avec une grande planche dépliante Très rare exemplaire bien complet de la grande planche dépliante représentant le célèbre tableau de Cébès par Otto Venius, ainsi que du dernier feuillet d'explication de ce tableau (avec ses 27 numéros). Seul l'exemplaire de la Bibliothèque Nationale de France décrit la présence de la figure (notice BNF FRBNF39310711). Etat très satisfaisant (grignotage en marge des plats dont un léger, et le plus grand a été restauré, planche courte de marge mais bien complète, bon état par ailleurs) pour cette première édition de la traduction par le poète Gilles Boileau (frère aîné de Nicolas Boileau). Il s'agit de l'explication d'un ex-voto placé devant le temple de Cronos ; les commentaires révèlent l'influence de Parménide et de Pythagore sur l'artiste. Langue: Français.

rigide. Zustand: Satisfaisant. 1 vol. in-folio reliure de l'époque plein maroquin vert, dos à 6 nerfs orné, plats ornés à la Du Seuil, chasses ornées, toutes tranches dorées, chasses ornées, Chez François Foppens, Bruxelles, 1678, xj pp. (dont Titre gravé par Pet. Clouwet, d'après Abr. Van Diepenbeke), [ 5 ] pp. (dont portrait d'Otho Vaenius, , gravé par P. Pontius d'après Gertrude Van Veen, la fille du peintre), 211-16 pp. avec une planche hors texte, Le peintre Otto Venius (1557-1629) fut notamment le maître de Rubens, de 1594 à 1598. A partir du retour de Rubens à la Cour d'Autriche en 1608, Venius se consacra à la publication de recueils d'emblèmes et d'essais. Seconde édition publiée six ans après l'originale, magnifiquement illustrée, d'une vignette en titre, d'un portrait hors texte, de 103 grandes vignettes allégoriques et d'une planche dépliante. Etat satisfaisant pour ce beau livre d'emblèmes en maroquin du temps (mouill. en reliure, reliure lég. frottée et passée, qq. mouill. marginales, ancien cachet de l'Ecole Royale Militaire). Landwehr, 480 Langue: Français.

Encuadernacià n de tapa dura. Zustand: Muy bien. Folio. (18) 207 [1] & 27 & [8] 50 [1]pp. Bound in original brown calf, 4 raised bands. Title in red and black ink. lustrated with engraved printer's device at title page and 103 large emblems and a double-page engraving with the "Tabula Cebetis", with engraved portrait of Venius. Nice and complete copy with wide margins.

pelle. Zustand: Good. in-4 (mm 278x222), pp. (8), 205, (3), bella legatura del tempo in piena pelle, riquadro a filetti oro sui piatti, dorso a nervi con titolo e ricchi fregi oro, tagli dorati. Titolo a stampa rossa e nera con ritratto di Orazio inciso in ovale, dedica dello stampatore al nobile Giov. Batt. Christyn. Magnifico ritratto a piena pag. dell'autore inc. da De Larmessin da un dipinto di Gertrude, figlia di Venio. Una splendida serie di 102 tavole di emblemi a piena pag, magistralmente incise da Otto Van Veen (il celebre maestro di Rubens; ma secondo Vinet ''les figures ont été gravées, non pas par Venius, comme on le dit souvent, mais par Boël, Corn. Galle et Pierre de Jode''); esse interpretano con somma maestria il pensiero di Orazio. Il testo è in latino, italiano, francese e fiammingo; ed i versi in quest'ultima lingua sono differenti rispetto alle due precedenti edizioni. Esemplare con i rami particolarmente vivi e freschi. (Alcune lievi ingialiture e strappo restaurato nei margini bianchi delle pag. 7 e 8, trscce di polvere nell'angolo inferiore destro). Praz 523. Vinet n. 860. Funck p. 404, note. Book.

3 parts in 1 volume (with the addenda "Enchiridion de Epicteto and "Tabla de Cebes", [18] 207 [1] & 27 [1bl] & [8] 50 [1] pp., illustrated with engraved printer's mark at title page and 103 large emblems and a double-page engraving with the "Tabula Cebetis", the engraved portrait of Venius is missing, title in red and black, some spots and stains mainly at the last 80 pages text always readible very well), modern binding in fine condition (marbled plates, spine in leather with title in gilt), 39cm., Spanish translation of the French edition "Le theatre moral de la vie humaine" (cfr. PRAZ, Studies in seventeenth-century imagery I pp.523-524 & Peeters Fontainas Bibliographie des impr. espagn. des Pays-Bas mérid. 1275), good copy, Y91273.

