Tute et al (7 Ergebnisse)

Paperback. Zustand: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Poor. 1st Edition. This large heavy black leatherette hardback book is in reasonably good condition with normal wear and marks from use and age. All 256 pages are intact, some shelf life fading, pen use on very last cover page. Dust jacket included, which is worn and torn, price clipped. All illustrations and text in good reading order. Foreword by Lord Mountbatten. A really informative book and certainly a perfect book for historians on World War II. Please note this is a heavy book and therefore the shipping price may increase from quoted price depending on destination.…

Hardcover. Zustand: Very Good. FIRST EDITION with dust jacket - rare and collectable - will send out 1 st class post.

Hardcover. Zustand: Good. First Edition with dust jacket - rare and collectable - will send out 1 st class post.

hardcover. Zustand: Near Fine. First Edition. Gwasg Gregynog: A Descriptive Catalogue of Printing at Gregynog 1970-1990, Compiled by David Esslemont and Glyn Tegai Hughes â" 1st Edition Publication: Newtown, Powys, Gwasg Gregynog, 1990 Formatting: 4to, pp. xii, 74, [2]. Condition Report: Near Fine. The volume remains tightly bound and completely square, with the spine free of any creasing, rolling, or fading. The grey paper wrappers are notably clean and bright, exhibiting only the most trivial touches of rubbing to the extremities and a minuscule bump to the head of the spine. Internally, the pages are uniformly crisp, unblemished, and entirely free from foxing, ensuring the typography and delicate tipped-in illustrations retain their original vibrancy. A highly attractive and well-preserved copy. Catalogue Note: This is a limited edition, one of 900 total copies printed, with this copy being one of the 755 standard copies bound in stiff card covers and wrapped in a printed grey paper dust wrapper with French flaps. The catalogue provides an essential bibliography of the press's output over a twenty-year period, covering books, booklets, and over one hundred items of ephemera. The entries include meticulous details on edition sizes, typefaces, presses used, papers, bindings, and prices. The work is lavishly illustrated with forty-one examples taken directly from the press's publications, including striking wood engravings by prominent artists such as Sarah van Niekerk, Peter Reddick, and Christopher Wormell. The inclusion of several tipped-in specimens further elevates the volume, serving not merely as a reference work but as a testament to the exquisite craftsmanship of the Gregynog Press. Despite the limitation, standard wrapper-bound copies appear with moderate frequency on the open market, making it an accessible yet vital addition for collectors of modern British private press and typography. An indispensable reference for enthusiasts of fine press printing, this meticulously compiled catalogue celebrates two decades of remarkable craftsmanship at Gwasg Gregynog. Beyond a simple bibliography, it offers a visually striking journey through the press's history, illuminated by insightful notes and a wealth of intricate wood engravings, linocuts, and tipped-in specimens from leading artists and designers of the period. Sarah van Niekerk, Peter Reddick, George Tute, Colin Paynton, Christopher Wormell, et al. (illustrator). …

No Binding. Zustand: Fine. 1st Edition. 38x32cm (mount size), five mounted wood engravings printed from the blocks. Copy 210 of 250, each print thus numbered, titled and signed in pencil by the artists, with accompanying large sheet of explanatory text folded to 4pp also bearing the copy number in pencil, all in a blue cloth-covered solander box lined with patterned paper printed letterpress from line blocks to a design by Simon Brett, paper title-labels to the front and spine. Perhaps the greatest of all the editioned sets of prints done by Simon Lawrence, and a legendary Fleece Press scarcity. The only one of the 107 bibliographic entries in All Around the Block that was altogether absent from the list of out-of-print titles offered by him on the occasion of the Press's closure in 2024. Magnificent wood engravings - of the large woodland scene 'Beeches' by Peter Reddick, Simon says '[it] was his largest engraving, and as good as anything he ever did'. But perhaps the greatest prize in the set is the Monica Poole engraving, her work now being sought-after and valued by the market to an extent far beyond her contemporary artists in the medium. Here titled 'Spring 1988', this block was also printed in a separate edition of 100 entitled 'Spring after The Hurricane', and like much of her work is now achieving four-figure market prices. Fine (a single tiny blemish to one corner of the mount of the Peter Smith engraving) in a Near Fine (slight whitening to the corner tips of the cloth, as usual) box. All Around the Block FP23. Monica Poole et al (illustrator). Signed by Illustrator.…