Stein louise k (27 Ergebnisse)

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- Softcover
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- Softcover
Kaufen Sie 4 Artikel, und erhalten Sie 10 % Rabattvon diesem VerkäuferAnbieter: ThriftBooks-Atlanta, AUSTELL, GA, USAThriftBooks-Atlanta
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- Softcover
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- Softcover
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- Softcover
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RECUPERAR EL NIÑO INTERIOR
Jeremiah Abrams (editor e introductor) - C. G. Jung - Gastón Bachelard - June Singer - Ralph Metzner - Edith Sullwold - Gilda Frantz - James Hillman - Marion Woodman - M. Scott Peck - Ursula K. LeGuin - Joel Covitz - Alice Miller - Marie-Louise von Franz - Helen M. Luke - Hal Stone - Sidra Winkelman - Alexander Lowen - Robert M. Stein - Susanne Short - Joyce C. Mills - Richard J. Crowley - John Bradshaw - John Loudon - Nathaniel Branden - Jean Houston - Joseph Campbell - Bruno Bettelheim - Erik H. Erikson - Samuel Osherson.
- Softcover
- Erstausgabe
Anbieter: Itziar Arranz Libros & Dribaslibros, Boadilla del Monte, M, SpanienItziar Arranz Libros & Dribaslibros
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Encuadernación de tapa blanda. Zustand: Muy bueno. 1ª Edición. 8º mayor (20 x 13 cm). Rústica. Portada, 426 págs. Contenido: obra colectiva editada por Jeremiah Abrams que reúne 37 ensayos de psicología profunda, psicoanálisis, mitología y literatura en torno al concepto del «niño interior», esa parte vital y sumergida del Yo que conecta con la alegría y la tristeza de la infancia y que constituye la clave para alcanzar la plenitud en la vida adulta. Los textos, firmados por autores como Carl G. Jung, James Hillman, Marie-Louise von Franz, Joseph Campbell, Marion Woodman, M. Scott Peck, Erik Erikson o Ursula K. Le Guin, abordan la sabiduría potencial que el niño interior puede aportar a la conciencia adulta y ofrecen herramientas prácticas para sanar al niño herido, resolver antiguos traumas, recuperar la capacidad de asombro y desarrollar una conciencia compasiva. No se ha podido localizar el índice detallado en las fuentes consultadas. Muy buen estado. Ver fotografías.…

Sprache: Englisch
Verlag: Prentice Hall, Upper Saddle River, N.J., 1999, 1998
- Softcover
Anbieter: Joseph Valles - Books, Stockbridge, GA, USAJoseph Valles - Books
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Soft cover. Zustand: Very Good. No Jacket. 2nd Edition. 2nd ed ; xx, 396 pages : illustrations ; 23 cm. ; ISBN 9780134000459, 0134000455 ; OCLC 38356436 ; LCCN 98012248 LC ML172 .B86 1999 Dewey 780.9031 ; green black and white stiff pictorial paper wrappers ; Howard Mayer Brown was an American musicologist. Brown obtained his BA from Harvard in 1951 and his Ph.D. in 1959, studying under Walter Piston and Otto Gombosi among others. ; A history of Renaissance music focused on the music itself and the social and institutional contexts that shaped musical genres and performance. This book provides a complete overview of music in the 15th and 16th Centuries. It explains the most significant features of the music and the distinguishing characteristics of Renaissance composers (in Europe and the New World). It includes a large integrated anthology of 94 musical examples, as well as illustrations of musical instruments, notation, and ensembles. ; Provides an overview of the place of music in Renaissance society. Explains the most significant features of the music, and the distinguishing characteristics of each of the leading Renaissance composers. Emphasizes the music itself -- what it was like, and how it changed. Features many musical examples. Reflects the massive new scholarship in the field and new music examples -- e.g., Spanish and English music, the Italian madrigal, and the influence of Renaissance humanism on music ; Contents 1. The Beginnings: Dunstable and the Contenance Angloise, -- 2. Dufay and Binchois, -- 3. Ockeghem and Busnoys, -- 4. Music of the Courts and Chapels in Italy, 1490-1520, -- 5. Josquin Des Prez, -- 6. Josquin's Contemporaries, -- 7. The Post-Josquin Generation, -- 8. Sixteenth-Century Genres and Traditions, -- 9. Instrumental Music, -- 10. The Music of the Reformation and the Council of Trent, -- 11. Palestrina, Lasso, Victoria, and Byrd, -- 12. The End of the Renaissance, ; Prentice-Hall history of music series ; VG. Book.…

- Hardcover
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hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Includes dust jacket.

- Softcover
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Paperback. Zustand: Brand New. 2nd sub edition. 396 pages. 9.25x6.25x1.00 inches. In Stock.

- Hardcover
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hardcover. Zustand: Fine.

- Hardcover
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

- Hardcover
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- Hardcover
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- Hardcover
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- Hardcover
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Hardcover. Zustand: Brand New. 696 pages. 0.00x0.00x0.00 inches. In Stock.