Soft cover. Zustand: Very Good. No Jacket. Illustrated Edition. 4to. 5 works in one vol. [94]f. Roman & Greek letter. Variant versions of printer's engraved device on title and (otherwise blank) last leaf. (Bound with:) LIPSIUS, Justus. Saturnalium sermonum. Libri duo, qui de gladiatoribus. Editio ultima & castigatissima. Antwerp, Plantin-Moretus, 1617. 136p + [2]f. Roman & Greek letter. With 4 folding- and 4 full-page plates and 4 fine large textual engravings by Otto Vaenius, all showing gladiatorial scenes. printer's device on title. (And:) LIPSIUS, Justus. De amphitheatro liber. Antwerp, Plantin-Moretus, 1604. 2 parts in 1 work. 77p + [3]f. Roman, italic & Greek letter. With 8 engraved plates (4 folding), and 4 half-page engravings. Variant versions of printer's device on title and (otherwise blank) last leaf. (And:) LIPSIUS, Justus. De vesta et vestalibus syntagma. Editio altera atque ab ultimâ auctoris manu, notis auctior & figuris illustrior. Antwerp, Plantin-Moretus, 1609. [4]f + 59p + (2)f. Roman, italic & Greek letter. With 25 engraved illustrations of Roman coins and cameos, an engraving of a solar mirror in action, and one full-page plate. Printer's device on title and last (otherwise blank) leaf. (And:) LIPSIUS, Justus. De Bibliothecis Syntagma. Editio secunda & ab ultima auctoris manu. Antwerp, Plantin-Moretus, 1607. 35 + [5]p. Roman, italic & Greek letter. Different versions of printer's device on title and on last (otherwise blank) leaf. 5 works in 1 volume. 4to. Contemporary limp vellum. Five neo-classical studies reflecting the wide range of interests of the celebrated Flemish humanist Joest Lips (1547-1606), who initiated the renewed study of Roman military methods in the Netherlands. The essay on the Greatness of Rome in dialogue form contains several chapters of military interest: book 2, ch.10 on the public expenses of maintaining an army, book 4, ch. 3 on justice and clemency in war, and book 4, ch. 4 on the strength of the Roman army. The treatise on public spectacles or gladiatorial games remains a valuable source for our knowledge of ancient combat. The evocative engraved illustrations by Otto Vaenius (1556-1629), a teacher of Rubens, include: folding plates showing 'meridiani' armed with swords only fighting at a banquet for the entertainment of guests, gladiators performing at a funeral, sham-fighting with wooden staves and fighting to the death with swords in an amphitheatre; half-page engravings depicting a variety of combats: women and dwarfs (favoured by the emperor Domitian), a 'retirarius' or net fighter armed with a trident against a 'secutor' or heavily armed swordsman, a 'mirmillon' with helmet, shield and sword against a Thracian with buckler and curved dagger, a Samnite with body amour, oblong shield and short sword, essedarians throwing javelins from chariots, 'andabatae' or horsemen with closed helmets and spears, 'dimachaeri' with swords in both hands, 'lacearii' with lasso and sword, 'postulaticii' or heavily armed prize fighters who made only special appearances, and 'catervarii' who fought in bands. The famous study of Roman amphitheatres, here in the last edition corrected by the author, is dedicated to the great geographer Abraham Ortelius (Funck, p354 & Fowler 183 (note). The plates show the Colosseum with gladiatorial games in progress, and the theatres of Verona, Pola, Nîmes, and Doué. The study of the Vestal Virgins, illustrated with delicate engravings of coins and cameos, is followed by a description of great libraries of the ancient world in Egypt, Greece and Rome. Lipsius, a professor at Louvain, was a close friend of Plantin and his successor Moretus, who between them, published nearly all of his works. A freshly preserved volume from the Nordkirchen Library with bookplate.

Zustand: Fair. Otto Vaenius (illustrator). 'L'homme est rien qu'un peu de boue.'Engraving on hand laid (verge) paper. Sheet size: 16,8 x 28,2 cm. (6,6 x 11,1 inch). Image size: 14,7 x 18 cm. (5,8 x 7,1 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 103)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Fair, given age. Page trimmed. Small tear at right below top. Paper edges a bit irregular at bottom right. Some creasing, mostly in left margin. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: MAN IS NOTHING BUT DUST-DEATH-SHADE(PCO) A331-40.

