stephen john phillips (30 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Theaker's Quarterly Fiction #52: Volume 52 This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Hardcover. Zustand: New. Still sealed in shrinkwrap.

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Softcover. Zustand: Very Good. [iv], 32, [4] pp., 12mo, string-tied card wrapper. Very good; couple of small stains on front of wrapper, some of the usual age-toning; contents generally fine. The later string binding replaced old staples (bits of rust residue on central fold).

Paperback. Moderate to heavy ink markings and highlighting, sound otherwise. 221 pp.

First edition. 16mo., [80] pp., illustrated with b&w plates from photographs. Stapled stiff wrappers. Fine. Limited to 500 unnumbered copies, this copy is additionally signed by both the poet and the photographer.

Zustand: New. In.

Zustand: Very Good. limited to 450 copies; 43 pp., original jacket-covered boards, top edge of the jacket slightly chipped, else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Tapa blanda. Zustand: Bueno. Stephen John Phillips; Jose Villarrubia; Rebecca Guay (illustrator). Formato prestigio tapa dura. Edicion en INGLES y en color. ENGLISH EDITION. Good Condition. Buen estado general. Photo Art: Stephen John Phillips, Digital Art: Jose Villarrubia.

114 pp.; 27.8 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Second issue of Box Car: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include: Paul Vangelisti, Don Suggs, Judith E. Simonian, Charles Garabedian, Ed Moses, Robert Ackerman, Joel Bass, Ron Linden, Michael Davidson, Nathaniel Mackey, George Butterick, Edwin Denby, Robert Crosson, Julia Brown, Hiro Kaizan Kosaka, Jill Giegerich, Rick Stitch, Deirdre Bair, Betty Brown, Peter Liashkov, Alison Saar, Michael Dvortcsak, Jim Morphesis, Ellen Lampert, Ruth Weisburg, Rosmarie Waldrop, Bob Perelman, David Bromige, Norman Weinstein, Stephen Kessler, Zeke Berman, Barbara Drucker, Stephen Moore, Kim Baker, Don Boyd, Joyce Lightbody, Gerald Burns, John Taggart, John Clarke, Jed Rasula, Stephen s'Soreff, Flyghts of Fancie, Erika Suderberg, Mike Crane, Dennis Phillips, Anselm Parlatore, Norman Klein, Kei Takei, Bruce Edelstein, Lois Colette, Anni Jackson, Monique Safford, Fanny Howe, James Haining, Mary Haynes, Helen Adam, Charles Stein, Michael C. McMillen, Carl Cheng, James Doolin, Paul Dillon, Stephanie Jackson, Maxwell Hendler, and Margaret Nielsen. Cover design by Bruce Edelstein. Good. Significant rubbing of covers with edgewear and bumping of corners. Wear to verso including 6 mm. surface tear to bottom edge, 2.4 cm. crease to top left corner, and 1.5 cm. of black soiling to verso. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.

166 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1987 issue edited by Ingrid Sischy. Essays "The Tale That Wags the Dog: Documenta 8. A Bite Before the Show"; "What Was that Masked Museum? The Mind's Construction in the Face. Gaetano Pesce," by Germano Celant; "Hugo: Ink into Ocean," by Donald Kuspit; "A Foundry of the Figure: Antonin Artaud, To be Somebody," by Stephen Barber; "Nuclear Towers Town & Country: A Project for Artforum," by Ilona Granet; "An Encounter with a Secret: The Sculpture of Susana Solano," by Gloria Moure; "Untitled Drawings: A Project for Artforum," by William Bailey; "The Critics' Way: Sculpture Goes to Town," by Donald Kuspit, Max Wechsler, Dan Cameron, Pier Luigi Tazzi, and Ingrid Rein, with photography by Shigeo Anzai; "Icons at Large: Icontact," by Lisa Liebmann; "Like Art: Amaretto di Ollie," by Glenn O'Brien; "Believe it or Not: Comrades in People," by J. Hoberman; "Games People Play: From 'Diamonds Are Forever: Artists and Writers on Baseball;'" "Ground Up: Color," by Herbert Muschamp; "Remote Control: Hearings and Seeing and the Law on Diaries," by Barbara Kruger; "Curies' Children: The Known within the Unknown within the Known," by Vilem Flusser "Object: In Pursuit of Unrealism," by Alessandro Mendini. Reviews by Donald Kuspit, Gloria Moure, Pier Luigi Tazzi, Carlo McCormick, Kate Linker, Charles Hagen, John Yau, Jean Fisher, Thomas McEvilley, John Howell, Patricia C. Phillips, Ronny Cohen, Nancy Stapen, Paula Marincola, Glenn Harper, Buzz Spector, Bill Berkson, Kenneth Baker, Colin Gardner, Susan Freudenheim, Catherine Cafopoulos, Aurora García, Ida Panicelli, Jole de Sanna, Denys Zacharopoulos, Daniel Soutif, Helmut Draxler, Anne Krauter, Martin Hentschel, Doris von Drateln, and Stuart Morgan. Cover: William Wegman. Good. Yellowing, dusting, scuffing of covers with light soiling and light edgewear. 2 cm. dog-ear to top right corner of pages 5-10. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

