thomassin philippe (9 Ergebnisse)

Hardcover. Zustand: Très bon. Black & White/Color Illus. (illustrator). Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Zustand: Very Good. Bon état. Sans date. Philippe Ponte et Sylvain Thomassin installés en Meuse lorraine ont combiné la tradition du tipi sioux lakota avec leur engagement pour un droit à la nature pour tous aboutissant au livre 'Tipi espace à vivre' publié en 1989. Very Good.

Couverture souple. Zustand: Bon état. In-4 25 x 16,5 cm. Broché, dos muet, couverture beige, titre en noir sur le premier plat, 135 pp., catalogue détaillé 382 numéros. Exemplaire en bon état, enrichi d'unenvoi autographe de l'auteur.

Zustand: Neuf.

Philippe Magnier (illustrator). 'RIVIERE'Plate 162: A female figure, representing a river, is shown reclining on the ground. A putto stands beside her, holding a rake and a cornucopia filled with fruit. Symbolizes fertility, abundance, and the nurturing power of rivers.Made by Simon Thomassin after Philippe Magnier.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 13.2 x 8 cm. (5.2 x 3.15 inch).RIVER, ALLEGORY, PUTTI, ABUNDANCE, CLASSICAL MYTHOLOGY, FERTILITY | PCO-C52-55BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Philippe Magnier (1647-1715). Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Fribourg, 1994. XV,104 pp. IIlls & plts. Hardcover, d./j. (Bollettino d'Arte, Vol. speciale).

Martin de Vos (illustrator). 'RHETORICE VARIO DELECTAT SPLENDIDA CULTU, ORNATUMQUE, ADHIBET DICTIS, VINOSQUE COLORES.'(He delights in rhetorical variety, splendid dress, ornaments, uses words, and colors of wine.) Made by Philippe Thomassin after Martin de Vos.Medium: Engraving on hand laid (verge) paper.Sheet size: 14.8 x 22.4 cm (5.83 x 8.82 inch).LIBERAL-ARTS-METAPHORIC-RHETORIC | PCO-C43-6BACKGROUND INFORMATIONThe print is part of a complete series of 7 engravings representing the liberal arts, contained in the volume marked D 22/305 and entitled: "Virtut es et, vitia bis septem una praemiis et poenis". The author of these in cisions is Thomassin, as evidenced by Gori Gandellini when, in listing his engravings, he writes that he had carved ". from the inventions of Martino de Vos the liberal arts in seven royal half-sheets" (Gori Gandellini G., v. X, p. 255). In fact, this is the artist that appears to us from an inscription on the title page of the first series of prints on 'Vices and Virtues' placed at the beginning of the aforementioned volume.Biography engraver: Philippe Thomassin (1562-1622) was a French engraver and publisher who emigrated to Rome. He was born in Troyes on 28 January 1562 and died on 12 May 1622 in Rome.Biography artist: Maerten de Vos, Maerten de Vos the Elder or Marten de Vos (1532-1603) was a Flemish painter. He is known mainly for his history and allegorical paintings and portraits. He was, together with the brothers Ambrosius Francken I and Frans Francken I, one of the leading history painters in the Spanish Netherlands after Frans Floris career slumped in the second half of the sixteenth century as a result of the Iconoclastic fury of the Beeldenstorm. De Vos was a prolific draughtsman and produced numerous designs for the Antwerp printers. These were circulated widely in Europe and the Spanish colonies and contributed to his international reputation and influence. His designs were also used as models for tapestries and stained glass windows. Condition: good, given age. Plate trimmed and attached to a carrier sheet. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

No binding. Domenichino (illustrator). 'DAVID CHANTANT LES LOUANGES DE DIEU.'David Playing the Harp.Made by Philippe Thomassin after Domenichino.Medium: Engraving on hand laid (verge) paper.Sheet size: 17.9 x 25.2 cm (7.05 x 9.92 inch). Image size: 17 x 23.5 cm. (6.69 x 9.25 inch).DAVID-PLAYING-HARP | PCO-C43-47BACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Philippe Thomassin was a French engraver and publisher who emigrated to Rome. He was born in Troyes on 28 January 1562 and died on 12 May 1622 in Rome.Biography artist: Domenico Zampieri (1581-1641), known by the diminutive Domenichino after his shortness, was an Italian Baroque painter of the Bolognese School of painters. Condition: good, given age. Light soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: Very Good Plus. Philippe Thomassin (illustrator). Print measures 26x43.cm, plus wide margin. A very nice clean print.