Simon thomassin (127 Ergebnisse)

Kupferstich-Portrait von ca. 1720 -- Bild-Maße: ca. 34 x 23 cm. -- im Rand mit Wurmspuren, leicht fleckig, sonst gut erhalten. || copper engraved portrait from c. 1720. -- slightly stained, with wormholes on the margin, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handsch…

Schönes original Kupferstich-Portrait aus dem 18. Jh. -- Blattformat: ca.25x18 cm. Platte: ca. 15 x 11 cm. -- gut erhalten. || Original copper engraved portrait from the 18th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken…

Schönes original Kupferstich-Portrait aus dem 18. Jh. -- Blattformat: ca.25x18 cm. Platte: ca. 15 x 11 cm. -- gut erhalten. || Original copper engraved portrait from the 18th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken…

Original Kupferstich-Portrait mit schöner Barock-Umrahmung. -- Bild-Maße: ca. 18,5 x 13,5 cm. -- gut erhalten. || Original engraved portrait with beautiful baroque framing. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fo…

Schönes original Kupferstich-Portrait von ca. 1750. -- Blattformat: ca.25x18 cm. Platte: ca. 12 x 8,5 cm. -- gut erhalten. || Original copper engraved portrait from c. 1750. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotogr…

schönes Original Kupferstich-Portrait aus dem 18. Jahrhundert - Blatt-Format: ca. 15,5 x 25 cm | This is an original engraving from circa 1750. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibli…

'MARS CARESSE PAR L'AMOUR. ANTIQ.'Plate 242: The Roman god Mars (Greek: Ares), seated, partially nude with a draped cloth. At his feet is Cupid (l'Amour) embracing him, softening the otherwise martial figure. A round shield leans against Mars, hinting at his warlike nature, now subdued by love.Made by after an anonymous artist.M…

'MARS CARESSE PAR L'AMOUR. ANTIQ.'Plate 242: The Roman god Mars (Greek: Ares), seated, partially nude with a draped cloth. At his feet is Cupid (l'Amour) embracing him, softening the otherwise martial figure. A round shield leans against Mars, hinting at his warlike nature, now subdued by love.Made by after an anonymous artist.M…

Hardcover. Zustand: Very Good. 4th Edition. Illustrations of the garden sculpture at Versailles. VG+, 1724, in quarter green calf over green cloth, corners rubbed. Spine, raised bands, gilt tooling & titles . Internally, frontis, title page in red & black inks, [2], (3-59) pp, [1], 1 map (B&W, large folding), 216 pls (of 218, 5…

'LE CHIEN ET LE CERF'Plate 141: A dramatic sculpture of a dog over a fallen stag, captured mid-action. The dog straddles the body of the deer, mouth open in aggression, with water spouting from its mouth in a graceful arc. This fountain group, rich in tension, likely symbolizes the hunt and triumph, themes popular in French roya…

'CERES'Plate 200: Engraving of the Roman goddess Ceres (Demeter in Greek mythology), depicted standing with a crown of grain, holding a sheaf of wheat and a cornucopia, symbolizing abundance and the harvest.Made by Simon Thomassin after Jean-Baptiste Poultier.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sh…

'LE LION ET LE SANGLIER'Plate 140: A dynamic sculpture of a lion overpowering a wild boar (sanglier), captured in mid-combat. The lion rears on top of the boar with its mouth open in a roar, while water spouts from the boar's mouth in a dramatic arc. A powerful allegory of dominance and triumph, often interpreted as symbolic of…

'LE LION ET LE SANGLIER'Plate 140: A dynamic sculpture of a lion overpowering a wild boar (sanglier), captured in mid-combat. The lion rears on top of the boar with its mouth open in a roar, while water spouts from the boar's mouth in a dramatic arc. A powerful allegory of dominance and triumph, often interpreted as symbolic of…

'LE LION ET LE SANGLIER'Plate 140: A dynamic sculpture of a lion overpowering a wild boar (sanglier), captured in mid-combat. The lion rears on top of the boar with its mouth open in a roar, while water spouts from the boar's mouth in a dramatic arc. A powerful allegory of dominance and triumph, often interpreted as symbolic of…