First edition. [80 pp]. Fine in stapled wrappers. Poems by Blankenberg illustrated with b&w photographs by Phillips (largely nudes). Laid in is a brief ALS from Blankenburg to a well-known small press publisher. Original mailing envelope present.

Vintage reference photograph of John Carpenter on the set of the 1983 film. Carpenter was originally not interested in directing this film, which he felt lacked significant horror for the genre, following a daemonic car whose owners inevitably become fatally obsessed with "her." "Christine" has since firmly established itself as a cult classic. Set in Northern California, and shot on location in Los Angeles, California. 9.75 x 8 inches. Near Fine. Clover, Men, Women and Chainsaws. Twilight Time 5240.

Zustand: New. In.

Paperback. Zustand: Brand New. 2010 edition. 100 pages. 8.75x6.00x0.50 inches. In Stock.

Paperback. Zustand: Brand New. 2010 edition. 100 pages. 8.75x6.00x0.50 inches. In Stock.

Sewn Wrappers. Zustand: Very Good. First Edition. Boston: Fields, Osgood, 1870. First edition. 8vo. Sewn wrappers, 641-764 pp, Atlantic Advertiser 4 pp plus 8 pp of advertising. Contains the first appearance of Harriet Beecher Stowe's "The Ghost in the Cap'n Brown House", a story that appeared in "Sam Lawson's Oldtown Fireside Stories" published two years later. Wear along page edges, rubbing to top of front cover. Very good.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. "On Location. A Studio Made en Plein Air: James Nares Reaps the Wind in Golden Green," by Ingrid Sischy; "Marginalia: The Original Sin," by Thomas McEvilley; "Like Art: Docu-Ads, Marketing Realism in 30-second Spots," by Glenn O'Brien; "Turned Out," by William Wilson; "Modern Life. Security Check for Image Hostages: Read This or Else," by Carter Ratcliff; "Ground Up: Architects take Leave of their Senses; Arata Isozaki Takes his Along," by Herbert Muschamp; "The Cave. The Celluloid Cannot Hold: Did you See Who Alexis Kissed Last Night?" by Wolfram Schutte; "Speaker to Speaker. The Slits, 1977: Why They Still Don't Make Sense," by Greil Marcus; "Books. Wiping up After Bataille: The Perils of Intellectual Sanitation," by Donald Kuspit; "Slant: Art Jockeying in the Sistine Disco," by Glenn O'Brien; "A Brush with the Real: Bertraind Lavier Painting in the Light of Everyday," by Germano Celant; "The World and Its Traditions or the Tradition of the World: Lothar Baumgarten Inspects the Values Declared by Customs," by Denys Zacharopoulos; "Vernon Fisher at Home on the Ranges: The Critics and the Sparrows," by Susan Freudenheim; "Japant-Garde Japanorama: The Art of Mutual Misunderstanding," by J. Hoberman; "Non-uments: The All-Consuming Quakes of Gordon Matta-Clark," by Judith Russi Kirshner; "Project: With a Note by Manuel J. Borja," by Antoni Tapies; "Misty Channels: Stephen McKenna's Arcadias, Allegories, and Dead Nudes," by Lisa Liebmann; "Project: The Raw and the Coiffed," by Cinzia Ruggeri. Reviews by Thomas McEvilley, Donald Kuspit, Glenn O'Brien, Lisa Liebmann, Jean Fisher, John Howell, Ronny Cohen, Charles Hagen, Patricia C. Phillips, Jeanne Silverthorne, Suzaan Boettger, Scott MacDonald, Stuart Morgan, Annelie Pohlen, Ingrid Rein, Lars Nittve, Paul Groot, Alexandra Anderson, Aurora Garcia, and Gloria Moure. Cover: Stephen McKenna.