Hants, Scolar Press, 1996. 267 pp., ills in b/w, 8vo, hardcover. Including facsimile of the original text.

Otto Vaenius (illustrator). 'SINE AMORE MORS.L'AME OU L'AMOUR NE REGNE PAS EST LOURDEMENT APPESANTIE. FOIBLE, L'ANGUISSANTE, ET SANS VIE ELLE PANCHE TOUSIOURS EN BAS.'Print of a girl and a cherub, accompanied by a poem that reads: "Without love, death. The soul or love does not reign; Is heavily weighted. Weak, anguished, and lifeless; She always hangs down there."Made by an anonymous engraver after Otto Vaenius.Medium: Engraving on hand laid (verge) paper.Sheet size: 9 x 15.1 cm (3.54 x 5.94 inch). Image size: 7.5 x 12.8 cm. (2.95 x 5.04 inch).GIRL-CHERUB-DEATH-WITHOUT-LOVE | PCO-C43-24BACKGROUND INFORMATIONPublished by Landry.Biography artist: Otto van Veen, also known by his Latinized names Otto Venius or Octavius Vaenius (1556 6 May 1629), was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late 16th and early 17th centuries. He is known for his paintings of religious and mythological scenes, allegories and portraits, which he produced in his large workshop in Antwerp. He further designed several emblem books, and was from 1594 or 1595 to 1598 the teacher of Rubens. Condition: good, given age. Attached to carrier at top. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

A Rennes, chez Nicolas Devaux, sans date, 2 textes reliés ensemble en 1 volume in-12 de : 1. 74 pages (pages découpées et collées sur des feuillets bleus - manque la page 39), pour le premier texte, - 2. Second texte : se vend à Paris, chez N.J.B. P. Poilly, 1 page de titre gravée et 59 emblèmes à pleine page légendés en latin avec quatrain explicatif en français, dans une reliure plein veau marbré fauve, dos lisse portant titres dorés sur pièce ce titre bordeaux, orné de caissons à motifs dorés, gardes marbrées, tranches rouges. Cuir abimé sur le dos, coins émoussés, mors fragiles et en partie fendus, mouillure dans la marge interne sur le second texte. Otto van Veen, dit Otto Venius ou Otto Vaenius, est un peintre maniériste et un théoricien d'art flamand, né en 1556 à Leiden (Leyde) et mort le 6 mai 1629 à Bruxelles (Emblèmes de l'Amour divin).

4to, pp. [8], 205, [3]; text in Latin, Italian, Dutch and French; title page printed in red and black with engraved vignette of Horace; engraved portrait of van Veen, 103 engraved plates; contemporary speckled calf, gilt-decorated spine in 6 compartments, label in 1 (but missing); bottom panel perished, the whole rubbed and worn, but the binding remains sound and the textblock is clean. Engraved bookplate of R. Chandler, and later ownership signature of F. H. Gall, 1879. Mills College Check List 363; Riedel-Horatiana U-2. Landwehr (Emblem & fable books) 823; Landwehr, J. Dutch emblem books, 242.

8vo, pp. 8 p.l., 207, [9]; text in Latin, German, French and Dutch; engraved title by G. de Lairesse; printed title page in red and black, title with printer's woodcut device; woodcut ornaments and initials throughout; 103 engraved copperplates in the text; contemporary full parchment, old red leather label on spine (chipped, with some loss); binding soiled, a few ink smears and light spotting in the text, but overall a very good, sound copy. One of the most famous books of emblems of the seventeenth century, designed and illustrated by the Flemish painter and art theorist Otto van Veen (1550-1629). First printed in quarto format in 1607. The Dutch verses are by A. Jansen van Ter Goes. Van Veen had studied for seven years under Federigo Zuccari at Rome. Settling in Antwerp in 1593, he began painting for the churches and public buildings, and for several years, from 1596 to 1600, numbered Rubens among his pupils. His work attracted the admiration and patronage of the Archduke Albert, who succeeded the Prince of Parma in the government of the Low Countries. He published three other emblem books, 'Amorum Emblemata' (1608), 'Amoris Divini Emblemata' (1615) and 'Emblemata Sive Sybola' (1624). Not in Mills College Check List or Riedel-Horatiana. Brunet V 1025. Graesse VII 233. Landwehr, Dutch Emblem Books, 243. Landwehr, Emblem Books in the Low Countries, 682.

