linder sterling (21 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. 1776681806. 4/20/2026 10:43:26 AM.

Paperback. Zustand: Very Good. A photographic portrait of Morrissey which offers an insight into life on the road and the private world of a pop performer. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Zustand: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good.

SOFTCOVER. Zustand: As New. 1st Edition. Quarto size (4to) in colour printed thin card covers, 42pp, plates in colour and b/w, etc . [CONDITION: An extremely well preserved AS NEW unmarked copy (merest hint of tanning to leaves). An excellent copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

hardcover. Zustand: Good. Ex-library copy with usual markings.

Zustand: Good. 8vo. 39 pp. Soft cover. Near Fine. Beige paper wraps with turquoise quarter cloth spine. Staple binding. B&W plates. Extremely scarce.ISBN: 9780995612556.

Softcover. Zustand: Sehr gut. Z : Postcards in a slipcase, 12 pgs / 12 color., Edition of 500 Ex. - A skeptical, sexy maternity ward nurse staring at a rose-headed father; a French maid with another rose for her head, down on her knees with the vacuum; a trio of mermaids watching a rose-headed scuba-diver swim near. This smart and brightly subversive collection of 12 slipcased postcards by the radical, Feminist, Manchester punk artist, performer and musician Linder Sterling (born in Liverpool in 1954) is published on the occasion of her first solo show--at Linn L hn gallery, Cologne. Known for her collaged work, for the past 30 years Sterling, also known simply as Linder, has been creating photomontages that combine imagery from men's magazines and the objectification of women. By juxtaposing and overlaying nude figures with oversized flowers, cakes, cameras and sewing machines, she creates striking and graphic compositions, employing objects generally associated with domesticity to highlight and challenge notions of power, femininity and consumer culture.

Hardcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Edition 2012. Livre reconditionné de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Different cover. Edition 2012. Refurbished library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Zustand: VG+. First Edition. 8vo, 100pp. Printed wraps as issued. Numerous Black & White collages. Text in English. One of 500 copies. Brilliant exhibition catalogue - with both The Secret Public itself plus lots of other work from both, and a few great essays too.

Wraps. Zustand: Good. Side folding wraps, 16 ½ by 23 ¼ inches when unfolded. 12 pp. Black and white clip art/collages throughout. A one off zine style piece, taking the punk art aesthetic of clip art and collage to a new level. Created by Jon Savage and Linder Sterling in 1978, the zine provided social commentary on gender and gender roles, portraying fractured women in domestic settings, as well as skewering masculinity and its impact on the punk scene and society in general (Poynor, p. 23). Developed as a visual zine, Savage collaborated with Linder Sterling, noting that "Linder was already making very pointed images about feminism, about the role of women and how they were treated and I was developing a gay consciousness and ideas about masculinity," (Piller and Rowland, Punkzines p. 166). Savage also mentions that some of the images were considered obscene, leading to difficulties in finding a printer. GOOD condition. Moderate toning to the exterior, with moderate wrinkling and creasing. Faint dampstain along the spine of the rear page. Last leaf with a small split along the fold crease. Minor soiling.

Vintage flyer for a show at The Factory on June 9, 1978, featuring Joy Division in their fourth concert under that name. The show also featured Pete Shelley's short lived experimental trio The Tiller Boys, and an unbilled Durutti Column in their third live performance. Rare. Joy Division's fourth confirmed concert after changing their name from "Warsaw," and their first concert after the release of their self-financed EP, "An Ideal for Living," six days prior. The show on June 9 was the first of eleven shows Joy Division would play at the club. The June 9 show was one of four Factory shows advertised on Factory Records' first official graphic, Peter Saville's landmark "Use Hearing Protection" poster (FAC 1). The flyer on offer can be found in John Savage's definitive history of Joy Division, "This Searing Light, The Sun and Everything Else" (2019), and was also the first piece featured (and the only flyer represented) in designer Linder Sterling's 2013 exhibition catalog "Woman/Object." Created by promoter Alan Wise and future Factory Records founders Tony Wilson and Alan Erasmus, the Factory Club name was first used in May, 1978, after convincing the owner of the Russell Club (also known as Caribbean Club and PSV Club) to book bands on Friday nights. The show on June 9 was the first of eleven shows Joy Division would play at the club. Linder Sterling was the frontwoman of Manchester post-punk band Ludus (1978-1983). She is today best known for her photography, radical feminist photomontage, and performance art, and her work is included in the permanent collection of The Tate Modern Museum and the Museum of Modern Art. 8.25 x 11.75 inches. Near Fine.

First Edition. First edition. 12 pp. Side folding wraps, 16 1/2" by 23 1/4" when unfolded. Very Good+ with light wear along folds, a few small faint stains to outer wraps. Black-and-white photo-collages by Jon Savage, Sex Pistols biographer and publisher of the fanzine London's Outrage, and Linder Sterling, an artist who worked on many Factory Records releases and the Buzzcocks' first single "Orgasm Addict." Features Situationist-style detournements of ads and deconstructions of gender and desire, produced in fanzine format; the visual expression of UK punk. One of 1000 copies.

Unbound. First edition. Fine. Cardboard folio of twelve limited edition 17" x 12" silkscreens printed by Keegan Cooke at X Blank X Press for the exhibit at New York's Boo-Hooray Gallery in May of 2010, as well as two original Xeroxed flyers announcing the opening. Copy number 8 of 40 portfolios Signed by Jon Savage. The exhibit, curated by Johan Kugelberg, displayed collage art from the Savage/Sterling fanzine "The Secret Public," some of which was used as flyer art for bands such as the Buzzcocks, Joy Division, Magazine, and Factory Records, circa 1977-1980. It was the second project produced by the label New Hormones after the Buzzcock's "Spinal Scratch." Savage is best known for writing *England's Dreaming*, the history of punk music and the Sex Pistols. Linder Sterling is a visual, performance, and installation artist in permanent residence at the Tate.