28 pp.; 42.5 x 29 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Al Goldstein. Essays "Foreplay : Sex in Scandinavia," by Al Goldstein; "Clinging Cunts and Clashing Cocks," by Al Goldstein; "Dirty Diversions : A Stitch in Time," by Al Goldstein; "Fuckbooks : Colorful Copulation," by Michael Perkins; "The Pull-It-Sir," by Stephen Beard; "Can It Happen Hair?" by Al Pseudonym; comic by John Thomas "Homosexual Citizen : Skal," by Lige & Jack. Good. 9.5 cm. dog-ear to lower right corner of recto with 1 cm., 2.3 cm., 7 mm., 6 mm. tears to recto edge. Additional edge wear to verso and interior pages including small tears. Yellowing of paper from age, and rubbing of covers. Contents otherwise clean and unmarked.

Single Issue Magazine. Zustand: Good. Alexander, Ed.; Bez, Frank; Kelly, Richard; Lavender, John; Nessim, Barbara; Feelings, Tom (illustrator). First Edition. An early men's publication in the model of Playboy. 64 pages with color and black and white photos. Features: Gorgeous cover photo of Sophie Dorn; Artsy black and white photo of Laura Cummings inside front cover; Coney Island - a winter portrait by Robert Burg; More photos of Laura Cummings (in color and black and white); The Hungry One - a true friendship is worth fifty women, by Herbert Andrews; Battle of the Bosoms - the continuing controversy in girlie-show business in Las Vegas; Vandenberg Air Base - photo essay on this key defense base; The Two Minds of Frederick Garst, by Tom Phillips; Girls of Tahiti - Lovely color and black and white photos; Fistful of Life - A Little Lesson in a Singapore Bar, by Richard B. Johnston; More black and white photos and color centerfold of Laura Cummings, a student at Colorado State University; The 36th floor - story by Stephen R. Allen; Flip! - a series of 18 color photos of a cute dancing girl which may be clipped, then flipped to watch her move; An Introduction to Jazz; New Zealand's Finest - photo feature of Bernadette Kell; Ski Sailing - photo-article on a new winter sport; Ad for the Tisch-Bumbass one-man jazz band; and more. Unmarked with moderate wear. A sound vintage copy. Size: 4to - over 9¾" - 12" tall.

Hardcover. Zustand: Fine. First Edition. Hardback. 8vo. pp 127. Original publisher's green cloth, lettered gilt on spine and front cover with the top edge gilt. Decadent poetry. This copy does not have a frontispiece (as often - it does not appear to have been bound in). Second issue;The original issue was suppressed following a review by James Douglas attacking 'two necrophilian stanzas' in Salome which required the reprinting of the 'F' gathering with several subtle revisions by John; detailed in Timothy D'Arch Smith's Love in Earnest, pp.158-9 Faint wear. Clean, very good. No inscriptions.