First and only edition of one of the lesser-known emblem books by the Dutch painter and poet Otto Vaenius (1556-1629). It contains a diverse selection of emblems, which, according to the title, were meant for princes, clergymen, military men and others. Each emblem is accompanied by a motto in Latin above and short captions in Latin and French can be found on the accompanying letterpress pages.Today Vaenius is best known as a teacher of Peter Paul Rubens and for his role in the development of the genre of emblemata, in particular the love emblems. His Amorum Emblemata is "one of the most important Dutch emblematical works. It firmly established Vaenius as a leading emblematist after his glorious beginning with the famous moral-philosophical neo-stoic Emblemata Horatiana (1607)" (Van der Weij).Browned throughout with a few small spots. Binding rubbed along the extremities, otherwise in good condition.l Landwehr, Emblem and fable books 840; Praz, p. 526; cf. Van der Weij, Emblems of the Low Countries (2003), pp. 45-46. 19th-century brown half cloth, chemical marbled sides. With engraved device on title page, and 207 numbered emblems on 23 engraved plates. Pages: [2], 23, [1] ll.

Zustand: Good. Large 8vo. 17 x 23.5. Contemporary marbled roan, spine repaired.Unique copy with 68 17th portraits after Van Dyck, Rubens et al. with 5 additional rare 18th century engravings, including two fold-outs entitled "Arrivée de notre St. Père le Pape en France , l'an 1799" and a large format portrait of the celebrated monk Benoit Joseph Labre and others. The plates are pasted on support pages with extensive 18th Century manuscript annotations on facing pages. Also included are 2 Als, likely from the bishop dated 23 and 26 juin 1929 from "le Mont. " They are addressed to Henri with greetings to Madame Beauséjour, who may have been his brother or cousin. Expertise by: Jean Lequoy, Librairie Giraud-Badin, Paris. The portraits are afterAegidius Rucholle, Titian, Anthony van Dyck, Pieter van Mol, Otto Vaenius, Rubens, Cornelis Galle, Cornelis de Vos, Gaspar de Crayer, Coenraerd Waumans, Charles Woutier, FranciscusNys and T. Willebroorts Bossaerts.Hollstein, Dutch &Flemish, Engravers, IX, pp. 212-219; OCLC Number: 2337084.Paul Félix Beuvain de Beauséjour, né le 16 décembre 1839 à Vesoul et décédé le4 avril 1930 à Carcassonne, est un prêtre français qui fut évêque de Carcassonne.[DE JODE (Pieter)]. Theatrum principium. S.l.n.d. Manuscrit du XVIIIe siècle. In-4, basane marbrée, dos orné, roulette sur les coupes, tranches mouchetées (Reliure de l'époque).Important recueil de portraits gravés de rois, princes et autres personnages illustres, gravés et publiés pour la plupart par Pieter de Jode le Jeune (1606-1674).Le volume renferme 73 gravures contrecollées et accompagnées de notices manuscrites, dont 68 portraits, exécutés pour l'essentiel au XVIIe siècle. Il s'ouvre sur un titre-frontispice libellé Theatrum principium et s'achève par une table manuscrite.De la bibliothèque Paul-Félix Beuvain de Beauséjour, évêque de Carcassonne, avec ex-libris. Dos restauré.

Titel in rot/schwarz mit gr. figürlicher Vignette, V - XI, 1 Porträt-Kupfer, 205 (von 211) SS., 1 gefaltetes Kupfer, 16 SS., 2 gest. Kopfstücke sowie 100 nahezu blattgroße Textkupfer und zahlreiche Holzschnitt-Initialen. Es fehlen SS. 17/18, 23/24 und 183/184 und damit die Tafeln Nr. 8, 11 und 29. Landwehr 688. Praz 169. Funck 404. 2. Folio-Ausgabe mit den großartigen Kupfern der Darstellungen zur menschlichen Moral. Das ausgezeichnete ganzseitige Porträt zeigt den einflußreichen Künstler, einer der Lehrer von Rubens, gestochen von P. Pontius nach (der Tochter) Gertrudis van Veen. V s. Werk zählt zu den berühmtesten Emblemata des 17. Jahrhunderts u. erlebte zahlr. Ausgaben. Vorsätze leimschattig, Titel gebräunt, durchgehend auf den breiten Rändern etwas fleckig bzw. fingerfleckig, vereinzelt kl. Randeinrisse, die letzten 2 Blatt (eines davon weiß) mit Ausriß und Textverlust, die Cebestafel mit hinterlegtem Einriß. Die Tafeln sonst alle sauber und in kräftigen Abzügen. Sprache: Französisch Gewicht in Gramm: 0 Fol., Kalbsldr. d. Zt. über 5 Bünden, Rückenvergoldung in 6 Feldern, veg. Rsch., das Gold verblichen, Einband berieben.