'LA GARONNE'Plate 158: Allegorical figure of the river Garonne, depicted as a powerful bearded river god reclining with muscular physique. He rests one arm on an urn spilling water, symbolizing the river's flow. A winged putto beside him holds flowers and gazes forward.Made by Simon Thomassin after Benoit Massou .Medium: Engravi…

'ISOCRATES'Plate 174: A classical statue of the Athenian orator Isocrates, holding a scroll and depicted with a contemplative expression, draped in a toga. The name 'ISOCRATES' is inscribed on the pedestal.Made by Simon Thomassin after Pierre Granier.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Imag…

'L'HYVER'Plate 192: Engraving of "L'HYver" (Winter), personified as an old, bearded man wrapped in a heavy cloak, shivering from the cold. A withered branch or pine motif is depicted on the pedestal, symbolizing the season.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not o…

'HYPPOCRATES'Plate 176: Statue of Hippocrates, the ancient Greek physician, cloaked and standing upright, holding a bunch of herbs or flowers in his robe. His name 'HYPPocrates' is inscribed on the pedestal.Made by Simon Thomassin after Simon Hurtrelle.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Im…

'DIOGENES'Plate 175: Classical statue of the philosopher Diogenes, standing upright and cloaked in a draped garment. His name, 'DIOGENES,' is inscribed on the pedestal.Made by Simon Thomassin after Mathieu Lespagnandelle.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x…

'FAUNE'Plate 188: Depiction of a Faun, a mythological woodland creature associated with rustic music and fertility. He is shown with a flute and animal pelt draped across his body, representing his wild nature.Made by Simon Thomassin after Nicolas Poussin.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets…

'JUNON'Plate 194: Engraving of "Junon" (Juno), the Roman goddess of marriage and queen of the gods. She is shown in classical drapery with regal bearing, holding a staff or scepter in her left arm.Made by Simon Thomassin after Jean-Louis Clerion.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image siz…

'CERES'Plate 200: Engraving of the Roman goddess Ceres (Demeter in Greek mythology), depicted standing with a crown of grain, holding a sheaf of wheat and a cornucopia, symbolizing abundance and the harvest.Made by Simon Thomassin after Jean-Baptiste Poultier.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sh…

'ISOCRATES'Plate 174: A classical statue of the Athenian orator Isocrates, holding a scroll and depicted with a contemplative expression, draped in a toga. The name 'ISOCRATES' is inscribed on the pedestal.Made by Simon Thomassin after Pierre Granier.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Imag…

'JUNON'Plate 194: Engraving of "Junon" (Juno), the Roman goddess of marriage and queen of the gods. She is shown in classical drapery with regal bearing, holding a staff or scepter in her left arm.Made by Simon Thomassin after Jean-Louis Clerion.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image siz…

'BACCHANTE'Plate 196: Engraving of a Bacchante, a female follower of Bacchus (Dionysus), holding a tambourine. She wears a wreath of ivy and is partially draped in animal skin, capturing the frenzied, ecstatic nature of Bacchic rituals.Made by Simon Thomassin after Jean Dedieu.Medium: Engraving on hand laid (verge) paper. Waterm…

'VOLUMNIA ET GNEUS MARTIUS CORIOLANUS. ANTIQ.'Plate 238: The Roman general Gaius (or Gneus) Martius Coriolanus, in military attire, is restrained by his mother Volumnia. This powerful scene reflects the moment when Volumnia pleads with her son to spare Rome from attack.Made by after an anonymous artist.Medium: Engraving on hand…

'DIOGENES'Plate 175: Classical statue of the philosopher Diogenes, standing upright and cloaked in a draped garment. His name, 'DIOGENES,' is inscribed on the pedestal.Made by Simon Thomassin after Mathieu Lespagnandelle.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x…

'MERCURE'Plate 201: Engraving of the Roman god Mercure (Mercury in Latin), depicted with winged helmet and holding the caduceus, symbol of commerce, communication, and travel.Made by Simon Thomassin after Corneille Van Cleve.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.…

'L'HYVER'Plate 192: Engraving of "L'HYver" (Winter), personified as an old, bearded man wrapped in a heavy cloak, shivering from the cold. A withered branch or pine motif is depicted on the pedestal, symbolizing the season.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not o…