Stapled. Zustand: Good - Very Good. No Jacket. John Hyde Phillips, J.C. Leyendecker, Norman Rockwell, Frances Tipton Hunter, Paul Bransom, Wynn Richards, Mariam Troop & Albert W. Hampson (covers) & Gilbert Bundy (Quick Service) (illustrator). First Edition. The May 4, 11, 18 & 25 and June 1, 8, 15, & 22, 1940 issues of the Saturday Evening Post. Fiction includes most notably the complete run, parts 1 - 8 (conclusion) of 8, of Quick Service, a novel by P G Wodehouse. Precedes book publication. Other fiction includes Freedom's a Hard-Bought Thing, a short story by Stephen Vincent Benet (5/18), Mr Tutt and the Lone Tree Mine, a short story by Arthur Train (6/1), Courage is a Business, an article by champion prize fighter Gene Tunney (6/1), Never Another Jones, an article by Grantland Rice on HoF golfer Bobby Jones (6/8), Dog Weakness, a short story by George Sessions Perry (6/22), and others. Cover art by John Hyde Phillips (5/4 -Freshmen Chemistry), J.C. Leyendecker (5/11 - Rug Beater), Norman Rockwell (5/18 - Full Treatment), Frances Tipton Hunter (5/25 - Helping with Homework), Paul Bransom (6/1 - Doe and Fawn in Forest), Wynn Richards (6/8 - June Bride), Mariam Troop (6/15 - Rain on Laundry Day, ethnic) & Albert W. Hampson (6/22 - Bumper Cars). Condition issues include: 5/4 - no significant issues; 5/11 - soiling to the TL & along the spine of the front cover and some edge wear; 5/18 - light soiling to a small strip at the bottom left of the front cover; 5/25 - mathematical equations (square roots) written lightly on the FC w/a soil spot @ the bottom, light edge wear to the back cover; 6/1 - edge wear to the front cover with soiling to the bottom edge & a folded corner at the top, roughness to the bottom edge gradually fading through page 28, folded top corner to pages 55 - 66, and edge wear to the back cover and a folded bottom corner; 6/8 - light edge wear tot eh front cover with soil at the bottom. a damp stain to strip of the back cover that shows to the fore edge of the pages through the last half of the mag; 6/15 - light edge wear & soiling at the top of the back cover, small closed tears to the fore edge of pages 89 - 104, and the tops of pages 101 - 104; and 6/22 - light soiling to the front cover & a small chip at the top, light edge wear to the rear cover; and a top corner chip on page 29/30 - no text or illustrations affected. There are no cutouts or missing pages. Overall a very good set with serial installments and short stories and articles by prominent and collectible authors plus, vintage WW II related stories, articles and ads. A heavy oversize set that will require additional shipping.

142 pp.; 28 x 20.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed The report from the Art Workers Coalition hearing on April 10, 1969, printed in order to bring each artist's opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. Includes contributions in the form of statements by Carl Andre, Architects Resistance, Robert Barry, Gregory Battcock, Jon Bauch, Ernst Benkert, Don Bernshouse, Gloria Greenberg Bressler, Selma Brody, Bruce Brown, Bob Carter, Fredrick Castle, Rosemarie Castoro, Michael Chapman, Iris Crump, John Denmark, Joseph Di Donato, Mark Di Suvero, George Dworzan, Farman, Hollis Frampton, Dan Graham, Chuck Ginnever, Bill Gordy, Alex Gross, Hans Haacke, Clarence Hagin, Harvey, Gerry Herman, Frank Hewitt, D. Holmes, Robert Huot, Ken Jacobs, Joseph Kosuth, David Lee, Naomi Levine, Sol LeWitt, Lucy Lippard, Tom Lloyd, Lee Lozano, Len Lye, James McDonald, Edwin Mieczkowski, Vernita Nemec, Barnett Newman, John Perreault, Stephen Phillips, Lil Picard, Peter Pinchbeck, Joanna Pousette-Dart, Barbara Reise, Faith Ringold, Steve Rosenthal, Theresa Schwarz, Seth Siegelaub, Gary Smith, Michael Snow, Anita Steckel, Carl Strueckland, Gene Swenson, Julius Tobias, Jean Toche, Ruth Vollimer, Iain Whitecross, Jay Wholly, Ann Wilson, and Wilbur Woods. Reference : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 72. Fine. First printing, clean and unmarked as issued.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First edition. Introduction by Lionel Trilling. Octavo. xvi, 688pp. Light foxing on page edges, spine ends lightly bumped with spine slightly cocked a bit, else a near fine copy in a very good price-clipped dust jacket with short nicks and tears on spine ends and corners. Containing two sonnets entitled "Salem" and "Concord" by Robert Lowell. "Poem" by Kenneth Patchen. "Two Morning Monologues" by Saul Bellow. Much of the material contained in this volume were first published here with contributions by Franz Kafka, James T. Farrell, Mary McCarthy, James Agee, Robert Lowell, T.S. Eliot, Marianne Moore, W.H. Auden, Stephen Spender, E.E. Cummings, Katherine Anne Porter, Sherwood Anderson, John Dos Passos, and many others. An important collection of poetry, essays, and modern literature. Scarce in trade.