Attractive copy of a splendidly illustrated edition combining Otto Vaenius's Quinti Horatii Flacci Emblemata and Le Roy Sieur de Gomberville's La doctrine des Moeurs, tiree de la philosophie des Stoiques. Pierre Daret had made the emblems in De Gomberville's work based on Vaenius's, enlarging and slightly improving them after the latest fashion. The Brussels publisher had probably acquired Daret's plates, and used them again in the present edition, returning the authorship to Vaenius, while also retaining De Gomberville's instructive comments. In this perfect combination of Vaenius' educational emblems and Gomberville's moral doctrine based on stoic philosophers and explained for the instruction of youth, the quotations from Horace made into emblems became popular again.Slightly browned with some marginal thumbing. In very good condition.l Landwehr, Romanic emblem books, 479; Praz, pp. 402-403 & 523-524; STCV 12912091 (2 copies); cf. Landwehr, Emblem and fable books 789 (Spanish ed. Brussels, 1669 ); R. Paultre, Les images du livre, pp. 137-145. 18th-century tree calf, gold-tooled spine with red title-label, gold-tooled sides and marbled endpapers. With the title page printed in red and black ink, engraved illustration on the title page by Petrus Clouwet (after Abraham van Diepenbeek), engraved author's portrait by Paulus Pontus, and 103 engraved emblems by Pierre Daret after Otto Vaenius, and engraved folding plate of the "Table of Cebes", 2 engraved headpieces, and numerous woodcut initials. Pages: XI, [5], 211, [1] pp.

Zustand: molto buono. in-4, pp. (8), 205, (3). Leg. del tempo p. pelle, dorso a nervi con tit. e fregi oro (lievi tracce d'uso). Titolo a stampa rossa e nera con ritratto di Orazio inciso in ovale, dedica dello stampatore al nobile Giov. Batt. Christyn. Magnifico ritratto a piena pag. dell'autore inc. da De Larmessin da un dipinto di Gertrude, figlia di Venio. Una splendida serie di 102 tavole di emblemi a piena pag., magistralmente incise da Otto Van Veen (il celebre maestro di Rubens; ma secondo Vinet ''les figures ont été gravées, non pas par Venius, comme on le dit souvent, mais par Boël, Corn. Galle et Pierre de Jode''); esse interpretano con somma maestria il pensiero di Orazio. Il testo è in latino, italiano, francese e fiammingo; ed i versi in quest'ultima lingua sono differenti rispetto alle due precedenti edizioni. Esempl., con i rami particolarmente vivi e freschi. (Alcune lievi ingialiture e strappo restaurato nei margini bianchi delle pag. 7 e 8). Praz 523. Vinet n. 860. Funck p. 404, note. Book.

