sterling linder (22 Ergebnisse)

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. 1776681806. 4/20/2026 10:43:26 AM.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good.

SOFTCOVER. Zustand: As New. 1st Edition. Quarto size (4to) in colour printed thin card covers, 42pp, plates in colour and b/w, etc . [CONDITION: An extremely well preserved AS NEW unmarked copy (merest hint of tanning to leaves). An excellent copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

hardcover. Zustand: Good. Ex-library copy with usual markings.

Zustand: Good. 8vo. 39 pp. Soft cover. Near Fine. Beige paper wraps with turquoise quarter cloth spine. Staple binding. B&W plates. Extremely scarce.ISBN: 9780995612556.

Hardcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Edition 2012. Livre reconditionné de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Different cover. Edition 2012. Refurbished library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Zustand: VG+. First Edition. 8vo, 100pp. Printed wraps as issued. Numerous Black & White collages. Text in English. One of 500 copies. Brilliant exhibition catalogue - with both The Secret Public itself plus lots of other work from both, and a few great essays too.

Wraps. Zustand: Good. Side folding wraps, 16 ½ by 23 ¼ inches when unfolded. 12 pp. Black and white clip art/collages throughout. A one off zine style piece, taking the punk art aesthetic of clip art and collage to a new level. Created by Jon Savage and Linder Sterling in 1978, the zine provided social commentary on gender and gender roles, portraying fractured women in domestic settings, as well as skewering masculinity and its impact on the punk scene and society in general (Poynor, p. 23). Developed as a visual zine, Savage collaborated with Linder Sterling, noting that "Linder was already making very pointed images about feminism, about the role of women and how they were treated and I was developing a gay consciousness and ideas about masculinity," (Piller and Rowland, Punkzines p. 166). Savage also mentions that some of the images were considered obscene, leading to difficulties in finding a printer. GOOD condition. Moderate toning to the exterior, with moderate wrinkling and creasing. Faint dampstain along the spine of the rear page. Last leaf with a small split along the fold crease. Minor soiling.

Vintage flyer for a show at The Factory on June 9, 1978, featuring Joy Division in their fourth concert under that name. The show also featured Pete Shelley's short lived experimental trio The Tiller Boys, and an unbilled Durutti Column in their third live performance. Rare. Joy Division's fourth confirmed concert after changing their name from "Warsaw," and their first concert after the release of their self-financed EP, "An Ideal for Living," six days prior. The show on June 9 was the first of eleven shows Joy Division would play at the club. The June 9 show was one of four Factory shows advertised on Factory Records' first official graphic, Peter Saville's landmark "Use Hearing Protection" poster (FAC 1). The flyer on offer can be found in John Savage's definitive history of Joy Division, "This Searing Light, The Sun and Everything Else" (2019), and was also the first piece featured (and the only flyer represented) in designer Linder Sterling's 2013 exhibition catalog "Woman/Object." Created by promoter Alan Wise and future Factory Records founders Tony Wilson and Alan Erasmus, the Factory Club name was first used in May, 1978, after convincing the owner of the Russell Club (also known as Caribbean Club and PSV Club) to book bands on Friday nights. The show on June 9 was the first of eleven shows Joy Division would play at the club. Linder Sterling was the frontwoman of Manchester post-punk band Ludus (1978-1983). She is today best known for her photography, radical feminist photomontage, and performance art, and her work is included in the permanent collection of The Tate Modern Museum and the Museum of Modern Art. 8.25 x 11.75 inches. Near Fine.

First Edition. First edition. 12 pp. Side folding wraps, 16 1/2" by 23 1/4" when unfolded. Very Good+ with light wear along folds, a few small faint stains to outer wraps. Black-and-white photo-collages by Jon Savage, Sex Pistols biographer and publisher of the fanzine London's Outrage, and Linder Sterling, an artist who worked on many Factory Records releases and the Buzzcocks' first single "Orgasm Addict." Features Situationist-style detournements of ads and deconstructions of gender and desire, produced in fanzine format; the visual expression of UK punk. One of 1000 copies.

Unbound. First edition. Fine. Cardboard folio of twelve limited edition 17" x 12" silkscreens printed by Keegan Cooke at X Blank X Press for the exhibit at New York's Boo-Hooray Gallery in May of 2010, as well as two original Xeroxed flyers announcing the opening. Copy number 8 of 40 portfolios Signed by Jon Savage. The exhibit, curated by Johan Kugelberg, displayed collage art from the Savage/Sterling fanzine "The Secret Public," some of which was used as flyer art for bands such as the Buzzcocks, Joy Division, Magazine, and Factory Records, circa 1977-1980. It was the second project produced by the label New Hormones after the Buzzcock's "Spinal Scratch." Savage is best known for writing *England's Dreaming*, the history of punk music and the Sex Pistols. Linder Sterling is a visual, performance, and installation artist in permanent residence at the Tate.

Loose Contents in a Portfolio. Zustand: Very Good -. First Edition. Twenty individual 11 ½ x 8 ¼" glossy sheets printed recto only, laid into a black and white printed paper portfolio cover, 20 b&w illustrations. "Mixed Media Montages" is the legendary, and legendarily scarce collaborative publication featuring the punk-era collage/montage work of Jon Savage, Linder Sterling, Edward Bell, Ian Pollock, and George Snow. "Jon Savage is the noted author of "England's Dreaming" and "Teenage". Linder Sterling is a visual, performance and installation artist represented in the Tate permanent collection. Privately published by Snow in 1978 following the appearance of "The Secret Public", it contains four black and white plates by each of the five participating artists. Those by Linder, Snow and Pollock are stamped in ink on the rear of the sheets A internally bright and crisp example of this early and influential punk rarity showing some overall wear, handling and typical creasing along the extremities of the portfolio. Artists' Book.