Paperback. Zustand: Near Fine. Book. Complete set of Stephen Willats' seminal periodical 'Control'. First 5 issues: 310 x 225 mm with screenprinted wrappers. Later issues have printed pictorial wrappers and are slightly smaller in format. Since 1965, this pioneering conceptual art magazine has published original artwork and writing from over 150 artists, alongside collectives and collaboratives such as Artists Placement Group. Issue 13 features an original work by Anish Kapoor of an insect-object sprayed blue; together with a photocopy collage intervention by Glenys Johnson entitled Agent Orange. Issue 3 comes complete with inserts: Poem-Blanc by John Sharkey and Peter Upward's untitled painting. This seminal publication is significant for its community-based approach, and its theories based on cybernetics and social science. Its content rejected a traditional mode of criticism and instead concentrated on theoretical ideas, technical models and artistic methods: Control is purely a magazine of art theory, in the sense that it presented text by artists looking at the thinking behind their work (Willats, Publishing Interventions, 2 in In Numbers: Serial Publications by artists since 1955, PPP Editions, Zurich, 1999, p. 129). While within the remit of the art magazine, Control is notable for its interdisciplinary reach. As the artist has commented, the magazine's origins were a reaction to a very strong inheritance from previous decades that constrained the artists into very set roles of painting, sculpture and traditional mediums (ibid). Contents - Issue 1, 1965, contributors (C): Loggie Barrow, Roy Ascot, Stephen Willats, Mark Boyle et al/No.2, 66, C: Stroud Cornock, Adrian Berg, Willats, Tom Phillips et al/ No.3, 67, C: Joe Tilson, Noel Forster, Peter Cook-Archigram Group, John Latham (Noit for Control), Willats, an original painted insert by Peter Upward, John Sharkey (Poem-Blanc) et al. Comes with a tipped-in envelope containing Three Light Modulators/No.4, 68, C: Victor Burgin, Norman Toynton, Sharkey, Willats, Douglas Sandle, et al/No.5, 69, C: Laurie Burt, Don Mason, Sharkey, Rick Oginz, Willats (on APG) et al/No.6, 71, C: Jan Kopinski, Willats, Sharkey, Ernest Edmonds, David Budgen et al/No.7, 73, C: Kevin Lole, Peter Smith, Willats, Howard O' Conner, John Stezaker/No.8, 74, C: Lole, Joe Wilson, Andrew Ironside, Willats, Gerald Laing, Stezaker et al/No.9, 75, C: Peter Smith, Dan Graham, Herve Fischer, Willats, Alan Sondheim et al / No.10, 77, C: Jon Bird, Peter Dunn & Loraine Leeson, Jane Kelly, Mary Kelly et al/ No.11, 79, C: Tony Rickaby, Willats, Ray Barrie, Kelly, Fern Tiger, Graham et al/No.12, 81, C: Lili Fisch, Willats, Helen Chadwick, Michael Peel, Bernhard Sandfort, Fred Forest et al/No.13, '82, C: Bill Woodrow (TV Blind), Glenys Johnson (Agent Orange), Jenny Holzer, Kate Blacker, Jean-Luc Vilmouth, Willats, Sue Arrowsmith, Tony Bevan, Tony Cragg and a blue sprayed insect work by Anish Kapoor: I once saw an insect in a pile of colour, it seemed to me that this was almost a work. (p32)/No.14, 90, C: Andrew Wilson, Lawrence Weiner, Rita Pacquee, Andreas Seltzer, Dennis Adams, Stephen Bann & Bob Chaplin, Martha Rosler, Willats, Michael Gibbs, Endre Tot, Simon Cutts & Colin Sackett et al/No.15, 96, C: Poster Studio, Alan Murray, Denise Hawrysio, Oliver Whitehead, Alan Kane & Jeremy Deller, Oliver Cieslik & Barbara Schenk, Les Levine, Liam Gillick, Willats et al/No.16, 01, C: Jakob Jakobsen, David Goldenberg, Art Lab, Nils Norman, Elinor Jansz, Christabel Stewart & Emily Pethick, Hamish Fulton, Sarah Staton, David Beech, Willats, et al / No.17, 07, C: French Mottershead, Jakobsen, Dan Kidner, Langlands & Bell, Nils Norman, Miriam Steinhauser, Willats, Chris Hammond et al/No.18, 09, C: Vito Acconci, Karolin Meunier, Willats, Erwin van Doorn, Dan Mitchell, Annette Krauss, Thomas Hirschhorn, Harmen de Hoop et al. / No.19, 14, C: Christian Nyampeta, Rosalie Schweiker, Ricardo Basbaum, Andrea Francke, Emma Smith, Willats, Eva Weinmayr, Taylor & Zaharia et al / No.20, 17, C: Merlin Carpenter, Bedfellows, Francisco Camacho Herrera, Radio Anti, Willats, Eliana Otta et al / No.21, C: Helen Walker & Harun Morrison, Pete Clarke, Lucie Kolb, Gary Bratchford & Robin Parkinson, Rebecca Davies & Eva Sajovic, Elina Otta, Stephen Willats, Javier Calderon, Chalton Gallery. Collated and correct. Near fine.