- Hardcover
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- Hardcover
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EUR 142,79
EUR 42,78 VersandVersand von Deutschland nach USAAnzahl: 2 verfügbar
Buch. Zustand: Neu. Neuware - This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations.During a crucial period in opera's development as a genre and as a business, the flamboyantly libertine Spanish aristocrat Gaspar de Haro y Guzmán (1629-87), Marqués de Heliche and del Carpio, influenced operatic practices and productions for both Italian and Hispanic operas. A voracious collector of books and antiquities and famed connoisseur of visual art, the marqués financed operas in both Spain and Italy and further shaped them through his ideas, energy, and politics. His legacy also brought forth the first operas of the Americas, as posthumous revivals of the operatic genres he nurtured appeared in the Americas less than fifteen years after his death. In this book, author Louise K. Stein follows the trajectory of this first operatic producer to have shaped opera in two different worlds-Europe and the Americas-and in doing so, advances our musical and historical understanding of seventeenth- and early eighteenth-century opera and cultural encounter.Each chapter focuses on different productions spearheaded by the Marqués in Madrid, Rome, and Naples during his lifetime, with the final chapter considering how his influence continued in operatic productions in Lima, Mexico City, and other regions of New Spain after his death. Alongside this portrait of the distinguish patron of the arts, Stein shows how conventions of musical dramaturgy for both private and commercial opera were developed within a consistent politics of production across the far-flung administrative centers of the Spanish empire in the years 1650-1730. She reveals the place of opera within the siglo de oro (Golden Age) of Hispanic theatre and delves deeply into how the Marqués became the principal patron of Alessandro Scarlatti in Italy after his time in Rome, sparking a reliable production system for Italian opera in Naples. Stein also addresses gendered performance-how beliefs about female fertility conditioned listeners and shaped the operatic genre-and advances the concept of the 'womanly voice' in the first extant Hispanic operas, the Italian operas produced in Naples between 1683 and 1687, and the first operas of the Americas from 1701 to 1730.…

- Hardcover
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Hardcover. Zustand: Brand New. 696 pages. 0.00x0.00x0.00 inches. In Stock.

- Hardcover
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- Hardcover
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- Hardcover
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- Hardcover
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Hardback. Zustand: New. Illustrated. This is the first comprehensive survey of seventeenth-century Spanish theatrical music to be written in any language. While particular aspects of the field have been explored before, no previous single study has succeeded in defining the place and function of music in the Spanish theatre, and the nature of the extant repertory. This book explains the development of the various musical-theatrical genres of the period (such as the semi-opera, opera, court plays), details the origins of the zarzuela, and looks at the anomalous production of three operas during the seventeenth century. It is based on a thorough study of the primary sources (musical sources, text of plays, archival documents), and the author combines history of music, history of theatre, politics and literary and musical anlysis to build a complete picture. In addition the book answers questions concerning the nature of the Spanish musical baroque and its relationship to European musical and theatrical developments. As such, it will be welcomed by musicologists, hispanists, students of Spanish culture, and historians of the arts and ideas.…

- Hardcover
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Zustand: New. This survey of 17th-century Spanish theatrical music explains the development of the various musical-theatrical genres of the period (such as the semi-opera, opera, court plays), details the origins of the zarzuela, and looks at the anomalous production of three operas during the 17th century. Series: Oxford Monographs on Music. Num Pages: 586 pages, halftones, tables. BIC Classification: 1DSE; 3JD; AVGC9. Category: (P) Professional & Vocational. Dimension: 241 x 166 x 39. Weight in Grams: 1123. . 1993. Illustrated. hardcover. . . . .…

- Hardcover
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Hardback. Zustand: New. Illustrated. This is the first comprehensive survey of seventeenth-century Spanish theatrical music to be written in any language. While particular aspects of the field have been explored before, no previous single study has succeeded in defining the place and function of music in the Spanish theatre, and the nature of the extant repertory. This book explains the development of the various musical-theatrical genres of the period (such as the semi-opera, opera, court plays), details the origins of the zarzuela, and looks at the anomalous production of three operas during the seventeenth century. It is based on a thorough study of the primary sources (musical sources, text of plays, archival documents), and the author combines history of music, history of theatre, politics and literary and musical anlysis to build a complete picture. In addition the book answers questions concerning the nature of the Spanish musical baroque and its relationship to European musical and theatrical developments. As such, it will be welcomed by musicologists, hispanists, students of Spanish culture, and historians of the arts and ideas.…

- Hardcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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EUR 508,73
EUR 9,35 VersandVersand innerhalb von USAAnzahl: Mehr als 20 verfügbar
Zustand: New. This survey of 17th-century Spanish theatrical music explains the development of the various musical-theatrical genres of the period (such as the semi-opera, opera, court plays), details the origins of the zarzuela, and looks at the anomalous production of three operas during the 17th century. Series: Oxford Monographs on Music. Num Pages: 586 pages, halftones, tables. BIC Classification: 1DSE; 3JD; AVGC9. Category: (P) Professional & Vocational. Dimension: 241 x 166 x 39. Weight in Grams: 1123. . 1993. Illustrated. hardcover. . . . . Books ship from the US and Ireland.…