Hardcover. Zustand: Very Good. The Batavische oft oude Hollandtsche oorloghe teghen de Romeynen (1612) by Otto van Veen, with engravings by Antonio Tempesta, visually narrates Tacitus' account of the Batavian revolt, framing it as a heroic struggle for freedom. The book played a key role in shaping Dutch national identity by linking the ancient Batavians to the Republic's own fight against foreign domination.Oblong half leather binding with some wear. 36 good quality engravings with text in Dutch and Latin, signed A. Tempesta = Antonio Tempesta (1555-1630). Battle between the Dutch and the Romans based on the stories of Tacitus. De text is by Otto Vaenius, Otto van Veen and is based on Tacitus historian work.[NL] Oblong, half leren band uit de tijd, (2) 27 pag. tekst en 36 gravures, elk met 6 of 8 regels onderschrift in het Nederlands en Latijn, gesigneerd A. Tempesta. De platen van Antonio Tempesta (1555-1630) tonen de gevechten tussen de Hollanders en de Romeinen, gebaseerd op de verhalen van Tacitus. Plaat 1 is gedateerd 1611. De achterzijden van de 36 prenten zijn blanco. Er bestaan ook edities waarbij de tekst van Van Veen op de achterzijden van de prenten is gedrukt. De prenten in dit exemplaar zijn goed van druk. Funck 404. De beelden tonen iconische momenten van de opstand zoals Civilis die het land onder water laat lopen, een bekende tactiek van de Bataven onder leiding van Julius Civilis, om te Romeinen tegen te houden. De tekst is grotendeels gebaseerd op Tacitus' Histories. De Bataafse opstand (Revolt of the Batavi) speelde zich af in het gebied dat nu Nederland is, De Lage Landen met name in de provincie Germania Inferior, in de jaren 69-70 na Christus. Julius Civilis speelde een centrale rol, als leider van de opstand. De opstand begon met kleine provocaties en escaleerde, mede onder invloed van de onrust binnen het Romeinse rijk (het "Vierkeizerjaar" 69 n.C.), en de afname van centrale controle. De prentenserie werd gebruikt in latere eeuwen als inspiratie voor kunstenaars, toneelstukken, poëzie, etc. Bijvoorbeeld Vondel gebruikte Van Veen's werk als bron voor zijn tragedie De Batavische Gebroeders. B1829.

Zustand: Very Good. Otto Vaenius (illustrator). 'L'amour des biens est un suplice qui ne finit point.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,5 x 18,3 cm. (5,7 x 7,2 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 51)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: LOVE OF RICHES IS ENDLESS PAIN(PCO) A331-29.

Zustand: Very Good. Otto Vaenius (illustrator). 'Philosopher c'est apprendre a mourir.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,5 x 17,8 cm. (5,7 x 7 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 92)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. Small wormhole in bottom margin. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: TO PHILOSOPHIZE IS TO ACCEPT DEATH-PHILOSOPHY-STUDY DEATH-ATROPOS-CORNUCOPIA-DEMON(PCO) A331-40.

Zustand: Very Good. Otto Vaenius (illustrator). 'Le sage seul est libre.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,1 x 17,5 cm. (5,6 x 6,9 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 70)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: WISDOM-WISE-IS FREE-FREEDOM(PCO) A331-36.

Zustand: Very Good. Otto Vaenius (illustrator). 'L'avarice est un grand mal.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,5 x 17,8 cm. (5,7 x 7 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 52)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: MISERLINESS IS A MISFORTUNE-VICE-TOMENTED BY HARPIES-HARPY-RICHESS(PCO) A331-29.

No binding. Zustand: Very Good. Otto Vaenius (illustrator). 'Dieu seul n'a point de maistre.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,5 x 17,8 cm. (5,7 x 7 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 17)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. Small damp stain at op left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: MEN ARE EQUAL UNDER GOD-APOLLO-KING(PCO) A331-12.

Zustand: Very Good. Otto Vaenius (illustrator). 'La vie cachee est la meilleure.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,4 x 18,1 cm. (5,7 x 7,1 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 34)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: SIMPLE-RETIRED LIFE IS PREFERABLE(PCO) A331-20.

Zustand: Very Good. Otto Vaenius (illustrator). 'La joye fait partie de la sagesse.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,5 x 18,1 cm. (5,7 x 7,1 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 81)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: JOY-MIRTH IS PART OF WISDOM-ATHENA(PCO) A331-38.

No binding. Zustand: Very Good. Otto Vaenius (illustrator). 'La nature regle nos desirs.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,5 x 17,5 cm. (5,7 x 6,9 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 11)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. Small damp stain at op left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: NATURE-RULES-DESIRES-DIANA-LADY OF EPHESUS(PCO) A331-09.

No binding. Zustand: Very Good. Otto Vaenius (illustrator). 'En courant on arrive au but.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,6 x 17,8 cm. (5,7 x 7 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 8)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. Small damp stain at op left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: RUNNING TO THE START-BACCHUS-PUTTI(PCO) A331-07.

Zustand: Very Good. Otto Vaenius (illustrator). 'Qui achette les voluptez, achete un repentir.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,5 x 17,7 cm. (5,7 x 7 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 36)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. Small hole at left leg of dancing masked man. Light dampstain at bottom left image margin. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: WHO SEEKS PLEASURE GETS REGRET-REPENTANCE-GAMBLING-MASKED DANCERS-LUTE-PISKIJKER-DOCTOR(PCO) A331-21.