Publisher's original period colour illustrated paper wrap covers (soft back). 8vo. 9½'' x 6½''. Contains 128 pp. Dusty page edges and in Good condition, no dust wrapper as issued. Member of the P.B.F.A. SHORT STORIES (Novella).

[73] pp.; 6.9 x 4 x 1.5 cm.; loose leaves; slipcase; black-and-white; edition size 2000; unsigned and numbered; offset-printed Exhibition catalogue published in conjunction with show held at Coracle Press, London, in 1977. Artists include Roger Ackling, Reg Ashton, Tony Ashton, Robin Bagilhole, Allen Barker, Glen Baxter, Gavin Bennett, Boris Brook, David Brown, Jennifer Buxton RMS, Peter Cartwright, John Christie, Tom Clark, Laurie Clark, Les Coleman, Martin Cook, Simon Cutts, Rosemary Deval, Stephen Duncalf, Paul Eachus, Kenelm Evans, Martin Fidler, Noel Forster, Terry Frost, John Furnival, Phillida Gili, Peter Gordon-Stables, Paul Hammond, Jonette Harley-Peters, Glynn Boyd Harte, Adrian Heath, Anthony Hill, Charlie Holmes, Patrick Hughes, Tess Jaray, David Johnstone, Ron King, Brian Lane, Eileen Lawrence, Edwina Leapman, David Lehrle, Kim Lim, Stuart Mills, Brodnax Moore, Dave Morris, Glen Onwin, Eduardo Paolozzi, Roy A. Perry, Tom Phillips, David Prentice, Dinah Prentice, Kay Roberts, Martin Rogers, Archie Puff, William Scott, Stephen Skidmore, Birgit Skiöld, Diane Slocock, Karl Torok, Ian Tyson, Darrell Viner, Shelagh Wakely, Warren Editions, Alan Welsford, Madelaine Westwood, Steve Wheatley, David Willetts, Julia Wilson, Richard Wilson and Trevor Winkfield. Catalogue consists of 71 loose cards each one devoted to an artist in the exhibition with a black-white-image of their work one side and caption information on the other, housed in a printed paper slipcase. Very Good. Complete set. Cards in Fine condition. Light flattening of box, with 2 mm. of soiling to recto. Number 679 / 2000.